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Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts)
Published by Institut Seni Indonesia Yogyakarta
ISSN : -     EISSN : 23386770     DOI : https://doi.org/10.24821/resital
Core Subject : Humanities, Art,
Arts Humanities
Resital : Jurnal Seni Pertunjukan merupakan jurnal ilmiah berkala yang ditujukan untuk mempublikasikan karya ilmiah hasil penelitian, pengembangan, dan studi pustaka di bidang seni pertunjukan. Jurnal Resital pertama kali terbit bulan Juni 2005 sebagai perubahan nama dari Jurnal IDEA yang terbit pertama kali tahun 1999.
Arjuna Subject : -
Articles 8 Documents
 1 
Search results for , issue "Vol 26, No 1 (2025): April 2025" : 8 Documents clear
Features of National Mentality in Ukrainian Musical Folklore Yakymchuk, Olena
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15020

Abstract

The article explores the manifestation of the Ukrainian national mentality in the genres of musical folklore, focusing on dumas, schedrivkas, and lyrical songs. The study considers the national mentality as a historically formed system of cognitive and emotional dispositions, culturally coded and transmitted through collective practices such as folklore. Applying a multidisciplinary methodology that combines elements of cultural studies, ethnomusicology, and semiotic analysis, the study identified specific features of the Ukrainian worldview, which are reflected in the symbolic structures and stylistic features of the folk song, namely: individualism, emotional expressiveness, respect for nature and family, and democratic ethos. This study adopts a semiotic approach, which considers folklore as a complex system of cultural signs that convey collective meanings and values. The semiotic analysis focuses on the symbolic structure of folk songs, i.e., binary oppositions, archetypal images, ritual motifs, which interpret the Ukrainian national mentality. The study comprises 100 Ukrainian folk songs, including shchedrivkas, dumas, and lyrical songs, collected from different regions of Ukraine, with a particular emphasis on the Central and Western regions of Ukraine. Moreover, it is established that the dual cultural heritage of the agrarian and Cossack traditions forms the ambivalent structure of the Ukrainian mentality. By analyzing the textual and musical characteristics of key folklore genres, the article shows how musical folklore functions as a means of preserving and transmitting national identity and collective memory. Ukrainian musical folklore reproduces key features of the Ukrainian character, such as emotionality, the desire for freedom, democratic ideals, and a deep connection to nature. Thus, it stipulates reinterpretation of the role of folklore in the formation of cultural identity in postcolonial societies.
Reimagining Thai, Jazz, and Classical Musical Identities in “Phosop”: The Music of Awakening the Spirit Chaichana, Tanarat
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15483

Abstract

Historically, Eurocentrism has profoundly influenced the development, perception, and evaluation of cross-cultural music, shaping composers’ perspectives and reinforcing biases related to notions of identity and authenticity. This dynamic also exposes underlying power imbalances between Western and non-Western cultures, especially in musical collaborations. In response, this paper advocates for a reconciliatory approach that addresses these issues and strengthens the concept of decolonization in music composition. This study examines an original composition for orchestra, jazz quartet, and khaen, titled “Phosop,” identifying how it embodies the principles of cultural recognition, the dismantling of hierarchical structures, and the promotion of collective participation through a deliberate process that integrates jazz, classical, and Isan Nuea music. The collaborative interaction among these distinct styles exemplifies a shared musical dialogue that balances individual expression with collective creation, honoring diverse cultural heritages. Consequently, this work advocates for a participatory and dialogic model of music-making that fosters inclusivity, encouraging composers to critically engage with the histories and contributions of various musical traditions by adopting inclusive practices. These practices aim to elevate and honor cultural narratives through artistic work, thereby challenging Eurocentrism in global or cross-cultural music composition. Such efforts contribute to the cultivation of a more equitable and dynamic global musical landscape, fostering cross-cultural understanding and amplifying diverse voices.
Revitalizing local wisdom values in Nandong Smong musical: Strengthening educational materials in Gen Z Hakim, Putri Rahmah Nur; Pabbajah, Mustaqim; Wisetrotomo, Suwarno; Andiko, Benny; Sari, Intan Permata
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15451

Abstract

This study explores the cultural and educational significance of Nandong Smong, a traditional oral literature form from Simeulue Island, Indonesia, which functions as both a disaster narrative and a medium of intergenerational knowledge transfer. The objective of this research is to analyze the lyrical content and sociocultural meaning embedded in the Smong song to understand its role in tsunami preparedness and collective memory among Simeulue communities. The study employed a qualitative approach, with data collected through direct observation in Simeulue and in-depth interviews with several local elders, who were asked to interpret the meanings and messages of the Smong lyrics. These primary data sources were supported by secondary data obtained from YouTube, where Smong songs were transcribed and examined word-by-word for textual analysis. The results reveal that Nandong Smong is not merely an artistic expression but a crucial oral tradition rooted in the island’s historical experience of the 1907 tsunami. The lyrics contain warnings, survival strategies, and moral teachings that emphasize local wisdom, memory, and collective responsibility. Furthermore, the discussion highlights the effectiveness of oral literature in shaping communal resilience and transmitting indigenous knowledge through non-formal education. The conclusion emphasizes the need to preserve Nandong Smong as both an intangible cultural heritage and an alternative model for disaster education. This research implies that integrating local narratives into disaster risk reduction strategies may enhance community preparedness in disaster-prone areas. Therefore, it is recommended that policymakers and educators consider incorporating oral traditions such as Nandong Smong into formal educational curricula and community-based disaster awareness programs.
Sasando as a Symbol of Cultural Identity of the Rote Island Community and the Challenges of Preserving Natonis, Rolfi Junyanto Is; Jazuli, Muhammad; Utomo, Udi; Widodo, Widodo; Narselina, Puput Meinis
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15071

Abstract

This research examines Sasando as a symbol of cultural identity and pride of the people of Rote Island by exploring its philosophical values, social functions, and the challenges of its preservation in the midst of modernization. The present study employed a qualitative case study approach, with data collected through participatory observation and in-depth interviews with Sasando players, craftsmen, and cultural figures. The research findings reveal three key aspects: the value of cultural identity reflected in the use of natural materials (bamboo and palm) and its role in traditional rituals as a marker of local wisdom, social function as a medium of community unification in collaborative events and a means of intergenerational value transmission, and preservation challenges in the form of declining interest from the younger generation, lack of integration in formal education, and limited promotion. The research also identified opportunities through cultural festivals and tourism-based economic potential. The research conclusions emphasize that Sasando is not merely a musical instrument, but rather a symbol of collective identity that represents the history, social values, and cultural resilience of the Rote people. The following policy recommendations are put forth: first, the integration of a Sasando-based curriculum; second, the strengthening of youth training programs; and third, multi-stakeholder collaboration for sustainable promotion strategies. This research makes a theoretical contribution to the discussion of the relationship between traditional musical instruments, identity construction, and cultural preservation strategies in the midst of globalization.
Vocal Ornamentation Style of Sri Hartati in the Keroncong Song Bandar Jakarta by Iskandar Suryati, Suryati; Legino, Rafeah; Artanto, Mei; Anugerah, Hafidz Akbar
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.12271

Abstract

Vocal ornamentation is very necessary for a singer. Vocal ornamentation can be applied to several genres of songs, one of which is keroncong songs. In performing keroncong songs, both Keroncong Asli, Langgam and Stambul have their own characteristic vocal ornamentation. Each singer also has their own characteristics in performing Keroncong songs. Therefore, this study focused on Sri Hartati's vocal ornamentation style in performing the Keroncong song "Bandar Jakarta" Ciptaan Iskandar. Therefore, this research can be used as a reference and study material in Keroncong learning at the Music Education Study Program of the Indonesian Institute of the Arts Yogyakarta. This study used qualitative method with contents analysis. Analysis was conducted for Sri Hartati's vocal ornamentation style in singing the song "Kr. Bandar Jakarta" which includes cengkok, gregel, luk, embat and nggandul. This study aims to provide an overview of vocal ornamentation for students who take keroncong courses, especially as vocals or keroncong singers. The results showed that Sri Hartati's vocal ornamentation style was dominated by luk, even though there were cloves and gregel.  Sri Hartati's vocal ornamentation style is simple but has its own uniqueness, so many achievements at the national level.
Exploring Cultural Authority: The Dichotomies of Zikir Songs in the Malay Community of West Kalimantan Ansari, Isa; Fauziyah, Nur; Pujiono, Bagong; Bugov, Dobrin Tsvetanov; Puspitasari, Elis
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15027

Abstract

This article examines the reproduction of cultural authority within the Sambas Malay culture, emphasizing the distinctions in the utilization of songs for performing dhikr or barzanji in broader terms. This issue is approached through a multidisciplinary lens that integrates aspects of cultural studies, ethnomusicology, and symbolic capital. This research is qualitative because it explores the complex relationship between the dhikr practices of the community, resulting in narrative data. The data was collected through interviews and participant observation, which included engaging with the dhikr participants during their rituals and practices. The process of data analysis occurs in three distinct stages. Initially, data reduction is conducted to arrange the data in a more structured manner. The second point presents the reduced data thematically in a table that includes images, text quotes, and snippets of dialogue. Data verification was conducted to reach conclusions. The process of interpretation involved restating and reflecting on the data in light of the prevailing socio-cultural context. The findings suggest that the dichotomy acts as a means for dhikr practitioners to recreate cultural authority, aiming to reshape the Sambas Palace's influence over those who engage with traditional songs. This reproductive process occurs through inversion and reinforcement.
Music Transformation of Gondrang Sipitu-pitu in Simalungun Community Nelson, Ricky; Purba, Mauly; Ginting, Pulumun Peterus
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15410

Abstract

This study investigates the transformation and adaptation processes of gondrang sipitu-pitu music within Simalungun society in response to social, cultural, and technological dynamics. Originally serving as a medium for ritual and spiritual communication in the context of Simalungun customs, gondrang sipitu-pitu has undergone significant changes in its musical structure, social function, and performance style due to the influence of religion, modernization, and external cultural forces. The research employs a descriptive qualitative method with a phenomenological approach, drawing upon Margaret Kartomi theory of transformation and adaptation, Jeff Todd Titon theory of musical style, and William F. Ogburn theory of socio-cultural change. The findings reveal that although modern instruments have begun to challenge the dominance of traditional ones, key musical elements such as rhythm, sarunei melodies, and ensemble structure remain preserved. The emerging musical style reflects the creative adaptation of traditional artists to contemporary performance contexts. However, this transformation is also accompanied by critical issues, including the erosion of sacred meaning, the influence of modern aesthetic pressures, and the commodification of local culture. The shift from sacred ritual to popular entertainment raises concerns regarding the authenticity and sustainability of cultural values. Thus, this transformation must be understood not merely as an adaptive process, but as a contested arena of meaning, identity, and cultural power within Simalungun society.
Traditional Sundanese Music as a Medium for Environmental Advocacy: A Case Study of the Song Kuring Leungiteun in the Context of the Global Ecological Crisis Budiman, Arif; Yanuar, Dani; López-Lara, Ángela
Resital: Jurnal Seni Pertunjukan Vol 26, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v26i1.15316

Abstract

Kajian ini mengeksplorasi Kuring Leungiteun , sebuah lagu tradisional Sunda, sebagai media advokasi ekologis melalui dimensi musikal, puitis, dan kulturalnya. Dengan menggunakan desain studi kasus instrumental kualitatif, penelitian ini mengeksplorasi bagaimana arsitektur komposisi—khususnya melodi, ritme, laras, tempo, dinamika, dan ornamen vokal—mewujudkan dan memperkuat duka ekologis dan perpindahan spiritual. Analisis ini mengacu pada teori fungsi musik Merriam, ekokritik sastra, teori glokalisasi, dan prinsip kosmologi Sunda Tri  Tangtu di Buana , sebuah triad kosmologi Sunda yang melambangkan harmoni antara manusia, alam, dan Tuhan. Data dikumpulkan melalui wawancara mendalam, observasi lapangan, analisis audiovisual, dan studi musikologi dari berbagai adaptasi dari tahun 1989 hingga 2018. Temuan ini mengungkapkan bahwa Kuring Leungiteun bukan sekadar artefak budaya, melainkan narasi sonik yang digarap secara sadar: penggunaan laras madenda membangkitkan melankolis sakral, sementara tempo lambat, kendali dinamis, dan ornamen mikrotonal mengekspresikan trauma ekologis kolektif. Transformasi lagu ini lintas genre, mulai dari Celempungan hingga pop Sunda, menggambarkan kemampuan adaptasi glokal dan relevansi sosialnya yang abadi. Studi ini menegaskan bahwa musik tradisional dapat berfungsi sebagai platform penting bagi etika lingkungan, transmisi memori, dan keterlibatan publik sejalan dengan kerangka kerja global seperti SDG 13 dan 15. Studi ini merekomendasikan revitalisasi strategis bentuk-bentuk musik tradisional sebagai media partisipatif untuk keberlanjutan budaya dan kesadaran ekologis.

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