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Bricolage : Jurnal Magister Ilmu Komunikasi
Published by Universitas Bunda Mulia
ISSN : 25020935     EISSN : 26156423     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Social Sciences
Jurnal Magister Ilmu Komunikasi is an academic journal published twice annually (June-December) by Department of Communication in Master Degree of Universitas Bunda Mulia. This journal publishes original researches in multi concepts, theories, perspectives, paradigms and methodologies on postmodernism in communications studies perspective. Focus of Bricolage : Jurnal Magister Ilmu Komunikasi is posmodernism in communication studies perspective and the scope of journal (but not limited to) are: (1) Corporate Communication; (2) Marketing & Tourism Communication; (3) Media Studies; (4) Cultural Studies; (5) Feminism Studies; and (6) Philosophy of Communication.
Arjuna Subject : -
Articles 226 Documents
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From sadness to anger: Public perception over Covid-19 news coverage in Indonesia Sita Winiawati Dewi; Albertus Magnus Prestianta; Utami Diah Kusumawati
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3090

Abstract

The Covid-19 pandemic has driven up news media consumption worldwide. However, the concomitant rise of misinformation and disinformation has disrupted the dissemination of verified information, particularly in the digital media. The role of the press has been challenged. This research aims to measure the public perception of Covid-19 reporting in Indonesia and how the public responds to the news. This research processes data using text analysis and cross-tabulation to understand the pattern and correlation between variables. Most respondents agree that the media has done a good job in reporting on Covid-19 and distributing the information to the public, with few leaning towards a more neutral tone. However, social media ranks first as the most popular platform to search for Covid-19-related information, followed by online media and television. Despite the generally positive assessment over the role of media and the quality of Covid-19 reporting during the pandemic, most respondents limit the amount of time they spend on and the quantity of Covid-19-related news they consume as they experience sadness, loneliness, and disappointment.
Pembentukan identitas dan mobilisasi gerakan virtual organisasi Gaya Nusantara Dendy Muris; Grace Heidy Jane Amanda Wattimena
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3214

Abstract

Salah satu dampak dari meningkatnya penggunaan teknologi informasi di ranah publik seperti internet adalah meningkatnya peran warga dalam gerakan sosial. Setiap organisasi menggunakan internet dengan cara yang berbeda dan juga melalui fase yang berbeda. Sebagai pelopor organisasi gay di Indonesia, GAYa NUSANTARA (GN) menggunakan situs web untuk mempublikasikan gerakannya. Struktur peluang politik organisasi dalam membangun identitas dan penggunaan internet dalam gerakan organisasi virtual dapat diperiksa melalui interaksi tiga set variabel: karakteristik organisasi, kemudian ketersediaan sumber daya; dan persepsi organisasi tentang peluang internet. Untuk itu, penelitian ini hendak meneliti bagaimana penggunaan internet oleh organisasi GN dalam membangun identitas organisasi dan memobilisasi gerakan organisasi apakah penggunaan internet membawa kontribusi dalam pembentukan identitas organisasi terutama dibanding dengan penggunaan cara tradisional (non internet). Penelitian ini dilakukan dengan teknik wawancara kepada pengurus GN dan juga observasi pada situs web GN dan dilengkapi dengan studi kepustakaan. Hasil penelitian menunjukkan bahwa penggunaan internet di GN berdampak pada kapasitas organisasi untuk membangun identitas dan penggunaan internet di GN mempengaruhi mobilisasi gerakan secara virtual, namun berdampak secara terbatas. 
Counter hegemonic representation of Islamic media in Indonesia on death penalty issue Yuri Alfrin Aladdin; Soraya Fadhal; Joshua Fernando
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3232

Abstract

During the first two years of Jokowi-Jusuf Kalla Government (2014-2015) in Indonesia, precisely 18 death row inmates who were guilty of drugs had been executed. The government believed that death penalty is the effective solution to overcome the high rate of narcotics crime. It becomes an interesting case due to the pressure of hegemony of the European Union over the government of Indonesia. One of the major national media in Indonesia, namely Republika.co.id, supports the implementation of death penalty. This studied aims to reveal the counter-hegemonic representation of Republika.co.id in opposing the hegemony of the EU related to the issue of Human Rights, particularly death penalty. This study applied Critical Discourse Analysis by Norman Fairclough and critical theory of Hegemony by Antonio Gramsci. The result shown that Republika represents counter-hegemonic in its reporting since it rejects the EU’s attitude considered to impose its standard principles of human rights on Indonesia.
Sarkasme figur politik di media sosial Radita Gora; Lasmery R. M. Girsang
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3223

Abstract

Sosok figur Megawati sudah dikenal sebagai putri dari mantan Presiden Soekarno dan juga pernah menjabat sebagai Presiden RI kelima. Meski sosoknya dikenal pernah berkontribusi sebagai kepala negara dan juga Ketua Umum PDIP, namun tidak lepas begitu saja dari perundungan dan ujaran kebencian melalui media sosial terutama ketika baru diangkat sebagai Dewan Pengarah BRIN yang memunculkan budaya komunikasi negatif di media digital. Sehingga melalui permasalahan ini, penulis bertujuan menemukan budaya komunikasi negatif yang muncul di media sosial. Melalui Computer Media Communication Theory, penulis berupaya untuk menemukan penggunaan bahasa dan komunikasi dari netizen, serta menggunakan pendekatan etnografi virtual untuk menganalisis penggunaan bahasa dan tuturan di media sosial. Hasil penelitian menunjukkan bahwasanya berbagai macam spekulasi, sarkasme diutarakan dengan bahasa dan kalimat yang non lugas atau kerap tersamar dengan gaya sindiran, gaya satire hingga penggunaan bahasa-bahasa yang biasa digunakan dalam ritme bahasa komputer.Hal ini terlihat pada penggunaan netspeak dan netlinggo seperti penggunan bahasa ‘kekinian’ hingga penggunaan bahasa lelucon satire yang biasa diutarakan dengan teks virtual di media sosial, kemudian menggunakan kata-kata akronim dalam mengutarakan pesan. Serta, klasifikasi audiens yang paling banyak berkomentar adalah klasifikasi tourists dan juga devotee, namun lebih banyak untuk memberikan kritik bersifat oposisional dan seperti berpihak memperjuangkan kepentingan maupun lembaga riset sehingga audiens terlihat tidak banyak memiliki pengetahuan tentang lembaga riset dan hanya memperhatikan sosok Megawati yang kontroversial. Sebagai kesimpulan ditemukan bahwa bentuk sarkasme yang diutarakan lebih banyak spekulasi atau anggapan, maupun justifikasi bahwa pemilihan Dewan Pengawas BRIN sarat dengan kepentingan politik dan juga upaya mempertahankan kekuasaan di pemerintahan.
In the eyes of men: Analysis of men first impression formation on Tinder Gerson Ralph Manuel Kho
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3235

Abstract

Do not judge the book by its cover. As good as it may sound, it is almost impossible to do so. As inquisitive human nature, we judge people based on what we see on them; the first time we meet them. Even though we did that many times and every time we meet someone new, the research in the field of first impression is little in numbers if we are about to compare within the field of communication science. On top of that, with the development of communication technology, people are seeking someone new as a potential life partner through virtual space. This research employed a qualitative approach to seeking the answer about "how men form a first impression based on a still photograph?". The data in the form of an interview, analyzed using four fundamental concepts of communication: verbal cues, non-verbal cues, information gathering and formation, and lastly, the concept of culture. The result shows that there are several aspects that men emphasize on to make the first impression through a photograph. 1. Facial Features, 2. Existence of makeup, 3. Accessories, 4. Body proportion. Furthermore, specific facial features such as eyes, lips, etc. They are proven to be the most important factor that men use to judge. Cultural values are used as a means of interpretation of the information they could get.
Representasi Cinderella complex pada sinetron Ikatan Cinta Robi'ah Machtumah Malayati; Sayidah Afyatul Masruroh
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3066

Abstract

Studi ini mendeskripsikan tentang bagaimana representasi sinetron Ikatan Cinta yang diproduksi oleh MNC Pictures yang meraih TV rating (TVR) hingga 14,8 dan TV sharing (TVS) hingga 51,5 persen. Angka tersebut tercatat sebagai capaian rating dan share program sinetron televisi tertinggi sepanjang pesinetronan di Indonesia. Yang artinya hampir separoh warga negara Indonesia menyalakan televisi pada jam tayang prime time sinetron Ikatan Cinta. Setidaknya ada tiga alasan mengapa sinetron tersebut menjadi menarik untuk diteliti. Pertama, Ikatan Cinta digemari sebagai tontonan televisi di saat penetrasi televisi mulai tergeser oleh youtube dan media sosial lainnya. Kedua, Ikatan Cinta mendapatkan banyak pujian sebagai sinetron berkualitas, di tengah sinetron Indonesia yang dinilai tidak bermutu. Ketiga, Ikatan Cinta menjadi hiburan saat warga berada dalam tekanan Pandemi Covid 19. Studi ini menggunakan pendekatan kualitatif deskriptif, dengan teori representasi Stuart Hall untuk menggambar bagaimana media dalam hal ini produser menggambarkan atau mencitrakan suatu objek sinetron untuk meraih penonton sebanyak-banyaknya. Melalui analisa data hasil rekam, observasi dari mencuplik (sampling) episode-episode sinetron sebagai sample penelitian, diperoleh hasil bahwa terdapat adegan-adegan Cinderella Compleks pada sinetron Ikatan Cinta yang menjadi daya pikat penonton. Cinderella compleks merupakan  sindrom yang menurut Collete Dowling hampir dimiliki oleh setiap wanita, yaitu sebuah sindrom keengganan wanita untuk mandiri dan mengharapkan perlindungan dan pertolongan dari sosok pria idaman yang lebih superior darinya. Cinderella Complex oleh Collete Dowling dalam hal ini akan menjadi landasan konseptual untuk menggambarkan dan menjawab fokus penelitian sinetron Ikatan Cinta bisa mendapatkan rating dan sharing tertinggi sepanjang sejarah sinetron Indonesia.
Social construction of technology (SCoT) from generation X’s shopping experiences to omnichannel as new way of shopping Irvan Permana; Karina Gan
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3338

Abstract

Omnichannel is considered a new way of shopping that integrates online and offline methods to offer seamless shopping experiences. Omnichannel requires consumers adaptation to use the internet, mobile devices, and social media as tools for seamless shopping experiences. Based on 2021 YouGov’s report on omnichannel retail, 83% of Indonesians already used dual channels to shop, including generation X. How does generation X accept omnichannel and its technology as a new way of shopping? Using Social Construction of Technology (SCoT) theory, generation X is positioned as a relevant social group, and their interpretative flexibility on how they give meaning to omnichannel as a new way of shopping will be analyzed; followed by understanding their closure or common agreement towards webrooming, showrooming, buying online pick-up in store, and buying online return in-store as the attributes of omnichannel; then finally analyzing their stabilization in accepting omnichannel as a new way of shopping. Using the interpretative phenomenological analysis, this research was conducted by interviewing generation X to understand their acceptance of omnichannel. The results of this research show that generation X has no hesitation to omnichannel, but they saw it as additional services rather than integration of seamless shopping experiences.
Perempuan dan perilaku berkelanjutan dalam komunitas online pecinta barang lokal Krisna Murti; Raden Ayu Wulantari; Nurly Meilinda; Anang Dwi Santoso
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 8, No 2 (2022): Accredited by Kemenristekdikti RI SK No. 36/E/KPT/2019
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v8i2.3248

Abstract

Scholars discovered that the majority of studies studying why women engage in sustainable fashion practices focused on environmental incentive, personal drive, or hedonistic motivation. In fact, women may anticipate the social value of fashion to be associated with the concept of self-improvement rather than the dimension of conservatism. This study aims to determine whether women's fashion consumption serves as a signifier of social identity, class, or position, as well as the degree to which the social value of fashion is embedded inside the product itself. The thesis to be demonstrated in this study is that women are agents of sustainable behavior to transmit sustainable habits because women are grassroots agents with the most influence in daily life. This research is based on a constructivist paradigm with a qualitative method that enables researchers to comprehend how behavior from the perspective of research subjects (women) with their subjective understanding underpins the sustainable behavior that they practice. Seven female agents were interviewed via Zoom meetings or WhatsApp video calls to collect the primary data. This study finds that sustainable fashion consumption has a social value. The social value of sustainable fashion consumption is inherent in the purchase or consumption of these products, as well as in the location where these items are purchased. The implication of this study is that a campaign to promote sustainable fashion consumption may incorporate social values.
Fragmented self of Gen Z in Instagram: Digital dramaturgy on Bourdieu’s logic of practice Agustin, Sari Monik; Angeliqa, Fitria
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 9, No 1 (2023): Accredited by Kemenristekdikti RI SK No.152/E/KPT/2023
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v9i1.3864

Abstract

This research aims to identify the Self formed by Self-Presentation through different social media channels. This presentation of the Self's process is known as Dramaturgy. This study also identifies the Dramaturgy carried out by this study's participants by considering the Doxa, Habitus, Arena, and Capital surrounding the participants. Frameworks of this research are Goffman's Presentation of Self and Dramaturgy; and Bourdieu's Logic of Practice. This research relies on the constructivism paradigm, using a qualitative and in-depth interview to collect data. The founding of this research, Fragmented Self, occurred when participants presented Self on social media. Digital Dramaturgy takes place by considering the participant's Doxa, Habitus, Field, and Capital. The results convey how participants arrange the most likely symbolic Capital by showing their attitude to their impression management. In other fields, participants prefer showing their social Capital through friendship photos or community popularity as the front stage. Others keep their Capital and only stalk friends' social media accounts to be duplicated in other fields. To sum up, the presentation of the Self is fragmented, considering doxa, habitus, arena, and Capital to manage impressions needed in digital Dramaturgy—this Self, namely Fragmented-Self. Keywords: Digital Dramaturgy, Self, Doxa, Habitus, Capital
The experience of interacting: Learning communication for deaf students Rengganis, Linangkung Diah Ayu; Suryana, Asep; Wahyudin, Uud; Yati, Sri Eka; Santoso, Budi
Bricolage : Jurnal Magister Ilmu Komunikasi Vol 9, No 1 (2023): Accredited by Kemenristekdikti RI SK No.152/E/KPT/2023
Publisher : Universitas Bunda Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30813/bricolage.v9i1.3890

Abstract

In the school environment in addition to studying teaching materials, deaf students also explore a variety of vocabulary. Teachers have a more role, in addition to helping students' understanding of communication teaching materials, it is also needed as a means of enriching vocabulary, including honing students in understanding oral communication, namely reading lip movements. The hope is that when deaf people can understand vocabulary and sign language, communication with sign language becomes equivalent to vocal communication in general which can make them confident in communicating with anyone. During the process, everything cannot be separated from the teacher's intervention in educating, exposing the material, and honing the potential of his students. Based on this phenomenon, researchers will examine the meaning of learning communication in teachers towards deaf people as research objects. This study aimed to determine the learning communication experience of deaf students at SLBN Cicendo, Bandung. It uses Symbolic Interaction Theory developed by George Herbert Mead as a guide. The approach used in this study is qualitative with a phenomenology method. The data in this study were obtained through observation, in-depth interviews, and a literature study. The results of this study indicate that learning communication in deaf students begins with the things closest to the children. These things can be experiences or what the child is thinking. The teacher as a teacher will lead the opinion on the material to be taught at that time. Then the teaching given is also adjusted to the abilities possessed by each child. The conclusion of this research is the provision of teaching materials to deaf students guided by individual learning. How to find out the best learning techniques for deaf students are obtained through the experience of interacting between classroom teachers and students. 

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