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EXPLORING ISLAMIC TRACES IN TAPANULI THROUGH THE BONGAL SITE: HISTORY, IDENTITY AND CULTURAL HERITAGE Nurcintama Purba; Rhoma Dwi Aria Yuliantri; Awanis Akalili
SOSIOEDUKASI Vol 15 No 2 (2026): SOSIOEDUKASI : JURNAL ILMIAH ILMU PENDIDIKAN DAN SOSIAL
Publisher : Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/sosioedukasi.v15i2.8436

Abstract

This study aims to identify and analyze the traces of Islam in Tapanuli through the Bongal Site, located in Jago-Jago Village, Badiri District, Central Tapanuli Regency, North Sumatra. The Bongal Site is an archaeological site containing significant artifacts dating from the 7th to the 10th century CE, including Umayyad and Abbasid dynasty coins, Islamic glass fragments, intaglios, beads, Middle Eastern ceramics, and Islamic medical instruments. This study employs a descriptive qualitative historical approach. Data were collected through field observations, artifact analysis, literature review, and in-depth interviews with an archaeologist-historian from Universitas Negeri Medan, the administrator of the Fansuri Museum at the Bongal Site, and the site owner. The findings reveal that the Bongal Site constitutes new evidence of the spread of Islam in Tapanuli, as indicated by artifacts suggesting the existence of trade networks and direct interaction with the Islamic world as early as the 7th century CE. The Bongal Site holds profound significance for the cultural identity and cultural heritage of the Central Tapanuli community. Drawing on Stuart Hall's cultural identity theory and the concept of cultural heritage, this study demonstrates that the Bongal Site is not merely an archaeological site, but an integral part of the collective identity of the local community that requires sustainable preservation.
TRANSFORMASI IDENTITAS VIRTUAL PRA DAN PASCA PERCERAIAN: ANALISIS KONTEN INSTAGRAM MICROCELEBRITY Febriansyah Kulau; Awanis Akalili
MEDIAKOM Vol. 6 No. 01 (2022): Mediakom, September 2022
Publisher : Universitas Muhammadiyah Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32528/mdk.v6i01.1068

Abstract

Identity is a reflection of the reality of oneself. This reflection can be represented in the real world or the cyber world. But in cyberculture, the debate about real and virtual reality is a separate discourse. So that the identity represented in the cyber world is often referred to as a virtual identity. With the cyber world, identity is easy to transform, depending on the interests of the owner of the identity. This article will try to discuss the virtual identity transformation carried out by microcelebrity. The transformation is marked by the momentum of the divorce from the microcelebrity. Using qualitative content analysis, this article analyzes the uploads of two microcelebrity, namely Rachel Venya and Vicky Alaydrus on her Instagram. The findings of this article show that both Rachel Venya and Vicky Alaydrus experienced a virtual identity transformation after the divorce. But it was found that in this transformation, Vicky Alaydrus placed himself more as part of the microcelebrity than Rachel Venya. In the first few posts, Rachel Venya put herself as an individual without any soft selling that followed the reveal of her new virtual identity as a microcelebrity.