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Contact Name
Dedi Sufriadi
Contact Email
dedisufriadi@gmail.com
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+6285260082672
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jurnal@indopublishing.or.id
Editorial Address
Jln. Malahayati KM. 9 Desa Kajhu No. 14 Kecamatan Baitussalam Kabupaten Aceh Besar, Indonesia 23373
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Aceh
INDONESIA
Jejak digital: Jurnal Ilmiah Multidisiplin
Published by Indo Publishing
ISSN : 30897742     EISSN : 30897734     DOI : https://doi.org/10.63822/jejakdigital
Jurnal Ilmiah Multidisiplin adalah jurnal elektronik dan cetak Open Access Journal yang diterbitkan oleh Indo Publishing setiap 6 kali dalam setahun menyediakan forum untuk mempublikasikan artikel penelitian asli, artikel review dari kontributor, dan berita teknologi baru mencangkup multidisiplin ilmu
Arjuna Subject : Umum - Umum
Articles 1,228 Documents
Analisis Komparatif Daya Saing Ekspor Besi dan Baja Belgia dan Tiongkok di Pasar Mesir dalam Perspektif EPD, dan ECI Ananda Marda Fitria; Naora Yolla Greshinta; Fahrizal Taufiqqurrachman
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/3p75yx07

Abstract

The iron and steel industry plays a strategic role in supporting industrial development and infrastructure expansion in developing countries, including Egypt as one of the major importers in the Middle East and North Africa (MENA) region. In the context of increasing global competition, exporting countries are required to possess strong competitiveness and adaptive export structures. This study aims to comparatively analyze the export competitiveness of iron and steel products from Belgium and China in the Egyptian market. The analytical approaches employed include Export Product Dynamics (EPD) to identify export growth positioning and Economic Complexity Index (ECI) to capture the level of economic sophistication of exporting countries. This research uses secondary data derived from international trade databases over a specific period. The results indicate that China demonstrates stronger export dynamics and market expansion in the Egyptian market, while Belgium shows relatively higher product sophistication but more limited market penetration. These findings suggest that competitiveness in iron and steel exports is not only influenced by economic complexity, but also by scale efficiency and export market responsiveness.
Karya Tari  Nan Tingga Merepresentasikan Ketidakterimaan Dan Keikhlasan Terhadap Kematian Dalam Tradisi Ba Ilau Azzahra Putri; Kurniadi Ilham; Emri Emri; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/ww41y622

Abstract

The dance work Nan Tingga is inspired by the social phenomenon of the Ba Ilau tradition. This interest is based on the sadness of a mother over the loss of her child who died abroad, the focus of the problem that became the idea to represent is about the unacceptance and sincerity of death. This work is worked on in two streams of work on the atmosphere with cultural themes and dramatic types, the method that the artist uses is referring to the book written by Prof. Dr. Y. Sumandiyo Hadi, namely the book on the basic aspects of group choreography. To strengthen the atmosphere in this work, the artist uses live and internal music that is appropriate to the work that the artist is working on. The dancers who support this work consist of six female dancers, of course the selection of dancers by the artist is adjusted to the character, good techniques are also able to apply the ideas and ideas of the work in revealing the problems that the artist wants. This dance work is entitled Nan Tingga, worked on in the form of Traditional dance and has been performed at the Boestanul Arifin Adam Auditorium on January 14, 2026
Karya Tari Rongga Sunyi Terinspirasi dari Tradisi Luambek di Padang Pariaman Aurelia Ivana; Ariefin Alham Jaya Putra; Oktavianus Oktavianus; Kurniadi Ilham
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/6yb5hz78

Abstract

The dance work Rongga Sunyi was inspired by the Luambek tradition from Padang Pariaman. The choreographer’s interest arose from the unique movements of Luambek martial arts, which differ from other forms of silek (silat). In Luambek, the duel occurs without any physical contact between the performers, yet it leaves emotional and psychological wounds for the Buluih (defeated) fighter. The central issue interpreted in this work focuses on social pressure experienced by the defeated fighter, who, from the very beginning of the duel, already feels the burden and expectation to win in order not to bring shame upon their village or themselves. This work is structured into three dramatic sequences, carrying a social theme and employing a dramatic type of choreography. The choreographic method used is based on the principles written by Prof. Dr. Y. Sumandiyo Hadi in his book Aspek Dasar-Dasar Koreografi Kelompok (The Basic Aspects of Group Choreography). To strengthen the atmosphere, the choreographer incorporated live techno music as accompaniment. The performance features five female dancers, selected based on their strong character, technical ability, and expressive interpretation that aligns with the choreographer’s vision in conveying the intended social issue. The dance work, titled Rongga Sunyi, was created in the style of traditional contemporary dance and was performed at the Boestanul Arifin Adam Auditorium on January 15, 2026.
Pengaruh Penerapan Sistem Informasi Akuntansi dan Kompetensi Karyawan Terhadap Kinerja Karyawan Pada Perusahaan CV. Putra Media Utama Di Kabupaten Sumbawa Barat Pemi Aprianti; Ahmad Jibrail
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/en0w0m58

Abstract

Penelitian ini bertujuan untuk menganalisis pengaruh penerapan Sistem Informasi Akuntansi (SIA) dan kompetensi karyawan terhadap kinerja karyawan pada CV. Putra Media Utama di Kabupaten Sumbawa Barat. Kinerja karyawan merupakan faktor penting dalam menunjang keberhasilan perusahaan, terutama dalam menghadapi perkembangan teknologi dan tuntutan efektivitas kerja. Penerapan Sistem Informasi Akuntansi yang efektif serta kompetensi karyawan yang memadai diharapkan mampu meningkatkan kualitas dan produktivitas kerja karyawan. Penelitian ini menggunakan pendekatan kuantitatif dengan metode survei. Data diperoleh melalui penyebaran kuesioner kepada karyawan CV. Putra Media Utama yang dijadikan sebagai responden penelitian. Teknik analisis data yang digunakan meliputi uji validitas, uji reliabilitas, uji asumsi klasik, analisis regresi linear berganda, uji parsial (uji t), uji simultan (uji F), dan uji koefisien determinasi (R²). Hasil penelitian menunjukkan bahwa secara parsial penerapan Sistem Informasi Akuntansi berpengaruh positif dan signifikan terhadap kinerja karyawan. Kompetensi karyawan juga berpengaruh positif dan signifikan terhadap kinerja karyawan. Selain itu, secara simultan penerapan Sistem Informasi Akuntansi dan kompetensi karyawan berpengaruh signifikan terhadap kinerja karyawan pada CV. Putra Media Utama di Kabupaten Sumbawa Barat. Hal ini membuktikan bahwa semakin baik penerapan sistem informasi akuntansi dan semakin tinggi kompetensi karyawan, maka kinerja karyawan akan semakin meningkat. Penelitian ini diharapkan dapat memberikan kontribusi bagi perusahaan dalam meningkatkan efektivitas penerapan sistem informasi akuntansi serta pengembangan kompetensi karyawan guna mendukung peningkatan kinerja. Selain itu, hasil penelitian ini juga diharapkan dapat menjadi referensi bagi penelitian selanjutnya yang berkaitan dengan sistem informasi akuntansi dan kinerja karyawan.
Pengaruh Brand Awareness, Brand Image, Dan Brand Trust Terhadap Keputusan Pembelian Secara Online Pada Produk Skincare Skintific Yenny Aprillia Hidayat; Aris Sugiarto
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/v2188445

Abstract

Penelitian ini bertujuan untuk menguji pengaruh brand awareness,brand image,brand trust terhadap Keputusan pembelian secara online pada produk skincare Skintific. Populasi dalam penelitian ini adalah seluruh konsumen pengguna Skintific. Sampel dipilih menggunakan teknik purposive sampling dengan kriteria konsumen yang telah menggunakan Skintific dalam tiga bulan terakhir dan berdomisili di Kecamatan Sumbawa. Penelitian ini menggunakan metode kuantitatif dengan pendekatan asosiatif kausal. Teknik analisis data dilakukan menggunakan SPSS Versi 25, dengan jumlah responden yang ditentukan berdasarkan rumus Paul Leedy, yaitu sebanyak 100 orang. Hasil penelitian menunjukkan bahwa brand awareness tidak berpengaruh signifikan terhadap keputusan pembelian. Demikian pula dengan brand image yang juga ditemukan tidak memiliki pengaruh signifikan. Namun, hal berbeda ditunjukkan oleh variabel brand trust yang terbukti berpengaruh signifikan terhadap keputusan pembelian konsumen secara online. Temuan ini mengindikasikan bahwa brand trust lebih efektif dalam meningkatkan keputusan pembelian konsumen, karena pembeli cenderung memilih merek yang sudah mereka yakini kualitasnya.
Karya Tari Jejak Kaba Interpretasi Perjuangan Seorang Seniman Rabab dalam Mempertahankan Tradisi Rabab Alsafitro Alsafitro; Susasrita Loravianti; Wahida Wahyuni; Kurniadi Ilham
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/zajrba79

Abstract

The dance work Jejak Kaba is inspired by the struggle of a Tukang Rabab, portraying the strong fighting spirit possessed by traditional artists, as well as their determination to preserve the roots of traditions passed down through generations and the ways they strive to survive. This becomes the creator’s main focus in highlighting the resilience and perseverance of a traditional Rabab artist, who regards Rabab not merely as a form of entertainment but as a way of life—both as a means of livelihood and as a medium for inheriting traditional art.The creation of this work is realized by emphasizing the space of memory surrounding struggle, sincerity, challenges, anxiety, and loyalty of a traditional artist in maintaining the existence of Rabab tradition amid the rapid changes of the modern era.This work applies Alma M. Hawkins’ choreographic approach as outlined in the book Creating Through Dance and Choreography: Form, Technique, and Content, which consists of several stages: data collection and field observation, exploration, improvisation, formation, and evaluation. The work is further strengthened by the use of lighting to represent atmospheres of calmness, tension, and gloom. Jejak Kaba employs a dramatic type of dance and is performed on an arena stage at the Boestanol Arifin Adam Auditorium.
Tari Lembaran Persegi: Makna Filosofi Maindang Manampih Bareh Disisiahan Atah Ciek-Ciek Reza Maulidil Akbar; Rasmida Rasmida; Donny Osmond; Wardi Metro
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/80zyg274

Abstract

The dance work "Square Sheet" is inspired by the meaning of the Minangkabau proverb, namely maindang manampih bareh disisahan or ciek-ciek, which means the importance of full awareness of what is done and the impact caused, aware of choices and decisions. Based on this meaning, the author is interested in making that meaning as a source of inspiration for the dance work entitled "Square Sheet". This interest is based on the author seeing that at this time the public is no longer choosing leaders with a decent track record but the public attaches more importance to closeness and wealth. Related to that, the worker focuses on the issue of full awareness of the decisions made and the impact caused, through the body's physical, mental, and emotional response. To realize the dance work, the author chose the piriang koto sani dance as a foothold in the preparation of the work. The worker interprets into the form of group choreography which is worked in three grooves of atmosphere. The theories used in this work are social construction theory and choreography theory. The method used is the method written by Alma M. Hawkins in the book choreography of form, technique, and content of Sumandiyo Hadi's translated work is field observation data collection, data processing, literature study, exploration, improvisation, formation and evaluation. This work is performed by two female dancers and four male dancers, the music is used to strengthen the atmosphere that the worker is based on from the music from the traditional Minangkabau which is worked by the composer according to the concept of the work. Other than that, of course, it cannot be separated from the nine elements of the tar composition. This work has been displayed at the Boestanoel Arifin Adam Auditorium of the Indonesian Padangpanjang Art Institute on January 15, 2026.
Sikalabai: Interpretasi Identitas Perempuan  Mentawai dalam Penciptaan Koreografi Hafizatul Rahmi; Ali Sukri; Ajuoktoza Rovylendes; Ariefin Alham Jaya Putra
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/m5tern98

Abstract

This artwork thesis is entitled “Si Kalabai: Interpretation of Mentawai Women’s Identity in Choreographic Creation”. This work departs from the meaning of the Geilat symbol (Mentawai traditional titti/tattoo) as a representation of identity, social status, and the role of women in the Mentawai indigenous community who adhere to the Arat Sabulungan belief. Women in this culture are seen as important subjects in maintaining the balance of life, but in the broader social reality they still often experience role restrictions and inequality. The creation of this dance work aims to interpret the strength, resilience, and struggle of women through the medium of movement as a form of artistic expression and social reflection. The creative method used refers to the stages of Alma M. Hawkins’ choreography, including data collection and field observation, exploration, improvisation, formation, and evaluation. The results of the creation are realized in an abstract contemporary dance work using five female dancers, which are arranged into three main parts, namely oppression, inner resistance, and self-liberation. Non-representational movement elements, the processing of space, time, and energy, as well as the use of internal and external music are utilized to strengthen the delivery of symbolic meaning. The work of Si Kalabai is expected to be a medium for appreciation and understanding of the identity of Mentawai women while also opening up awareness about the importance of equality and respect for women in social and cultural life.
Penciptaan Karya Tari Layantara: Representasi Interaksi Sosial yang Terputus dalam Era Digital Rahmat Fajar Ramadhan; Wardi Metro; Idun Ariastuti; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/xn4ztz65

Abstract

Layantara is a dance work that represents the social phenomenon of increasingly fragmented human interaction due to the pervasive influence of digital technology. The creation is driven by concerns over how human connections are gradually replaced by virtual relationships that are passive, shallow, and disconnected from physical presence. This work focuses on the experience of individuals who appear connected digitally, yet remain emotionally and socially distant. The choreography adopts a symbolic approach using transparent plastic as a metaphor for the thin but impenetrable boundaries that separate individuals from genuine interaction. The three-part structure of the piece interprets layers of interaction: beginning with passive contact, moving through disorientation and distancing, and culminating in an intense physical effort to reconnect, revealing the illusion within digital proximity. Layantara invites the audience into a reflective space, encouraging awareness and critical thought regarding the forms of connection that shape modern life, and the essential value of physical presence in social relationships.  
Penciptaan Karya Seni “Aku Bukan Aku” Intepretasi Fenomena People Pleaser dari Isu Psikologis Sosial yang Dialami Individu Anggi Safandri Ova; Syahril Syahril; Idun Ariastuti; Dony Osmond
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 1 (2026): JANUARI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/r3f7ff28

Abstract

The dance work "Aku Bukan Aku" is inspired by a people pleaser phenomenon as a psychological and social issue that is often experienced by individuals, especially the younger generation, in their daily lives. People pleaser refers to a person's tendency to always prioritize the interests, feelings, and expectations of others over their own needs, in order to gain social acceptance, avoid conflict, and maintain the image as a "good" person. This attitude can slowly cause inner pressure, emotional exhaustion, loss of identity, and identity crisis. The phenomenon is then translated into works of art as a form of reflection and social criticism through the medium of body expression. The body is positioned as an experience space that records the psychological burden, excessive obedience, and inner conflict experienced by individual people pleaser.