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<![CDATA[Pendidikan feminis dalam novel Putri Kalingga karya Wibawa Wibidharma ]]>
<![CDATA[Wiyatmi, Wiyatmi]]>;
<![CDATA[Sudiati, Sudiati]]>;
<![CDATA[Artanti, Yeni]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.939
<![CDATA[Putri Kalingga [Princess Kalingga] is one of the literary works that deals with feminist education issues, especially in the Ancient Mataram Era (7th century). The novel revolves around Shima, the daughter of the Kalingga Kingdom who received religious education at Sutha Vihara and martial arts at Kalingga Kingdom. This research aims to understand the educational process that Shima in studying Buddhism, and various kinds of knowledge and skills in playing with weapons. Qualitative feminist methods are used to analysed data from the novel Putri Kalingga by Wibawa Wibidharma (2022). The results showed that feminist education had been implemented in the Kingdom of Kalingga (7th century). There were two models of feminist education in the Kalingga Kingdom era, namely private education and education in dormitories (vihara). Private education was given by parents (rishi and mpu) to their daughters, which included various kinds of knowledge, using weapons and self-defense. In the dormitory, women were trained to become nuns, studying religion (Buddhism), law, leadership and trade, as well as self-defense. This education prepares women to play important roles in society.]]>
<![CDATA[Orientalism discourse reversal in Budi Darma’s Tarom short story ]]>
<![CDATA[Waluyo, Isnan]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.940
<![CDATA[This paper aims to examine the short story Tarom by Budi Darma with theoretical knife of orientalism. The method in this study uses descriptive qualitative. The data collection technique uses the close-reading method, while the analysis technique uses the dialectical method. Edward Said’s Orientalism as a formal object and Budi Darma’s short story Tarom published by Kompas newspaper is a material object. The results of study suggest that, first, there is a polarization of ‘West’ and ‘East’ which is represented by the characters in the short story. The West in this case is depicted Germany and the East shown is Japan. Second, it does not only describe the polarization of the West and the East, but also shows the discourse of resistance. Through the depiction of the Tarom character, this short story shows the existence of a Western body with Easten thoughts. Thus, the short story Tarom displays a narrative of reversal of the Orientalism discourse.]]>
<![CDATA[Pengajaran apresiasi sastra Indonesia di perguruan tinggi terbuka dan jarak jauh ]]>
<![CDATA[Rusyana, Enang]]>;
<![CDATA[Prakoso, Teguh]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.941
<![CDATA[Teaching literature equips learners with the knowledge and skills of appreciating literary works. Learners are expected to be able to feel and enjoy the beauty of literary works. Teaching literary appreciation still experiences obstacles due to limited time allocation and teacher skills. Such constraints occur in face-to-face teaching of literature appreciation, and are likely to occur in open and distance learning. It is very interesting to study considering that teachers and students in open and distance learning do not meet face-to-face in the classroom. This article describes the teaching of Indonesian literature appreciation in open and distance education. The method used is descriptive qualitative. Data were collected from the subject matter books of PBIN 4213 Poetry, PBIN 4217 Drama, and PBIN 4219 Teaching Literary Appreciation, as well as archives of their teaching implementation at the Universitas Terbuka. The teaching materials from the three subject matter books were analyzed and juxtaposed with the teaching process delivered through asynchronous online tutorials. The results of the analysis show that teaching Indonesian literature appreciation can be implemented in open and distance universities through online tutorials.]]>
<![CDATA[Puisi media penanaman nilai-nilai karakter: suatu kajian ekologi sastra ]]>
<![CDATA[Muliadi, Muliadi]]>;
<![CDATA[Firman, Firman]]>;
<![CDATA[Rabiah, Sitti]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.943
<![CDATA[Ecological literature is an approach or method used to understand the relationship between ecology and literature. Literature connects human life with the surrounding natural environment. The focus of the study is how literature parses its environment so that it can be a concern for its readers that the natural environment is an ecosystem for human life so that it needs to be maintained and or preserved. The poems that are the object of study in this research are poems that have ecological literary nuances. The ecological literature referred to in this study is poetry that talks about the sea. The sea as a vast source of livelihood, so the poet is interested in writing in his work so that readers understand about the sea as one of the ecosystems that is very urgent in the life of mankind in the universe or on this planet earth. To reveal the character values of the selected poems, an ecological approach to literature is used.]]>
<![CDATA[Etnis Cina pada novel Di Kaki Bukit Cibalak karya Ahmad Tohari: representasi gagasan tentang keselarasan hidup ]]>
<![CDATA[Prakoso, Teguh]]>;
<![CDATA[Rusyana, Enang]]>;
<![CDATA[Khasanah, Venus]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.945
<![CDATA[The purpose this article is to obtain a representation of the idea of Chinese ethnic assimilation as a form of life harmony in the novel Di Kaki Bukit Cibalak (DKBC) based on the author's worldview. This article is qualitative research with descriptive analysis and a literary sociology approach based on Goldmann's genetic structuralism theory, Lotman's semiotics, and Mukařovskŷ backpack's literary aesthetics. In addition to finding the author's worldview, the text of DKBC is also seen as a dynamic aesthetic object. The primary data source is the novel DKBC by Ahmad Tohari; the secondary data source is articles and some reference literature related to diversity and harmonization. The stages of analysis were carried out using the first-level semiotic reading (heuristic) and continued with the second-level semiotic reading (hermeneutic). The results show an effort to build diversity and harmonization through blending, leading to life harmony. The emergence of Mulyani's perspective, which is different from her mother's in the novel DKBC, represents the complex and heterogeneous side of human life. The assimilation of ethnic Chinese is an important message about diversity and heterogeneity in Ahmad Tohari's novels. In such a context, the harmony of life represents ideas that the author voices well.]]>
<![CDATA[Mitos masyarakat terhadap ritual di Candi Songgoriti sebagai warisan pengetahuan budaya lokal ]]>
<![CDATA[Sulistyorini, Dwi]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.946
<![CDATA[This research aims to reveal the community's treatment of the Songgoriti temple and the grave of its founder, the rituals carried out at the Songgoriti temple and the grave of Mbah Patok along with the offerings and their meaning. This type of research is field research, a descriptive method with a qualitative approach. The research data consists of the behavior of people with beliefs and rituals at the Songgoriti temple and Mbah Patok's grave. Data sources were obtained from informants, events, and documents. Data collection techniques using observation, interviews, and document study. The collected data was analyzed using mythological theory. Every Legi Friday night at Soggoriti Temple and Mbah Patok's grave, 'sajen' and 'cok bakal' are offered and cleaned as a form of respect. The rituals carried out by the people in these two places include the ritual of asking for blessings, the ritual on the 1st of Sura, the village cleansing ritual, and the ritual of self-purification. Projection of the use of rituals for the younger generation as knowledge of local wisdom inherited from ancestors, as social learning and transmission of social heritage from one generation to the next, and inheritance of morals and ethics.]]>
<![CDATA[Eksplorasi tradisi melengkan dalam pernikahan adat Gayo di Aceh Tengah ]]>
<![CDATA[Razali, Razali]]>;
<![CDATA[Sundana, Lina]]>;
<![CDATA[Ramli, Ramli]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.947
<![CDATA[This research aims to reveal the tradition of “melengengan” in the context of Gayo ethnic weddings in Central Aceh. The method used in this research is qualitative with a descriptive approach. Data was collected through in-depth interviews, participant observation and literature study. The findings of this research describe the process of implementing the “melengengan” tradition in Gayo ethnic wedding ceremonies, as well as identifying the meaning and important role of this tradition in Gayo ethnic culture and society. The role of the “melengengan” tradition in Gayo tribal culture is very important because it is one of the main pillars in maintaining and preserving their culture. In the midst of globalization and modernization, preserving this tradition is crucial in maintaining the identity and values of the Gayo tribe. The tradition of bowing is not only a symbol of marriage, but also a symbol of togetherness, honor, and solidarity among the Gayo ethnic community.]]>
<![CDATA[Menilik laut Bali dalam sajak Malam Pengantin di Pesisir Serangan karya Wayan Sunarta ]]>
<![CDATA[Eirenne Pridari Sinsya Dewi]]>;
<![CDATA[Putra, Ida Bagus Gede Dharma]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.948
<![CDATA[Bali is an island that always attracts tourists with its beauty. This natural beauty makes Bali always succeed as an interesting topic to discuss. Apart from its natural beauty, poetry about Bali is also interesting to research. “Malam Pengantin di Pesisir Serangan” is a poem that explains the condition of Serangan Beach in 1997. This poem, created by Wayan Sunarta, tries to express environmental criticism firmly through the choice of diction. The social criticism in this poem describes two interesting things to study, namely Serangan Beach with its naturalness and Serangan Beach with its modernity. This research uses Riffaterre’s semiotic theory by focusing on the process of interpreting poetry in heuristic and hermeneutic reading. Heuristic reading is the first stage of reading in understanding poetry. At this stage, the poem is read following the rules of the language. After that, hermeneutic reading, namely the process of interpreting poetry using literary conventions.]]>
<![CDATA[Dimensi religiositas dalam Kandan Dayak Siang ]]>
<![CDATA[Poerwadi, Petrus]]>;
<![CDATA[Yusnia, Yusnia]]>
<![CDATA[ Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No Sp.Iss (2024) ]]>
Publisher : <![CDATA[Universitas Mulawarman ]]>
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DOI: 10.30872/diglosia.v7iSp.Iss.949
<![CDATA[This research aims to describe the dimensions of religiosity contained in Kandan Nawui Bojah. These dimensions of religiosity include (1) the ideology/belief dimension, (2) the practice dimension of worship, (3) the experience dimension, (4) the dimension of religious knowledge, and (5) the consequence dimension contained. In Kandan Nawui Bojah/Beas, there is an ideological dimension in the form of a view that acknowledges the truth that through the sown rice, they can communicate and convey messages to their sangiang or ancestors. The dimensions of worship practices in Kandan Nawui Bojah can be seen in the rituals carried out by the Dayak Siang community. They practice worship by sowing rice (bojah tawui). The Experience Dimension in Kandan Bojah Nawui is seen in the experience or perception that padi or rice has long been promised to humans that it will support humans. The dimension of religious knowledge in Kandan can be seen in knowledge about the ritual of nawui bojah or sowing rice. Community religious knowledge regarding the ritual of nawui bojah, or sowing rice, is absolute and must be believed by Kaharingan followers. The consequence dimension contained in Nawui Bojah's kandan explains the consequences that occur if someone wastes rice.]]>
