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INDONESIA
Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
ISSN : 28291999     EISSN : 28289226     DOI : https://doi.org/10.47662/lumra.v3i2.1094
Core Subject : Education,
Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia menerbitkan manuskrip hasil penelitian dalam bidang pengajaran bahasa, sastra, dan linguistik. Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia menampilkan kebaruan penelitian dan signifikansi bagi kemajuan ilmu pengetahuan di salah satu bidang manuskrip yang diterbitkan. Jurnal ini menyambut baik kiriman dari seluruh dunia maupun dari Indonesia. Termasuk naskah yang diterbitkan. Ilmu bahasa; fonologi, morfologi, sintaksis, analisis wacana, psikolinguistik, sosiolinguistik, dan analisis wacana kritis. Sastra: kajian sastra daerah, sastra Indonesia, sastra anak, kajian sastra untuk pendidikan karakter, dan kajian sastra lainnya. Pendidikan : pengembangan kurikulum, metode pembelajaran, materi pembelajaran, media pembelajaran, instrumen penilaian, teknologi informasi dan komunikasi dalam pembelajaran bahasa Indonesia, keterampilan berbahasa, dan kajian pembelajaran bahasa Indonesia lainnya.
Articles 55 Documents
INTERTEKSTUALITAS DAN KRITIK SOSIAL DALAM CERPEN DODOLITDODOLITDODOLIBRET: MEMBACA ULANG SENO GUMIRA AJIDARMA DI ERA DIGITAL Pasaribu, Gumarpi Rahis
LUMBUNG AKSARA Vol 5 No 2 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i2.1260

Abstract

This study aims to analyze the forms of intertextuality and social criticism in the short story Dodolitdodolitdodolibret by Seno Gumira Ajidarma, as well as their relevance to the conditions of freedom of expression in the digital era. This study uses a descriptive qualitative approach with Julia Kristeva's intertextuality theory and Pierre Bourdieu's social criticism theory. The primary data is the short story text, while secondary data comes from literature studies and previous studies. The results show that Seno Gumira Ajidarma builds intertextuality through the use of sound, repetition, and absurdity as symbolic forms of censored communication. Social criticism appears in the form of satire against the power that silences freedom of speech. When reread in the context of the digital era, the message in this short story remains relevant, because it shows the existence of a form of "new censorship" through algorithms, disinformation, and viral culture that suppresses freedom of expression.
GAYA BAHASA DAN DIKSI PERLAWANAN DALAM SAJAK ORANG LAPAR KARYA W.S. RENDRA: KAJIAN STILISTIKA Febryana, Mutia; Butar-Butar, Charles
LUMBUNG AKSARA Vol 5 No 2 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i2.1261

Abstract

The poem "Sajak Orang Lapar" by W.S. Rendra is a literary work that represents the voice of social resistance against inequality and injustice experienced by the lower classes. This study aims to describe the style of language and diction used by Rendra as a means of expressing social criticism in the poem. The approach used is a stylistic study with a qualitative descriptive method. Data in the form of words, phrases, and sentences containing elements of style of language and diction of resistance were collected through reading and note-taking techniques. The results of the study show that Rendra utilizes the style of language of metaphor, hyperbole, irony, and repetition to emphasize the suffering and social anger of the oppressed. The chosen diction reflects collective awareness of structural inequality and becomes a symbol of resistance against the oppressive system. The conclusion of this study is that the style of language and diction in "Sajak Orang Lapar" function not only as aesthetic means, but also as a medium for social and moral advocacy for society.
ANALISIS EKOKRITIK DALAM CERITA RAKYAT SUMATERA UTARA ASAL MULA POHON AREN Kusyani, Diah; Kartika, Rika
LUMBUNG AKSARA Vol 5 No 2 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i2.1262

Abstract

This study examines the ecological values ​​in the folktale "The Origin of the Sugar Palm Tree" from North Sumatra through an ecocritical approach. This approach highlights the reciprocal relationship between humans and nature as depicted in literary works. The research was conducted using a descriptive qualitative method, using the ecocritical theory of Cheryll Glotfelty and Greg Garrard. The analysis shows that the folktale contains ecological messages in the form of respect for nature, criticism of human greed, and environmental ethical values ​​that are still relevant to the modern context. This story reflects the harmony between humans and nature and serves as an educational medium for instilling ecological awareness in the younger generation.
DEIXIS ANALYSIS IN THE SHORT STORY THE WOMAN WHO LOST IN THE PATCHOUMI GARDEN Ray, Sukma Adelina; Yulianda, Asri
LUMBUNG AKSARA Vol 5 No 2 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i2.1263

Abstract

This study analyzes the function of deixis (person, place, and time) in the short story "Perempuan yang Hilang di Kebun Nilam" by Helvy Tiana Rosa. Deixis, as a fundamental linguistic category that anchors discourse to context ("I, here, now"), is believed to be a key stylistic tool for constructing mystery and narrative perspective. This study uses a qualitative descriptive-pragmatic approach, with a close reading technique to identify, classify, and interpret deixis markers in the short story corpus. The results of the analysis show that deixis functionally creates a complex narrative structure, namely (1) Person deixis establishes the character Fauzan as (Narrative Subject), while the character “Woman” (Intan) is consistently placed as the Third Person Reference Object. (2) Place deixis (especially the phrase “in the Nilam Garden”) functions as a symbolic marker. The contrast between proximal (historical/emotional) and distal (physical/current) markers shows that the Nilam Garden is not just a setting, but a container of mystery. (3) Time deixis creates plot tension through double tense framing, comparing the present temporal (until now) with events of the distant past (two decades ago), forming a time hole that drives Fauzan’s search efforts. It is concluded that deixis in this short story functions as an efficient narrative tool in organizing space, time, and perspective to intensify the mysterious atmosphere and focus on the theme of loss.
CRITICAL DISCOURSE ANALYSIS OF SARA MILLS' MODEL IN “THE PERFECT WIFE” Yulianda, Asri; Ray, Sukma Adelina
LUMBUNG AKSARA Vol 5 No 2 (2025): Lumbung Aksara: Jurnal Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa Indonesia FKIP-UNIVA Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47662/lumra.v5i2.1264

Abstract

This study aims to critically analyze the gender ideology contained in the short story “Perfect Wife” by Aveus Har using Critical Discourse Analysis (CDA) Sara Mills Model. This short story was chosen because it explicitly challenges the ideal construction of the “perfect” role of a wife in a society that is steeped in patriarchal values. The method used is qualitative CDA with document analysis and close reading techniques, focusing on Mills's three discourse positions: Subject/Object Position, Writer Position, and Reader Position. The results of the study indicate the dominance of patriarchal ideology that is legitimized through language. The Subject/Object Position analysis reveals that the character of the Wife (who is ultimately revealed as a gynoid) is consistently positioned as a passive Functional Object, judged, and alienated from agency, making her a disposable commodity. In contrast, the character of the Husband is maintained as an Active Subject who has full authority in assessing and making decisions. Another key finding is the author's use of narrative irony. The plot twist of the wife as a robot serves as an ideological critique, suggesting that the demands of perfection on wives have reached an inhumanly absurd limit. The marital failure that occurs despite meeting the standards of perfection rhetorically shifts the focus of blame from the wife to the husband's imperfect expectations and oppressive patriarchal standards. The study's conclusion confirms that the discourse of the "Perfect Wife" is a tool that dismantles the idealization of women's roles as hollow constructs that ultimately harm all parties. Recommendations are made for more frequent application of Mills's Model to feminist literary criticism and the promotion of social awareness.