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J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang
Published by Universitas Jenderal Soedirman
ISSN : 2684771X     EISSN : 2721348X     DOI : 10.20884/1.jlitera.2020.2.1.2104
Core Subject : Education,
Education Languange, Linguistic, Communication & Media
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang, published twice a year every June and December, consists of paper-based articles, fresh ideas about Japanese language, literature, and culture which have never been published before. Scientific articles dealing with Japanese linguistics, Japanese culture, Japanese literature are particularly welcome. The journal encompasses research articles, original research report, reviews, short communications and scientific commentaries in Japanese language and education including: 1. Applied Japanese linguistic, 2. Japanese culture, 3. Intercultural communication, 4. Connection and communities, 5. Japanese for specific purpose, 6. Sociocultural approach, 7. Language acquisition, 8. Phonology, 9. Japanese studies, 10. Computer/Technology, 11. Sociolinguistic, 12. Grammar, 13. Pragmatic, 14. Discourse analysis, 15. Syllabus/curriculum, 16. Language Policy.
Arjuna Subject : Ilmu Sosial - Linguistik dan Bahasa
Articles 65 Documents
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Comparison of American and Russian Colonization in Two Japanese Animation Film Isao Takahata's Hotaru no Haka and Shigemichi Sugita's Jopanni no Shima Priventa, Hendrike; Handayani, Umi; Riani, Rosalina Wahyu
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 5 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2023.5.2.7340

Abstract

Animated films are part of literary works with a form of postmodern fiction. It is shown that animated films fulfill the requirements as literary works, which are fictitious, medium in language, and aesthetic. As a literary work, animated films have similar structures, such as characters, characterizations, settings, and plot. The purpose of this study is to compare the traces of American and Russian colonialism in both animated films by looking at their elements such as hybridity and mimicry. The research method that will be used in this research is descriptive qualitative. Descriptive research is research that aims to provide (describe) a condition or phenomenon that exists as it is. The shift in the meaning of "war" is shown from the transformation of the first film to the second film. The thing that needs to be raised is that the second film wants to restore the spirit of Japanese society. The identity of the Japanese people who easily rise from adversity is explored again. Another thing is a form of diplomacy with the Russian state. This is considering that Japan and Russia are two countries side by side. The film Jopanni no Shima wants to be a medium for the relationship between the two countries.
Perbandingan Hyouka dalam Versi Novel dan Film Saputri, Dina Septiani
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 1 (2024): May 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2024.6.1.8364

Abstract

The tittle of this research is “The Comparasion between Novel and Movie of Hyouka”. The purpose is to find the ecranization process that occurs between the novel Hyouka by Honobu Yonezawa and the movie Hyouka by Mari Asato. The method used is descriptive qualitative and the theory of ecranization from Pamusuk Eneste, the data collection technique is observing notes, and the data analysis technique uses descriptive analysis techniques. From the results of this study found some data on the process of ecranization that occurs, namely fifteen data of shrinkage, ten data of addition and eleven data of variation changes. The ecranization process occurs in the intrinsic elements which include the shrinking and changing variations in the plot, shrinking, adding and changing variations in the characters, as well as shrinking and changing variations in the setting. In addition, it was also concluded based on the similarities and differences after comparing Hyouka in the novel and film versions, it was found that the film director was considered less successful in adapting the novel to the film field because there were many differences in the intrinsic elements of characterization.
Citra Ikemen dalam Cosplayer Crossdress Female to Male (F2M) di Komunitas Cosplay Bandung Muhlisian, Asep Achmad; Setyono, Zalva Rona Santika
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 5 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2023.5.2.8930

Abstract

This study examines Ikemen's image in female to male (F2M) Crossdresser Cosplayers in the Bandung Cosplay Community. The purpose of this study is to describe the image of ikemen in female to male (F2M) Crossdresser Cosplayers at the Bandung Cosplay Community and to describe female to male (F2M) Crossdresser Cosplayers when performing ikemen on stage. The method used is descriptive qualitative. Data collection uses the Library Study technique, collection through books, journals, and other supporting literature as reference material and Field Studies. The results of this study indicate that the image of ikemen in the female to male (F2M) Crossdresser Cosplayer in the Bandung Cosplay Community is a male figure depicted with a handsome face that they display through make up, attractive stature, tall and well-built, and charismatic
Kamoshiremasen and Deshou’s Epistemic Modality in Abe Shinzou’s Speech on Covid-19 Kartika, Diana; Dona, Ulan May; Syahrial, Syahrial; Izmayanti, Dewi Kania
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 5 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2023.5.2.9184

Abstract

This research aims to analyze the structure and meaning and describe the similarities and differences of the epistemic modalities –kamoshiremasen and –deshou in 10 transcripts of Abe Shinzou's speeches at a press conference on covid-19. In this research, the data were collected by means of a literature study from the website of the Japanese Prime Minister's secretarial office, namely www.kantei.go.jpg. To analyze the structure and meaning of the epistemic modality, a qualitative descriptive method is used. Meanwhile, to analyze the similarities and differences using the agih method. Thus, the data is presented in an informal form. This research resulted in the finding that the epistemic modalities –kamoshiremasen and –deshou have similarities, namely they can be attached to verbs, i-adjectives, na-adjectives and nouns and can be placed in the middle and end of sentences. While the difference is the epistemic modality – kamoshiremasen states a possibility and general opinion with a low level of certainty, while the epistemic modality -deshou expresses a conjecture and confirmation with a high degree of certainty. In addition, this study also found an informal epistemic modality, namely kamoshirenai and darou.
The Postures of Wabi-Sabi as Perpetuated on Ibuse Masuji’s Carp Pasopati, Rommel Utungga; Listyaningsih, Listyaningsih; Wulandari, Siti; Ohei, Sugisaka
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 1 (2024): May 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2024.6.1.9190

Abstract

Literature is inseparable from the culture of its intrinsic and extrinsic meanings. It is proved on wabi-sabi, as finding simple perfectness in imperfectness, which has been embraced by Japanese people since 13th century. Carp is a short story by Ibuse Masuji that underlines uneasiness to let go a deceased person that has been befriended with for a long time. The fish of carp is a symbol of despair, but then it changes to a hope when the main character makes up his mind to be sincere in allowing his deceased friend to go. Then, how is wabi-sabi perpetuated on Ibuse Masuji’s Carp? Through qualitative method on cultural studies, this paper highlights condition of wabi-sabi as underlined in that story. Perfectness could not be found if any imperfectness is not well-appreciated. Any happiness could not be found if sadness is still held tightly. Appreciating death means knowing how valuable life is. The fish in this story is not merely an animal, but symbol of belonging that should be let go as the real owners has passed away too. In conclusion, wabi-sabi is exposed in this short story to tell how death is about imperfectness, but the freedom beyond any life is the perfection itself.
Diskriminasi di Ruang Sekolah pada Film-Film Zainichi Fatimah, Emma Rahmawati; Andayani, Santi; Muhfidah, Dewi; Almaghfiroh, Safina
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 5 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2023.5.2.9489

Abstract

Japan's defeat in World War II did not necessarily become a complete liberation for the Korean zainichi. Japanese zainichi still feels discriminatory acts after Japan's colonization. The depiction of poverty and the living conditions of the zainichi who experience discrimination often colour the storylines of zainichi-themed films, including the Yakiniku Dragon, Go, and Pacchigi, objects of this research. Among the descriptions of the discrimination experienced by Zanichi, there is one similarity in the three films that is interesting to study further, the school setting, which is part of the storyline. The school became one of the spaces where discrimination against Korean zainichi took place. This study used the descriptive qualitative method. By using definition of discrimination in social perspective, this study discusses what forms of discrimination toward zainichi are reflected in three zainichi films, Pacchigi, Yakiniku Dragon and GO. The result shows some forms of discrimination toward zainichi. The forms of discrimination are physical violence, verbal violence and also social discrimination in the form of rejection and neglect from the majority group, namely Japanese society.
Fenomena Akiya di Jepang: Faktor Penyebab, Dampak, dan Solusi Juhartono, Anissa Nabiilacahyani; Mulya, Komara
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 1 (2024): May 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2024.6.1.9590

Abstract

This paper is motivated by the increasing number of akiya in Japan and the possibility of more abandoned akiya. This paper discussed the phenomenon of akiya that is happening in Japan. The data collection conducted for this paper uses the literature study method by collecting data from articles, journals, and websites. This paper is written to find out the factors causing the occurrence of akiya, the impact of the emergence of akiya, and the solutions carried out in solving akiya in Japan. Based on the results found, the causes of akiya are Japan's changing demographics, inheritance issues, urbanization, and the rise of new housing popularity. From these causes, there are environmental and legal impacts. There are local government efforts such as akiya banks, providing subsidies, informing and raising awareness of akiya management, and launching akari programs. There are also efforts from non-profit organizations. Efforts from the community are buying akiya, turning the akiya into a cafe, managing the akiya themselves, and establishing good relations with the neighborhood community.
The Portraits of Women's Dual Roles in Two Japanese Novels Risman, Yunita El
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 5 No 2 (2023): November 2023
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2023.5.2.9918

Abstract

This study aims to show the portrait of women's dual roles in two Japanese novels, Out by Natsuo Kirino and Absolute Justice by Akiyoshi Rikako. This research stems from the author's interest in seeing the comparison and similarity of the portrait of women's dual roles reflected in the two Japan's novel. This research uses the method of comparative literature, which focuses on how the authors of the two novels present female characters, namely the character Yayoi and the character Yumiko, who play a dual role as a wife and housewife and also as a woman who has a professional career outside the home, as well as how the goals the author wants to achieve are depicted in the characters Yayoi and Yumiko. The results show that the dual roles of Out is more dominant than that of Absolute Justice, while the goals of the two novels are also different. The novel Out is oriented toward "Working Life." While the novel Absolute Justice is more dominantly oriented towards "Family and Childcare.”
Penokohan dan Ambisi Karakter King dalam Anime One Punch Man Karya One Ansiska, Paisal; Paradida, Yulia Putri; Tarigan, Marsten Lihardo
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 1 (2024): May 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2024.6.1.9927

Abstract

Anime One Punch Man is a literary work realized in the form of animation (anime). Anime is an art form created in the animation format, typically produced in Japan and characterized by the unique Japanese animation style. One of the characters in the anime One Punch Man is King, who is an S-class hero known for being very strong and respected. This research aims to uncover the ambitions of the character King in the anime series One Punch Man by One. The study takes the form of describing and understanding the characters in the anime. This research utilizes qualitative descriptive research methods. The purpose of using qualitative analysis methods in the analysis of One Punch Man characters is to gain a detailed and comprehensive understanding of the characters in the anime. The results of this research show that the character King has a large physical appearance, yellow hair, wears armor, and has three vertical scar marks on the left side of his face. King does not have grand ambitions to become a powerful hero. King's ambition is simply to strive so that the truth that he doesn't possess any superpowers remains unknown to many.
Representasi Budaya Jepang Aisatsu dalam Anime Spirited Away Destria, Wanda; Arfianty, Rani
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 6 No 1 (2024): May 2024
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jlitera.2024.6.1.11285

Abstract

The anime film Spirited Away is an anime that tells the story of Chihiro Ogino, a 10 year old girl who, when she moves to a new neighborhood, enters the world of kami (Japanese Shinto spirit folklore). After her parents were turned into pigs by the witch Yubaaba (Natsuki), Chihiro took a job at Yubaaba's bathhouse to find a way to free herself and her parents, and return to the human world. The depiction of Japanese aisatsu culture is in the anime film Spirited Away which includes Aisatsu Introduction When First Meeting, Aisatsu Says Thank You, Aisatsu Based on Time, Aisatsu to the Person Who is Going, Aisatsu When Getting Food, Aisatsu When leaving and Aisatsu apologizing, some of these scenes depict Japanese culture aisatsu.

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