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All Journal Englisia Journal JADECS (Journal of Art, Design, Art Education and Culture Studies) Journal of Islamic Architecture Acintya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Capture : Jurnal Seni Media Rekam Gelar : Jurnal Seni Budaya International Journal of Visual and Performing Arts Visual Heritage: Jurnal Kreasi Seni dan Budaya ARTISTIC : International Journal of Creation and Innovation INJECT Interdisciplinary Journal of Communication
Sugihartono, Ranang Agung
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Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences

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Antropomorfisme Dalam Kesenian Indonesia Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 2 No. 2 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1960.055 KB) | DOI: 10.33153/capture.v2i2.609

Abstract

Anthropomorphism in arts has been known since the prehistoric period and developed in all over the world, including the primitive arts in the Borneo and Papua hinterland. During the Indonesia-Hindu culture, anthropomorphism was used to represent the character of ‘extraordinary’ in the old fables and serves as a medium of religious. While anthropomorphism in modern Indonesian arts today can be found in the form of comics, movies, and television soap operas although anthropomorphic shape still not as extraordinary as Indonesian-Hindu arts earlier. Key word: anthropomorphism, arts, Indonesia
Pengaruh Sajian Program Berita Tatv Terhadap Kebijakan Pemkot Surakarta Dalam Memilih Media Publikasi Amelia, Citra Ratna; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 3 No. 1 (2011)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (102.827 KB) | DOI: 10.33153/capture.v3i1.645

Abstract

TATV is local television pioneer in Surakarta which has tried to present programs thatare beneficial and interesting for the community. Its existence provides an alternativeoption for the Local Government of Surakarta (Pemerintah Kota Surakarta) in the useof mass media as media publications, especially TATV news programs. This study aimedto assess whether TATV news programs affect to policies of the Local Government ofSurakarta in the prioritization of the use of the mass media as a means of publicationor not. This study was a qualitative descriptive research and the data analysis used theinteractive model. From the research that has been conducted showing that the newsprograms “Fokus Kita” in TATV can affect to policy of the Local Government of Surakartain terms of the changing in percentage in the use of mass media and changing in the useof funds allocation for the mass media as a means of publication.
STRUKTUR NARATIF SERIAL ANIMASI UPIN DAN IPIN Saputra, Iwan Ady; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 5 No. 1 (2013)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (832.284 KB) | DOI: 10.33153/capture.v5i1.1779

Abstract

This study aims to describe the elements of narrative and narrative structure realisticpattern on the animated series Upin dan Ipin episodes Ramadhan Kembali Lagi and MenjelangSyawal.In order to examine a series of stories in the animated series Upin dan Ipin,the approachused is narrative structure. Sources of data in a research were video animation series pin danIpin.The data was obtained through observation role and literature.The process of data analysiscarried out in several stages, namely: data collection, data reduction, data analysis, andconclusions.The results of the research showed that Upin dan Ipin animated series set in abeautiful village, schools, courts, mosques, and homes of Upin and Ipin.The series uses a linearpattern,telling of the beginning of fasting until the feast.Perpetrators of these serial stories fromvarious tribes and religions.The conflict in this series is an external conflict,a conflict betweenthe main character and other characters.The purpose of this series is the physical (real).Thepattern of narrative structure used in the animated series Upin dan Ipin episodes RamadhanKembali Lagi and Menjelang Syawal is a three-stage pattern of alternative structures, namelyrealistic narrative.The series has a storyline floating,presenting a story of what it is like life itself.Although the pattern of realistic narrative has a clear goal but it is easily understood story.Keywords : Structure, narative, animation, Upin & Ipin
DIRECTING ANIMATION DALAM FILM SERI SERIBU SATU CANDI Prayogo, Koko Is; Sugihartono, Ranang Agung
Capture : Jurnal Seni Media Rekam Vol. 8 No. 1 (2016)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (939.404 KB) | DOI: 10.33153/capture.v8i1.1899

Abstract

The making of the work of this final project animation departs from the assumption that the development of Indonesian films is much about the search for identity or an identity, and the struggle of nationalism. However, there are still less of them involving folklore that developed in Indonesian society.By using creative formula of Kentaro Kimura style, the making of this film tries to lift the folklore in Indonesia and try to pack it interestingly. At the stage of idea creation,we do a research of the narrative element of a folklore and reconstructed to explore possibilities in making into a new story.The series of animated films Thousand and One Temple (Seribu Satu Candi) is raised and inspired from the Legend of Prambanan Temple.This film tells the twists and turns of life of Bandung Bondowoso before he becomes a prince of magic. Narratively the concept of comedy makes these stories more interesting.The use of ornamentic concept from batik for the object textures makes this work give more nuances of Nusantara.Keywords :Directing,animation,and Seribu Satu Candi
A qualitative analysis of technical and compositional constraints in FPV drone videography for vertical social media content video Sarbeni, Irwan; Sugihartono, Ranang Agung; Suyanto, Suyanto; Supiarza, Hery; Pertiwi, Apsari Azimat
International Journal of Visual and Performing Arts Vol 7, No 1 (2025)
Publisher : ASSOCIATION FOR SCIENTIFIC COMPUTING ELECTRICAL AND ENGINEERING (ASCEE)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31763/viperarts.v7i1.1638

Abstract

The increasing dominance of vertical video formats on mobile-first platforms such as Instagram Reels and TikTok presents new challenges for First Person View (FPV) drone videography, especially when capturing natural landscapes. This study aims to investigate the technical and compositional constraints of FPV drones in producing vertical video content for social media. Using a qualitative case study approach, data were collected through field observation, interviews with 10 professional FPV pilots, and a supplementary online survey. The findings reveal key limitations, including fixed horizontal camera orientation, lack of gimbal-based stabilization, and control systems ergonomically optimized for horizontal framing. These constraints hinder smooth movement, reduce composition flexibility, and increase the difficulty of capturing high-quality vertical footage. Although some pilots attempt workarounds, such as custom camera mounts and post-production cropping, these solutions are often labor-intensive and compromise video quality. This study contributes practical insights for drone designers and content creators seeking to adapt FPV technology for vertical video production and offers a foundation for future research into hardware innovation and workflow adaptation in response to evolving social media trends.
Neglecting Classic Worship Spaces: Masjid, Meunasah, and Balee E-Beut in Acehnese Society Afriadi, Dedy; Guntur, Guntur; Sugihartono, Ranang Agung; Abdullah, Irwan; Cahyani, Novita; Susanto, Mikke
Journal of Islamic Architecture Vol 8, No 3 (2025): Journal of Islamic Architecture
Publisher : Department of Architecture, Faculty of Science and Technology, UIN Maliki Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/jia.v8i3.26387

Abstract

The neglect of traditional religious architecture, such as the Tuha Mosque, Meunasah, and Balee e-beut, is a significant and concerning phenomenon in Acehnese society. Rapid modernization and the massive influence of global media have been a force in this neglect. The purpose of this study is to conduct a thorough investigation on the reasons behind the neglect of Aceh's classical houses of worship. The qualitative approach involved a comprehensive analysis of relevant literature and a number of direct observations of architectural sites and interviews with cultural figures. The research findings reveal that the neglect of Aceh's classical houses of worship is the result of many complex and interconnected factors. Society's preference for Middle Eastern architectural styles and the strong currents of modernization have been important forces underlying the neglect of classical worship spaces. At the same time, the scarcity of goods and materials appropriate to the needs of classical architecture and the skills of carvers (utoh) have become objective realities that have caused classical architecture to be unable to be rehabilitated, let alone to be built. In line with this alarming condition, it is urgent to take concrete steps in the form of initiatives to promote appreciation of local wisdom and classical cultural identity, a commitment to applying a cultural identity-oriented approach in the construction and preservation of new houses of worship.
Refining English tutors' skills: Documentary films as pre-teaching reference Sarbeni, Irwan; Sugihartono, Ranang Agung; Suyanto, Suyanto
Englisia Journal Vol 12 No 1 (2024)
Publisher : Universitas Islam Negeri Ar-Raniry Banda Aceh

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/ej.v12i1.22886

Abstract

Training spoken English tutors requires a variety of resources, including audio-visual references. However, popular social media tutorials often focus on teaching specific English materials, neglecting broader teaching techniques. Ideal tutors need a positive and engaging personality, knowledge transfer strategies, adaptable approaches to classroom conditions, meticulous preparation, and effective wrap-up activities - elements that are missing from most tutorial videos. This study investigates the potential of short documentary films as a reference for teaching techniques for 13 prospective tutors in an intermediate English class. Through an integrated mentoring program for the production of short documentaries, the study explores, describes and addresses the challenges of teaching preparation through observation, interviews and literature review. It also analyzes the potential of documentaries to support teaching and formulates criteria for effective documentary content relevant to teacher preparation. The findings suggest that integrating documentary film production into the English language teaching curriculum can equip tutors with the necessary skills for successful micro-teaching experiences. This approach allows tutors to create personalized short documentaries that serve as a reference for teaching techniques tailored to their specific pre-teaching needs. Tutors gain a deeper understanding and ability to demonstrate not only teaching techniques, but also classroom management elements such as preparation, wrap-up activities, brainstorming and teaching approaches.
THE DIRECTING ANIMATION FILM ENTITLED SI JOE Wiguna, Satria Veriansyah; Sugihartono, Ranang Agung
ARTISTIC : International Journal of Creation and Innovation Vol. 1 No. 1 (2020)
Publisher : ISI Press Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/artistic.v1i1.2994

Abstract

The re-introduction of the Nusantara folklore is very important because it is a form of the original culture of the archipelago and a national identity. An animated film work that tells the story of a parody about Timun Mas folklore is expected to be able to reintroduce a folklore from Central Java by adding novelty to the portrayal of the characters and stories. The making of this work aims to create a 2.5D animated film with the theme of folklore with new packaging. The artistic creation doing by the director is to combine and move 2D animation in a 3D space perspective, so that 2.5D animation is created. 2.5D animation was created using a virtual camera so that it produces better image movement than an ordinary 2D animation. This animation work that explores the folklore of the archipelago shows success in aspects of the uniqueness and impression in the visualization and novelty of the story. This animated film can bring back the old story so it is enjoyable to watch by millennial audiences.
The Panginyongan Film Identity: Narrative and Cinematic Approaches of Local Cinema Ferdinanda; Guntur; Sugihartono, Ranang Agung
INJECT (Interdisciplinary Journal of Communication) Vol. 10 No. 2 (2025)
Publisher : FAKULTAS DAKWAH UIN SALATIGA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/inject.v10i2.5078

Abstract

This study examines how narrative and cinematic constructions in the short films of Banyumas Raya, Indonesia, contribute to the formation of a distinct Panginyongan film identity. Focusing on three fictional film works, Dolanan Layangan, Pur, and SETAN: Seni Tani, this research employs a qualitative content analysis method grounded in Bordwell's film concept, integrated with theories of realism (Bazin), creative improvisation (Sawyer), and identity representation (Hall). The findings reveal a synergistic construction of identity through three interconnected themes: (1) narratives centered on everyday conflicts resolved through communal values, (2) a realist-improvisational aesthetic using long takes, natural lighting, and non-professional actors to achieve authenticity, and (3) the use of the Ngapak language and local cultural symbols as markers of identity and symbolic resistance. The study concludes that these films function not merely as cultural representations but as active sites of identity negotiation. Furthermore, it proposes a Panginyongan Film Identity Model that synthesizes these elements, offering a framework for understanding similar practices in other Indonesian regional cinemas. This research underscores the significance of local cinema as a vital cultural practice that challenges mainstream aesthetics and contributes to Indonesia's diverse national cinematic landscape.
EKSISTENSI FIGUR SEMAR PADA MEDIA VISUAL LOGO STUDI KASUS: LOGO ANGKRINGAN KHAS JOGJA SEMAR Rukiah, Yayah; Sugihartono, Ranang Agung; Sarwanto, Sarwanto; Sunardi, Sunardi
Visual Heritage: Jurnal Kreasi Seni dan Budaya Vol 8, No 1 (2025): Visual Heritage: Jurnal Kreasi Seni Dan Budaya
Publisher : Universitas Indraprasta PGRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30998/vh.v8i1.14820

Abstract

Tujuan dari penelitian untuk mengkaji eksistensi figur Semar pada media visual logo, dengan studi kasus pada logo Angkringan Khas Jogja Semar. Figur Semar, sebagai ikon budaya Jawa yang kaya akan makna filosofis, dieksplorasi representasinya dalam konteks branding bisnis kuliner tradisional, yaitu angkringan. Melalui pendekatan kualitatif dengan metode studi kasus, penelitian ini mengidentifikasi dan menginterpretasikan elemen-elemen visual pada logo Angkringan Khas Jogja Semar yang merepresentasikan figur Semar. Hasil analisis menunjukkan bahwa visual Semar dalam logo tersebut mengadaptasi karakteristik tradisionalnya untuk membangun identitas visual yang kuat dan membedakan angkringan ini dari yang lain. Representasi Semar tidak hanya berfungsi sebagai daya tarik visual, tetapi juga membawa konotasi nilai-nilai Jawa seperti kesederhanaan, kearifan lokal, dan kedekatan dengan masyarakat, yang selaras dengan citra angkringan sebagai ruang sosial dan kuliner yang inklusif. Penelitian ini menyimpulkan bahwa penggunaan figur Semar dalam logo Angkringan Khas Jogja Semar secara efektif memperkuat eksistensi merek, membangun identitas visual yang unik, serta memanfaatkan kekayaan budaya lokal sebagai elemen pembeda dalam lanskap bisnis kuliner Yogyakarta
Co-Authors Afriadi, Dedy Ali, Moh. Mahrush Amelia, Citra Ratna asmoro, purbo Cahyani, Novita Dyah Ayu Wiwid Sintowoko Falasifah, Anna Ferdinanda Guntur Guntur Guntur Irwan Irwan Mikke Susanto Pertiwi, Apsari Azimat Prayogo, Koko Is Ramadhoni, Ayudha Eka Resmiyati, Apriani Dwi Rianto, Jaka Santi Sidhartani Saputra, Iwan Ady Sarwanto Sarwanto Sri Marwati Sulastuti, Katarina Indah Sunardi Sunardi Supiarza, Hery Suyanto Suyanto Tatik Harpawati Taufik Murtono Wiguna, Satria Veriansyah Wulankawukir, Laska Indah Yayah Rukiah