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All Journal Shaut Al-'Arabiyah ELS Journal On Interdisciplinary Studies in Humanities Al Mi’yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Atthulab: Islamic Religion Teaching and Learning Journal Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam JURNAL Al-AZHAR INDONESIA SERI HUMANIORA SeBaSa: Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Basataka (JBT) Hijai - Journal on Arabic Language and Literature Alibbaa': Jurnal Pendidikan Bahasa Arab Kalamuna Mantiqu Tayr: Journal of Arabic Language Jurnal Lazuardi Diwan: Jurnal Bahasa dan Sastra Arab QiST: Journal of Quran and Tafseer Studies ELOQUENCE: Journal of Foreign Language AL-QIBLAH: Jurnal Studi Islam dan Bahasa Arab Gunung Djati Conference Series Jurnalistrendi: Jurnal Linguistik, Sastra dan Pendidikan Jurnal Ragam Pengabdian Al-Irfan: Journal Of Arabic Literature and Islamic Studies Jurnal Penelitian dan Evaluasi Pendidikan
Dayudin, Dayudin
UIN Sunan Gunung Djati
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Computer Science & IT Economics, Econometrics & Finance Education Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Social Sciences Other

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Body, Land, and Oppression: An Ecofeminist Analysis of Nawal El-Saadawi’s Al-Ughniyyat Al-Daairiyah Farhan Hardiansyah; Dayudin Dayudin; Khomisah Khomisah
Al-Irfan : Journal of Arabic Literature and Islamic Studies Vol. 9 No. 1 (2026)
Publisher : Sekolah Tinggi Agama Islam Darul Ulum Banyuanyar Pamekasan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58223/al-irfan.v9i1.642

Abstract

This study examines the problem of patriarchal domination and the intertwined oppression of women and nature in Nawal El-Saadawi’s novel Al-Ughniyyat Al-Daairiyah. It aims to identify the forms of patriarchal control depicted in the narrative, uncover the meanings of bodily and spatial colonization experienced by the female characters, and analyze the relationship between women and nature from an ecofeminist perspective. The research employs a descriptive qualitative method using close reading and note-taking techniques. The primary data source is the text of the novel itself, which is analyzed through ecofeminist theories proposed by Karen J. Warren and Vandana Shiva. The findings reveal that the female body is represented as a political and ideological space subject to regulation and domination, paralleling the patriarchal exploitation of nature. Acts of bodily colonization, institutional violence, and symbolic links between the body and the environment illustrate a persistent logic of domination embedded in social structures. The novel ultimately asserts that the struggle for women’s emancipation is inseparable from the restoration of ecological balance. This research contributes to contemporary Arabic literary criticism by offering an integrated ecofeminist reading and enriching interdisciplinary discussions on gender, power, and environmental ethics in modern Arabic literature.
Bendera One Piece di Bawah Bendera Pusaka: Analisis Semiotika Budaya Pop, Identitas Nasional, dan Imajinasi Demokratis dalam Poster Media Indonesia Fathir Khalid; Dzikri Cahya Mahesa; Anwar Alwi Al Farizi; Iqhfa Qalbi; Dayudin Dayudin
Jurnal Lazuardi Vol 9 No 1 (2026): JURNAL LAZUARDI EDISI XX BULAN MARET
Publisher : Pendidikan Bahasa dan Sastra Indonesia Universitas Nusa Cendana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53441/jl.Vol9.Iss1.371

Abstract

Abstract This study examines the phenomenon of the appearance of the One Piece flag alongside the Indonesian Red and White flag in an editorial poster published by Media Indonesia as a representation of a shift in how Indonesia’s younger generation understands national identity and democratic imagination. Employing Ferdinand de Saussure’s structural semiotics to dissect the system of signs, and Roland Barthes’ semiotic framework to uncover layers of myth and ideology, the study analyzes how global popular culture negotiates with local national symbols within the visual space of mass media. The method used is qualitative semiotic analysis with a descriptive–interpretive approach, treating the poster as a visual text. The findings indicate that the combination of the two flags produces a new sign system that reflects the hybridity of youth identity, in which democratic values are no longer imagined solely through conventional narratives of nationalism, but through the appropriation of popular culture symbols perceived to resonate with contemporary political aspirations. At the denotative level, the two flags function as signifiers carrying different signifieds national sovereignty versus individual freedom. However, at the connotative and mythological levels, this juxtaposition deconstructs the myth of a pure national identity and opens up space for a more inclusive and transnational democratic imagination. This study contributes to an understanding of how the political subjectivity of the digital generation is formed through negotiations between the local and the global, and how mass media plays a role in producing discourse on national identity in the transnational era. Keywords: semiotics, One Piece, national identity, popular culture, democratic imagination.
The Function of Affixes in Augmented Triliteral Verbs of the Fa''ala Pattern in the Arba'in Hadith Neng Nurmaltuffah; Ihin Solihin; Dayudin Dayudin
ELS Journal on Interdisciplinary Studies in Humanities Vol. 9 No. 1 (2026): MARCH
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v9i1.49894

Abstract

This study examines the role of affixes (al-lawāṣiq) in augmented triliteral verbs following the fa‘‘ala (فَعَّلَ ) pattern as found in Hadith Arba‘in An-Nawawiyah by Imam An-Nawawi. The main focus of this research is to identify the types and semantic functions of affixes within the verbal structures of Hadith Arba‘in and to explain their morphosyntactic roles. The study employs a qualitative descriptive approach using the distributional method (al-tawzī‘ī) through deletion and substitution techniques. The research data are derived from the original text of Hadith Arba‘in containing verbs in the fa‘‘ala pattern, such as ‘allama, ṣaddaqa, and raddada. The findings indicate that affixes in the fa‘‘ala pattern function to express transitivity (al-ta‘diyah), intensification or frequency (lil-takthīr), and removal or negation (lil-salb), which transform the characteristics of the base verb into stronger, causative, or repetitive meanings. This analysis demonstrates that affixation functions not only as a mechanism of word formation but also enriches the theological dimension of hadith meaning. The study confirms that the analysis of affix functions in augmented triliteral verbs of the fa‘‘ala pattern plays a crucial role in understanding the grammatical and semantic meanings of Hadith Arba‘in, and reveals the close relationship between Arabic morphological structure and the reinforcement of normative messages that are educational, moral, and spiritual in nature.
A Linguistic Analysis of Arabic Language Errors in The Thesis Abstracts of Arabic Language and Literature Students at UIN Sunan Gunung Djati 2024 Rifqi Muhammad Firdaus; Rohanda Rohanda; Dayudin Dayudin
Gunung Djati Conference Series Vol. 55 No. 1 (2025): International Conference on Language Learning and Literature (ICL3)
Publisher : UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study investigates linguistic errors found in the abstracts of undergraduate theses written by students of the Department of Arabic Language and Literature, Faculty of Adab and Humanities, UIN Sunan Gunung Djati Bandung. Employing a descriptive qualitative approach, the research analyzed 50 thesis abstracts and identified 60 language errors categorized into three main types: phonological and morphological errors, morphological and syntactic errors, and syntactic and semantic errors. The findings show that the most common phonological error involves the incorrect use of hamzah, reflecting a lack of adherence to Arabic orthographic conventions. Morphological and syntactic errors consist of inaccurate verb conjugations, incorrect noun forms, and sentence structures that deviate from standard Arabic grammar. Semantic errors appear as vague or incoherent expressions, frequently resulting from syntactic mistakes and inappropriate word choices. The study identifies three principal causes of these errors: insufficient mastery of Arabic grammar and morphology, limited vocabulary prompting reliance on unchecked translation tools, and inadequate supervisory feedback from academic advisors. This research highlights the urgent need to strengthen Arabic academic writing instruction and encourages more active lecturer involvement to ensure that students' theses meet both academic and linguistic standards.
Code-Switching and Code-Mixing in the Film Assal Eswed: A Sociolinguistic Study Haq, Iman Amirul; Dayudin; Djaliel, Maman Abdul
Mantiqu Tayr: Journal of Arabic Language Vol. 6 No. 1 (2026): Mantiqu Tayr: Journal of Arabic Language
Publisher : Institut Agama Islam Ma'arif NU (IAIMNU) Metro Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/mantiqutayr.v6i1.7171

Abstract

This study investigates bilingual practices in contemporary Arab society by examining code-switching and code-mixing in the film Assal Eswed, directed by Khalid Marei. The study aims to identify the types and linguistic forms of code-switching and code-mixing, as well as the sociolinguistic factors influencing their occurrence. Employing a descriptive-analytical method within a sociolinguistic framework, the data consist of characters’ utterances collected through observation, transcription, and classification. The analysis is based on the theories of code-switching and code-mixing proposed by Suwito and Chaer, the code-switching factors outlined by Hoffmann and Saville-Troike, and the code-mixing factors proposed by Suwito and Suwandi. The findings reveal that all instances of code-switching are external, predominantly involving shifts from Arabic to English, while code-mixing occurs in the form of words, phrases, and clauses. The influencing factors include role identification, register adjustment, explanatory needs, shared mother tongue, lexical gaps, and habitual speech patterns. These findings indicate that Assal Eswed reflects the interaction between language, identity, and globalization in a bilingual Egyptian context, highlighting film as a relevant medium for sociolinguistic analysis and contributing a foundation for broader investigations of language contact, identity, and bilingualism in Arabic media.
NARASI KONFLIK PADA NOVEL GRANADA KARYA RADWA ASHOUR (KAJIAN SEMIOTIKA A.J. GREIMAS) Fitri Nazwa Nurhamidah; Dayudin Dayudin; Muhammad Abdul Halim
Jurnal Basataka (JBT) Vol. 8 No. 1 (2025): Juni 2025
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/basataka.v8i1.676

Abstract

Penelitian ini bertujuan untuk mengidentifikasi dan mendeskripsikan struktur aktansial dan struktur fungsional pada konflik dalam novel Granada karya Radwa Ashour berdasarkan pendekatan Semiotika naratif Algirdas Julien Greimas. Penelitian ini menggunakan jenis penelitian kualitatif deskriftif. Sumber data utama yang digunakan dalam penelitian ini adalah novel Granada karya Radwa Ashour dengan tambahan beberapa data sekunder dalam penelitian ini adalah jurnal, website, berita, majalah, dan ensiklopedia. Teknik pengumpulan data dalam penelitian ini menggunakan teknik kajian pustaka yaitu membaca, mencatat dan mengklasifikasikan. Analisis data dalam penelitian kualitatif deskriptif ini menggunakan pendekatan semiotika A.J. Greimas dengan fokus pada struktur aktansial, dan struktur fungsional. Hasil analisis struktur naratif yang terdapat dalam novel Granada karya Radwa Ashour, terdapat 25 konflik baik berupa konflik makro maupun mikro. Konflik tersebut saling berhubungan satu sama lain dalam membangun cerita pada novel Granada. Untuk menjaga fokus dan kedalaman analisis, penelitian ini hanya membahas beberapa konflik utama yang dianggap paling signifikan dalam perkembangan alur dan karakter yang berpuncak pada tragedi, kehilangan, dan pengorbanan, namun tetap menampilkan keteguhan identitas dan nilai kemanusiaan. Temuan penelitian ini menegaskan bahwa struktur naratif Greimas efektif untuk mengungkap dinamika makna dan perjalanan konflik dalam karya sastra sejarah.
Campur Kode Bahasa Indonesia-Arab sebagai Strategi Komunikatif dalam Vlog YouTube Konteks Akademik-Religius Izzatin Awalia Wahidah; Fadlil Yani Ainusyamsi; Dayudin Dayudin
Al Mi'yar: Jurnal Ilmiah Pembelajaran Bahasa Arab dan Kebahasaaraban Vol 9 No 1 April 2026
Publisher : STIQ Amuntai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35931/am.v9i1.6348

Abstract

This study focuses on identifying the forms of code-switching and analyzing the factors that influence it in the YouTube vlog content of Abdurrahman Hafnizar entitled “Suasana Kelas Universitas Islam Madinah 2023.” Employing a sociolinguistic approach and a descriptive qualitative method, this research examines language use in social and digital contexts. The research data includes all spoken utterances containing Indonesian-Arabic code-switching, collected through participant observation and recording techniques from a vlog video with a duration of 10 minutes and 17 seconds. Data analysis was conducted intralingually to classify code-switching forms based on linguistic structure, and extralingually to examine the underlying social factors. The findings reveal that code-switching appears in various forms, namely the insertion of words, phrases, baster, and clauses. Among all these forms, word and phrase insertions dominate, indicating that code-switching most frequently occurs at the lexical level in spontaneous communication. The main driving factors for code-switching include the use of more familiar and efficient terms, the speaker's personal background and language habits, and the influence of interlocutors. This underscores the role of social identity and interaction in bilingual communities. Functionally, code-switching serves as a communication strategy to reinforce the speaker's academic and religious identity in digital media. This study contributes to digital sociolinguistics by integrating Suwito's classification of code-mixing forms with Suandi's framework of factors. However, this research is limited to a single vlog data source, and it is suggested that future studies explore broader data sources and more diverse analytical approaches.
Tracing Morphophonemic Change in Qur'anic Arabic: I'lal in the Verbal System of Surah Hud Dzikri Cahya Mahesa; Fathir Khalid; Muhammad Nurhasan; D Dayudin; A Akmaliyah
QiST: Journal of Quran and Tafseer Studies Vol. 5 No. 2 (2026): August
Publisher : Universitas Muhammadiyah Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23917/qist.v5i2.17162

Abstract

Purpose - This study aims to investigate the morphophonemic process of i'lal in Arabic verbs (fi'il) containing weak letters (ḥurūf al-'illat) in Surah Hud. The research was conducted to explain how phonological changes in Qur'anic Arabic operate systematically according to the principles of ṣaraf and to demonstrate their linguistic relevance in maintaining phonetic ease and morphological balance. The study argues that the phenomenon of i'lal in Surah Hud reflects a structured interaction between morphology and phonology in classical Arabic.Design/methods/approach - This research employs a qualitative descriptive method within the framework of Arabic morphophonemics and ṣaraf theory. The data consist of Qur'anic verbs in Surah Hud that undergo phonological changes involving weak letters. Data collection was carried out through intensive reading, documentation, and classification of relevant verbs. The analysis focused on identifying the original forms of the verbs, tracing phonological transformations, and categorizing the types of i'lal.Findings - The study identifies five major types of i'lal in Surah Hud: i'lal bil ḥadzfi, i'lal bit taskīn, i'lal bin naqli, i'lal bil qalbi, and i'lal bil ibdal. These changes occur consistently according to Arabic morphological rules and primarily function to facilitate pronunciation efficiency while preserving the grammatical structure of Qur'anic Arabic. Among these types, i'lal bil qalbi and i'lal bil ḥadzfi appear most frequently in the analyzed data.Research implications/limitations - This study is limited to verbs found in Surah Hud and focuses specifically on morphophonemic aspects of i'lal. Therefore, the findings cannot be generalized to all Qur'anic surahs or broader Arabic linguistic structures without further comparative studies. Future research may expand the corpus to other surahs or explore syntactic and semantic dimensions of i'lal.Originality/value - This study contributes to Arabic linguistic scholarship by providing a systematic morphophonemic analysis of i'lal in Qur'anic fi'il. It offers a detailed classification of phonological transformations in Surah Hud and strengthens the integration of ṣaraf theory with modern morphophonemic approaches in Qur'anic studies.
Beyond literal commands in prophetic messages: Reinterpreting imperative meanings in Mukhtār al-Aḥādīth al-Nabawīyah wa-al-Ḥikam al-Muḥammadīyah Nadina Sanraida Kedaton; Dayudin; Ihin Solihin
Diwan: Jurnal Bahasa dan Sastra Arab Vol. 18 No. 1 (2026)
Publisher : Jurusan Bahasa dan Sastra Arab Fakultas Adab dan Humaniora UIN Imam Bonjol Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15548/diwanjurnalbahasadansastraarab.v18i1.2656

Abstract

The hadith corpus is a rich linguistic resource, but remains underexplored for its use of imperatives, whose meanings go far beyond the literal command. Prior scholarship has been predominantly confined to the Qur'anic text or to cross-thematic samples, and no study has systematically examined the meaning of imperatives in a thematic chapter of a classical hadith book, especially from the perspective of ʿilm al-maʿānī. This study addresses the gap by examining the pattern and meaning of imperatives (amr) in Mukhtār al-Aḥādīth al-Nabawīyah wa-al-Ḥikam al-Muḥammadīyah, specifically in the chapter Khātimah fī Tahdhīb al-Nufūs. Data were collected using the observation note technique and analyzed using the distributional method via substitution. A total of 103 imperatives were identified in three patterns: fiʿl al-amr (90), al-fiʿl al-muḍāriʿ bi lām al-amr (11), and ism fiʿl al-amr (2). A notable finding concerns the absence of the maṣdar, one of the four patterns in the ‘ilm al-maʿānī. This absence serves as a stylistic marker that distinguishes this thematic hadith from the Qur'anic imperative patterns. In terms of meaning, reinterpretation reveals the dominance of duʿāʾ (40), followed by ḥaqīqī (30), irshād (28), tahdīd (3), and iltimās (2). The dominance of duʿāʾ and irshād, collectively accounting for 66% of the corpus, demonstrates that imperatives function as a spiritual-pedagogical strategy rather than a binding normative command. These findings contribute to thematic hadith stylistics by establishing an empirical relationship between genre orientation and preference for imperative patterns. From an analytical framework perspective, they also emphasize the importance of the ʿilm al-maʿānī framework for reinterpreting the imperative meaning of hadith.
Kalam Khobari in the Book Of Qiṣṣat Al-Miʿrāj By Najmudin Al-Ghaity Muhammad Kafana Al Kafi; Dayudin Dayudin; Maman Abdul Djaliel
ELS Journal on Interdisciplinary Studies in Humanities Vol. 8 No. 2 (2025): JUNE
Publisher : Hasanuddin University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/els-jish.v8i2.44698

Abstract

This research examines the use of kalam khobari (declarative sentences) in Qiṣṣat al-Miʿrāj, a book that documents the spiritual journey of Prophet Muhammad SAW.  The objectives of this study are (1) to identify and classify the types of kalam khobari, including ibtidā’ī, ṭalabī, and inkārī, and (2) to analyze their communicative purposes and functions in conveying spiritual messages. The research employs observation and note-taking as data collection techniques, while using the distributional method to analyze grammatical structures and meanings. The data is presented descriptively and interpretatively. The findings reveal a total of 69 kalam khobari expressions: 5 khabar ibtidā’ī, 53 khabar ṭalabī, and 11 khabar inkārī. The main communicative purposes are categorized into faidah al-khabar (58 instances) and lazīmul faidah (11 instances). Additionally, several secondary functions were identified, including izhār al-fakhr (displaying glory) in 7 sentences, tadzkīr bimā bayna al-marātib (reminding of status differences) in 5, tawbīkh (reproach) in 6, waʿẓ wa irshād (advice and guidance) in 14, izhār al-taḥassur (expressing regret) in 1, and taḥdhīr (warning) in 5 sentences. These results affirm that kalam khobari in Qiṣṣat al-Miʿrāj serves not only an informative function but also contributes significantly to emphasis, correction, motivation, and spiritual guidance within religious communication.
Co-Authors A Akmaliyah Ajang Jamjam Anjani, Septi Anwar Alwi Al Farizi Ariandito Hilmy Maulana Arifin, Bambang Samsul Ateng Rohendi Cahya Mahesa, Dzikri Dzikri Cahya Mahesa Dzikri Cahya Mahesa Fadlil Yani Ainusyamsi Farhan Hardiansyah Fathir Khalid Fathir Khalid Fitri Nazwa Nurhamidah Frida Anggraini Gitsna Luluil Azminah Haq, Iman Amirul Heriady, Rifqi Zahran Azizi Hopi Silviani Hopi Silviani Ihda Shafaun Mahrifani Ihin Solihin Ihsan Anwar Mutaqin Iqhfa Qalbi Izzatin Awalia Wahidah Jamjam, Ajang Khomisah Khomisah Kusuma, Dwiki Maman Abdul Djaliel Maman Abdul Jalil Meisyaroh, Fitria Muhamad Naufal Rizky Muhammad Abdul Halim Muhammad Fachri Muhammad Haritsah Rais Muhammad Kafana Al Kafi Muhammad Nurhasan Muhammad Qodhi Zaka Mutaqin, Ihsan Anwar Nadina Sanraida Kedaton Neng Nurmaltuffah Nur Azizah, Fitria Nurhasanah, Aviah Nurlinah Nurlinah Qolbi, Shafira Nurul R. Edi Komarudin Ramadhan, Gia Rifqi Muhammad Firdaus Rochman, Suci Asari Rohanda Rohanda Salsabila, Syifa Satia Septi Anjani Shafira Nurul Qolbi Silviani, Hopi Suci Asari Rochman Syifa Satia Salsabila Yadi Mardiansyah Zaka, Muhammad Qodhi