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Sugih Nugroho
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Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 289 Documents
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Menguak Budaya Matrilineal dalam Cerpen “Gadis Terindah” Wahyuni, Dessy
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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Abstract

Matrilineal kinship system is adopted by the Minangkabau society. In fact, the system that follows the maternal lineage turns out to cause inner conflict for the people. Through a short story titled “Gadis Terindah”), Gus tf Sakai as the author tried to express this inner conflict. In this matrilineal culture, there is a necessity for men to leave their hometown, known as migrating. After being successful as migrating people, they have to return to their hometown, take their wealth to accumulate the wealth of people there by marrying a Minang girl. Inner conflict that developed by the author through a fictional character in the short story is expressed by applying a pragmatic approach to the theory of semiotics. Signs given by the author are examined by using text content analysis method. Thus, it is found that in the tradition of matrilineal culture, migrating, inheritance systems and matchmaking have been arranged. However, in fact, the system that has been organized remains conflict for its people.
Penandaan dan Pemaknaan Teritorial di Kantin Sastra bagi Mahasiswa Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia Erikha, Fajar
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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Abstract

This study explores the phenomenon of marking (signifying) and meaning of territorial at Kantin Sastra (Kansas) by undergraduate students of Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia. Territory as a social space is formed through a process of semiosis preceded sensory knowing in identifying signs, repeatedly making representations in cognition that become the signifying order of the cultural semiotic on some students. Research using micro semiotic perspective and trichotomy of signs by Charles Sander Peirce. Through micro semiotic perspective, a number of particular findings will be analyzed to get a synthesis (inductive), whereas the approach of Peirce perspective explains the signs through the trichotomies: representamen represented through qualisigns, sinsigns, and legisigns; representation, represented by icons, indexes, and symbols; interpretant represented by rhemes, dicisigns, and arguments. As a result, there is a territorial signifying and meaning of Kansas by the undergraduate student of Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia.
Penerjemahan Kata Budaya dalam Laskar Pelangi ke Dalam Novel Bahasa Jepang Niji No Shoonentachi Nurjana, Mike
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 1
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This research aims to describe the method and technique of the translation of cultural words in “Laskar Pelangi” into a Japanese novel, “Niji no Shoonentachi.” This research uses a descriptive approach with comparative models. Cultural words in this study are determined based on the classification proposed by Newmark’s models. In this research 186 data have been collected according to the two cultural categories, namely, material one and ecological one. The data collection was conducted by comparing Japanese: the target language, and Indonesian: the source language. This comparative analysis of the data uses work tools such as dictionaries, both printed and online. As a result, there are 161 equivalent and 25 not equivalent found out of the 186 data in the translation. The strategy used by the translator consists of literal translation, using general words, cultural substitution, couplet, naturalization from Indonesian, omission, descriptive, naturalization from English and calque. Meanwhile, the language style of the translator tends to follow the language style of the author, trying to bring out the aesthetic value of the source language. Following this tendency and this attitude, the translator of “Laskar Pelangi” has produced the good quality translation.
Karya Tulis Ilmiah Sosial. Menyiapkan, Menulis, dan Mencermatinya Hidayat, Rahayu Surtiati
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Abstract

Objektivikasi Perempuan dalam Tiga Dongeng Klasik Indonesia dari Sanggar Tumpal: Sangkuriang, Jaka Tarub, dan Si Leungli Hapsarani, Dhita
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Research on gender representation in folk tales has shown that oftentimes values embedded in folk tales are not in line with contemporary gender values. This paper aims at revealing the objectification of women in three Indonesian folktales turned into children’s literature, which are Si Leungli, Jaka Tarub, and Sangkuriang rewritten by a group of writers and illustrators under the name Sanggar Tumpal. The research uses Nussbaum and Langton’s concept on objectification to analyze the text and the illustrations. The result of the research shows that both the text and the pictures of the three books display consistent portrayal of women being the objects of male desire, domination and violence indicating an endorsement of the normality of such practices.
Tulang Fauna Vertebrata di Situs Gua Kidang, Blora, Jawa Tengah Hidayatullah, Ghufron
Paradigma: Jurnal Kajian Budaya Vol. 7, No. 2
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Abstract

The research discusses the utilization of vertebrate fauna at the Kidang Cave site to identify the types and variations of vertebrate animals as subsistence and their respective habitats. The analysis was also instrumental in defining the natural landscape of Kidang Cave during the prehistoric era. Faunal fragments were previously analyzed and identified taxonomically and anatomically. The analysis started with re-sortation of faunal bone fragments, classifying and further analyzing the data to obtain the number of identified specimens for each taxon (NISP) and the minimum number of individuals (MNI). From 8,265 bone fragments, only 1,378 were anatomically and taxonomically identifiable. The MNI calculation revealed a number of 23 taxa that were identified down to their familial levels and only two to class levels. The result of this research identified that various fauna from different habitats were part of the human diet. Based on this analysis, the natural environment surrounding Kidang Cave during the prehistoric era was then predicted.
Konteks Budaya Gambar Binatang pada Seni Cadas di Sulawesi Selatan Pasaribu, Yosua Adrian
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
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Abstract

This article is based on a thesis with the same title on Archaeology Magister Program, Universitas Indonesia. This research relies on structuralist approach assuming that artists have potential choices to select motifs according to their artistic repertoire. That appropriate choices are guided by the site location in the region. Etnographic studies of animal motifs in rock art shows totemism, shamanism, and everyday life as cultural contexts. Based on that cultural contexts, it is known that shamanism was the cultural context of rock art in South Sulawesi which is dominated by one animal motif
Pesona Jawa dalam Puisi Rusia Widyastuti, Thera; Limbong, Banggas
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 1
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Abstract

This research will analyze Russian poems by using the approach of sociology of literature. Poetry is a popular form in Russian literature. The presence of the poets with their works make people in the world know Russian literature. The poets’s journey to all over the world provide experiences that inspire their works. Nusantara as a region famous for its natural resources has attracted Europeans, and has inspired the Russian poets Esperovich Esper Ukhtomsky, Konstantin Dmitriyevich Balmont, Valery Yakovlevich Bryusov and Vladimir Yurievich Elsner. They wrote poems the beauty of the natural and cultural heritage, especially in Java. Borobudur, traditional music, traditional dance, and Botanical Gardens became theme in their poetry.
Aksara-Aksara Penyimpan Informasi di Banten Pudjiastuti, Titik
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 2
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Abstract

Banten is one of the 34 provinces which helped to establish the Republic of Indonesia. Although it was just acknowledged as a province of Indonesia in 2000, as a pepper producer Banten had been known around the world long before its sultanate even existed. The various written sources consist of scripts, archives, and inscriptions from various backgrounds, such as history, literature, and religion. This research found that there are several scripts used as a written medium in Banten, such as Arabic, Jawi (Malay-Arabic), Pegon (Arabic-Javanese), Hanacaraka, and Latin. From the text content point of view, it has been found that these scripts also function as an information depositor of Banten.
Kosakata Musik sebagai Ranah Sumber Ungkapan Metaforis Kusumaningtyas, Adityarini; Darmojuwono, Setiawati
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
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Abstract

In Indonesian, music vocabulary is not only used to describe music but also used to express various non-musical concepts. That means music vocabulary has the potential to occupy the source domain in metaphorical mapping. The study aims at describing the vocabulary of music as the source domain of metaphorical expressions in Indonesian and explaining the relation of metaphorical meanings to the music field. The study was qualitative research. The data of the study was collected from the corpus of Indonesian in the Sketch Engine. The data was Indonesian sentences having the vocabulary of nada, melodi, harmoni, and dinamika in which the contexts of sentences were used to talk about anything in non-music field. The results of the study show that the vocabulary of music in Indonesian causes the metaphor of “LIFE IS MUSIC”. The use of music vocabulary as a source domain is mainly related to the characteristics of musical vocabulary concepts that underlie the formation of metaphorical expressions in Indonesian.

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