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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

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Upaya Pelestarian Musik Talempong Pacik di Kecamatan Koto XI Tarusan Kabupaten Pesisir Selatan Jeni Martha Wuri; Wimbrayardi Wimbrayardi; Marzam Marzam
SENDRATASIK UNP Vol 4, No 1 (2015)
Publisher : FBS Universitas Negeri Padang

Abtract This research was conducted to reveal and describe the efforts done to preserve Talempong Pacik traditional art in Koto XI Tarusan Kabupaten Pesisir Selatan. The object of the research was Talempong Pacik traditional art in Koto XI Tarusan. Talempong Pacik was chosen as the object of the research as this traditional art is almost exinct. This was a qualitatif research. The data were gathered through interview, obsevation and documentation. The instrument of the research was the reseacher herself as the key instrument. The data were selected, presented and verified. The result of the research indicated that there were some efforts were done by the people in Koto XI Tarusan to preserve Talempong Pacik. The efforts were done by establishing an art group, recruiting new members, and carring out regular training once a week in Koto XI Tarusan Kabupaten Pesisir Selatan. Keywords: Pelestarian, Talempong Pacik.

PELESTARIAN TARI SIKATUNTUANG DI SANGGAR TARI MANDUGO OMBAK DI KELURAHAN IBUH KECAMATAN PAYAKUMBUH BARAT KOTA PAYAKUMBUH Shalsa Bila Ivanka; Desfiarni Desfiarni; Darmawati Darmawati
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

Abstract This study aimed to reveal and describe the conservation efforts of the Sikatuntuang Dance at Mandugo Ombak Dance Studio in Ibuh Village, West Payakumbuh Subdistrict, Payakumbuh City. The type of this research was qualitative research with descriptive method inorder to understand a deeper phenomenon. The object of this research wasSkatuntuang Dance in Mandugo Ombak Dance Studio in Ibuh Village, West Payakumbuh Subdistrict, Payakumbuh City. The research instrumentswere the researcher herself whowas assisted by tools such as recording devices, stationery, and a list of interview questions. Data collection techniques in this research were done through library study, observation, interviews and documentation. In this study, the data obtained in the field from the results of observations, interviews, recordings and photographs, then described and arranged in the form of scientific research in the form of an undergraduate thesis. The results showed that the effort to preserve the Sikatuntuang Dance was performed by the Mandugo Ombak Dance Studio through modern teaching methods by means of training and dissemination. The modern way wasdoing regular training of Sikatuntuang Dance at the Mandugo Ombakstudio. Dance practice wasdone three times in a week that were every Friday, Saturday and Sunday at 16.00 to 18.00 P.M. The taught materials, were; a) information, knowledge, introduction, cultural values inculcating from Sikatuntuang Dance, b) the practice of Sikatuntuang Dance.Furthermore, the dissemination was carried out by the Tari Sikatuntuang appearance in various events, such as Tari Sikatuntuang in the Gonjong Limo event in Bandung in 1996, performing at the guest reception in Payakumbuh in 1997, at Padang Cultural Park in 2010, at the opening ceremony of The Singkarak Tour in Jakarta in 2011. In 2015, the Sikatuntuang Dance became one of the traditional art training objects from Japanese visits to the Mandugo Ombak Dance Studio. Moreover, Sikatuntang dance was also performed at the graduation ceremony at Andalas University in 2015 and at wedding events. Keywords: Preservation, Dance, Sikatuntuang, Mandugo Ombak.

Koreografi Tari Piring Di Ateh Karambie Di Kanagarian Payo Kelurahan Tanah Garam Kecamatan Lubuk Sikarah Kota Solok Maharani Maharani; Herlinda Mansyur
SENDRATASIK UNP Vol 9, No 2 (2020)
Publisher : FBS Universitas Negeri Padang

This study aims to reveal and describe the choreography of a dance called Tari Piring Diateh Karambie in Kanagarian Payo, Tanah Garam Village, Lubuk Sikarah District, Solok City. This research is a qualitative research using descriptive method. The main instrument of this research was the researcher itself and was assisted by supporting instruments such as writing instruments and voice recorders. This research used primary and secondary data. The data were through literature study, observation, interviews, and documentation. The data analysis was conducted by collecting the data, reducing the data, presentation the data, and making conclusions. The results show that Tari Piring Diateh Karambie a is a traditional dance using a choreographic approach, and it is cultivated by raising the life of nature and the people of Nagari Payo. This dance has been around since 1995. Tari Piring Diateh Karambie uses elements of dance composition consisting of: 7 types of movement, simple floor pattern, top design, music, dramatic design, dynamic, theme, composition, group, and equipment. The movement of Tari Piring Diateh Karambie comes from a combination of Nagari Payo and Simawang. The movements and floor patterns used by dancers have fulfilled the elements of the dance composition. There is also music to accompany the dance movement so that it makes the dance alive as well as it complements the dance. The equipment used also gives the nuance to the dance so that it is not monotonous. In addition, the group choreography shows high social values and depicts the nature around Nagari Payo

Aransemen Musik Sekolah Dengan Judul “Rumah Kita” Lily Juwita; Erfan Erfan; Irdhan Epria Darma Putra
SENDRATASIK UNP Vol 8, No 1 (2019)
Publisher : FBS Universitas Negeri Padang

This artwork aims to express an idea that is poured through music performances in the form of music arrangement. In this song, arranger worked in the form of school music arrangement. The band Combo at SMK N 7 Padang corresponds to the ability of ensembles studied by students. Here arranger arranged song our house is played with some vocal music accompaniment, keyboard, bass, guitar, drums. The arransemen in this piece of music contains lyrics that explain that as bad and cruel as any of this country we must remain grateful and devoted to the homeland. By building new things through some development techniques such as reps, modulation, Augmentsi, diminution, arpeggio and various other techniques without changing the essence of the song of our house. Arransemen song popularized by one of the Indonesian rock band Goodbles with the title song "Rumah Kita" played by students of SMK Negeri 7 Padang. The Arransemen is played by 6 people with vocal formations, guitars, keyboards, bass and drums.

PENERAPAN METODE TUTOR SEBAYA PADA PEMBELAJARAN SENI MUSIK DI SMAN 4 MUARA BUNGO Sri Wahyuni; Tulus Handra Kadir; Jagar Lumban Toruan
SENDRATASIK UNP Vol 2, No 1 (2013): Seri B
Publisher : FBS Universitas Negeri Padang

Abstract The aim of this research was to reveal the implementation of peer-tutoring method in arts and Music learning process at SMAN 4 Muara Bungo. This was an applied research in which in this research the research the researcher applied per-tutoring method by using qualitative method. This method was suited to the learning materials of the semester. The result of the research indicated that the application of peer-tutoring method in Rangkayo Hitam song especially those related to legato, cengkok, and vibration technique could improve the students’ learning achievement. The improvement could be seen from their average score which was above the minimum standard score (SKM) 71. Kata kunci: Siswa, kemandirian, tutor sebaya, bernyanyi, hasil belajar

BENTUK PENYAJIAN KESENIAN REOG PONOROGO DI JORONG KOTO AGUNG NAGARI SUNGAI DUO KECAMATAN SITIUNG KABUPATEN DHARMASRAYA Nika Suryanti; Darmawati Darmawati; Desfiarni Desfiarni
SENDRATASIK UNP Vol 6, No 1 (2017)
Publisher : FBS Universitas Negeri Padang

AbstrackThe purpose of this research was to describe the Presentation Form of Reog Ponorogo in Jorong Koto Agung Nagari Sungai Duo Sitiung District, Dharmasraya Regency. This was a qualitative research which used descriptive method. This method could fulfill, reveal and document the ways which were used to obtain data in the field. The object of the research was Reog Ponorogo in Jorong Koto Agung Nagari Sungai Duo Sitiung District, Dharmasraya Regency. The instrument of this research was the researcher assisted by stationery and camera. The data were collected by conducting literature study, observation, interview and documentation. The technique of data analysis was the technique of primary data tabulation that was initiated by the fieldwork process to the stage of identifying data in formal themes which were equipped with secondary data. The result of this research was that the presentation form of Reog Ponorogo was non representative. It was seen through the elements of dance presentation that is motion, dancer, floor pattern, music, costume, makeup, property, time and place of the performance. The presentation form of Reog Ponorogo in Jorong Koto Agung Nagari Sungai Duo has 3 forms of dance including Jathilan, Bujang Ganong and Singo Barong. Keywords: Reog Ponorogo and Jorong Koto Agung Nagari Sungai Duo.

PENGGUNAAN NOTASI BALOK DALAM KEGIATAN ESTRAKURIKULER PADUAN SUARA DI SMA NEGERI 8 PADANG Nando Iqrak Tolanda; Yensharti Yensharti; Esy Maestro
SENDRATASIK UNP Vol 7, No 2 (2018)
Publisher : FBS Universitas Negeri Padang

This article aims to describe the use of beam notation in choir extracurricular activities at SMA Negeri 8 Padang. This type of research was a qualitative research with a descriptive approach. Data were collected through literature studies, interviews and observation and training. The instruments of this research were the researcher himself with the help of other instruments such as notebooks and stationery, photo / cell phone cameras and song scores. This research was begun with the design, implementation, evaluation, and provided materials on beam notation and choirs as well as material on vocal techniques such as breathing exercises, intonation, and articulation to students in accordance with this study.The results of the study found that choir extracurricular activities at SMA Negeri 8 Padang had been going well. It was evidenced by the ability of participants to read rang talui song by using beam notation in the basic tone of D major. Students also have been able to read rang talu songs according to the type of sound that has been shared, namely soprano and alto in the basic tone of D major. Therefore, the activities implemented in this study have achieved good success rates. Keywords: the use of notation beams, extracurricular choral

Revitalisasi Silek Sunua Dalam Masyarakat Korong Koto Tinggi Kanagarian Gunuang Padang Alai Kabupaten Padang Pariaman Suci Okta Rahmadani; Indrayuda Indrayuda
SENDRATASIK UNP Vol 9, No 4 (2020)
Publisher : FBS Universitas Negeri Padang

The background of this research is the loss of one of arts in Korong Koto Tinggi, namely Silek Sunua. This research aims to revitalize Silek Sunua in Korong Koto Tinggi community, Gunuang Padang Alai village, Padang Pariaman regency. The method used was descriptive analysis with a qualitative form. The types of data in this study were primary and secondary data. The main instrument was the researcher itself. The data were collected through literature study, observation, interview, and documentation. The data analysis was conducted by using interpretation technique so that the truth can be obtained. The results of this study are efforts made to revitalize Silek Sunua. The efforts area ctivity excavation and re-activation as well as organization and socializat ionstructuring in Korong Koto Tinggi. Activity excavation and re-activation are done by holding back the Silek Sunua training and having organizational structuring torearrange the structure of the organization. Furthermore, the socialization is to reintroduce Silek Sunua to the community and the younger generation in Korong Koto Tinggi.

STUDI ESTETIKA TARI PIRIANG MALUNYAH DI DESA SIGINTIR KECAMATAN SUNGAI PAGU KABUPATEN SOLOK SELATAN Ayulia Marentika; Darmawati Darmawati; Desfiarni Desfiarni
SENDRATASIK UNP Vol 2, No 1 (2013): Seri E
Publisher : FBS Universitas Negeri Padang

Absract This research is aimet to descripbe the estetical study of piriang malunyah dance in sigintir,sungai pagu regency, solok selatan.the research are primary and secondary data. The technigue of data collections are references from the library, observation, interview, and documentation. From the result, it is found thet the shaperg of piriang malunyah dance are in the from, and the arrangenent of its movement it is also found that there is an idea of farmers activity in the society in piriang malunyah dance. Kata kunci : Estetika, Tari Piriang Malunyah

BENTUK PENYAJIAN GENDANG SERUNAI DALAM UPACARA PESTA PERKAWINAN DI SUNGAI GUNTUNG KECAMATAN KATEMAN KABUPATEN INDRAGIRI HILIR Prayuni Amanda Putri; Wimbrayardi Wimbrayardi; Yos Sudarman
SENDRATASIK UNP Vol 7, No 3 (2018)
Publisher : FBS Universitas Negeri Padang

AbstrakThis reseach aims at finding out and describe about “Gendang Serunai” in wedding ceremonies at Sungai Guntung, Indragiri Hilir. This qualitative research applied the descriptive analysis method. The object was the performing art of “Gendang Serunai”. Data were obtained from library study, observation, interview, and documentation. They were later analyzed qualitatively.The research result shows that “Gendang Serunaiis performed as a collaboretive ensamble of Gendang Serunai, and Gong. It is also accompanied with ythe performances of martial art and the “Inai Dance”. During the performance, the players of Gendang sit face to face. The Serunai player sits at the back of ythe Gendang Jantan player and the Gong player sits at the back of the Gendang Betina players. There are two processions of “Gendang Serunai” in wedding ceremonies. The first in as an opening performance with the martial are while the second one is as the main performance with gthe dance. “Gendang Serunai” is usually performed at wedding and welcoming ceremonies. Keywords: Bentuk Presentation Form, Drums, Wedding Ceremonies

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Sumatera barat

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Home Page

OAI Link

Editorial Team

Contact

Reviewer

Google Scholar

Contact Name Hengki Armez Hidayat

Contact Email hengkiarmez@fbs.unp.ac.id

Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

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Abstract

Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA