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Sugih Nugroho
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+62217863528 ext. 107
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Faculty of Humanities, Universitas Indonesia Gd 2, Lt 2, Depok 16424, Indonesia
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INDONESIA
Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 289 Documents
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SINKRETISME DALAM TRADISI ZIARAH KERAMAT DI BANTEN Safitri, Gita
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
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Abstract

This review will analyze a book entitled Sinkretisme dalam Tradisi Ziarah Keramat di Banten by Helmy Faizi Bahrul Ulumi which reflects the richness of local culture in the Banten region, especially on relic sites that become pilgrimage destinations for the community. The popularity of the sacredness of sacred places is an attraction that not only has spiritual value but also sacredness becomes an important point as an inherent local belief. This review will evaluate the depiction of syncretism in pilgrimage practices to the construction of its meaning.
TYPES OF STUDENT TRANSLATION ERRORS IN ENGLISH-INDONESIAN TRANSLATION Dewi, Haru Deliana; Wijaya, Andika
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
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This research focuses on translation and language errors discovered in English-Indonesian translation results. This study aims to investigate the types of errors mostly made by Indonesian novice translators. The data were obtained from translation practice assigned to undergraduate students, who were taking the compulsory basic translation course. The respondents, who were native Indonesian speakers, were asked to translate two paragraphs from a given text in class for one hour and send their translations to the raters via email. The raters then marked the errors in the students’ translations using the 2021 ATA’s Standardized Framework for Error Marking. The results of the study show that the most frequent errors made by the participants were spelling and terminology errors, which might be simply caused by sloppiness or by the participants’ lack of knowledge of the proper official Indonesian spelling system and which could be due to their ignorance of the proper terms.
RITUAL MONIBI SEBAGAI PERFORMATIF REALITAS SOSIAL DALAM MENJAGA STABILITAS DESA SINIYUNG KECAMATAN DUMOGA BOLAANG MONGONDOW Inkiriwang, Rivo Ronaldo Rivo; Tampake, Tony
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
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This article aims to explore the practice of Monibi cultural rituals in Siniyung Village, Dumoga Bolaang Mongondow District. The focus of research on Monibi culture is rarely carried out in Bolaang Mongondow. The fact that the only one, that still practices Monibi culture in Bolaang Mongondow is Siniyung Village. The author uses literature review with the aim of exploring the cultural values of Monibi ritual practice in Siniyung Village, and is equipped with interview collection techniques to support the validity of fdata. The Monibi Ritual is studied in the perspective of David Salomon, Monibi ritual as a performative act of social reality in maintaining social stability. Monibi is a space for individuals to understand themselves as part of a group and reveal the meaning of time along the journey of life of the people in Siniyung Village. This research has found that the practice of the Monibi ritual aims to reject reinforcements, begging for forgiveness, ask for sustenance, and grateful to God (Ompu Duata). Laudation and Sacrifice in the ritual process are meaningful as a form of intense communication between the community and the presence of Ompu Dua ta and their forefather. Eating together is a symbol of collective solidarity and ritual of Monibi as an existence for form of sacred meaning construction. In other words, the Monibi ritual becomes a performative of social reality in maintaining the stability of Siniyung Village, Dumoga District.
DARI EDITOR VOL. 15 NO. 1 (APRIL) 2025 Surtiati, Rahayu
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
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Abstract

Dalam edisi pertama tahun 2025 ini, kebudayaan berbagai bangsa ditinjau dari berbagai sudut pandang. Penelitian terbanyak menghasilkan berbagai kisah yang berkaitan dengan tradisi: gamelan jawa yang kembali ke jati dirinya (1), perompak di zaman Kerajaan Sriwijaya yang tidak selamanya merampok (4), Kebiasaan jahat pada masa perang selalu mengambil korban perempuan (6), ritual Monibi di Bolang Mongondow untuk minta rezeki (7), tradisi memancing yang berubah praktiknya (9), rajah dan pasaduan dalam carita pantun merupakan ciri khas pantun Baduy (10), Sinkretisme yang masih ada dalam ziarah makam keramat di Banten (11). Selain itu, dua artikel membahas perihal masyarakat Tionghoa di Manado (5) dan pemakaman jasat di Kota Padang (8). Terakhir, dua artikel melaporkan penelitian mengenai penggunaan bahasa: satu membahas kesalahan dalam penerjemahan (2) dan lainnya mengenai aksara tanda dalam bahasa Jepang (12). Selamat membaca.
PRAKTIK MEMANCING DI JERMAN: KEGEMARAN DAN TANGGUNG JAWAB Rachman, Adelia; Setiadi, Setiadi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
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Abstract

Angling has been taking place and is deeply rooted in historically German culture. Its functionality evolves from subsistence, economic livelihoods, customs and traditions, to recreational activities offering enjoyment of nature. Summer field research was conducted around Baden-Württemberg and Hessen with ten anglers of diverse backgrounds living in Germany. The qualitative ethnographic research and perspective-taking approach were applied through participant observation, in-depth interviews, and literature studies to explore the current angling culture in freshwater ecosystem landscapes comprising angling experiences and practices, and anglers’ perceptions. The research findings demonstrate angling goes beyond fondness, it is a matter of responsibility in terms of animal welfare and ecosystem balance as is evident from anglers’ ecological consciousness adhering to the fishing rules and procedures, besides ethical considerations of human-nonhuman relations. Understanding fish through othering does not necessarily signify human supremacy over other species, but rather an act of reconciling, considering biological differences are ineluctable features of biological systems.
POLEMIK CATRA PADA STUPA INDUK CANDI BOROBUDUR: KAJIAN ARKEOLOGI DAN FILOSOFIS LEE, So Tju Shinta; LEE, Salim
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 1
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This paper explores the profound meaning of the main stupa at Candi Borobudur and analyzes the implications of the proposed catra installation on the monument’s spiritual and cultural values. The interpretation is based on a post-processual perspective that emphasizes the importance of considering context, internal evidence, and internal symbolic relationships rather than seeking externally sourced validation. Through a combination of literature study, observation, and comparative analysis of stupas at Borobudur itself, contemporary Buddhist candis in Central Java, and various types of stupas abroad, this research concludes that the proposal for catra installation on the main stupa of Borobudur lacks a strong foundation both archaeologically and philosophically and does not contribute to the appreciation of spiritual values. The main stupa represents the pinnacle of the highest spiritual realization: the Buddha’s awakened mind (Dharmakaya). This ultimate meaning transcends other conventional symbolisms. This study underscores the importance of a contextual and comprehensive understanding of Borobudur, encompassing cultural, spiritual, and preservation aspects. This, in turn, has implications for the effectiveness of interpretation, conservation, and more sustainable development strategies for Borobudur and other Buddhist candi sites.
DARI EDITOR VOL. 15 NO. 2 (AGUSTUS) 2025 Hidayat, Rahayu Surtiati
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Abstract

Dengan gembira kami menerbitkan sepuluh artikel dan dua timbangan buku dalam edisi ini; terbitan rekor untuk jurnal ini. Kami berharap dapat menerbitkan banyak artikel dalam setiap edisi. Isi tulisan yang kami terbitkan juga meningkat mutunya baik dari segi penelitian maupun penyajian. Tiga artikel menarik perhatian dengan menunjukkan berbagai karya yang menjadi lambang kejayaan suatu negara dan keguyuban suatu komunitas (Titik Pudjiastuti, Muhamad Alnoza, Nur Aini Setiawati). Tiga artikel lain membahas kehadiran pendatang yang mengubah sistem dalam negara (Dien Rovita Rovita, Mela Maulina Putri, Rudi Ekasiswanto). Tidak kalah menarik empat artikel bertemakan karya sastra (Asri Pratiwi Wulandari, Raka Darmawan, Haikal Haikal) Artikel keempat ditulis oleh Joesana Tjahjani diterbitkan oleh jurnal ini secara post-mortem. Selamat membaca.
MERAWAT TULISAN DAN PERLAWANAN PEREMPUAN: TERBITAN BERKALA SEBAGAI RUANG DAN PRAKTIK FEMINIS Wulandari, Asri Pratiwi; Siscawati, MIa
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Women writers have always contributed to literary development, but their works and thoughts have been structurally forgotten and erased. We conducted this research to unearth women writers' lives, works, and thoughts, which continue to be ignored in literary studies. We use feminist qualitative method and literature review technique to study literary initiatives from women writers in the past such as women-only periodicals. This research uses Virginia Woolf's thoughts as an analytical tool, and our findings show that the women-only space initiative was a response to the mainstream literary ecosystem's lack of support for women writers in various eras and countries. Through feminist initiatives, women writers have responded to the issues of their time and criticized the lack of representation of women and gender lenses in the literary space.
KEIDIOMATISAN KOMPOSITUM BERLEKSIKON HATI DALAM BAHASA INDONESIA Rovita, Dien; Suganda, Sonya Puspasari; Yuwono, Untung
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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A compound (kompositum) is a construction formed through word formation by combining two or more elements to create a new meaning. In Indonesian, compounds can be formed by combining several elements, one of which may be a nominal lexeme referring to a body part. Compound words can be distinguished from other word combinations—particularly syntactic phrases—based on grammatical and semantic criteria. Semantically, compounds can be analyzed according to the degree of idiomaticity in their meanings. Based on this premise, the present study aims to explain the idiomaticity of compounds in Indonesian that are formed by combining multiple elements, one of which is a body part lexeme, specifically compounds containing the lexeme hati(heart). This study on Indonesian compounds is a qualitative research project conducted through corpus analysis, utilizing the Indonesian Web as Corpus (IndonesianWac) available on the Sketch Engine corpus tool (http://www.sketchengine.co.uk/indonesian-wac/). The analysis of compound idiomaticity can be carried out using criteria such as lexical and grammatical variability, literality, compositionality versus non-compositionality, and predictability. Based on these criteria, a number of compounds containing the lexeme hati were identified and categorized as idiomatic compounds, semi-idiomatic compounds, and non-idiomatic compounds.
REPRESENTATION OF TERRORISM AFTER 9/11 IN KATHRYN BIGELOW AND MARK BOAL'S <i>ZERO DARK THIRTY</i> MOVIE Maulina Putri, Mela; Faisal Syarifudin, Bunyamin; Suswanto, Deni
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
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Terrorism, as a global phenomenon, has been widely represented in various media, particularly in films. One of the films that represent terrorism is Zero Dark Thirty by Kathryn Bigelow and Mark Boal. This research aims to discuss the representation of terrorism in Kathryn Bigelow and Mark Boal's Zero Dark Thirty, employing a qualitative approach and an analytical descriptive method. To achieve the research objectives, the author employs John Fiske's Semiotics theory, which is divided into three levels: the reality level, the representation level, and the ideological level. The results and discussions in this study are presented through visual and narrative aspects, which encompass elements such as appearance, costume, environment, behavior, voice, camera techniques, music, and casting. Zero Dark Thirty represents an act of terrorism that is following real conditions in the world. The film portrays acts of terrorism such as shootings and bombings—including suicide attacks—which result in fatalities, material losses, and widespread trauma. These elements contribute to reinforcing stereotypes of terrorism associated with Middle Eastern countries and the conflicts surrounding them. Critical awareness is necessary when watching because, as a media product, television or film serves to convey information, ideology, ideas, or propaganda that supports the dominant interests in society. In the film Zero Dark Thirty, the dominant interest refers to American interests, which provide a single perspective on the topic of terrorism. This study highlights the importance of critical awareness in consuming media, as films play a significant role in shaping public perceptions of terrorism and global conflicts.

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