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Pengaruh Metode Sosiodrama Terhadap Leadership-skill Peserta Didik dalam Pembelajaran Sejarah Putri, Aulia Rachmanita; Puji, Rully Putri Nirmala; Triyanto, Jefri Rieski
Tartib: Jurnal of Educational Management Vol. 4 No. 2 (2025): Tartib: Jurnal of Educational Management
Publisher : Sekolah Tinggi Agama Islam Darussalam Kunir

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62824/bea48g55

Abstract

Leadership-skill merupakan kualitas atau keterampilan yang sangat diperlukan untuk peserta didik. beberapa metode pembelajaran, secara teori dapat memfasilitasi peserta didik untuk meningkatkan leadership-skill nya, salah satu metode yang relevan adalah Metode Sosiodrama. Tujuan penelitian ini untuk mengidentifikasi pengaruh penerapan metode sosiodrama terhadap leadership-skills dan  mengidentifikasi efektifitas metode sosiodrama terhadap peningkatan leadership-skills peserta didik dalam pembelajaran Sejarah peserta didik kelas XI di SMAN 1 GIRI Taruna Bangsa Banyuwangi. Penelitian ini menggunakan pendekatan kuantitatif dengan desain penelitian Quasi Experimental Design model Nonequivalent Control Group Design. Hasil Uji ANCOVA pada keterampilan kepemimpinan (leadership-skill) memperoleh nilai Sig. 0,000 < 0,005, yang berarti menunjukkan bahwa terdapat perbedaan yang signifikan sebelum dan sesudah penerapan metode Sosiodrama terhadap Leadership-skill peserta didik pada pembelajaran sejarah materi masuknya kedatangan bangsa Jepang; Kesimpulan yang diperoleh dari penelitian ini adalah: (1) Terdapat perbedaan sebelum dan sesudah penerapan metode sosiodrama untuk meningkatkan leadership-skill peserta didik dalam pembelajaran sejarah; (2) Terdapat pengaruh metode sosiodrama terhadap leadership-skill peserta didik dalam pembelajaran sejarah. Dengan adanya penelitian ini menyatakan bahwa dengan menggunakan Metode Sosiodrama dapat meningkatkan keterampilan peserta didik yakni Leadership-skill.
From Colonial Aesthetics to Nationalist Visuals: Film Advertising Design in Indonesia, 1950s–1970s Rachmad, Ageng; Triyanto, Jefri Rieski; Mutmaina, Rima Nur
Diakronika Vol 25 No 2 (2025): DIAKRONIKA
Publisher : Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/diakronika/vol25-iss2/489

Abstract

Film is a modern medium used to deliver entertainment that has previously been a tradition in society, including presenting elements such as narrative, events, music, drama, comedy and other elements to a wide audience. The novelty of this study lies in examining the visual shift in Indonesian film advertisements from colonial-influenced Western styles toward emerging nationalist aesthetics during the 1950s–1970s, a transformation that has not been previously explored in historical cinema research. The aim of this study is to provide a focused analysis of the visual representation and graphic design of Indonesian film advertisements from the 1950s–1970s using the theoretical perspectives of visual culture and advertising theory to clarify how typography, image composition, and stylistic choices in these promotional materials reflected the cultural context of the era. The method used in this research is the historical method according to Kuntowijoyo which starts from (1) topic selection, (2) heuristics, (3) criticism, (4) interpretation and (5) historiography. The results of this study provide a descriptive account of Indonesian cinema in the 1950s–1970s while showing how film advertisements in newspapers and magazines reflected the broader social and political transitions of the period, including the shift from colonial-influenced visual styles toward emerging nationalist expressions. Movie advertisements in the early 1950s still displayed strong colonial visual nuances, especially through Hollywood-style image composition that imitated the promotional aesthetics of Western imported films dominating Indonesian cinemas at the time. This visual tendency was closely related to the dominance of imported Western films in Indonesian cinemas at the time, which influenced the stylistic choices of local promotional designs. Although there were still few domestically made films, the advertisements had begun to insert symbols of resistance to western domination by incorporating local elements.
INDUSTRI KERAJINAN ANYAMAN OLAHAN PLASTIK BAPAK ALMUNIR DESA SETAIL KEC. GENTENG KAB. BANYUWANGI TAHUN1996-2022 Habibatul Maula; Ahmad Arif Budiman Nasution; Bambang Soepeno; Jefri Rieski Triyanto
Jurnal Riset Multidisiplin Edukasi Vol. 3 No. 1 (2026): Jurnal Riset Multidisiplin Edukasi (Januari 2026) In Press
Publisher : PT. Hasba Edukasi Mandiri

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.71282/jurmie.v3i1.1570

Abstract

This study examines the development of the plastic woven handicraft industry owned by Mr. Almunir in Setail Village, Genteng District, Banyuwangi Regency from 1996 to 2022. The research is motivated by the sustainability of local craft industries that have survived for more than two decades amid globalization and modern industrial development. The objectives of this study are to identify the factors underlying the establishment of the industry and to analyze its development over time. This research employs a historical research method consisting of four stages: heuristics, source criticism, interpretation, and historiography. Data were collected through interviews, observations, documentation, and relevant literature. The findings indicate that the establishment of the industry was influenced by family economic needs, the owner’s weaving skills, and the availability of recycled plastic materials. The industry has developed through the modernization of production tools, increased production capacity reaching 450–500 units per month, and product diversification. In conclusion, the sustainability of this handicraft industry is supported by adaptability, product innovation, and the contribution of the local economic environment.