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Sugih Nugroho
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INDONESIA
Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 289 Documents
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KENDHANGAN NARTOSABDAN PEMBENTUK KARAKTERISTIK GENDING SEMARANGAN Risqia, Nanda Indah Nur; Suyoto, Suyoto
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
Publisher : UI Scholars Hub

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Abstract

The research aims to reveal the factors which contribute to the unique characteristics of Semarangan gending. Analysis involved four theories: Rahayu Supanggah’s garap theory, Stenberg’s creativity theory, C. A. van Peursen’s cultural development theory, and Marc Benamou’s rasa theory. There were three stages of data collection: literature study, observation, and interview. Results show three main characteristics of Semarangan gending: irama and laya, garap ricikan, and vocal garap. The tabuhan from this ricikan shows integration of musical styles from other areas, such as Yogyakarta, Banyumas, Surakarta, and East Java. In Semarangan gending, there are rasa of sigrak, prenès, and gobyog because of the support of gérong, keplok, and alok. To sum up, Semarangan gending has a high cultural value because it is widely enjoyed by both the art community and art consumers in general.
PANDANGAN TENTANG PRAKTIK BEDAH PLASTIK DALAM ARTIKEL OPINI DI SURAT KABAR KOREA TAHUN 2010–2019 Adnyana, Putu Pramania; Muta'ali, Abdul; Suganda, Sonya Puspasari
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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This research aims to reveal Korean’s perspectives on plastic surgery practices through a corpus-based text analysis of Korean online newspapers. The research used quantitative and qualitative methods to observe keywords, significant collocates, and semantic preference. The data used were 106 opinion articles about plastic surgery in Chosun Ilbo and Donga Ilbo (2010–2019). Keyword analysis shows that the most frequently used keywords are seonghyeong (189 times) and seonghyeongsusul (116 times). Analysis of significant collocates and semantic preferences revealed that plastic surgery was frequently discussed in relation to body parts, people (collocate yeoseong (women), junggukin (Chinese), hwanja (patient), gwangganggek (tourist)), country (collocate jungguk (China), hangguk (Korea)), intensity (gwadohan (excessive)), and effect (phihae (loss)), and others. Plastic surgery clinics are frequently addressed in terms of location (collocate Gangnam, Seoul), intensity (collocate daehyong (big scale)), and others. Based on the findings of this study, plastic surgery is primarily performed on local women and international patients, particularly Chinese tourists. Plastic surgery is also perceived as having a negative impact, being overdone, and causing numerous difficulties. Plastic surgery performed on foreign patients is considered as beneficial to Korean economic progress, but it should not be performed on Koreans.
COSTUME DESIGN AND SOCIAL STATUS VISUALIZATION IN JAVANESE DANCE AT PURA MANGKUNEGARAN Sriyadi, Sriyadi -; Pramutomo, R.M.; Sari, Yoni Wulan; Elvina, Luh
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Abstract

The design of costumes holds a crucial role in visualizing the social status of characters in Javanese dance. By employing symbolic systems, costume design conveys this status to the audience. This study investigates the relationship between costume design and the depiction of social status in Javanese dance at Pura Mangkunegaran. Utilizing a qualitative methodology with an ethnocoreological approach, the research draws on a literature review as its primary data source. This review involves analyzing various documents, photographs, and videos. The findings indicate that accessories and attributes within costume design are integral to the symbolic system that represents social status. As an ethnic dance, the costume design in Mangkunegaran dance embodies the ethical and ethno-aesthetic values of the community, reflecting the life, worldview, and cultural expressions of the Javanese people. These values may evolve over time as the community’s perspectives shift.
PANCASILA AS THE PHILOSOPHICAL FOUNDATION OF THE INDONESIAN CURRICULUM Pulhehe, Nurbaya; Robandi, Babang
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Abstract

The philosophical foundation of Pancasila, comprised of five principles, plays a significant role in shaping Indonesia's education system. These principles guide curriculum design, implementation, and evaluation, reflecting the nation's educational goals and desired student outcomes. This paper examines the philosophical underpinnings of Pancasila, with a focus on content and graduate competence standards, examining their relationship with educational objectives and their implications for the national curriculum. Utilizing a literature review methodology, the research highlights the critical influence of Pancasila on curriculum development and educational planning in Indonesia. The findings indicate that Pancasila serves as a central philosophical framework guiding Indonesia's national education system, with a particular emphasis on character education, tolerance, citizenship education, and inclusive learning. The study reviews the evolution of content and graduate competence standards in Indonesian education, drawing attention to changes in government regulations and the philosophical assumptions of Pancasila. However, further research is recommended to explore the influence of these assumptions on other educational standards.
TRADITION IN TRANSITION: UNVEILING SOCIAL REALITIES AND LOWER-CLASS OPPRESSION IN THE FILM NYUMBANG Ajie, Purwoko; Habsari, Sri Kusumo; Riyanti, Raden Roro Ratnasari Dwi; Pramadhanti, Dhelinta Fitri; Saputri, Fadhilah Mahanani
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Abstract

The tradition of nyumbang has long functioned as a social safety net within Javanese society. However, modernity has transformed the essence of nyumbang, a shift clearly portrayed in the film Nyumbang. This study investigates how the film captures the evolving discourse of nyumbang and its changing meaning over time. By employing Foucauldian Discourse Analysis (FDA), the research examines into how the film utilises discourse as a tool for both knowledge and power, thereby revealing underlying shifts in societal dynamics. This approach uniquely uncovers the interplay between power structures and cultural practices, aspects that might be overlooked by other methodologies. The analysis identifies both dominant and counter-discourses, particularly through the narratives and dialogues of the characters. Notably, characters from lower social strata challenge traditional nyumbang practice, signalling the emergence of counter-discourse. The dominant discourse portrays nyumbang as a social obligation enforced by prevailing cultural norms, while the counter-discourse advocates for a reevaluation of this practice in light of modern societal values. The study concludes that the film Nyumbang effectively addresses the complexities of maintaining tradition amidst the significant societal changes brought on by modernity, including the tensions between traditional expectations and the reality of economic reciprocity.
ASSESSING MINORITY LANGUAGE IN THE SOUTH SULAWESI PROVINCE: LIMOLA LANGUAGE Budiono, Satwiko; Jaya, Taufan
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Abstract

The Limola language is a minority language spoken in South Sulawesi Province. Based on the number of speakers, which ranges between 100 and 600, the Limola language is at risk. This situation underscores the urgent need for preservation efforts. One approach to preserving the language is by assessing its vitality. The assessment of the Limola language aims to evaluate its current status and identify factors contributing to its vitality. These findings will inform future language preservation strategies. The study employs a descriptive qualitative method, with data collection techniques including observation, interviews, and focus group discussions. Data analysis is based on UNESCO’s nine language vitality factors. The results indicate that Limola is classified as critically endangered, primarily because the To Limola community predominantly uses the Tae language for daily communication. The Limola language is mainly spoken by middle-aged and older generations, with limited documentation available. This highlights the urgent need for written resources as part of preventive measures to avoid its extinction.
A VYGOTSKIAN PERSPECTIVE ON MULTICULTURAL EDUCATION: A SOCIAL-BASED LEARNING PROCESS IN THE MINANGKABAU COMMUNITY, WEST SUMATRA, INDONESIA Moeis, Isnarmi; Indrawadi, Junaidi; Prasojo, Zaenuddin Hudi; Fatmariza, Fatmariza; Febriani, Rika
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Abstract

Multicultural education and local wisdom function as crucial social assets in promoting unity within diverse societies. Indonesia, a country rich in ethnic diversity, possesses abundant local wisdom, particularly within the Minangkabau community of West Sumatra. This study examines the integration of Minangkabau local wisdom into the core elements of multicultural education, focusing on areas such as cultural awareness, sensitivity, cross-cultural communication, critical thinking, reflection, and cultural competence. Grounded in Vygotsky’s theory of learning as a process of social and cultural adaptation, this research adopts a qualitative methodology, utilizing in-depth interviews and focus group discussions for data collection. The analysis, carried out through coding, data reduction, and interpretation, focuses on the Minangkabau community in Sungai Sirah Village, Silaut District, a transmigration area in West Sumatra. The findings reveal that the Minangkabau community’s approach to multicultural education is deeply embedded in an awareness of the importance of active participation in multicultural settings. This process is reinforced by the leadership of local figures and enriched by the community’s historical, economic, and cultural heritage. The study offers valuable insights for developing a comprehensive model of multicultural education that can be applied in both formal and informal contexts, ultimately fostering social cohesion and inclusivity.
THE VOICE OF THE VOICELESS: COUNTERING THE FESTIVAL AND ELEVATING REYOG OBYOKAN AS CULTURAL CAPITAL Tallapessy, Albert; Setiawan, Ikwan
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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This article examines two performance models of Reyog Ponorogo: the festival model and the obyokan model. These two competing models represent differing perspectives on one side, the interests of the artists and the community, and on the other, the interests of the state. By applying cultural studies theories, particularly those of representation and hegemony, this study analyzes data collected through observations of Reyog performances at both festival and obyokan events, as well as interviews with artists and community members. The findings reveal that the obyokan model emphasizes an egalitarian spirit, allowing artists greater aesthetic freedom and providing the community with a sense of belonging in Reyog culture. In contrast, the festival model has historically been associated with the state's efforts to impose order on Reyogartists and choreographies, while simultaneously promoting tourism in Ponorogo.
THE SEMIOTIC CONSTRUCTION OF MEANING AND VALUE: CANTHIK KIAI RAJAMALA AS A SYMBOL IN THE CONTEMPORARY SOCIAL PERSPECTIVES Dewi, Rosa Bila Putri; Putra, Hutomo; Bawono, Rochtri Agung; Wardi, I Nyoman
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Canthik Kiai Rajamala is one of the heirlooms owned by the Keraton Kasunanan Surakarta. There are two Canthik Kiai Rajamala, each stored in the Keraton Surakarta Museum and the Radya Pustaka Museum. Surakarta is the only region traversed by the Bengawan Solo River that possesses a canthik, making it a distinctive and unique cultural heritage for the people of Surakarta. This research addresses the issue of how the meaning and value construction of Canthik Kiai Rajamala can be interpreted through Pierce's semiotic triangle theory. Additionally, this study examines how contemporary Surakarta society perceives the Canthik Kiai Rajamala. The objective of this research is to identify the cultural meanings and values of Canthik Kiai Rajamala, which are preserved in the Keraton Surakarta Museum and the Radya Pustaka Museum. The interpretation of the object involves the community’s perspective on CanthikKiai Rajamala, from its creation and use to its current status as a museum artifact. This study also focuses on the local wisdom system of Surakarta society in interpreting the cultural traditions associated with Canthik Kiai Rajamala, and its relationship with the environment and local customary community.
PREFACE VOL. 14 NO. 3 (DESEMBER) Surtiati, Rahayu
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
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Abstract

In the December 2024 edition, Paradigma presents ten articles covering four regions: Surakarta, Southeast Sulawesi, Minangkabau, Ponorogo; and also areas: cinema, dance, language, fashion, and education. All research are about cultures in Indonesia and written by Indonesian researchers. This open journal is read by the international public, so we hope that humanities researchers in various regions of the world will participate with their writing, not only reporting research in Indonesia, but also research in other regions of the world. Paradigma is preparing to become an international journal and in time its triannual publications will be in English so that more international articles can be published. We thank the article contributors who have developed this journal so that the citation rate is quite high. In addition, we really appreciate the reviewers who faithfully and critically review the article manuscripts. We do not forget to express our gratitude to the language editors, both Indonesian and English, who carefully improved the language quality of this journal. Merry Christmas and a Happy New Year 2025.

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