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Jurnal Sendratasik

sendratasik
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Published by Universitas Negeri Padang

ISSN : - EISSN : 23023201 DOI : 10.24036

Core Subject : Science, Education, Art, Social,

Arts Education Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Social Sciences

Jurnal Sendratasik diterbitkan 4 (empat) kali pada bulan S Maret, Juni, September, dan December denganmemuat artikel / artikel penelitian di bidang musik, tari, dan drama serta pembelajarannya. Memuat teks yang dihasilkan oleh kelompok penyunting, naskah yang digunakan adalah naskah yang lolos dan tidak pernah / tidak akan pindah ke jurnal lain. Jurnal Sendratasik menerima naskah yang memberikan wawasan tentang isu-isu terkini, dan terutama berhubungan dengan studi Seni Pertunjukan dan Pembelajarannya(Seni Drama, Tari dan Musik) dengan menyebar luaskan pengetahuan di bidang-bidang yang muncul dan berkembang. Hasil riset, terdiri dari laporan ilmiah yang meningkatkan pengetahuan tentang seni secara umum, seni pertunjukan, dan pendidikan seni. Baik dalam bentuk artikel yang melaporkan hasil studi penelitian kuantitatif atau kualitatif. Artikel secara konseptual harus relevan untuk memajukan Seni Pertunjukan dan Pembelajarannya, menyajikan teori tentang seni, model, posisi filosofis, dll. Artikel juga dapat mengacu pada teori-teori ataupun materi- materi yang dikembangkan dalam praktik dan pendidikan seni pertunjukan. Bahasa naskah yang dikirimkan dalam bahasa Indonesia. Harus membahas tentang masalah serta kontribusi baru yang signifikan untuk bidang praktik dan pendidikan seni pertunjukan. Artikel dapat berasal dari salah satu bidang berikut: - Drama - Tari - Musik dan / atau Musik Tradisional - dan Pembelajarannya

Arjuna Subject : Seni dan Humaniora - Seni Visual dan Seni Pertunjukan

Articles 820 Documents

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GAYA TARI PASOMBAHAN KREASI DI KECAMATAN BANGKINANG KOTA KABUPATEN KAMPAR PROVINSI RIAU Meizul Ofriananda; Herlinda Mansyur; Indrayuda Indrayuda
SENDRATASIK UNP Vol 5, No 2 (2016)
Publisher : FBS Universitas Negeri Padang

Abstract This research aims to find out and describe the styles of the Pasombahan Kreasi* dance at Bangkinang Kota Municipality Kampar Regency Riau Province. The design of the research was qualitative by using the descriptive method which included observation, interview, and documentation. First, the researcher did the observation and interview various sources of information. Later, he examined the documents about related data and information in the field. The research was done at Bangkinang Kota Municipality Kampar Regency Riau Province.The result of analysis shows that there are four styles in the Pasombahan* dance. First, the hands, feet, and head are dominantly in motion for each move and the body moves along with the motion of the hands or feet. They can be seen in the moves of sepok*, ulu limpiong*, gletek*, klenjek*, punte tali bowuok*, elo somba*, and sombah*. Second, the moves dominantly go to the front direction such as in the moves of sepok, punte tali bowuok, elo somba and sombah. The moves, later, go along with the body like in the moves of ulu limpiong, gletek, and klenjek. Third, the rhythm of the dance is in count of 1×8 such as in the moves of sepok, ulu limpiong, gletek, klenjek, punte tali bowuok, and elo somba. Meanwhile, the rhythm in the move of sombah is in the count of 2×8. Four, the quality of the moves in the dance is determined by space, time, and power. The space in the moves of sepok, klenjek, elo sombah, and sombah is a direct and big space. Meanwhile, the space in the moves of ulu limpiong, gletek, and punte tali bowuok is an indirect and big space. In term of time, it is done continuously in the moves of sepok, ulu limpiong, and klenjek while it is done suddenly in the moves of gletek, punte tali bowuok, and sombah. In the move of elo sombah, it is done directly. Finally, in term of power, the moves of sepok and gletek are done in big power while the moves of ulu lipiong, klenjek, punte tali bowuok, elo somba, and sombah are done in light power. Those results show that the styles in the Pasombahan dance are the combination of Minangkabau martial art dance and Bangkinang-Malay version.Keywords: Style. Dance. Pasombahan. Creation

PEMBELAJARAN SENI BUDAYA DAN KETERAMPILAN DENGAN KOMPETENSI DASAR MENYANYIKAN LAGU SECARA UNISONO PADA SISWA KELAS V DI SDN 09 AIR TAWAR BARAT Ramadanti, Retno; Lumbantoruan, Jagar; Hadi, Harisnal
SENDRATASIK UNP Vol 8, No 2 (2019): Seri A Desember 2019
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i2.106576

AbstractÂ The article aims to find out and describe the implementation of learning cultural arts and skills, especially learning music in SDN 09 Air Tawar Barat. The type of research was qualitative with using descriptive analysis methods. The object of research was the students and the teacher of grade V in SD Negeri 09 Air Tawar Barat. Data was obtained through several steps such as observation, interview, documentation, and literature study. The fact in learning, especially singing unisono in SD Negeri 09 Air Tawar Barat that the teacher still too focuses on the lecture method, the teacher needs to develop the exploration process by providing information about intonation, breathing, posture and expression in unisono singing firstly, elaboration in the form of building agreements through cooperative, collaboration and confirmation activity in the form of motivating and strengthening learning for the achievement of learning outcomes. The teacher does not have a careful planning, learning strategies, approaches and methods that have not been effective yet. The ability of students in singing unisono are still below average, this is due to the lack of guided exercises conducted by the teacher so that the students who have good musical talent become less thrive.Â Keywords: cultural arts skill, basic competence, Unisono

Manajemen Seni Pertunjukan Di Sanggar Puti Limo Jurai Kota Bukittinggi Tiaranti Dwi Pradita; Darmawati Darmawati; Herlinda Mansyur
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

The research aims to describe the Management of the performing arts in the workshop of Puti Limo Jurai Bukittinggi. Type of this research is descriptive research using qualitative methods. The main instrument in this study is the researchers themselves and supporting instruments such as assisted with writing instruments and cameras. The type of the data in the research is the primary data and secondary data. Engineering data collection done by the study of librarianship, observation/observation, interview and documentation. Technique of data analysis performed with the measures include: the reduction of the data, the presentation of data, conclusions and make a report. The results showed that Sangar Puti Limo Jurai still retain cultural values in the performing arts. As an organization that is engaged in the arts with a democratic system, where all the decisions taken based on the results of the mutual agreement. All the process is carried out by management as good as possible. System performance or the workings of the organization performing arts at Sanggar Puti Limo Jurai belongs to the semi professional performing arts organizations because the Sanggar Puti Limo has been working with the Kings ' management approach, both in terms of function or process. In terms of personal profession, and the members of the Sanggar Puti Limo Emblem also has a profession other than the workers of art. But in terms of their ethics remain subject to rules that have been set.

PEWARISAN TARI GANDANG DI NAGARI PAUH IX KECAMATAN KURANJI KOTA PADANG Indri Mayangsari; Indrayuda Indrayuda; Afifah Asriati
SENDRATASIK UNP Vol 1, No 1 (2012): Seri C
Publisher : FBS Universitas Negeri Padang

This article aims to reveal and describe Inheritance Gandang Dance in Nagari Pauh District IX Kuranji Padang. This research is descriptive qualitative research method. Object of this study is on the Gandang Dance Pauh IX Kecamatan Kuranji Nagari Padang. Datas were collected through literature study, observation, interview and documentation. Data analysis was performed based on the ethnographic techniques. The findings of the research states that dance is a traditional dance Gandang in District IX Kuranji Pauh Nagari Padang, grow and flourish in the martial arts that exist in Nagari Pauh IX, precisely in the Katapiang area. In the development of dance Gandang had improvement in inheritance aspects. At the beginning of the growth of dance in Nagari Pauh Gandang IX, closed systems are more likely inheritance, through ties of blood and kinship. While the present when entering the 1975’s, has grown inheritance system tend to be closed that system through blood ties and kinship to open systems by learning from teacher to student in traditional self defence arts goals.

Upaya Penanaman Nilai Karakter Dalam Pembelajaran Musik Di SMP Negeri 18 Padang Sari Rahmadany; Yuliasma Yuliasma
SENDRATASIK UNP Vol 10, No 1 (2021)
Publisher : FBS Universitas Negeri Padang

This research aims to find out and describe the efforts of planting character values in music art learning at SMP N 18 Padang. This type of research is qualitative research with descriptive methods. The research object is grade VII-1 students and cultural arts teachers of SMP Negeri 18 Padang. The instruments in this study are the researchers themselves and the researchers assisted with supporting instruments such as stationery, mobile phones, and laptops. Research data collection techniques are interviews, observations and documentation. And the steps to analysis the data are data reduction, data collection, verification and conclusion. The results showed that in music learning ensembles the student's confidence character improved judging by the effect of his-confidence character namely, disciplined, creative, independent, responsible and evidenced by student indicators in collecting tasks on time, students diligently asking questions, answering and expressing opinions on the learning process, students doing their own tasks without imitating others, and taking group exercises. The teacher's efforts in instilling character values are appropriate enough to see some points of mulyasa theory that researchers make teacher benchmarks in an effort to instill character values, among others by giving opportunities to students, instilling moral values in learning, monitoring student work, motivating students and using varied media. The efforts that teachers make to cultivate character values through approaches to students and familiarize the character values that are expected according to the competency standards of graduates in daily life.

TARI NUGAL DI DESA TANJUNG KUPANG KECAMATAN TEBING TINGGI KABUPATEN EMPAT LAWANG: TINJAUAN KOREOGRAFI Ukie Winaranti; Indrayuda Indrayuda; Desfiarni Desfiarni
SENDRATASIK UNP Vol 3, No 1 (2014): Seri A
Publisher : FBS Universitas Negeri Padang

ABSTRACT This article aimed at figuring out and describing that the Nugal dance was a creation dance made by using the choreography approach. The desigh of this research was descriptive qualitative research. The object of the research was the Nugal dance at Desa Tanjung Kupang Kecamatan Tebing Tinggi Kabupaten Empat Lawang. Data were obtained from the library study, observation, interview, and documentation. It was found that there were elements of choreography in the Nugal dance. They were the dancers, the movements, the top and floor designs, the group compositions, the costumes, the dance accompaniments, and the ideas and settings of the dance as well as the dance patterns which were seen from the movements and the expressions of the dancers. As a result, the creator of the dance made the dance by using the choreography planning because the dance derived from the farming activities of the society which was also known as Nugal. The dance idea started from the traditional dance called the Kekok dance. New movements were then created into a new form of dance. Keywords : Choreography, and the Nugal Dance.

PENGGUNAAN METODE DEMONSTRASI DALAM PEMBELAJARAN MUSIK DAERAH SETEMPAT (MINANGKABAU) DI KELAS X IPA 1 SMA N 1 BUKITTINGGI Vinny Aprilina; Irdhan Epria Darma Putra; Yos Sudarman
SENDRATASIK UNP Vol 7, No 1 (2018)
Publisher : FBS Universitas Negeri Padang

AbstractThis article was aimed to find out 1)how to use demonstration methodin local music learning especially talempong in class X IPA SMAN 1 Bukittinggi, 2) how students' ability in playing talempong with the right tempo and tone. Type of the research was qualitative. The source of data were divided into two, they were primary and secondary. Technique of data collection was done by using some methods by taking observation, interview and documentation. Technique of data analysis was carried out based on Miles and Huberman’s theory namely data reduction, presentation and verification. Result of the research showed that the use of demonstration method used by teachers was appropiate as it should be, i.e. teachers gave example and guided the students well, it meant that the method has already worked. For the Students' ability in playing talempong, there were 19 students got 90 (52.8%), and 17 of students got 60 (47.2%). So it could be said that only 19 of students were able to play talempong withgood and right. Keywords: Usage, Demonstration Method, Local Music Learning (Minangkabau)

Perkembangan Musik Talempong Duduak Di Sanggar Seni Puti Tungga Kabupaten Dharmasraya Shelvy Alvionita; Esy Maestro
SENDRATASIK UNP Vol 9, No 1 (2020)
Publisher : FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jsu.v8i3.108145

The tradition of talempong music has been hereditary into a part of the Minangkabau social life. In its journey, traditional art has been in contact with the sharing of symptoms that develop in the life of a dynamic society, based on it, there also emerged the genre of talempong creation in the Minangkabau region. Puti Tunggastudioplays talempong with the type of talempong duduak (diatonic). The form of the talempong duduak performance is usually combined with several modern instruments such as electric guitar, sexophone, drums and also other traditional Minangkabau musical instruments. The purpose of this study is to analyze the development of talempong duduak music at Puti Tungga Studio in Dharmasraya Regency. Type of this research was qualitative with using a descriptive analysis approach. The object of this research was Talempong in the Pulau Punjung sub-district, Dharmasraya Regency. Techniques of data collection were done by using library studies, observations, interviews and documentation. Efforts that are done by Puti Tungga Studio for the development of the Talempong Duduak are such as gathering members, training in a week and being active in the appearance of the Talempong Duduak in Dharmasraya. There are several obstacles found by Puti Tungga Studio in developing the Talempong Duduak , such as the players who often change because of their busy activities, the higher flow of modern music and the high interest of the society towards modern music. The development and preservation of the Talempong Duduak musical instrument currently needs to be done by socializing to the wider society, especially the younger generation through the Department of Education by incorporating traditional art knowledge both in theory and practice into the curriculum through elementary school to senior high school level.

Peranan Tari Pagar Pengantin Dalam Pesta Pernikahan Masyarakat Di Bayung Lencir Silviana Silviana; Afifah Asriati; Desfiarni Desfiarni
SENDRATASIK UNP Vol 8, No 3 (2019)
Publisher : FBS Universitas Negeri Padang

Research using descriptive methods. The research instrument was the researchers herself and assisted with supporting instruments such as stationeries, photo camera and DSLR camera. The types of data in this study were primary and secondary data. The techniques of data collection were observation, interview, and documentation. In analyzing This article aimed to find out the Role of Pagar Pengantin Dance in the Environment of the Bayung Lincir District. The type of this research was qualitative the data, there were several stages, namely, data reduction and data presentation. The results showed that the Pagar Pengantin dance in the Bayung Lencir district was only performed at weddings. Pagar Pengantin dance performed at weddings had a role as a release of single age. As related to the appearance of, the bride must join in as a dancer and dance with four bride fence dancers. This dance must be pulled in front of the aisle seat because this dance must be witnessed by the groom who aimed to protect the dancing bride. Married brides are no longer permitted to dance except with permission from their husbands because the symbols from the trays used by the bride's stand are likened to houses where married women have restrictions. Pagar Pengantin Dance is a dance that means separation between the bride and her family to form a new family, and this dance also symbolizes the meaning of the union of two different families into one.

PEMBELAJARAN MUSIK ENSAMBEL REKORDER DENGAN METODE LATIHAN DI SMP NEGERI 05 KOTA PANGKALPINANG Kusdiarsari Kusdiarsari; Ardipal Ardipal; Syahrel Syahrel
SENDRATASIK UNP Vol 2, No 3 (2013): Seri A
Publisher : FBS Universitas Negeri Padang

Abstract The aim of this research is describe the study of ensambel music recorder in using training method in SMP Negeri 05 kota Pangkalpinang. This research can be categorized as qualitative research. The way of collection data of this research used observation step through learning process. The way analysis of the data in this research using qualitative research and describing the data. The result from all of the steps in this study can be briefed that learning ensambel music recorder using practise method in SMP Negeri 05 kota Pangkalpinang in the class VIII b is good, it means that practise method can increase the result of study in playing music ensambel music recorder in class VIII b in SMP Negeri 05 kota Pangkalpinang. Kata kunci: Pembelajaran, Rekorder, ensambel, musik, latihan

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Hengki Armez Hidayat

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Sumatera barat

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Home Page

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Editorial Team

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Contact Name Hengki Armez Hidayat

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Phone +6281363124849

Journal Mail Official sendratasikfbsunp21@gmail.com

Editorial Address Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location Kota padang, Sumatera barat INDONESIA

Abstract

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Contact Name
Hengki Armez Hidayat

Contact Email
hengkiarmez@fbs.unp.ac.id

Phone
+6281363124849

Journal Mail Official
sendratasikfbsunp21@gmail.com

Editorial Address
Jurusan Sendratasik FBS Universitas Negeri Padang Jl. Belibis Air Tawar Padang 25171

Location
Kota padang,

Sumatera barat

INDONESIA