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Practice of Fashion and Textile Education Journal Fakultas Teknik UNJ (Kampus A UNJ Gedung H, Jl. Rawa Mangun Muka Raya Jakarta Timur)
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Practice of Fashion and Textile Education Journal
Published by Universitas Negeri Jakarta
ISSN : -     EISSN : 27985407     DOI : https://doi.org/10.21009/pftej
Core Subject : Economy, Humanities, Science, Education, Art, Social,
Arts Humanities Economics, Econometrics & Finance Education Environmental Science Physics
urnal akademik perr-review dari Program Studi Pendidikan Vokasional Desain Fashion, Fakultas Teknik, Universitas Negeri Jakarta. Practice of Fashion and Textile Education Journal menerbitkan artikel dari hasil penelitian yang mencakup penerapan berbagai desain kontemporer, industri fashion. Practice of Fashion and Textile Education Journal membahas seluruh topik mulai dari teori desain hingga dampak pada pendidikan, teknologi, ekonomi, lingkungan, social dan budaya. Interdispliner secara luas, Practice of Fashion and Textile Education Journal membahas tentang : Inovasi dalam pendidikan desain dan praktik fashion Teknologi mikro dalam konteks pendidikan mode "Smart" textiles dan Mode digital Bahan, desain, konsep dan proses Filosofi dan budaya fashion Konsumsi dan produksi fashion dan retail / e-tail hingga performance fashion Perkembangan baru dalam fashion dan ritel pakaian Keberlanjutan dan etika lingkungan Jurnal ini mendukung kiriman dari para akademis yang berada dalam departemen mode / pakaian, desain dan bisnis, seni dan budaya, dan dari disiplin ilmu sosial lainnya.
Arjuna Subject : Teknik (semua kategori) - Teknik (Lain-Lain)
Articles 59 Documents
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Penerapan Teknik Rajut Crochet Granny Square Pada Longtorso Adinda Kurnia Putri; Ruhidawati, Cucu
Practice of Fashion and Textile Education Journal Vol. 4 No. 2 (2024): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v4i2.45321

Abstract

Crochet knitting is a handicraft product that uses yarn as the main material. Products that can be made are very diverse, one of which is longtorso clothing. The objectives of this research are (1) to create longtorso clothing that can be used as outerwear, (2) to create longtorso clothing that can be used as party clothing, (3) to attract young people to be interested in crochet knitting products. The research methodology used in this research is a three-stage methodology of craft creation which includes; (1) the exploration stage which includes finding the source of ideas, concepts, and the basis of creation, (2) the stage of designing the work design, (3) the stage of realization of the work. After going through these various processes, a longtorso product was produced that can be used on party occasions.
Studi Visual Escapism Pada Mahasiswa Sebagai Inspirasi Perancangan Artwear Napitupulu, Marisi; Soemardi, Ardita Ayulestari; Shinta, Fairus
Practice of Fashion and Textile Education Journal Vol. 4 No. 2 (2024): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v4i2.45454

Abstract

Escapism is the tendency to seek distraction or freedom from unpleasant reality through entertainment or other fantasies. Many people experience escapism, including students also do escapism activities when they feel bored. In this regard, a fashion design is needed as a visual form of escapism among students. The purpose of this fashion design is to describe the visual escapism of college students in a positive direction through fashion design and produce a fashion design in the form of artwear as an effort to direct student escapism in a positive direction. The method used is a qualitative method in the form of literature studies, interviews, and questionnaires. The design method used in this research is as follows: (1) escapism research as research material; (2) visual research in the form of artwear; (3) Moodboard and Colour Scheme; (4) Motif Sketches that symbolise escapism for students; (5) exploration, laser cut, layering, heating and foil painting techniques; (6) production stage; and (7) the final design result in the form of artwear clothing that symbolises visual art escapism for students. Based on this, the design results are obtained in the form of post-production which produces 2 (two) artwear designs using pvc, foil, crinoline, tulle, spandex materials and using heating, foil painting and layering techniques which produce 2 (two) artwear designs in the form of creative videos and catalogues through social media.
Pengaplikasan Kain Lurik Dengan Corak Kinanthi Pada Dress Ready to Wear “Kinanthi Asih” Puspita Sari, Wulan; Kamila, Nisrina Juhaida; Naraya, Raissa
Practice of Fashion and Textile Education Journal Vol. 4 No. 2 (2024): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v4i2.45613

Abstract

According to the Big Indonesian Dictionary (1990), lurik is a woven fabric that has a pattern of lines. In the Complete Javanese Dictionary (Mangunsuwito: 2002) the definition of lurik is a pattern of lyrics or lorek-lorek, which means lines in Indonesian. In this research, we tried to apply kinanthi style lurik fabric with the source of idea from lapis Surabaya on ready to wear dress, especially with yellow brown color. The object of study was the fashion collection “Kinanthi Asih: a collection of lurik kinanthi ready to wear dresses”. The research approach used was a qualitative survey using an online questionnaire as a data collection tool. The respondents involved were young adult women aged 18 to 25 years old. The results showed that the fashion designs with lurik kinanthi motifs received a high positive response from the respondents, with the three designs evaluated falling into the category that met the respondents' expectations. This means that the designs successfully illustrate the harmony between tradition and contemporary in the Indonesian fashion industry.
Generalisasi Pakaian Muslim Menjadi Modest Wear pada Tren Fashion Indonesia Tahun 2010-an: - Ratuannisa, Tyar
Practice of Fashion and Textile Education Journal Vol. 4 No. 2 (2024): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v4i2.47898

Abstract

Indonesia is a country with the largest Muslim population in the world and with a diversity of languages, culture, and religious beliefs. From time to time, fashion trends in Indonesia are associated with the process of how an appropriate idea can be accepted and internalized through the filtration of Indonesian culture. Modest wear derived from Muslim wear does not only serve as a physiological fulfilment but also a need for identity. There are two types of modest wear users. The first ones are those who use it as an identity, they do not care about trends and will continue to use them. Meanwhile, the second ones are those who choose modest wear to keep up with the trend. This phenomenon raises an idea that, for a Muslim woman, the basis of clothing using modest wear is to use the hijab/jilbab/kerudung as part of the basic clothing. However, many also use head coverings temporarily and do not last long. Thus, this commitment to modest choices becomes a mere trend at one time or, in other words, the use of hijab does not represent their identity. This study investigates the change in Indonesia regarding hijab identity diachronically and the reinterpretation of modest wear in the 2010s accompanied by the determinant factors viewed from the synchronic aspects. It was revealed that modest wear was acceptable due to the dominant factors of trend drivers that are interconnected and interdependent, namely world events, economic conditions, social change, entertainment world, technological innovation, and fashion leaders in Indonesia.
Penilaian E-Modul Grading Pola Celana Nafisah; Zahra, Eneng Lutfia; Prabawati, Melly
Practice of Fashion and Textile Education Journal Vol. 5 No. 1 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v5i1.43128

Abstract

ABSTRAK Penelitian ini bertujuan untuk mengetahui hasil penilaian bahan ajar berupa E-Modul Grading Pola Celana. Penelitian yang digunakan adalah penelitian kuantitatif dengan metode penelitian pre-experimental dengan desain one-shot case study dengan teknik analisis data yang digunakan yaitu kuantitatif deskriptif. Variabel yang digunakan merupakan variabel tunggal yakni penilaian e-modul grading pola celana. Teknik pengumpulan data melalui tahap penyebaran angket (kuesioner) tertutup-terbuka berupa instrumen penilaian berdasarkan pada aspek karakteristik modul yang baik meliputi Self Instructional, Self Contained, Stand Alone, Adaptive dan User Friendly dan aspek elemen mutu modul meliputi format, organisasi, daya tarik, bentuk dan ukuran huruf, ruang dan konsistensi. Hasil penelitian menyatakan bahwa penilaian berdasarkan aspek karakteristik modul yang baik mendapat persentase sebesar 93,75% dan penilaian berdasarkan aspek elemen mutu modul mendapat persentase sebesar 87,85%. Maka secara keseluruhan penilaian e-modul grading pola celana berada pada kategori Sangat Baik dengan persentase sebesar 90,76%, sehingga dapat disimpulkan bahwa e-modul ini sangat baik digunakan oleh pengguna khususnya para siswa dalam mempelajari materi grading pola celana.   Kata Kunci: Penilaian; E-Modul; Grading Pola Celana
“Color Pop” Penambahan Nilai pada Limbah Cotton Combed dengan Tema Pop Art Nurindah, Mandhe Sekar
Practice of Fashion and Textile Education Journal Vol. 5 No. 1 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v5i1.45240

Abstract

Koleksi produk fashion dengan judul “COLOR POP” merupakan koleksi produk fashion yang terdiri dari dua set pakaian, dua buah sepatu, dan satu clutch yang memanfaatkan limbah cotton combed sebagai material utama dalam pembuatannya. Terinspirasi dari Pop Art yang memiliki warna yang kontras dan energik. Tema tersebut memiliki gaya Arty Style. Keistimewaan pada tema ini terletak pada keunikan dalam permainan warna yang kontras serta motif yang dituangkan kedalam tema Pop Art sehingga menunjukan kesan energik dan colorfull. Produk fashion ini diperuntukan bagi perempuan dewasa awal usia 19-24 tahun yang memiliki rasa percaya diri yang tinggi, serta rasa ingin tampil berbeda dengan desain yang sederhana namun unik. Koleksi ini dibuat dengan tujuan mengurangi limbah tekstil sehingga tidak menimbulkan pencemaran, menambah nilaiartistik dan nilai jual yang lebih tinggi dengan memanfaatkan limbah menjadi produk dengan inovasi terbaru.
Kampanye Media Sosial untuk Meningkatkan Awareness Upcycling Crochet Kyna, Zefanya; Yusuf, Vanessa; Malkisedek, Mendy Hosana
Practice of Fashion and Textile Education Journal Vol. 5 No. 1 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v5i1.46508

Abstract

The growing phenomenon of fast fashion has triggered negative impacts on the environment, such as pollution from textile waste and the excessive exploitation of natural resources. The lack of public education regarding the dangers of fast fashion has worsened this situation. This study aims to raise public awareness about the dangers of fast fashion and offer upcycling solutions through the Oopsycle social media campaign. This qualitative research uses data collection techniques through interviews and observations. Interviews were conducted with the general public who are familiar with fast fashion practices. Observations were made during the Oopsycle social media campaign activities and upcycling events. The Oopsycle social media campaign is expected to effectively raise public awareness about the dangers of fast fashion and the upcycling solution. It is also hoped that this study can contribute to addressing the fast fashion problem and encourage society to switch to more sustainable alternatives.
Penilaian Estetika Produk Upcycling Karya Siswa SMK Tata Busana Qisti Sentosa, Siti Aisyah; Listiani, Sri; Suryawati
Practice of Fashion and Textile Education Journal Vol. 5 No. 1 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v5i1.48842

Abstract

This study aims to assess the aesthetics of upcycling products made by students of the Vocational School of Fashion Design. The assessment is based on Djelantik's aesthetic theory, which includes aspects of form/appearance and appearance/presentation. The research methodology used in this study is quantitative with a Pre-Experimental one-shot case study design, involving 5 expert panelists who assessed 5 tote bag products with additional decoration using the embedding techniques. The results showed that the form/appearance aspect with the elements and principles of design obtained a score of 91.75%, which is included in the very good category. The appearance/presentation aspect which includes skills and facilities or media scored 96.3%, also included in the very good category. Overall, the aesthetics of additional decoration with sticking techniques on upcycling products by students received an average score of 94.25%, including in the very good category. According to the expert panelists, product 3 had the best results of adding decoration. In conclusion, the aesthetic assessment of additional decoration on upcycling products made by students of Vocational School of Fashion Design is very good. Keywords: Aesthetic Assessment, Upcycling, Embedding Technique, Vocational School of Fashion Design
PENGEMBANGAN BEBE ANAK DENGAN GARIS HIAS EMPIRE UNTUK ANAK USIA 7 TAHUN Anggreani Putri Wendha; Andi Elvira Natsir; Sri Emy Yuli Suprihatin
Practice of Fashion and Textile Education Journal Vol. 5 No. 1 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v5i1.50149

Abstract

Penelitian ini bertujuan untuk mengembangkan desain bebe anak dengan garis hias empire yang sesuai untuk anak usia 7 tahun. Metode yang digunakan adalah pengembangan model 4D (Define, Design, Develop, Disseminate). Tahapan meliputi analisis garis hias, pembuatan desain, pengembangan pola, dan uji publik terhadap desain yang dihasilkan. Desain bebe anak dibuat dengan kerah rebah, rempel pada garis hias empire, dan belahan kancing di bagian belakang.Uji publik dilakukan melalui kuesioner daring kepada 21 responden. Hasil menunjukkan 71,4% responden menilai model ini sangat cocok untuk baju anak, 61,9% merasa cukup nyaman, dan 66,7% menyatakan desain memberikan ruang gerak yang baik. Sebanyak 95,2% responden menganggap desain ini membuat tampilan anak terlihat manis dan 85,7% merasa mudah di-mix and match. Namun, hanya 47,6% responden yang menyatakan desain ini cocok untuk berbagai usia anak. Kesimpulan penelitian ini menunjukkan bahwa desain bebe anak dengan garis hias empire memiliki tingkat penerimaan yang baik dalam aspek estetika, kenyamanan, dan fleksibilitas untuk acara kasual. Desain ini memiliki potensi untuk dikembangkan lebih lanjut dengan adaptasi bagi berbagai kelompok usia.
Kombinasi Kain Batik Pace dalam Pembuatan Busana Pesta Malam Angelina C; Asiatun, Kapti
Practice of Fashion and Textile Education Journal Vol. 5 No. 1 (2025): Practice of Fashion and Textile Education Journal
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/pftej.v5i1.50637

Abstract

Penelitian ini menekankan  pentingnnya kreativitas dan inovasi dalam menciptakan desain busana pesta yang menarik dan relevan dengan tren fashion saat ini. Fokus pengembangan busana pesta malam “Free as the ocean” yang menggabungkan batik pace menerapkan model penelitian pengembangan PPE. Terdapat tiga proses pada model penelitian pengembangan PPE antara lain, Planning (Prencanaan), Production (Produksi), Evaluation (evaluasi). (1) Proses perencanaan adalah tahap pertama dalam mengumpulkan data sesuai dengan sumber ide yang dituangkan dalam desain. (2) Tahap persiapan, setelah merancang desain, disusul dengan pengambilan ukuran badan, membuat pola kecil membuat rancangan bahan dan rancangan harga, membuat pola besar. Pada tahap pelaksanaan, yaitu melakukan peletakkan pola besar diatas bahan dengan memperhatikan arah serat. Memotong bahan sesuai pola dan memberi tanda pola jahitan. Selanjutnya jelujur setiap komponen dan melakukan fitting 1. Kemudian dilanjutkan dengan proses menjahit dan finishing serta evaluasi. (3) Tahap evaluasi atau umpan balik, Pihak industri mengevaluasi hasil produk busana pesta malam dengan kombinasi batik pace dan mendapat umpan balik dari dosen, serta hasil uji publik yang menyatakan respon dan tanggapan positif dari responden terhadap berbagai aspek seperti keselarasan desain dengan sumber ide, kesesuaian hasil jadi produk dengan desain, pemilihan bahan busana, detail busana, kesesuaian busana dengan kesempatan pakai, keselarasan antara kain batik dengan bahan utama, serta harga produk busana.

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