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INDONESIA
Mimesis
Published by Universitas Ahmad Dahlan
ISSN : 2715744X     EISSN : 2721916X     DOI : 10.12928
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Biochemistry, Genetics & Molecular Biology Languange, Linguistic, Communication & Media Social Sciences
Mimesis is an academic, open access, and peer-reviewed journal founded and first published in 2020 by Indonesian Literature Department, Faculty of Culture, Literature, and Communication, Universitas Ahmad Dahlan, Indonesia. Focusing on culture, language, and literature as it is viewed from the Indonesian perspective, Mimesis provides a platform for the presentation, analysis, and criticism of provocative work, publishing articles that transcend disciplines and advance the study of humanities. Issues are published two times per year (in January and July) and all articles are published exclusively in Bahasa and English. Submissions are open year-around. However, before submitting, please ensure that the manuscript fits within Mimesis focus and scope, and is written in English and follows our author guidelines. Please note that only research articles or book review are accepted.
Arjuna Subject : Ilmu Sosial - Ilmu Sosial (Lain-Lain)
Articles 103 Documents
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TINDAKAN SOSIAL TOKOH UTAMA DALAM NOVEL AKU MASENJA KARYA RUMASI PASARIBU: KAJIAN SOSIOLOGI SASTRA Lestari, Wijayanti Dwi; Pramono, Dedi
MIMESIS Vol 2, No 2 (2021): JULI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i2.4037

Abstract

This research is motivated by the importance of one’s actions in dealing with problem in everyday life, including the social life of the main character in the novel. This research aims to determine the forms of social behavior of the main character in the novel Aku Masenjaby Rumasi Pasaribu. Social behavior theory refers to the theory social behavior from a male expert from Germany named Maximilian Weber or often called Max Weber. The research subject used is the novel Aku Masenjaby Rumasi Pasaribu. The object this research is the social behavior of the main character based on Max Weber’s theory. This research is a qualitative descriptive study. The data analysis technique uses the reading technique and the note taking technique. Then the results of the data analysis are presented in descriptive form. The results of this study indicate that the dominant form of social behavior that often appears in Aku Masenja is affective social behavior in the form of falling in love, anger, sadness, and suprise. While other actions such as behavior of instrumental rationality in the form of making decision, the desire to make parents happy, and the desire to protect students who are affected by the problem of values rationality behavior in the form moral values and religious values, tradisional behavior in the form of Pasemah community groups, the customs of a tribe in Bengkulu, the use of regional languages only a few forms appear. 
FENOMENA PEMAKAIAN PRONOMINA (DHOMIR) ANTUM SEBAGAI REPRESENTASI PRINSIP KESANTUNAN DI PONDOK MODERN AN-NAJAH CINDAI ALUS PUTRI Azhar, Restuwati
MIMESIS Vol 2, No 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3485

Abstract

This study was conducted in order to 1) describe the use of pronoun ‘antum’ by students in daily basis interactions, and 2) describe the relationship between the use of the pronoun ‘antum’ and the principle of politeness. The data in this study were obtained through the method of participants observations and the distribution of questionnaires containing questions with open answers pattern. The results of the analysis have indicated that the pronoun ‘antum’ is used by students as a pronoun that refers to the second person for the plural male, for the elder person, and for the person who is respected. In addition, the use of the pronoun ‘antum’ is a way of showing respect for older person or respected speech partners, and is considered as a form of ‘costumized’ politeness.
CORPUS LINGUISTICS PROJECT: SEEKING THE USE OF DEMONSTRATIVE IN SONGS WRITTEN BY EMINEM Ussolichah, Ana Nisa; Indra, Arindi; Indriani, Lilia
MIMESIS Vol 2, No 2 (2021): JULI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i2.4203

Abstract

The object of this study is to identify the kinds of demonstrative that are used in the songs written by Eminem. In English, there is the word this, that, these, and those. Demonstratives are used to designate the place for an object, person, or thing and to indicate pronouns that have already been mentioned. The song contains lyrics and music. Songs can be used as an easy learning medium in learning a foreign language. In improving understanding of English about demonstrative, this research belongs to qualitative research to find out the dominant types of demonstrative that used in the songs by Eminem. The observation method is a method used by researchers to collect data, while the data collection technique is listening and analyzing the songs. The data obtained came from the songs contained in the album written by Eminem from 2009 to 2014. In this study, researchers looked for the most widely used demonstrative words in Eminem's song lyrics. There were 59 songs in the analysis and consisted of 5 albums. The use of demonstratives in the song is very much, especially the demonstrative "That". That is used to replace singular and uncountable nouns that are far away.
IDEOLOGI KEPENGARANGAN DALAM BUKU PUISI 99 UNTUK TUHANKU KARYA EMHA AINUN NADJIB Rabbani, Ilham; Hangganararas, Hatindriya
MIMESIS Vol 2, No 1 (2021): JANUARI 2021
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v2i1.3550

Abstract

The poetry book “99 untuk Tuhanku” which was first published in 1983 by Penerbit Pustaka – Perpustakaan Salman ITB Bandung, is the work of Emha Ainun Nadjib (EAN), a well-known writer from Indonesia. The figure of EAN is known for his writings, whether in the form of essays, prose, drama scripts, or poems that are religious, but at the same time critical in looking at the problems of life, including against power in Indonesia. This paper aims to dismantle the EAN Authorial Ideology in poetry book “99 untuk Tuhanku” by using the materialistic literary theory by Terry Eagleton. In dismantling the Authorial Ideology, it will first outline several aspects of external constituents such as the General Mode of Production, Literary Mode of Production, and General Ideology. The research method used is descriptive qualitative. The research results obtained are the Authorial Ideology produced by EAN is humanism-religious and sufism. Meanwhile, the ideology of the New Order regime (General Ideology) is authoritarianism, militarism, and capitalism. The ideology that was contested by EAN, instead of being a resistance ideology for power, has the potential to become an adaptive ideology and potentially perpetuate the dominance of the New Order regime.  
JEJAK KOLONIAL DAN PERAN ORIENTALISME DALAM KUMPULAN CERPEN TEH DAN PENGHIANAT KARYA IKSAKA BANU Nalurita, Baiq Annisa Yulfana; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.4893

Abstract

The colonial period was the planting of orientalist concepts towards the East, where the differences between East and West were very much shown. This of course did not escape the views of several Indonesian writers and writers who then tried to record this phenomenon in their literary works. One of the Indonesian writers, Iksaka Banu, who discusses the conflict between the natives and the Dutch, the Dutch and ethnic Chinese, to the conflict between the Dutch and the Dutch in various experiences and one of them is Iksaka Banu's latest collection of short stories entitled Teh dan Penghianat which was just published in 2019. This research using qualitative descriptive method aims to describe the form and role of orientalism in the collection of Teh and the traitor by Iksaka Banu by taking two short stories as material for analysis, namely 'Teh dan Pengianat' and ‘Belenggu Emas’. The data collection technique was carried out by document study techniques in short stories, namely by collecting data in the form of document archives, including books and journals. Meanwhile, the data triangulation process in the form of theoretical triangulation, data source triangulation and researcher triangulation, was carried out by the author to check the validity of the data. By using the theory put forward by Edward Said, this research concludes that in the short story Teh dan Pengtangan, there can be found several depictions of the East in the context of orientalism which symbolized by indigenous and ethnic Chinese. Meanwhile, in the short story Belenggu Emas, the depiction of the east in the context of orientalism is described as an indigenous community that needs to be improved or educated
SARKASME DI KALANGAN SANTRI PERSADA UNIVERSITAS AHMAD DAHLAN Rista, Chika Ardeviya; Sapanti, Intan Rawit
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5040

Abstract

This research is motivated by the importance of understanding the forms of sarcasm uttered by students so that the public knows the purpose of using sarcasm. The problems discussed in this study are (1) the form of sarcasm used by Persada UAD 2019/2020 students based on grammar, (2) the form of sarcasm used by Persada UAD 2019/2020 students based on the content of the speech, and (3) the factors causing Persada UAD students to use the form of sarcasm. This study aims to describe the form of sarcasm among Persada UAD students and find out the factors causing Persada students to use sarcasm among Persada UAD students. Based on the research results regarding the form of using sarcasm by Persada UAD students in 2019/2020, the following conclusions were obtained. (1) The use of sarcasm among the students of Persada UAD in 2019/2020 based on the grammatical basis was found in three forms, namely words, phrases, and clauses. (2) The use of forms of sarcasm among Persada UAD students in 2019/2020 based on the content of the speech found seven forms of sarcasm, namely words containing bitterness, bitter reproaches, expressions of anger, swearing, words that are not pleasant to hear, ridicule, and certain social varieties. (3) The factors causing the students of Persada UAD in 2019/2020 to throw sarcasm found ten factors, namely social background, habits, reflexes, anger, inappropriate place and time, inappropriate participants, goals that did not match the speaker, tone when conveying messages, media language, and norms in interaction.
IDENTITAS TOKOH PRIBUMI DALAM CERPEN PENUNJUK JALAN KARYA IKSAKA BANU: KAJIAN PASCAKOLONIAL HOMI K. BHABHA Abdullah, Risen Dhawuh; Rabbani, Ilham
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5247

Abstract

This study aims to uncover an Indigenous character named Oentoeng in the short story “Penunjuk Jalan”. The short story is one of Iksaka Banu's works contained in the book Semua untuk Hindia. The identity of the character that is trying to be dismantled includes hybridity, mimicry, and ambivalence. The theory used in this study is the postcolonial theory initiated by Homi K. Bhabha. The study used a qualitative descriptive method. There are three findings in this study. First, the identity of Oentoeng is a hybrid. Oentoeng absorbs Western values continuously, namely from his upbringing, education, and his association in the Dutch family environment. Second, mimicry as mockery by the character can be seen from three aspects, specifically the ability to speak Dutch, possess Western medical knowledge, and to be able to devise a strategy of rebellion that made the VOC troubles as invaders. Third, Oentoeng's attitude of wanting to be angry and willing to provide assistance, treatment, and entertainment to the Dutch doctor and his porter who had an accident could be interpreted as a form of ambivalence in the Indigenous character.
WANITA (NYAIE) DALAM NOVEL BUNGA ROOS DARI CIKEMBANG KARYA KWEE TEK HOAY Septiani, Nur Alifah; Pramono, Dedi
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5545

Abstract

Over 90 years (1870-1960), 800 authors published 3000 Chinese Malay erudite workshops. Bunga Roos from Cikembang is one of the most well-known workshops. The work was written by Kwee Tek Hoay, one of the most prolific authors of his day. Bunga Roos from Cikembang, similar to the previous Chinese Malay literary work, casts an indigenous womanish figure as a Chinese man's "nyaie." The distinction in this tale is that the "nyaie" is elevated to a higher status. She is no longer referred to as a "mistress" (a libido grater), but rather as a lady by her master, even though she has never been married. This distinction is noteworthy and warrants additional investigation. The goal of this research is to locate honorable examples for the female character who becomes the "nyaie" in a detail in this sense, the study theory employed a gender theory, specifically Richard A. Lippa's notions of nature and nurture. This research is the outcome of a library search. The data analysis was done in a descriptive-qualitative manner. Marsiti, like a lady"nyaie" (concubine) of a high-class Chinese, was lauded not only as a woman who satisfies her master's lust because of her beauty, sexiness, and service (nature) but also as a woman in a good social arrangement (nurture). Marsiti is seen as a "partner" who can be relied upon to help the master think through the various challenges that arise in his life as a result of his wimpiness, intelligence, and fidelity. In this case, the location of the woman "nyaie" in Kwee Tek Hoay's Cikembang Bunga Roos appears to be superior to the previous work.
KARAKTERISTIK KEBAHASAAN TOKOH PEREMPUAN DAN LAKI-LAKI DALAM FILM PENDEK Cahyani, Via; Apriyani, Tristanti
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5558

Abstract

Research is motivated by the differences in the language used by men and women. Environmental factors and society assume that women are gentle creatures, causing women to be careful about the choice of words in speech. Characteristics of women's language coined by Lakoff (1975) became a reference in this study. The problem discussed in this research is how the characteristics of women's language in the short film Reunian and the characteristics of men's language in the short film Dodit Not Penculik. This study aims to describe the linguistic characteristics of women and men in the two short films. The method used in this paper is descriptive qualitative, and quantitative with the subject of the short film Reunian and the short film Dodit Not The Kidnapper. The data acquisition in this study used the method of observing the free-engagement technique and the note-taking technique. Then the analysis in this study is that women tend to be unsure of their speech because women are very concerned about social norms and protect their self-esteem by using more polite speech.
ANALISIS SEMIOTIKA PIERCE: PERBANDINGAN POSTER IKLAN SAMPO DI TIONGKOK DAN INDONESIA Kunmei, Li; Indira, Dian; Soeria Soemantri, Ypsi; Lupi Ardiati, Riza
MIMESIS Vol. 3 No. 1 (2022): JANUARI 2022
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/mms.v3i1.5560

Abstract

Advertisements are packaged in such a way that it is very influential to convey messages and at the same time influence or suggest products to the public. In shampoo advertisements from one country to another, there are cultural peculiarities of the people. This research has a problem formulation, namely the character of shampoo advertising culture in China and Indonesia. In solving the problem formulation, this research uses Pierce's semiotic theory using data in the form of advertisements for the Pantene, Clear, and Sunsilk shampoo brands. The analysis is carried out with a qualitative method. The results of this study show that shampoo advertisements in China and Indonesia in general have similarities with displaying a picture of a woman, but both have their own character that shows a picture of the people of their respective countries.

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