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Contact Name
Irfan Arifin
Contact Email
-
Phone
+62411888524
Journal Mail Official
jurnaldeskomvisunm@gmail.com
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Jl. Daeng Tata, Parang Tambung, Makassar, Sulawesi Selatan
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INDONESIA
Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar
ISSN : 24076066     EISSN : 27154629     DOI : https://ojs.unm.ac.id/tanra/about/contact
Core Subject : Art,
Jurnal TANRA ini diterbitkan 3 kali diterbitkan untuk mengembangkan keilmuan dan keprofesian desain komunikasi visual dengan segala aspek keilmuannya. Desain komunikasi visual, desain komunikasi visual dan komunikasi, desain komunikasi visual dan teknologi informasi. Artikel yang dikelola dengan proses Ulasan Double Blind Peer dengan akses terbuka atau dapat didowload secara penuh. Jurnal TANRA diterbitkan dalam bidang Seni, dan Desain, diterbitkan tiga kali dalam publikasi.
Articles 1 Documents
Search results for , issue "Vol 12, No 3 (2025): Desember" : 1 Documents clear
KOMPOSISI VISUAL TRAILER FILM KARTINI 2017 Eko Prasetyo, Martinus; Everlin, Shierly
Tanra: Jurnal Desain Komunikasi Visual Fakultas Seni Dan Desain Universitas Negeri Makassar Vol 12, No 3 (2025): Desember
Publisher : Universitas Negeri makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/tanra.v12i3.67930

Abstract

AbstractThis study discusses the visual composition in the trailer of the film Kartini (2017), focusing on color, lighting, and spatial elements in the film’s visuals. It is crucial to understand how the visual elements in each scene are technically created as a medium of communication to convey messages to the audience. The primary objective of this research is to analyze the visual elements utilized in the trailer to construct the narrative, atmosphere, and technical aspects of the visuals. The research method employed is qualitative visual analysis, encompassing observations of cinematography, lighting, color, camera angles, and visual symbols. The findings reveal that the Kartini trailer strategically employs visual elements to depict the colonial-era atmosphere in Java, highlight social conflicts, and reinforce Kartini's characterization as the main figure. The use of warm tones, natural lighting, and dominant close-up shots effectively emphasizes Kartini's emotions and struggles. Additionally, the representation of Javanese cultural symbols enriches the visual narrative, thereby providing a unique appeal to the audience.

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