cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Fariz Al Hazmi
Contact Email
farizalhazmi16@gmail.com
Phone
+6281389310770
Journal Mail Official
qualia.jurnal@gmail.com
Editorial Address
Program Studi Pendidikan Seni Rupa, Fakultas Bahasa dan Seni, Universitas Negeri Jakarta Jl. Rawa Mangun Muka Raya No.11, Rawamangun, Kec. Pulo Gadung, Kota Jakarta Timur, Daerah Khusus Ibukota Jakarta 13220
Location
Kota adm. jakarta timur,
Dki jakarta
INDONESIA
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual
Published by Universitas Negeri Jakarta
ISSN : -     EISSN : 29867096     DOI : https://doi.org/10.21009/qualia.22
Core Subject : Education, Art,
Arts Education
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual merupakan jurnal ilmiah berisi artikel hasil penelitian, kajian teoretik, dan tinjauan buku bidang pendidikan seni rupa dan budaya visual. Qualia berasal dari kata quale (Latin), artinya kualitas rasa yang dialami seseorang dengan fokus bidang yang meliputi: seni rupa murni, desain, kriya, fotografi, videografi, media alternatif, dan berbagai bentuk teks visual Fokus jurnal tidak terbatas pada: Pendidikan Seni Rupa (model pembelajaran, evaluasi pembelajaran, manajemen pendidikan dan berbagai bentuk terkait pembelajaran seni rupa). Manajemen Seni Rupa (Organisasi, Komunitas, Konservasi seni budaya, Museum dan galeri) Pengkajian Seni Rupa dan Budaya Visual Penciptaan Karya Seni Rupa
Arjuna Subject : Seni dan Humaniora - Seni dan Humaniora (Lain-Lain)
Articles 77 Documents
 4   5   6   7   8 
ANCAMAN SAMPAH PLASTIK PADA BIOTA LAUT DALAM SENI RUPA MIX MEDIA Qoyyuumu, Sulistia; Mudjiati
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.05

Abstract

This research aims to explore the concept of plastic waste and other forms of waste—such as fashion waste and medical waste—as the foundation for creating mixed-media fine art. The method employs a pragmatic artistic interest approach with a semi-figurative style, using zinc as the primary medium alongside painting techniques like plakate, impasto, pointillism, and brushstrokes. The creative process began by collecting used medical plastic waste, including infusion bottles, oxygen masks, NGT tubes, and medicine packaging, which were then collaged and integrated into a two-dimensional artwork. The result is a mixed-media fine art piece that holds not only aesthetic value but also conveys a powerful environmental message about ocean pollution caused by plastic waste.
PERMAINAN KARTU SEBAGAI MEDIA PROMOSI NOVEL: JAKARTA THE GOLDEN RULE Nindyaswari, Khansa Nabila; Akbar Pahala, Agam
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.02

Abstract

The artist's concern about sales in previous novels became the background for the creation of a card game entitled "Jakarta: The Case”. This game is packaged with a role-playing mechanism, namely the player as the OSIS administrator who holds a meeting to find out which two people secretly violate the Golden Rule. The creation process in this work uses the research-led practice method, where the creation practice is based on research conducted by collecting data on the overall storyline of the novel "Jakarta".
KEMISKINAN DI PERMUKIMAN PADAT PENDUDUK JOHAR BARU JAKARTA DALAM KARYA SENI POP-UP Efendi, Irfan; Moerdisuroso, Indro
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.07

Abstract

Poverty is a condition of economic inability to meet the average standard of living. In every urban area there are several densely populated settlements that are slum and uninhabitable, one of which is Johar Baru Jakarta. The creation of this work aims to reflect poverty in the densely populated settlement of Johar Baru Jakarta through pop-up artwork. This study uses a qualitative method with an artistic research approach. The creation of the work uses semi-figurative form interests, reflective art interests, and postmodern aesthetic principles. The specialness of personal style can be seen from the visual lining technique with the characteristics of thick and thin lines. The creation of this work is expected to be knowledge to the wider community about life in densely populated settlements.
PENCIPTAAN TIRAI IKAT CELUP DENGAN RAGAM HIAS ALAM MELAYU Rahma, Sheyla; Tridjata, Caecilia; Murwanti, Aprina
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.09

Abstract

The craft sector has great potential in Indonesia. According to data from the Ministry of Tourism and Creative Economy (Kemenparekraf), the craft sector contributed IDR 166.13 trillion to the national GDP in 2020. Based on the craft potential data, artists are interested in introducing diverse and unique Malay decorative motifs through tie-dye curtains to the wider community. This Creation Research uses a descriptive qualitative research type and a practice-based research method with a formalistic approach to analyze the aesthetic value of the visual elements of Malay tie-dye curtain works. This tie-dye curtain work is made on linen fabric using the tritik tie-dye technique. The dye used in the process of making the work is synthetic indigosol dye with a brush-dyeing technique. During the process of making this final project curtain, the Malay natural decorative motif was successfully applied well to the tie-dye curtain and was able to present the Malay natural atmosphere well.
DAMPAK PENCEMARAN LINGKUNGAN LAUT SEBAGAI INSPIRASI DALAM PENCIPTAAN KARYA SENI LUKIS CAT AIR Lutfiana Putri Munandar, Dafa; Akbar, Budiman
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.08

Abstract

This research employs qualitative methods with an artistic research approach to create works that raise awareness of the importance of preserving the ocean from pollution. The artwork serves as a critique of the behavior of littering, visualizing the polluted sea using a realist style. Watercolor techniques such as wet on dry, wet on wet, and lifting off are applied on paper to produce works that reflect the actual conditions. The creation concept focuses on pragmatic, figurative art and modern aesthetics, with the aim of inspiring the protection of the marine environment in Indonesia.
KEBUDAYAAN PONOROGO DALAM KARTU KUARTET DAN BUKU CERITA BERGAMBAR Chandra, Nurrul; Candrasari, MC. Wara
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.06

Abstract

This study aims to introduce the uniqueness of Reog Ponorogo in a concise and easily understandable manner as a cultural learning tool. It employs engaging storytelling tailored for children aged 12–15 through an illustrated storybook and quartet cards. The research adopts a qualitative methodology with a research-led practice approach. The illustrated storybook and Ponorogo cultural quartet cards for adolescents are visualized using a simplified cartoon style with distortion techniques. Output of the research yields an illustrated storybook titled "Pulang Kampung ke Ponorogo" ("Homecoming to Ponorogo"), which follows the story of Ayuningtyas (nicknamed Tyas) on her first visit to her hometown, Ponorogo. Through the storybook and quartet cards, she explores various cultural elements, including: Reog Ponorogo characters, local flora, traditional foods, tourist attractions, traditional games, performance arts, traditional attire, and Reog musical accompaniments.
TOXIC MASCULINITY PENGGUNAAN SKINCARE DALAM PENCIPTAAN SENI LUKIS MIX MEDIA Alfian Nugraha, Aldi; Akbar, Budiman
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 4 No 2 (2024): Oktober
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.42.04

Abstract

Toxic masculinity refers to gender norms that dictate men must always be strong, should not show weakness or emotions such as sadness, and must refrain from self-care practices like skincare, which some societies perceive as feminine. This research aims to demonstrate that men can also use skincare as a form of self-care. The study employs a qualitative method with an artistic research approach, combining art creation with direct research methods such as internships, exploration, and interviews with sources, allowing for a deeper understanding from a broader perspective. In this study, the researcher uses Charles Sanders Peirce's semiotic theory to analyze the creative work, as this theory explains how meaning is derived from symbols. The use of mixed-media painting in this context enables the creator to combine various materials, such as acrylic paint, mirrors, facial masks, and other media, to produce complex visual effects and textures.
RELEVANSI SIMBOLISME DAN NILAI BUDAYA TIONGHOA DALAM POSTER 'TURNING RED' OLEH EMMANUEL ELIZABETH Dimas Saputra, Dimas Saputra
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.09

Abstract

The cultural elements in illustration are not a new phenomenon in the art world; symbolism and cultural values have long been integral to fine arts, culture, and visual arts. Even renowned animation studios like Disney Pixar consistently adopt this approach by incorporating cultural diversity from various countries into their animated works. For instance, in their latest animation, "Turning Red," they draw inspiration from Chinese culture as a primary element in its narrative and visualization. In this context, Immanuel Elizabeth, a student from Bandung Institute of Technology, has successfully crafted an illustrative work in the form of an official poster for the film. This research aims to conduct an in-depth analysis of the symbolic cultural elements in Immanuel Elizabeth's illustrative work, considering its relevance to the film's context and poster design. How do the Chinese cultural elements present in the poster interact with the story or message intended by the film "Turning Red"? Additionally, the research investigates public responses to the artwork. The results of this study are expected to provide a deeper understanding of the cultural relevance in visual arts and how art can serve as a means to convey cultural messages and strengthen cultural understanding among the public. These findings can serve as a reference for researchers and academics interested in the relationship between art and culture.
The Menganalisis Makna Simbolik Baju Adat Pesa’an Madura Jawa Timur Sandy Al Fauzan, Muhammad Hafizh; Abrar, Fany Ramadhanty; Listiana, Indah; Hafbi, Najwa; Bahar, Syairul; Alfarauq, Farkhan Abdurochim
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.10

Abstract

Madurese traditional clothing is a rich cultural heritage from the island of Madura, Indonesia, which not only reflects the identity of the community, but also the social and cultural values ​​passed down from generation to generation. These clothes, which are generally made from brightly colored fabrics with unique motifs, play an important role in various traditional events and cultural celebrations. This research aims to explore the history, social meaning and development of pesana clothes in a modern context. The research method uses a qualitative approach with observation techniques, semi-structured interviews, and documentation to analyze the symbolic meaning of this traditional clothing. The research results show that ordered clothes not only function as cultural identity, but also contain deep meaning related to the character of the Madurese people. Each design element, such as color and motif, has a certain symbolism that reflects boldness and simplicity. In addition, ordered clothes are often worn at formal events and reflect the social status of the wearer. The transformation of the pesana shirt in a social and economic context shows its adaptability while still maintaining traditional values. It is hoped that this research can encourage the younger generation to preserve the rich culture of Madura in the modern era.
Analisis Makna Kasih Sayang Orang Tua dalam Lukisan “Ibu Dan Anak” Karya Basuki Abdullah Talitha, Talitha Anindya; Budi, Setyo
Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual Vol 5 No 1 (2025): April
Publisher : Program Studi Pendidikan Seni Rupa FBS UNJ

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/qualia.51.05

Abstract

Painting is often a medium to express deep meaning including emotional feelings. Basuki Abdullah is an Indonesian painting maestro who is known for his realist style and often presents human portraits with emotional expressions. One of his works, the painting “Mother and Child” created in 1992, features a mother holding her child which gives an emotional impression such as the feelings of love and struggle of a mother towards her child to provide protection and great sacrifice to the child. So this work seems to be a general embodiment of a mother's boundless love. This research aims to identify and analyze the meaning of parental love expressed in the painting “Mother and Child” by Basuki Abdullah, as well as explore the visual elements and aesthetic responses generated from the painting. The approach method used is qualitative-descriptive by collecting data through observation, literature study, and visual analysis as data collection techniques. The results show that through the use of color, gesture, and composition, Basuki Abdullah presents a deep emotional message, making this work a symbol of eternal love between parents and children.

Page 7 of 8 | Total Record : 77

 4   5   6   7   8 

Filter by Year

2021 2025


Reset
Filter By Issues
All Issue Vol 5 No 1 (2025): April Vol 4 No 2 (2024): Oktober Vol 3 No 2 (2023): Oktober Vol 3 No 1 (2023): April Vol 2 No 2 (2022): Oktober Vol 2 No 1 (2022): April Vol 1 No 2 (2021): Oktober Vol 1 No 1 (2021): April