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INDONESIA
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
Arjuna Subject : -
Articles 452 Documents
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Analisis Karya Lukis Berjudul “Kakak dan Adik” Berdasarkan Sudut Pandang De Witt H. Parker Ricky, Yusnita Nur; Dawami, Angga Kusuma
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.3737

Abstract

The object of this research is the painting entitled “Kakak dan Adik” by Basuki Abdullah. To obtain theoretical results, the analysis is carried out by applying an aesthetic approach using the aesthetic form theory proposed by DeWitt H. Parker. This analysis is carried out with the aim of knowing the concepts or ideas and meanings that shape the beauty of the object used, the color chosen, and overall messages to be conveyed through this painting. These beauty can be seen through six principles regarding aesthetic forms in works of art, namely: The principle of Organic unity, the priciple of theme, the principle of thematic variation, the principle of balance, the principle of evolution, and the principle of hierarchy. Then from the use of these six principles, it was found that every element in the painting “Kakak dan Adik” indeed contains the values of beauty. That things can be seen from how these elements need each other in explaining the overall meaning of empathy for compassion and humanity. This feeling emerged when the painter was in a frenzy of social change which was the impact of changes in the nation’s economis system at that time.
PENYUSUNAN ENSIKLOPEDIA BIDANG SENI LUKIS KLASIK, SENI UKIR, DAN TEKSTIL DI BALI Setem, Wayan; Mudana, I Wayan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 2 (2021): Brikolase Desember
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i2.3763

Abstract

Artikel ini merupakan hasil riset bertujuan untuk mendeskripsikan leksikon yang rangkuman informasi beragam  terkait istilah-istilah seni rupa bidang seni lukis klasik wayang Kamasan, seni ukir, dan tekstil di Bali. Adapun sebagai sub-sistem, seni lukis klasik wayang Kamasan, seni ukir, dan tekstil mengandung berbagai unsur saling berkait yakni   konsep keindahan yang menjadi arahan, teknik yang dicari, disebarkan dan dikembangkan untuk memberi bentuk kepada konsep-konsep keindahan, ada seniman/pengerajian  yang mengelola pembuatan karya, penularan keahlian, teknik, fungsi, makna, dan peristiwa kesejarahan.  Teori yang digunakan adalah linguistik struktural, leksikologi dan leksikografi. Metode pengumpulan data yang digunakan dalam penelitian ini yakni metode kajian pustaka, wawancara, dan lawatan sejarah yang dilanjutkan dengan  teknik pencatatan. Dalam metode analisis data pemilihan elemen penentu dengan teknik korelasional dilanjutkan teknik analisis induktif dan deduktif. Hasil dari penelitian ini menunjukkan adanya leksikon khas yang digunakan oleh seniman/pengerajin seni lukis klasik wayang Kamasan, seni ukir, dan tekstil di Bali.  Leksikon tersebut terdiri dari tiga katagori, yakni alat dan bahan, proses pembuatan, dan estetika. Leksikon ketiga bidang seni rupa tersebut juga memiliki dua katagori fungsi yakni sebagai pemberian nama dan sebagai proses pembuatan. Begitu juga pada ragam penggambaran/motif memiliki nilai budaya berdemensi vertikal (religi dan kepercayaan) serta nilai budaya berdemensi horisontal meliputi nilai tradisi, nilai perasaan dan kedamaian, berorientasi alam, nilai kesejahteraan, dan nilai sosial.  
DESAIN KOMIK DIGITAL CERITA RAKYAT DESA ARJOWILANGUN Amelia, Prisca; Purwaningsih, Harijati
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 2 (2021): Brikolase Desember
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i2.3829

Abstract

Indonesia adalah negara dengan banyak kebudayaan, salah satunya adalah cerita rakyat. Banyak cara untuk melestarikan cerita rakyat dengan menarik minat generasi muda, salah satunya adalah cerita rakyat tersebut dijadikan sebuah komik. Salah satunya adalah dengan mengangkat kisah cerita rakyat dari Desa Arjowilangun, Malang. Di zaman yang semakin maju, penggunaan gawai kian meningkat pesat, dengan memanfaatkan gawai maka pelestarian cerita rakyat lebih mudah. Diciptakannya sebuah komik dalam bentuk digital agar mudah membaca, mengakses dan menyebarkannya lebih muda.            Untuk menciptakan komik digital, dilakukan metode kualitatif untuk mendapatkan sumber data. Metode kualitatif mudah menemukan hasil data yang sesuai dengan keinginan peneliti, karena dengan menjabarkannya secara rinci. Untuk mendapatkan data yang sesuai, dilakukan pengumpulan data dengan cara wawancara warga di Desa Arjowilangun, observasi di sekitar desa, dan dokumentasi. Setelah mendapatkan data maka dilakukan analisis data, maka digunakannya analisis SWOT agar dapat ditemukan kelebihan dan kekurangan dalam pembuatan komik digital mengenai Desa Arjowilangun.            Hasil perancangan ini berupa komik digital dengan mengangkat budaya yang ada di Desa Arjowilangun. Karya ini menampilkan budaya dengan Desa Arjowilangun pada masa awal mula terbentuknya Desa Arjowilangun dengan penggunaan warna, typografi dan latar belakang yang sesuai dengan Desa Arjowilangun. Perancangan ini berupa komik digital, dengan media pendukung yaitu buku, kaos, pin dan stiker, yang diharapkan  dapat memberi suatu bentuk edukasi mengenai Desa Arjowilangun.
KAJIAN SOSIAL KARYA SENI KRIYA KAYU DI DESA MULYOHARJO KABUPATEN JEPARA Yusuf, Suharto; Pambudi, Fivin Bagus Septiya
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 2 (2021): Brikolase Desember
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i2.3916

Abstract

The development of handicrafts in Indonesia is now experiencing such a rapid pace, especially those oriented to various modern technological facilities lately. Accompanying all human needs that are passive and have an active function, furniture or household furniture products are the main choice in various worlds of property today, both domestically and abroad. The relationship between craft art and several aspects that must be met shows the existence of a problematic in its embodiment. This is probably not realized by the kriyawan who appear instantly and oriented to a market. It's the same with craftsmen in Mulyoharjo Village, although there are those who have the idea of working through an artistic instinct and become unconventional craft craftsmen in their social community.
PEWARNAAN MENGGUNAKAN ZAT WARNA DIREK DENGAN PENGENTAL DALAM PEMBUATAN ’KAIN TRITIK santoso, ratna endah; Josef, Adji Isworo; Affanti, Tiwi Bina; -, Sarwono -; Utami, Lira Anundita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 1 (2022): Brikolase Juli 2022
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i1.3938

Abstract

This research was conducted to create a method for dyeing trick using Direct dyestuff. The developed coloring is staining using thickener but not used through printing. The study is concentrated on the results of the dyeing process on tricks with Direct dyestuff with thickener. The method used is descriptive qualitative in the discussion of the coloring results. From the results of this study, it was found that dyeing with Direct dyestuff using a thickener in the manufacture of tritik fabric produced tritik motifs. The sharpness of the resulting motif varies at each level of thickener concentration. The thickener concentrations used in this study were 5 g/l, 20 g/l, 35 g/l, 50 g/l, 65 g/l, and 80 g/l, for every 1 liter of dye solution. With a low thickener concentration, the tritik motif looks less sharp, the color aging is higher, and the staining results look more even. The unevenness that arises due to the use of high concentrations of thickener is seen to form a marble-like pattern. The sharpness of the resulting motif in this staining does not always correspond to the high concentration of the thickener. Variations in the non-sharpness of the colored motifs can also appear on one piece of tritik fabric that is produced.
PENGGUNAAN JUMPUTAN , TRITIK DALAM UPACARA ADAT DI SURAKARTA sarwono, sarwono -; Josef, Adji Isworo; Affanti, Tiwi Bina; Santoso, Ratna Endah; Wahyuningsih, Novita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 2 (2021): Brikolase Desember
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i2.3940

Abstract

ABSTRACTThe Javanese society has a harmony concept which has become an interesting tradition part in live. The Javanese people, especially  the Surakarta society, have a belief in the world philosophy (universe), consisting of the great universe ( macrocosmos) and small universe ( microcosmos). The microcosmos cannot be separated from the great macrocosmos which must be kept its harmony with  their lives, so the ritual elements of the small universe. Therefore, the art isi always connected with their lives, so the ritual elements consist in the traditional art. The art has three functions known in Javanese society, that is for a ritual purpose and a show purpose with entertaining characteristics for the inner satisfaction in the society. Moreover, the traditional artwhich is formed in the usage art, like the custom clothes, tools / instruments, ornaments and others functioning as ritual purposes, have definitely had the important value symbols in the society, or as the tools to support the ritual implementation in the society.The art of Tritik and Jumputan craft also contains the teachings of ethics and aesthetics in the form of visual appearances and symbolism of life which can basically lead humans to perfection and true identity.Keywords: Jumputan,Tritik, The custom ceremony, traditional  ABSTRAKMasyarakat Jawa memiliki konsep keselarasan yang merupakan bagian tradisi yang penting dalam kehidupan. Orang Jawa, khususnya masyarakat Surakarta memiliki keyakinan dalam pandangan dunia (jagat), yang terdiri dari jagat gede (makrokosmos) dan jagat cilik (mikrokosmos). Mikrokosmos menjadi yang tidak terpisahkan dengan makrokosmos yang harus dijaga keselarasannya dengan unsur-unsur jagat cilik. Oleh sebab itu, seni selalu dikaitkan dengan kehidupannya, sehingga unsur ritual terdapat dalam seni tradisional. Kesenian memiliki tiga fungsi yang dikenal dalam masyarakat Jawa, yaitu untuk tujuan ritual, untuk tujuan tontonan yang bersifat entertaintment kepuasan batin dalam masyarakat. Apalagi kesenian tradisional yang berbentuk seni pakai, seperti pakaian adat, peralatan, hiasan, dan sebagainya dalam fungsinya sebagai kepentingan ritual, sudah barang tentu memiliki simbol-simbol yang bernilai dalam masyarakat, ataupun sebagai sarana untuk mendukung pelaksanaan ritual dalam masyarakat. Seni kerajinan tritik dan jumputan ini juga termuat ajaran etika dan keindahan yang berbentuk  penampilan visual dan simbolisme hidup yang pada dasarnya dapat menuntun manusia menuju kesempurnaan dan jati diri yang sejati.Kata kunci : Jumputan, Tritik, Pakaian Adat, Tradisional
Peningkatan Teknik Pounding Terinspirasi Happa-Zome dalam Kegiatan Pembuatan Tekstil Ramah Lingkungan di PPSA “Taruna Yodha” Sukoharjo Affanti, Tiwi Bina; Santoso, Ratna Endah; Sarwono, Sarwono -; Josef, Adji Isworo; Utami, Lira Anindita
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 15 No. 1 (2023)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v15i1.3941

Abstract

This community service is carried out with the participation of PPSA “Taruna Yodha” children-in-care, in Sukoharjo, Central Java. By creation of textile products, the activity that incorporates an eco-friendly production process inspired by the Japanese Happa-zome technique (manual leaf-printing decoration technique) is chosen and improved for motivating environmental awareness while strengthening the entrepreneurial capacity of the beneficiaries. The service program is conducted by (in)direct presentation and mentoring, a participatory and iterative process from the beginning to the end. Within the program, design survey activity in the form of exploring the potential of nature is to be involved for introducing the surrounding natural environment while collecting leaf material. The results are; (1) Providing environmental awareness for beneficiaries through textile-making, (2) Happa-zome technique for interior textile product development, (3) Entrepreneurial program covering story-making and on-line marketing strategy
SENI DALAM DIMENSI EKOLOGI: PERAN INSAN SENI DALAM ADVOKASI ISU LINGKUNGAN Anggrian, Mayang; Iksan, Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.3964

Abstract

Art and its crosses in ecological areas have the opportunity and potential to help advocate environmental issues in the community. However, the art of ecology and advocacy about it has not been done by many artists. Even artwork and environmental advocacy are less popular and desirable in the art ecosystem because it doesn’t intersect with the practical economy of artists. In fact, referring to the increasingly critical global ecological situation, it is currently necessary to make sustainable efforts to build community eco consciousness. This research then questioned about the motives of art activist doing artwork with environmental theme, as well as their role in advocating environmental issues in society. Furthermore, this research also examines how the impact of artistic work with the environmental theme on the surrounding community. This is interesting because the various environmental advocacy efforts that have been caried out by these artist have been responded to by various dynamics in society, and it can be seen if people of the arts can play a unique role in environmental advocacy. In the end the qualitative descriptive method used in this study found a number of certain pattern about the motivation, role, and impact of environmental art work that has been carried out by artists in the local community. Based on this research environmental advocacy and artistic work have become a catalyst for the appreciation of eco-consciousness of the surrounding community. The position of the arts is quite strategic as agent of change.
PENCIPTAAN DESAIN BUSANA ANDROGINI SEBAGAI INOVASI INDUSTRI BATIK MASARAN SRAGEN Handayani, Endang Sri; Munir, M Fachrul; Choiri, Rhochimatul
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.3965

Abstract

Creating androgyny fashion is one of innovation to developt industry of Batik Masaran. The high of market demand that already bored with the monoton patern shirt made the researcher want to make new androgyny fashion design that combinated with Batik Masaran. The innovation of androgyny style can be apply on any gender and any situation. Creating androgyny fashion design is using theory of art creation by Gustami that include three methods, there are exploration, design, and implementation. On the exploration step, the researcher made an idea research in many source, and then on design step there is procces for looking best design that will materialization as artwork. On the implementation step, there is few step including making illustration mode, making fashion pattern, cutting the fabric, and sewing.  
TEKNIK GREEN SCREEN DALAM PENGEMBANGAN VIDEO PEMBELAJARAN PRAKTIKUM KEILMUAN SENI RUPA DAN DESAIN DI ERA PANDEMI COVID-19 Ardianto, Deny Tri; ilIsma, Anugrah Irfan; Wicaksono, Arif Ranu; Mataram, Sayid; Herlambang, Rudy Wicaksono
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 13 No. 2 (2021): Brikolase Desember
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v13i2.3991

Abstract

Revolusi industri 4.0 membawa perubahan pada bidang teknologi informasi. Manusia yang semakin akrab dengan teknologi menghasilkan kebudayaan digital. Perkembangan tersebut berdampak pada kemunculan era disrupsi yang memerlukan sikap adaptif untuk mengikutinya. Pandemi Covid 19 yang memiliki efek secara global, menyebabkan lebih banyak tuntutan untuk beradaptasi karena terjadi beragam perubahan pola dalam kehidupan. Salah satu tuntutan tersebut terjadi dalam dunia pendidikan yang memiliki kendala dalam berkomunikasi antara pendidik dan peserta didik. Hal ini memunculkan permasalahan mengenai bagaimana pendidik menyikapi fenomena online learning dalam mengembangkan media ajar berbasis video. Sebagai alternatif solusi dari permasalahan tersebut, yaitu dengan menciptakan media ajar video menggunakan teknik green screen yang diunggah melalui kanal-kanal video.

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