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PRESERVING CULTURAL MEMORY AND IDENTITY OF EVICTION THROUGH DIGITAL ARCHIVES: A CASE STUDY OF @tamansarimelawan INSTAGRAM ACCOUNT Al Hakim, Zulfi; Pratama, Himawan; Aviandy, Mochamad
International Review of Humanities Studies Vol. 11, No. 1
Publisher : UI Scholars Hub

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Abstract

This study examines how the Instagram account @tamansarimelawan plays a significant role in preserving collective memory and the identity of marginalized groups through digital archives. In the context of the Taman Sari urban village community, which resisted land eviction for the construction of row houses in Bandung, this research explores how Instagram as a social media platform contributes to the formation and maintenance of collective memory and community identity. Using content analysis of the @tamansarimelawan account, the study investigates the mechanisms through which social media functions as a digital repository, a medium for fostering a sense of belonging and continuity, and as a form of resistance among community members. The study employs Halbwach’s (1992) concept of collective memory to emphasize how collective memory is constructed and maintained within a community. Halbwach (1992) argues that memory is not only an individual phenomenon but also a collective one shaped by social context and interactions. This perspective is highly relevant for understanding how the @tamansarimelawan account documents and preserves the collective memory of eviction events experienced by the Taman Sari community. The account is analyzed through its visual content and narrative construction, including the documentation of photos, videos, and hashtags. These elements are examined to understand how digital archives contribute to the formation of a resistance identity and political awareness among both the community and the account’s followers. The posts shared on the account serve not only as records of events occurring during the eviction period but also as a medium to express grievances, aspirations, and collective solidarity among residents. The digital archiving conducted by @tamansarimelawan serves a dual function: it facilitates a voice for resistance and the building of solidarity within the community, while simultaneously documenting and broadcasting eviction events to a broader audience. This demonstrates that social media, through platforms like Instagram, can be a powerful tool for preserving the collective memory and identity of marginalized communities.
Indonesian Media Framing of Reportage on the Crimean Peninsula Crisis Mochamad Aviandy; Shuri Mariasih Gietty Tambunan; Silva Tenrisara Pertiwi Isma
Soshum: Jurnal Sosial dan Humaniora Vol. 11 No. 3 (2021): November 2021
Publisher : Unit Publikasi Ilmiah, P3M, Politeknik Negeri Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31940/soshum.v11i3.267-278

Abstract

This research investigates how one of the mainstream media in Indonesia frames Russia in its reportage. One of the selected cases is the 2014 Crimean Peninsula crisis. The Crimean Peninsula Crisis was a major international event that reported comprehensively by Kompas. This research will reveal Kompas’ bias in its reportage on Crimea and the factors that underlie the bias. In investigating the issue, this research uses Norman Fairclough’s critical discourse analysis. It follows Fairclough method of critical discourse analysis by using text as a discourse. It is found that as one of the mainstream media in Indonesia, Kompas reportage is not neutral as it depicts Russia through a negative frame. Analysis on semiotic factors, intertextuality, and how the media bias could be handled are the focuses of this research.
REPRESENTASI DIFABEL DI RUSIA DALAM FILM CORRECTIONS CLASS (KLASS KORREKTSII) KARYA IVAN TVERDOVSKY Alma Almira; Mochamad Aviandy
Jurnal Ilmiah Dinamika Sosial Vol 6 No 1 (2022)
Publisher : Universitas Pendidikan Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (785.041 KB) | DOI: 10.38043/jids.v6i1.3397

Abstract

Film sebagai media komunikasi massa secara sadar dan tidak sadar dapat memengaruhi bagaimana tindakan dan pemikiran masyarakat dalam memandang sesuatu. Ivan Tverdovsky pada tahun 2014, mengangkat film dengan tema isu difabel yang ada di Rusia melalui film ????? ????????? (Klass Korrektsii). Tujuan dari penelitian ini adalah untuk melihat representasi difabel pada film Rusia. Penelitian ini menggunakan metode analisis wacana kritis oleh Norman Fairclough dan didukung oleh teori representasi milik Stuart Hall. Metode analisis wacana kritis akan digunakan untuk mengungkap makna di balik dialog yang diartikulasikan antar tokoh yang terdapat di dalam film ????? ????????? (Klass Korrektsii), sedangkan teori representasi milik Stuart Hall untuk melihat kondisi di luar teks yang berhubungan dengan masyarakat atau budaya terhadap difabel di Rusia. Hasil dari penelitian ini adalah masih ditemukan diskriminasi pada kelompok difabel di Rusia, meskipun telah tertera undang-undang yang melindunginya.