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Sugih Nugroho
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Paradigma: Jurnal Kajian Budaya
Published by Universitas Indonesia
ISSN : 20876017     EISSN : 25030868     DOI : https://doi.org/10.17510/paradigma
Core Subject : Humanities, Science, Education, Art, Social,
Arts Humanities Languange, Linguistic, Communication & Media Library & Information Science Social Sciences
Paradigma: Jurnal Kajian Budaya is a peer-reviewed and open-access journal published by the Faculty of Humanities, University of Indonesia. This journal accepts original articles about various issues in cultural science, which include but is not limited to philosophy, literature, archeology, anthropology, linguistics, history, cultural studies, philology, arts, library, and information science focused on studies and research.
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 289 Documents
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MAKNA PENAMAAN SAJIAN RITUAL KABASA DARI PERSPEKTIF GASTROLINGUISTIK Lindayani, Lilik Rita; Rasiah, Rasiah; Azi, Rahmawati; Sifatu, Wa Ode; syahrun, syahrun; La Sawali, La Sawali
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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Abstract

This article is about Munanese (an ethnic group in Southeast Sulawesi) traditional dish kabasa as a form of referential support to the gastrodiplomacy trend. Kabasa is a part of the haroa ritual that features a range of dishes with various ingredients, which is strongly connected to various aspects of the community such as social position, psychology, and environment. In this study, a combination between linguistics as language science and gastronomy which examines food within its culture is considered effective for investigating the semantics of the naming pattern of kabasa dishes in order to document this unique culinary tradition and introduce new concepts in Indonesian gastronomy, particularly that of Southeast Sulawesi. Using the qualitative descriptive method and macrolinguistic approach, this study shows that kabasa naming pattern consists of three semantic levels. Meanwhile, more comprehensive gastrolinguistic analysis on the data suggests that the meanings of the names can be found based on (1) the food ingredients, which are tied to the region’s geographical features and (2) the semantic convention of kabasa itself, which shows an associative relationship between an object, its name, and environmental aspects as contextual clues.
INSIDEN PENURUNAN BANNER PEOPLE’S JUSTICE DI DOCUMENTA FIFTEEN DAN PERINTANG KOMUNIKASI ANTARBUDAYA Heron, Heronimus; Kim, Min Seong
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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On June 20 2022, artists and art observers in Indonesia were shocked by the circulation of information that the People's Justice banner by Taring Padi exhibited at Documenta Fifteen interpreted as containing elements of antisemitism. Taring Padi explained that the People's Justice banner was based on the political history of Indonesia under New Order regime and had nothing to do with antisemitism, however, the banner was eventually dismantled on June 21, 2022. Based on this background, there are several research questions to explore: How is the chronology of dismantling the People's Justice banner at Documenta Fifteen? Why did this incident occur? What does Taring Padi need to do as a cultural agency? This research uses qualitative research methods with a critical discourse analysis approach. The results of this research found that the protests against two figures in the People's Justice banner due to two reasons: firstly, the unwillingness of the protesting parties to ask Taring Padi for confirmation and listen to Taring Padi's explanation. Secondly, Taring Padi's ignorance regarding practices considered antisemitism because knowledge about the history of antisemitism is uncommon in Indonesia. The People's Justice banner can be a medium for dialogue between fellow artists and the audience. However, this work has potential weaknesses because it depicts a gap in antagonism that narrows the interpretive space. This potential can be anticipated if the artist opens up a space for interpretation and the audience must be open, so that discursive encounters can be held to understand shared culture and social problems.
RITUAL BELA DIRI KUTAU DALAM MASYARAKAT DESA SURO, KABUPATEN MUSI RAWAS Lidiantari, Aulini; Muliati, Roza; Nursyirwan, Nursyirwan; Minawati, Rosta
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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This paper discusses the Kutau martial arts ritual practiced by the people of Suro Village, Muara Beliti District, Musi Rawas Regency, South Sumatra Province. Kutau is one of the ancestral heritages consisting of a set of rituals. Kutau takes the form of traditional martial arts that has been developed by the Suro Village community. Applying the qualitative approach, this study aimed to systematically document all forms of rituals in Kutau and its functions within the Suro community. Data were collected through observation, interviews, and documentation, which were then analyzed using Victor Turner’s ritual approach and Talcot Parsons’ function approach. Results show that Kutau is a medium of communication between the community and their ancestors to pass down the Kutau knowledge, which is closely related to Suro people’s belief system. Kutau still prevails thanks to the latency function of the Kutau community, so that the whole system is able to survive and adapt to the current society.
POLA RELASI PENCAMBUK-PENANGKIS DALAM TARIAN CACI DAN SUMBANGANNYA PADA ELEGANSI DIALOG DI INDONESIA Sailtus, Fransiskus; Pandor, Pius
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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This paper aims to explore the intersubjective relationship between the whipper (paki) and the parrier (ta’ang) in caci, a traditional dance from Manggarai, East Nusa Tenggara Province. For that purpose, this study applied the phenomenological method. In this method, caci is described based on what actually transpires during the performance when the researchers made direct observations. As a native Manggarai, the researcher has watched the dance for many years. Data from the phenomenological study were analyzed using Armada Riyanto’s philosophical concept of intersubjective relationality. This study found that the relationship between the whipper and the parrier in caci is not a subject-object but intersubjective one. The intersubjectivity of the whipper-parrier relationship is demonstrated by several facts. First, there is subjective identity of the whipper and parrier in the form of their names. Second, there is affirmation of identity and its confirmation during the dance. Third, the act of whipping and parrying does not involve a large group of people, but only the whipper and parrier as individual actors. Fourth, the whipper and parrier are aware of the other party’s presence and role. Fifth, the whipper is aware of the presence and role of the parrier and vice versa. Sixth, the whipper and parrier are encountering each other with mutual respect. The intersubjective element of the whipper-parrier relationship is highly relevant to the promotion of elegant intercultural dialogues in Indonesia.
UPACARA ADAT RAMBU SOLO’: ANTARA GENGSI DAN URGENSI Septiani, Ghana Aldila, G; Mansur, Mochammad; Saputri, Salsabila Dwi
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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Rambu Solo’ is one of the most expensive traditional funerals in the world. This has created a general impression that Rambu Solo’ must always be lavishly performed, although in reality it can be adjusted to the bereaved family’s financial circumstances. This research seeks to explain how Rambu Solo’ can be motivated by both urgency and prestige using Abraham Maslow’s humanistic psychology theory. This research applied the qualitative method. Data were collected by interviewing a traditional leader named Ambe Tawang with the aid of a local interpreter, Baharuddin Palepong, who lived in Lembang Palesan, Tana Toraja, South Sulawesi. After collection, the data were then analyzed, reduced, presented, and verified. This study found that only few people still perform Rambu Solo’ to gain prestige, while most people in Lembang Palesan perform it because of urgency factor, that has been passed down from generation to generation.
TOPONIMI NAMA PANTAI DI BELITUNG Filia, Filia
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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This research examines the toponymy of beaches in Belitung using the socio-onomastic approach. The names of beaches in Belitung Regency were studied using written and oral data. The written data was obtained from three maps, i.e., the map from the Geospatial Information Agency, the geological map of Belitung and the digital Google Maps. The oral data was obtained through interviews with resource persons and informants in Belitung. Based on map searches and interviews, seven beach names and the origin of their names have been obtained, as follows (i) Tanjung Tinggi Beach, (ii) Tanjung Pendam Beach, (iii), Penyabong Beach, (iv) Tanjung Kelayang Beach, (v) Tanjung Binga Beach, (vi) Bukit Berahu Beach, and (vii) Batu Bedil Beach. In addition to these beaches, there may be other beach names worth examining. Beach names in Belitung Regency have four naming patterns: (i) beach toponyms with elements of topography, (ii) beach toponyms with elements of topography and fauna, (iii) beach toponyms with elements of topography and flora, and (iv) beach toponyms with elements of sound. Sometimes, a beach has more than one name. From socio-onomastics perspective, it is a natural phenomena, because names of place have various characteristics and influence people’s preferences in using names.
PENYAKIT KULIT SEBAGAI PEMBANGUN STRUKTUR NARATIF: TINJAUAN NARATOLOGIS HIKAYAT AGUNG SAKTI KARYA MUHAMMAD BAKIR Dewojati, Cahyaningrum; Winarti, Daru; Udu, Sumiman; Windayanto, Riqko Nur Ardi
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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This research aims to discover the role of skin diseases in the narrative structure of M. Bakir’s Hikayat Agung Sakti as well as its surrounding ideological, social, political, and cultural contexts. Mieke Bal’s narratological theory was applied to map and analyze the elements of the fabula: event, time, actor, and location. Methodologically, this research consisted of two levels: text and context. At the first level, lingual data were collected using the note-taking technique and then explained interpretatively using relevant theoretical concepts. At the second level, data were collected through literature study on ideology and context. The text and context data were explained through dialectics and interreference. This research yielded several main results. First, skin diseases (itches, smallpox, scabs, and Tinea corporis) are attached to the elements of the fabula. These diseases change circumstances, shape events and time, infect the characters (the Gods), and change the locations (from heaven to earth). Skin diseases were found to be the building block of the narrative structure. In this role, skin diseases become a means of articulating Islamism. This narrative is linked to the development of Islam in Malay-speaking lands and political resistance to polytheistic Hinduism, which is placed in opposition to the monotheistic Islam which places Allah as the only deity. This ideology was articulated and written down as a literary work to be disseminated among local Straits-born Chinese. This is also contextually related to the issues of manuscript rental, diseases in Malay tradition, and spread of diseases in Batavia in the 19th century.
EKSPRESI BAHASA EVALUATIF PADA ARTIKEL ILMIAH BERBAHASA INDONESIA Fadly, Ahmad; Yuwono, Untung; Suganda, Sonya Puspasari
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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Authors of scientific articles are faced with two opposing demands: objectivity and critical evaluation when expressing reality and truth. To date, no evaluative language mapping has been performed on Indonesian scientific articles which can accurately describe an article’s degree of objectivity so that it can be used as a tool for objectivizing and negotiating truth. Using the appraisal framework, this research aims to identify and examine these two opposing orientations as they appear in Indonesian scientific articles. The qualitative approach was applied to perform in-depth analysis of interpersonal functions in scientific articles. Data in the form of Indonesian scientific articles were obtained from top ten highest impact factor journals which are accredited and indexed by the Science and Technology Index (SINTA), representing ten different scientific disciplines. Results show that the authors could not completely avoid subjectivity. However, objectivity was clearly sought through five strategies: passivation, verbalization, prioritization of verbs before explicit expressions of affect, nominalization, and prioritization of nouns before explicit expressions of affect. Using the appraisal framework, the modality theory in Indonesian (Alwi 1992), and the lexical semantic theory (Cruse 1986) as bases for data analysis, this research offers a taxonomic evaluative language map of Indonesian scientific articles. This research used the appraisal framework (Martin and White, 2005), especially the attitude and graduation system, to define boundaries while combining objective and evaluative-critical language in three parameters: (1) distance between the personal evaluation source and the evaluative item; (2) the prominence of agentivity and a person’s involvement in the actualization of events; and (3) the root meaning of evaluative lexemes.
SCANDAL IN JAPAN TRANSGRESSION, PERFORMANCE AND RITUAL Surajaya, I Ketut, Prof. Dr.
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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KAJIAN KONSEPTUAL SILABEL RITME GANDANG MINANGKABAU Fallen, Aryuda Fakhleri; Sukmayadi, Yudi; Narawati, Tati
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 2
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This article tryes to initiate the concept of Minangkabau rhythm syllables, which is a method in music learning related to audiation in rhythm learning, the urgency in this study explores the basic elements of the audiation system that can be applied to music learning related to rhythm syllables based on local approaches, taking into account previous concepts that have been popular in recent schools. In West Sumatra, the concepts of syllable rhythm such as Zoltan Kodaly, Kannokol, American Style Syllables, and Edwin Gordon are not so popular, but environments such as schools and art studios have their own ways of approaching learning music related to pronouncing sounds, so that in this study it is addressed as an interesting and crucial thing to study and formulate further into formulations. The method used in this research uses a qualitative paradigm with a literature review approach. Where the concept of previous rhythmic syllables is used as a reference in analyzing, bringing up findings, and juxtaposing the findings with the initiated Minangkabau rhythmic syllable formula, so that the Minangkabau rhythmic syllables can be generalized and adapted, but still referring to the habits of the local community material. Based on the results of the analysis, like Gordon’s concept, it is found that syllables or audiation appear after the formation of rhythms, patterns and sound colo.

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