cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Y.B. Agung Prasaja
Contact Email
jurnalparafrase@untag-sby.ac.id
Phone
+6281331550744
Journal Mail Official
jurnalparafrase@untag-sby.ac.id
Editorial Address
Fakultas Ilmu Budaya Universitas 17 Agustus 1945 Surabaya Jl. Semolowaru 45 Surabaya 60118 Indonesia
Location
Kota surabaya,
Jawa timur
INDONESIA
Parafrase: Jurnal Kajian Kebahasaan dan Kesastraan
Published by Universitas 17 Agustus 1945 Surabaya
ISSN : 14126206     EISSN : 25805886     DOI : https://doi.org/10.30996/parafrase.v23i1
Core Subject : Humanities, Education, Art,
Arts Humanities Languange, Linguistic, Communication & Media
Parafrase: Jurnal Kebahasaan dan Kesastraan is an international scientific journal which is devoted to social and humanity studies. Parafrase: Jurnal Kebahasaan dan Kesastraan is a double blind peer-reviewed international journal published online and in printed form. Parafrase: Jurnal Kebahasaan dan Kesastraan publishes original, previously unpublished research and opinion papers written in English. Paper topics include the following: Literature, Language, History, Philosophy, Arts, Cultural studies, and Anthropology.
Arjuna Subject : Seni dan Humaniora - Sastra dan Teori Sastra
Articles 275 Documents
 1   2   3   4   5 
REPRESENTASI MULTIKULTURALISME DALAM NOVEL MOBY DICK KARYA HERMAN MELVILLE Ambar Andayani; Endang Purbowati
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 16 No 01 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (338.573 KB) | DOI: 10.30996/parafrase.v16i01.678

Abstract

ABSTRACT. This study expresses reflection of Herman Melville’s point of view about multiculturalism in his novel, Moby Dick (1851). Five indicators of characteristic of multicultural literature applied as the base of this study are: varied and unique characters, admission of equality of all characters, authentic character’s social background, values of ancient treasure, and author as part of story. By expressive-hermeneutic approach, it can be concluded as followings. First, Moby Dick represents varied and unique characters. Second, Moby Dick represents admission of equality of all characters. Third, Moby Dick shows authentic social background of characters. Fourth, Moby Dick promotes values of ancient treasure, namely tradition and religion (Christian). Fifth, Moby Dick represents Melville’s involvement as part of story through character (Ishmael). Therefore, Moby Dick really represents multicultural values.Keywords: represent, multiculturalism, exspressive-hermeneutic approach, multicultural literature
REPRESENTASI RUANG DAN TOKOH PELACUR DALAM PROSA INDONESIA MODERN Dheny jatmiko
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 16 No 02 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v16i02.865

Abstract

This article discusses the representation of space and prostitute characters in Indonesianmodern prose. The data were taken from Bumi Manusia, Kembang Jepun, Perempuan Kembang Jepun,Kremil, and Existere. The discussion aims at reconstructing prostitution in Surabaya and analyzing theprostitution related to the social, economic, and political problems. Bumi Manusia portrays a prostitutionmanaged by a Chinese in the era of Dutch colonization. Kembang Jepun and Perempuan Kembang Jepuntaken the colonial time and Japanese occupation as the setting of the novels describes the relationshipbetween prostitution and political issues such as anti-colonial movements and independent struggle. InKremil whose setting is 1960s, one can read the relationship between prostitution and the tragedy of PKI(Indonesian Communist Party). Existere portrays the prostitution in Dolly.Key words: Representasi, Sastra Bandingan, Pelacuran, Surabaya
ESTETIKA, RETORIKA, DAN IDEOLOGI PENGARANG DALAM NOVEL NIJUUSHI NO HITOMI (DUA BELAS PASANG MATA) KARYA SAKAI TSUBOI (KAJIAN STILISTIKA) Novi andari; Khaira Imandiena Bahalwan
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 16 No 02 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (256.43 KB) | DOI: 10.30996/parafrase.v16i02.870

Abstract

Sakai Tsuboi was one the Japanese writers who won rewards. One of his works Nijuushi noHitomi won a lot of appreciation from its readers. In this novel, Tsuboi showed his ideology of passivismor the love for peace and anti-war. The language of Nijuushi no Hitomi succeeded in attracting readers’attention, emotion, and thoughts. There were relationships among the dictions, language style, rethorics,and these relationships did not reduce the writer’s esthetical sense toward the sociohistorical events.Keywords : Estetika, Retorika, Ideologi Pengarang, Gaya Bahasa
RATIONALISM IN PRASTARI’S MISTERI DELMAN MERAH JAMBU Mateus Rudi Supsiadji; Linusia Marsih
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 17 No 1 (2017)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (147.125 KB) | DOI: 10.30996/parafrase.v17i1.1356

Abstract

Abstract. This article explores rationalismin Prastari’s Misteri Delman Merah Jambu. Rationalism covers the idea that human beings can arrive at truth by using reason, rather than relying on past authority, religious institutions, or on intuition. In Prastari’s Misteri Delman Merah Jambu, rationalism is presented through the character Alva. In his reaction towards the prohibition for children under 15 to stay at home before 7 at the evening, Alva tries to discover the reason behind this prohibition. He does not believe in what other children believe that there is a supernatural power represented by Delman Merah Jambu (pink horse cart) rode by a beautiful lady in white clothes. The writer applied the qualitative confirmatory method in conducting the research. Key words: rationalism, supernatural power, reason
KAJIAN TEKNIK, METODE, IDEOLOGI PENERJEMAHAN PADA KOMIK BABY BLUES SIAGA SATU ANAK PERTAMA KARYA RICK KIRKMAN DAN JERRY SCOTT DAN PENGARUHNYA TERHADAP KUALITAS TERJEMAHAN Hosnol Wafa`; Indra Tjahyadi
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 17 No 1 (2017)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (231.441 KB) | DOI: 10.30996/parafrase.v17i1.1361

Abstract

Abstract. The objectives of this study are Analysis of techniques, methods, and ideologiesused by translator on translation form and function directive illocutionary of speech act and to assess the quality of translation form and function directive illocutionary of speech act used in bilingual comic Baby Blues siaga satu anak pertama from accuracy, acceptability, and readability of translation aspects. This research was a descriptive, qualitative, and embedded research of translation. The finding of this study shows; first, 273 data of directive illocutionary utterances applied 11 function, such as commanding, asking, asserting, inviting, requesting, ordering, advicing, suggesting, urgeing, rejecting, forbiding, recommending, reminding, and convinceing. Second, 273 data of directive illocutionary utterances analyzed, translation technique identified 248 data oriented to source language and 163 data oriented to target language. Thirth, concerning with translation quality of directive illocutionary speech act utterance in comic Baby Blues siaga satu anak pertama can be concluded that the translation is accurate. In this case is showed from 255 data constitute the translation accurate, 17 data less accurate, and 1 data not accurate, 254 data acceptability, 18 data less acceptability, and 1 data not acceptability, then 161 data high readability, 97 data medium readability, and 15 data low readability translation. Keywords: Directiveillocutionary, Techniques, Methods, Ideologies, Translation quality
DIKOTOMI “DUNIA LAMA” DAN DUNIA MODERN” DALAM PANDANGAN TOKOH REMAJA DALAM NOVEL MANDY HUBBARD PRADA AND PREJUDICE Ni Ketut Mirahayuni; Susie Chrismalia Garnida; Mateus Rudi Supsiadji
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 17 No 2 (2017)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (193.339 KB) | DOI: 10.30996/parafrase.v17i2.1368

Abstract

Abstract. This article deals with the characteristics of young adult literature and explores the dichotomy of two worlds in Mandy Hubbard’s Prada and Prejudice. The focus of analysis is the experience of Callie Montgomery during her school tour to London. She is an American senior high school student of the 21st century. She is popular as a bookworm and clumsy girl in her social relation with her mates of her age. Callie’s mysterious experience in which she enters an English society 200 years back after falling down when she was trying her new shoes of Prada’s brand for a recognition of her mates forced her to face a life of two different worlds separated by 200 years. The old world is represented by a society’s life in England in 1815. The new world is represented by the character’s introspection of the 21st life. The analysis discusses three aspects of the two worlds: physical, social, and spiritual world. There is also a discussion on the main character’s critical attitudes and her understanding on the differences of the two worlds, particularly on her own personality. Key words: young adult literature, personal identity, modern and old worlds
KRITIK TERHADAP NILAI PHALLOSENTRIS DALAM NOVEL SAMAN, LARUNG, DAN ANIME JUNJOU ROMANTICA: STUDI KOMPARATIF GENRE ‘SASTRA WANGI’ AND GENRE ‘YAOI’ Wawat Rahwati
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 17 No 2 (2017)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (278.893 KB) | DOI: 10.30996/parafrase.v17i2.1373

Abstract

Abstract. This paper discuss about gender and sexuality in popular literature by doing comparative studies of Indonesian literary works and Japanese literary works. In Indonesian literature, there is a genre called ‘sastra wangi’ (fragrant literature) that has emerged since Ayu Utami’s first novel Saman published in 1998 two weeks prior to Suharto’s fall, and in 2001 Ayu Utami’s next Larung was published. Those two novels represent the ‘sastra wangi’ genre. The label of ‘sastra wangi’ refers to somewhat disapproving term, because for the writer like Ayu Utami the freedom of expression is everyone’s right, including the discussing about sexuality. Meanwhile in Japanese literature and populer culture, there is a genre called ‘yaoi’ which illustrating a homesexual relation between male. ‘yaoi’ genre can be found at many artworks, such as manga, anime, novel, and film. The anime Junjou Romantica is one of the artwork represented the ‘yaoi’ genre. This paper is aim at showing how discourse in novel Saman, Larung, and anime Junjou Romantica are represented through the narration and character’s expression, are those the discourses express the ‘woman freedom’, and then are there any parallelism between ‘sastra wangi’ genre and ‘yaoi’ genre. By using comparative method with postructuralism feminist (postfeminism) perspective, it is found those novels Saman, Larung, and anime Junjou Romantica showing many discourses through portraying the character’s expression and thier narration. The discourses in novel Saman and Larung are conveying the criticism of phallocentris’values, such as denying a marriage's value and destabilizing heterosexual relation by doing free sex and homosexual attitude. From all the main character which portrayed in novel Saman, Larung, and Junjou Romantica, we can see the same discourses reveal the expression of woman freedom from male’s domination. Keyword: Yaoi genre, Fragrant literature, Junjou Romantica, Postfeminism
BODY IMAGE REFLECTED IN KELLY LOUISE GOING’S FAT KID RULES THE WORLD Sunahnik Fitauli; Linusia Marsih
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 01 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (171.351 KB) | DOI: 10.30996/parafrase.v18i01.1380

Abstract

Abstract. This study discusses about body image undergone by a seventeen year old boy named Troy, the main character in K. L. Going’s novel Fat Kid Rules the World. The study focuses on Troy’s perception of his body. Qualitative research is applied in this study due to the fact that this study provides understanding into the problems through description. In addition, psychological approach is employed as this study deals with the psychological motivation of the main character in the novel. From the analysis it is found that Troy has negative body image which consists of three areas, namely belief in being heavy, belief in look, and feeling about how people regard his physical structure and look. His negative body image is caused by his negative thoughts and feelings about the size of his body which he believes is huge and ugly so that people always look at him and make fun of his size. Based on the analysis it can be concluded that negative body image could be avoided by developing positive thought and feeling about one’s body . One should not value oneself on the basis of physical appearance but on the basis of achievement. Keywords: body image, perception, Fat Kid Rules the World
UJI COBA PEMANFAATAN KAMUS BAHASA JEPANG PARIWISATA GUNA MENINGKATKAN PEMAHAMAN KOSAKATA BAGI PRAMUWISATA DI BALI Ni Wayan Meidariani; Ni Luh Gede Meilantari
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 18 No 01 (2018)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (227.724 KB) | DOI: 10.30996/parafrase.v18i01.1385

Abstract

Abstract. The there is a big need of labours in tourism, trour beaurues, and hotel sectors in Bali, particularly those who are able to speak Japanese due to the fact that many Japanese tourits are interested in visiting Bali. However, the most of current tourist guides who speak Japanese acquire their Japanese from non formal education, such as from reading books or listening materials they gain by themselves. This, in turn, effect on their performance which cannot be done maximally in their service to the Japanese toruists, particularly due to their lack of vocabulary building. This condition has stimulated for a research to be conducted which produces an outcome ina form of dictionary. The entry of the Japanese words were collected through direct observation in field when there were conversations between Japanese tourits and their guieds or tour leaders or information staff. This reseach is a continuation whose goal is to evaluate its acceptance and the evaluation is conducted by experts and people work on tourism sector. The research applied descriptive qualitative method. The reseach resulted in a development product of a Japanese dictionary draft. This draft was evaluated by people majoring the Japanese language and users of the dictionary,that is people running tourism sector. Questionairs were handed out to the toruist guides in Bali to collect their feedback on the dictionary and its role in increasing their vocabulary on tourism. The result shows that the dictionary is useful to enrich their vocabulary building. It can be read from the positive responses since 30% of the words in the dictionary cannot be understood their use in context. This means that the dictionary increases their knowledge of Japanee words of tourism. Key words: dictionary, vocabulary, tourism practionist, Japanese language
SPEECH ACTS USED IN HUMOR MECHANISM IN THE BRITISH COMEDY TV SERIES “MIND YOUR LANGUAGE” Maslakhatin .
PARAFRASE : Jurnal Kajian Kebahasaan & Kesastraan Vol 15 No 02 (2016)
Publisher : Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/parafrase.v15i02.566

Abstract

Abstract. Artikel ini membahas hasil penelitian tentang jenis tindak tutur yang terdapat dalam humor. Penelitian menggunakan teori tindak tutur Austin teori Searle pada lima kelas makro tindak tutur (yaitu lokusioneri, ilokusi, dan tindakan perlokusi), teori Raskin tentang faktor-faktor yang berkontribusi bagi tindak tutur humor serta teori Taflinger tentang enam elemen yang diperlukan untuk menciptakan kelucuan. Penelitian ini menggunakan metode deskriptif kualitatif dengan fokus pada pendekatan analisis wacana karena data dalam bentuk kata-kata atau ujaran. Data berupa ujaran dalam sebuah serial TV komedi Inggris “Mind Your Language.” Temuan penelitian meliputi empat macam tindak tutur lima kelas makro yang mengandung humor berdasarkan teori Seale, kecuali deklarasi yang tidak ditemukan dalam penelitian ini. Di antara tiga jenis tindak tutur, ilokusi memainkan peran paling penting untuk mengetahui niat pembicara untuk menciptakan humor. Humor dapat terjadi karena kesalahpahaman akibat perbedaan antara ilokusi dan perlokusi, salah ucapan, dan kesalahan tata bahasa.Keywords: humor, locutionary, illocutionary, perlocutionary, speech acts

Page 3 of 28 | Total Record : 275

 1   2   3   4   5 

Filter by Year

2008 2025


Reset
Filter By Issues
All Issue Vol 25 No 1 (2025): Parafrase Vol. 25 No. 1 Mei, 2025 Vol 24 No 2 (2024): Parafrase Vol. 24 No. 2 Oktober, 2024 Vol 24 No 1 (2024): Parafrase Vol. 24 No. 1 Mei, 2024 Vol 23 No 2 (2023): Parafrase Vol. 23 No. 2 Oktober, 2023 Vol 23 No 1 (2023): Parafrase Vol. 23 No. 1, Mei 2023 Vol 22 No 2 (2022): Parafrase Vol. 22 No. 2, Oktober 2022 Vol 22 No 1 (2022): Parafrase Vol. 22 No. 1, Mei 2022 Vol 21 No 2 (2021): Parafrase Vol. 21 No. 2 (2021) Vol 21 No 1 (2021) Vol. 20 No. 2 (2020) Vol 20 No 2 (2020) Vol 20 No 1 (2020) Vol 19 No 2 (2019) Vol 19 No 1 (2019) Vol 18 No 01 (2018) Vol 18 No 2 (2018) Vol 17 No 2 (2017) Vol 17 No 1 (2017) Vol 16 No 02 (2016) Vol 16 No 01 (2016) Vol 15 No 02 (2016) Vol 15 No 01 (2015) Vol 14 No 02 (2014) Vol 14 No 01 (2014) Vol 13 No 02 (2013) Vol 13 No 01 (2013) Vol 12 No 02 (2012) Vol 12 No 01 (2012) Vol 11 No 02 (2011) Vol 11 No 01 (2011) Vol 10 No 02 (2010) Vol 10 No 01 (2010) Vol 9 No 02 (2009) Vol 9 No 01 (2009) Vol 8 No 02 (2008) Vol 8 No 01 (2008) More Issue