Article Per Year (5 Year)
p-Index From 2020 - 2025
3.444
P-Index
This Author published in this journals
All Journal Publikasi Pendidikan Jurnal Imajinasi Tanra : Jurnal Desain Komunikasi Visual Fakultas Seni dan Desain Universitas Negeri Makassar Panggung Nuansa Journal of Arts and Design Jurnal Pakarena Vivabio : Jurnal Pengabdian Multidisiplin Jurnal Perempuan dan Anak Indonesia Boting Langi: Jurnal Seni Pertunjukan Seminar Nasional Pengabdian Kepada Masyarakat Sureq: Jurnal Pengabdian Masyarakat Berbasis Seni dan Desain Runtas: Journal of Arts and Culture
Saputra, Andi Taslim
Unknown Affiliation
Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Education Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 24 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 2 Documents
Search
Journal : Runtas: Journal of Arts and Culture

 1 
TRANSFORMING KINATAH NAGASASRA AS A BATIK MOTIFS FOR CASUAL CLOTHES mellynada putri, casi; saputra, andi taslim
Runtas : Journal Of Arts And Culture Vol. 2 No. 1 (2024)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4816

Abstract

This work creation was inspired by the shape of Kinatah Nagasasra, a name of dhapur (physical form) of a Kris. Such a dapur is characterized by the presence of decoration in the form of dragon as a Kinatah on the surface of the Kris blade. The characteristics of Nagasasra are having a kinatah in the form of crowned dragon, having a thousand scales on its body, and having a jamang (head ornament worn on the forehead). This Kris blade has visual meaning in the form of symbols representing characteristics of a leader. This study aims at exploring and stylizing the shape of Kinatah Nagasasra and using it in creating handmade batik on the casual wear. The creation of this work employed the   art creation method by collecting data from literature as well as previous designs and embodiments.  Handmade batiks technique was used in the creation process by using   primissima cotton fabric and remasol (coloring matter) as raw materials. Handmade batik technique that is used is dipping technique. The color chosen is the color preferred by consumers aged 18-35 years.  The resulting work consists of four dresses and is entitled UPANGGA RADMILA. Each of dress has also its own title, namely PANDITA, PARAHITA, PRABALA, PRASANTI. The designers hope that this work can help to socialize good characteristics of leader through symbols in it.  The characteristics consists of prioritizing the welfare of members, the awareness that power is a trust, being able to protect and prosper members, and being a role model to the members.
TRANSFORMING KINATAH NAGASASRA AS A BATIK MOTIFS FOR CASUAL CLOTHES mellynada putri, casi; saputra, andi taslim
Runtas: Jurnal Fesyen dan Wastra Nusantara Vol. 2 No. 1 (2024)
Publisher : Indonesian Institute of the Arts Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/runtas.v2i1.4816

Abstract

This work creation was inspired by the shape of Kinatah Nagasasra, a name of dhapur (physical form) of a Kris. Such a dapur is characterized by the presence of decoration in the form of dragon as a Kinatah on the surface of the Kris blade. The characteristics of Nagasasra are having a kinatah in the form of crowned dragon, having a thousand scales on its body, and having a jamang (head ornament worn on the forehead). This Kris blade has visual meaning in the form of symbols representing characteristics of a leader. This study aims at exploring and stylizing the shape of Kinatah Nagasasra and using it in creating handmade batik on the casual wear. The creation of this work employed the   art creation method by collecting data from literature as well as previous designs and embodiments.  Handmade batiks technique was used in the creation process by using   primissima cotton fabric and remasol (coloring matter) as raw materials. Handmade batik technique that is used is dipping technique. The color chosen is the color preferred by consumers aged 18-35 years.  The resulting work consists of four dresses and is entitled UPANGGA RADMILA. Each of dress has also its own title, namely PANDITA, PARAHITA, PRABALA, PRASANTI. The designers hope that this work can help to socialize good characteristics of leader through symbols in it.  The characteristics consists of prioritizing the welfare of members, the awareness that power is a trust, being able to protect and prosper members, and being a role model to the members.
Co-Authors Addas, Rahmawati Airiansyah, Fitra Akmal, Muhammad syafruddin amiruddin, Nur aidhilah ma'rufi Anita Purwanti, Anita Arifin, Irfan Ashabul Kahfi, Ashabul Asia Ramli Baetal Mukadas, Andi Bastian, Egis Batara, Mohammad Arga Bau Salawati Budiarti, Nuramalia Dwi Wahyuni Hamka Faisal Fifie Febryanti Sukman Fitrianto, Otok Harmin Hatta, Harmin Hasbi Heriyati Yatim Ihsan, Andi Indah, Nurul Jayadi, Karta Joharlinda, Joharlinda Khaeruddin Khaeruddin M, Rahma mellynada putri, casi Muhammad Suyudi Nurabdiansyah, Nurabdiansyah Oktaviani, Danissa Dyah Padalia, Andi Putra, Anto Mandala Rahmawati, Rahmawati Rasul, Rasul Rofii, Andi Afif Salawati, Bau Samadi, Nuh Syamsuryadin Rala Sayidiman Sayidiman, Sayidiman Subagya, Timbul Syaf, Rahayu Febriani Umar, Muhammad Irsan