cover
Contact Name
Nofi Rahmanita
Contact Email
desainmodeisipp@gmail.com
Phone
+6281267298952
Journal Mail Official
desainmodeisipp@gmail.com
Editorial Address
Jl. Bahder Johan, Guguk malintang, Kec. Padangpanjang Timur, Kota Padangpanjang, Sumatera Barat, 27118
Location
Kota padang panjang,
Sumatera barat
INDONESIA
Style : Journal of Fashion Design
ISSN : -     EISSN : 28090888     DOI : https://doi.org/10.26887/style.v2i1.2563
Style adalah jurnal ilmiah yang diterbitkan oleh Prodi Desain Mode, Fakultas Seni Rupa dan Desain, Institut Seni Indonesia Padangpanjang. Jurnal ini berisikan tentang artikel hasil penelitian yang terkait dengan fashion, resensi buku bidang fashion, gagasan konseptual (hasil pemikiran), dan penciptaan karya
Articles 42 Documents
Penciptaan Motif Batik dari Legenda Pulau Kemaro pada Busana Pengantin Wanita Handayani, Mery; Sukanadi, I Made; Aruman, Aruman
Style : Journal of Fashion Design Vol 3, No 1 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i1.4755

Abstract

The creation of this Final Project is entitled Creation of Batik Motifs from the Legend of Kemaro Island on the Bride's Dress. The legend of Kemaro Island is an archipelago legend originating from Palembang. This legend tells of the love story of a Chinese merchant and Princess Sriwijaya who are the origins of Kemaro Island. The legend of Kemaro Island is visualized in the bride's attire. This work of clothing can be enjoyed as a whole, both in use and beauty. The making of this work aims to introduce the Legend of Kemaro Island to the public through the art of batik which is designed with wedding attire. In the creation of this final project, the author made 6 (six) designs for the bride's dress, but only 2 designs were made into ready-to-wear works, each of which has its own characteristics, the uniqueness of which makes the wedding dress created have high quality and aesthetic value. interesting
Dahanapura as a Source of Regency Work Clothing Ideas, Kediri Sumargo, Oktya Anggarani; Purnomo, Arif Jati
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4226

Abstract

The Kediri or Panjalu kingdom was a kingdom located in East Java between 1042 and 1222. This kingdom was centered in Daha City. Daha is an abbreviation of Danapura, which means City of Fire. Dahanapura as a source of ideas for work attire for the Kediri Regency Tourism Office is a work inspired by the flame reliefs found in several places that are similar to each other. The aim of this work assignment is to create a flame batik motif and apply it to the work clothes of the Kediri Regency Tourism Office. The process of creating the work starts from the exploration stage, namely by observing several types of flames found on several inscriptions spread across Kediri, designing designs, alternative designs to be chosen as batik motifs to be applied to the work clothes of the Kediri district tourism office and also embodiment. The embodiment technique applied to the entire work uses the dyed dab batik technique using the synthetic dye Remasol. Starting from the pattern process, nyorek, batik, coloring, melorod, sewing to finishing. The results of creating this work are 6 works of work clothing with the titles Manuela, Desmond, Atalaya, Astama, Atlee, Amergyo. This design produces clothing works with Dahanapura motifs. By creating clothing works that use the Dahanapura motif, we can learn more about the inscriptions found in Kediri through batik media.
Pembuatan Busana Pesta Malam dengan Mapping Tile Bordir pada Bagian Ekor Rok Ningrum, Febrianita Yulia; Arifiana, Deny
Style : Journal of Fashion Design Vol 3, No 1 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i1.4617

Abstract

The aim of this study was to find out the process of making evening party dresses with embroidered tile mapping on the tail of the skirt and find out the results of making evening party clothes with embroidered tile mapping on the tail of the skirt. The method used in this study is the creation of work which consists of four stages. First, the pre-design stage. Second, the design stage. Third, the embodiment stage. Fourth, the presentation stage. The results of this study are: The process of making evening party dresses with mapping on the tail of the skirt starts from making a party dress design concept and making sketches. The process of applying mapping to party attire starts with cutting the embroidered tiles used for mapping according to the design. Then the embroidered tile pieces are arranged and placed on the tail of the party dress skirt. The finished result of making an evening party dress with embroidered tile mapping on the tail of the skirt is in accordance with the design concept. The selection of material characteristics using maroon duchess cloth and the application of embroidered tile mapping on the tail of the party dress skirt makes the dress look luxurious.
Film Barbie sebagai Ide Penciptaan Motif Painting Tenun Sulam Bulu Garut pada Ready to Wear Deluxe Thoyyiba, Azwa Tamara; Fitra, Annis; Kurniawan, Hadi
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4237

Abstract

This project aims to expand the creative repertoire of Garut embroidered woven fabric through hand painting techniques inspired by the Barbie movie. The Barbie movie is considered to contain strong elements of feminism and carries a message that inspires the younger generation, especially women. According to interviews with Garut weaving entrepreneurs, woven fabrics are still rarely favored by young people but are popular among those approximately 30 years and older. Therefore, it is hoped that the application of hand painting techniques inspired by the Barbie movie can attract the interest of the younger generation. Scenes from the Barbie movie are reinterpreted into surface designs using hand painting techniques on Garut embroidered woven fabric. The creation process of this work employs exploration, design, and realization methods.
Feminine Romantic Style dengan Aplikasi Songket Balai Panjang Payakumbuh Fitri, Qurratha Laila; Rahmanita, Nofi; Aryadi, Mirda
Style : Journal of Fashion Design Vol 3, No 1 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i1.4752

Abstract

Feminine romantic is one of basic fashion styles that is synonymous with the impression of a dress that is calm, sweet, and dominated by soft design lines, the colors used in this clothing style are synonymous with soft colors, and the use of materials such as silk, borkat, crepe, silk and chiffon. To realize the feminine romantic style in clothing creation, the Balai Panjang songket was chosen as a medium applying this style to become ready-to-wear clothing. Clothing that designed is aimed at teenage women aged 19-25 years, and adult women aged 26-35 years, to make it easier for users to choose clothes for work, travel, recreation, and parties. The purpose of creating this clothing is to be able to design clothing with the theme of feminine fomantic style with the Balai Panjang songket application, then demonstrate it in the form of a fashion show, so that the designed work can be socialized to general public. Clothing with a type of feminine romantic style has never been made with the Balai Panjang Songket, so with the creation of this work it can be become a reference for the creation of work of feminine romantic style for the future. In creating the work of this final project, the artist uses creation methods such as preparation, design, embodiment to the presentation of the work carried out. The process of creating clothing uses standard boutique sewing technique, namely by using a lining material, so that the clothes are the resulting impression give a neat, and clean. The results of the design source ideas for feminine romantic style are in the form of ready to wear, ready to wear deluxe and haute couture clothing.
Busana Pesta dan Kasual Terinspirasi dari Buah Sawit Aini, Nur; Kencana, Mega; Yanuarmi, Dini
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4216

Abstract

The work report entitled "Party and Casual Clothing Inspired by Palm Fruit Colors" is in the form of party and casual clothing. This work is sourced from the colors found in palm fruit and combined with palm oil batik motifs. The creation of clothing with a combination of palm-oil batik motifs and unique creativity aims to introduce to the public that anything around us can be a source of ideas for making clothing designs. The shape and color of the palm fruit are unique, featuring color gradations such as yellow, tiger, cherry, crimson, and wine. In creating this work, the craftsman went through three stages: the exploration stage, which involved seeking information about palm oil in West Pasaman; the design stage, which included viewing reference images, compiling the creation concept, mood boards, and making designs; and the embodiment stage, which involved cutting patterns, sewing, and finally presenting the clothing in a fashion show. The works produced include party and casual clothing, namely ready-to-wear clothing 1, ready-to-wear clothing 2, ready-to-wear clothing 3, ready-to-wear deluxe 1 clothing, ready-to-wear deluxe 2 clothing, and haute couture.
Busana Casual dan Gaun Pesta Malam Inspirasi Bunga Rafflesia Arnoldii Farli, Vina Febria; Kencana, Mega; Surya, Wirma
Style : Journal of Fashion Design Vol 3, No 1 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i1.4753

Abstract

The work report entitled "Casual Clothing and Evening Party Dresses Inspired by Rafflesia Arnoldii Flowers" in the form of casual clothes and evening party dresses. Casual clothing means relaxed and simple where this clothing is worn in everyday life and in informal events. Evening party dress clothing is clothing that is used on the occasion of a party event at night. This fashion work was inspired by the Rafflesia Arnoldii flower. The Rafflesia Arnoldii flower, the largest flower, reaches 70 to 110 in diameter with a height of 50 cm consisting of five large, thick and leathery petals which are orange and maroon in color, with white irregular spots, stamens, sharp and thin in the middle hole. flower. Making casual clothes and evening party dresses through a process of preparation, design and implementation. Using bridal satin, basurek, balotelli batik, velvet satin, hero, Swarovski pearl tille, and sand / crinkle organza. The works created are clothing, Rafflesia Arnoldii casual 1, Rafflesia Arnoldii 2, Rafflesia Arnoldii casual 3, Rafflesia Arnoldii party dress
Moslem Wear Terinspirasi dari Motif Tabuik Maysharah, Maysharah; Rahmanita, Nofi; Imelda, Desra; Fatrina, Novina Yeni
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4218

Abstract

Tabuik is an annual celebration carried out by the pariaman people of west Sumatra, the tabuik ceremony anchors tabuik to the sea. There are many parts that have meaning, namely there are salapan flowers have eight (8) petals, four on the top and four on the bottom. Tabuik is a collaboration of custom and religion, so the meaning of the salapan flower is that the four petals symbolize religion. While the biliak-biliak tabuik are seveb rooms dedicated to niniak mamak, religious scholars, cadiak clever, community leaders, urang sumando, children and kamanakan. Then the seven are the components of society at the time. The concept of creating this work takes the form of salute flowers and biliaks in muskim wear clothing is clothing that is closed and loose, the process of embodiment of this work begins with exploration to produce sketches and designs, then after that the artist carriest out the process of embodiment by sewing the work. The resulting work which means it has space or can be filled by the user’s body. The color that is applied to the work is the color of the moodboard 
“Dauntless” Busana dengan Sumber Ide Pavilion Cenghuang Pertiwi, Zhely; Budiastuti, Emy
Style : Journal of Fashion Design Vol 3, No 1 (2023): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i1.4754

Abstract

The process of creating this artwork is explored as a cultural topic, and ideas are sourced from the Chenghuang Pavilion. The inspiration for this artwork comes from the pavilion, which has a strong Chinese cultural identity. The iconic form of the pavilion and the bold colors present in it add a sense of power, representing a strong and characteristic pavilion. The process of creating this artwork involves several analyses, starting from the mood board, design, calculation, selection of materials and techniques, and design simulation. The process of creating the artwork begins with the search for ideas and concepts from a similar pavilion, which has a similar architectural style and texture to the Chenghuang Pavilion. Until a mature concept is found, the selection of ideas, design, techniques, and creation of the pavilion clothing is carried out. Thus, a suitable artwork is obtained that aligns with the purpose, reasoning, and analysis of why the product was created.
Penerapan Origami Tenun Lurik Pada Ready To Wear Deluxe Bergaya Futuristik Najmadini, Arini; Fitra, Annisa; Handayani, Wuri
Style : Journal of Fashion Design Vol 3, No 2 (2024): Style: Journal of Fashion Design
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/style.v3i2.4219

Abstract

The creation of ready-to-wear deluxe is based on the creator's desire to develop clothing made from lurik weaving with origami techniques on ready-to-wear deluxe with futuristic styles. This is because rarely to find ready-to-wear deluxe made from lurik materials with origami techniques in futuristic styles. In connection with this, the purpose of creating this work is to give a new form of ready-to-wear deluxe futuristic style made from lurik weaving with origami techniques which is expected to be one of the references for the development of lurik weaving. The creation method uses a three-stage design process approach consisting of definition & research, creative exploration, and implementation. The result of this creation process is six looks of ready-to-wear deluxe that will be presented at Jogja Fashion Parade 2024.