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All Journal Paradigma : Journal of Science, Religion and Culture Studies Ilmu dan Budaya PUJANGGA: Jurnal Bahasa dan Sastra Populis : Jurnal Sosial dan Humaniora JSSH (Jurnal Sains Sosial dan Humaniora) CaLLs : Journal of Culture, Arts, Literature, and Linguistics Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Humaniora JURNAL Al-AZHAR INDONESIA SERI HUMANIORA Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Kumawula: Jurnal Pengabdian Kepada Masyarakat Jurnal Ilmiah Dinamika Sosial Titian: Jurnal Ilmu Humaniora Jurnal Seni Nasional Cikini Arus Jurnal Sosial dan Humaniora Soshum: Jurnal Sosial dan Humaniora Jurnal Bastra (Bahasa dan Sastra) Paradigma: Jurnal Kajian Budaya International Review of Humanities Studies Susastra : Jurnal Ilmu Sastra dan Budaya Multikultura
Aviandy, Mochamad
Departemen Susastra, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia
Religion Arts Humanities Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences

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THIRD PLACE AND NOSTALGIA IN POSTCOLONIAL JAKARTA: ADAPTIVE REUSE OF CIKINI POST OFFICE Fajarwati, Ade Ariyani Sari; Aviandy, Mochamad
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 3
Publisher : UI Scholars Hub

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Abstract

The transformation of space in postcolonial cities extends beyond the restoration of old buildings; it involves cultural practices that reshape collective memory and identity. Through adaptive reuse, colonial-era heritage spaces are revitalised as social hubs. This study examines Post Kantoor cafe, a former colonial post office turned into a “third place” within urban spatial culture. Using qualitative methods—visual observation, spatial documentation, and a literature review—the study finds that nostalgic aesthetics, evident in antique artefacts, colonial atmospheres, and curated visuals, foster emotional connections across generations and social classes. More than a site of consumption, the cafe becomes a space for dialogue, cultural exchange, and reinterpretation of history. These findings show that adaptive reuse in postcolonial contexts can produce inclusive, meaningful spaces rich in cultural symbolism.
Rekonstruksi Narasi dan Negosiasi Gender oleh Dalang Perempuan Nyi Nia Dwi Raharjo dalam Pertunjukan Wayang Kulit Drupadi Ya, You; Darmoko; Aviandy, Mochamad
Populis : Jurnal Sosial dan Humaniora Vol. 10 No. 2 (2025)
Publisher : Universitas Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47313/ppl.v10i2.4257

Abstract

Penelitian ini bertujuan untuk menelaah bagaimana pertunjukan Wayang Kulit modern merekonstruksi narasi Drupadi serta sejauh mana kebebasan artistik digunakan untuk menantang atau mempertahankan moralitas gender tradisional. Studi ini berfokus pada pertunjukan Drupadi oleh dalang perempuan Nyi Nia Dwi Raharjo yang dipublikasikan pada tahun 2021, sebagai contoh representatif bagaimana seniman generasi baru menegosiasikan kembali peran dan agensi tokoh perempuan dalam seni pertunjukan tradisional Jawa. Penelitian ini menggunakan pendekatan studi pustaka, analisis teks, dan analisis visual untuk mengkaji perbedaan antara narasi epos Mahabharata dan bentuk adaptasinya dalam pertunjukan tersebut. Analisis difokuskan pada unsur-unsur narasi, dialog, janturan, dan ucapan dalang yang menunjukkan rekonstruksi nilai, baik yang memperkuat bias gender tradisional maupun yang menawarkan pembacaan baru yang lebih kritis terhadap ketidakadilan gender. Hasil penelitian menunjukkan bahwa pertunjukan ini tidak hanya berfungsi sebagai pelestarian tradisi, tetapi juga sebagai ruang negosiasi etika. Melalui interpretasi kreatifnya, dalang perempuan mampu menghadirkan resistensi halus terhadap norma gender patriarkal, sekaligus memperlihatkan batas-batas kebebasan artistik ketika berhadapan dengan pakem tradisi. Temuan ini menunjukkan potensi wayang sebagai medium refleksi sosial dan transformasi nilai di era kontemporer. Abstract This study aims to examine how modern Wayang Kulit performances reconstruct the narrative of Draupadi and to what extent artistic freedom is used to challenge or uphold traditional gender morality. The study focuses on a performance of Drupadi by the female dalang (puppeteer) Nyi Nia Dwi Raharjo, published in 2021, as a representative example of how a new generation of artists renegotiates the roles and agency of female characters in Javanese traditional performing arts. This research employs a literature review, textual analysis, and visual analysis to examine the differences between the epic Mahabharata narrative and its adapted form in this performance. The analysis focuses on narrative elements, dialogue, janturan (sung narration), and the dalang’s utterances that indicate a reconstruction of values, whether reinforcing traditional gender biases or offering a new, more critical reading of gender injustice. The results show that this performance not only functions as a preservation of tradition but also as a space for ethical negotiation. Through creative interpretation, the female dalang is able to present subtle resistance to patriarchal gender norms, while also revealing the limits of artistic freedom when confronted with the established conventions of tradition. These findings demonstrate the potential of wayang as a medium for social reflection and value transformation in the contemporary era.  
PRESERVING CULTURAL MEMORY AND IDENTITY OF EVICTION THROUGH DIGITAL ARCHIVES: A CASE STUDY OF @tamansarimelawan INSTAGRAM ACCOUNT Al Hakim, Zulfi; Pratama, Himawan; Aviandy, Mochamad
International Review of Humanities Studies Vol. 11, No. 1
Publisher : UI Scholars Hub

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Abstract

This study examines how the Instagram account @tamansarimelawan plays a significant role in preserving collective memory and the identity of marginalized groups through digital archives. In the context of the Taman Sari urban village community, which resisted land eviction for the construction of row houses in Bandung, this research explores how Instagram as a social media platform contributes to the formation and maintenance of collective memory and community identity. Using content analysis of the @tamansarimelawan account, the study investigates the mechanisms through which social media functions as a digital repository, a medium for fostering a sense of belonging and continuity, and as a form of resistance among community members. The study employs Halbwach’s (1992) concept of collective memory to emphasize how collective memory is constructed and maintained within a community. Halbwach (1992) argues that memory is not only an individual phenomenon but also a collective one shaped by social context and interactions. This perspective is highly relevant for understanding how the @tamansarimelawan account documents and preserves the collective memory of eviction events experienced by the Taman Sari community. The account is analyzed through its visual content and narrative construction, including the documentation of photos, videos, and hashtags. These elements are examined to understand how digital archives contribute to the formation of a resistance identity and political awareness among both the community and the account’s followers. The posts shared on the account serve not only as records of events occurring during the eviction period but also as a medium to express grievances, aspirations, and collective solidarity among residents. The digital archiving conducted by @tamansarimelawan serves a dual function: it facilitates a voice for resistance and the building of solidarity within the community, while simultaneously documenting and broadcasting eviction events to a broader audience. This demonstrates that social media, through platforms like Instagram, can be a powerful tool for preserving the collective memory and identity of marginalized communities.
Co-Authors Abdullah, Muhammad Zahid Ade Ariyani Sari Fajarwati Adhran Maulana, Muhammad Rajiv Al Hakim, Zulfi Alkatiri, Zeffry Alma Almira Almira, Alma Bagastha Mufid, Alvandi Chantarith, Preap Cindy Aulia Darmoko Deni Indra Lesmana Firdaus, Filry Andina Gustav Gallenius Inrianty, Ruth Islami, Muhammad Al Anhar Al Iwan Gunawan Izza, Afifah Nurul Jumiati, Annisa Kallandika Mozave, Rhandy KRESNO YULIANTO Lily Tjahjandari Mahaquisha, Sachini Marsya Faiha Matahati, Aura Pijar Mohamad Imaddudin Saleh nita puspita sari Novia Sarifa Az-zahra Pratama, Himawan Pujiastuti, Novia Rahmawati, Raisya Rahmi Rahmi Reisha Anindyapradha Rusli Sartre, Zen Wisa Setiawan, Hawe Shanneva Raynadi, Muhammad Silva Tenrisara Pertiwi Isma Vermanda, Diva Widiandityo, Bhiandra Wizesa Nadewa Wasisrosa Ya, You Zeffry Alkatiry Zihua, Su Zulfi Al Hakim