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All Journal Syntax Literate: Jurnal Ilmiah Indonesia JURNAL MUQODDIMAH : Jurnal Ilmu Sosial, Politik dan Hummaniora JURNAL PETIK JURNAL PENDIDIKAN TAMBUSAI JURNAL PUSTAKA KOMUNIKASI Jurnal Ilmu Komunikasi Network Media Jurnal Intervensi Sosial dan Pembangunan (JISP) Jurnal Ilmiah Wahana Pendidikan Da'watuna: Journal of Communication and Islamic Broadcasting Edu Society: Jurnal Pendidikan, Ilmu Sosial dan Pengabdian Kepada Masyarakat KAGANGA KOMUNIKA: Journal of Communication Science Da'watuna: Journal of Communication and Islamic Broadcasting
Lubis, Fardiah Oktariani
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Religion Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Perempuan sebagai Objek dalam Tren Medusa Trauma di TikTok Bela, Serly Oktavia Nur; Lubis, Fardiah Oktariani; Ema, Ema; Rahman, Khairul Arief
Jurnal Pustaka Komunikasi Vol 9, No 1 (2026): Accredited by Kemendikbud Dikti SK No. 79/E/KPT/2023
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/pustakom.v9i1.6221

Abstract

The “Medusa Trauma” phenomenon on TikTok represents a new form of female suffering presented as an audio-visual trend. The term is used metaphorically to describe psychological trauma caused by betrayal or abuse by someone close, with the symbol of Medusa from Greek mythology originally a beautiful woman who was cursed into a monster after experiencing sexual violence representing defensive strength born from emotional wounds. This study applies Sara Mills’ model of Critical Discourse Analysis (CDA) to examine the subject and object positions within the Medusa Trauma narrative and how gendered power relations are constructed in digital culture. The analysis is conducted on two levels: micro (textual, audio, and visual representations in TikTok content) and macro (ideological and structural context of patriarchy in digital culture). Previous studies have rarely addressed the representation of women in viral digital trends and the potential commodification of trauma, leaving a research gap that this study aims to fill. The findings reveal that this trend serves not only as a space for emotional expression but also reproduces patriarchal discourse that positions women as passive symbols of suffering. The contribution of this research lies in providing a critical understanding of gender construction in digital culture and its implications for the representation of women’s trauma.
Co-Authors Alamsyah, Dani Arindawati, Weni Adityasning AULIA, FIRDA Bela, Serly Oktavia Nur Budhiharti, Tri Widya Chairunnisa, Amadona Farninda ema, ema Falah, Aqil Zain Frima, Mohammad Syafa Hafidz, M. Zalfa Al Nur Khaerunisa Khaerunisa, Khaerunisa Kharisma, Cut Clara Sinta Kusumaningrum, Rastri Lubis, Flori Mardiani Mayasari Mayasari, Mayasari Mayasari., Mayasari. Muhammad Ramdhani, Muhammad Nayiroh, Lulu Niarahmah, Dwi Ningtias, Mista Aura nurkinan, nurkinan Nursanti, Siti OKY OXCYGENTRI Prasetyo, Christabel Betsy Benita Rachel Putri, Adinda Putri, Vicha Nanda Rahman, Khairul Arief Rahmatsari, Yelsi Ratu Rahmayani, Mela Ramdhani, Muhamad Rasya, Muhammad Irfan Hady Rifai, Maulana Rizky Ramadhan, Rizky Tri Susanto Tulandi, Emmanuel Vinnesea Viendiyani, Eka Wirdiyansyah, Mohammad Afin Zainal Abidin