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All Journal MODUL JIP (Jurnal Industri dan Perkotaan) Journal of Education and Learning (EduLearn) Jurnal Arsitektur International Conference on Engineering and Technology Development (ICETD) Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vitruvian : Jurnal Arsitektur, Bangunan, dan Lingkungan Jurnal Arsitektur ARCADE JAUR (Journal of Architecture and Urbanism Research) Dinamisia: Jurnal Pengabdian Kepada Masyarakat Jurnal Arsitektur ZONASI Journal of Humanities and Social Studies Jurnal Koridor Unri Conference Series: Community Engagement Jurnal Arsitektur ARCADE Journal of Architecture, Landscape & Urban Design
Pedia Aldy
Universitas Riau
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Transportation Other

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Pelabuhan Penumpang Selat Lampa Di Natuna Sebagai Destinasi Wisata Fachry Enzeta; Pedia Aldy; Sri Djuniati
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 4, No 2 (2017): Wisuda Oktober Tahun 2017
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Lampa Strait Passenger Harbour in Natuna is a transportation amenities connecting Natuna Island with its surrounding area. The terminal building is unavailable in existing harbour. This design background is the increase of passengers and good tourism potential. The design of Lampa Strait Passenger Harbour do by combining the harbour function as a node of sea transportation network with tourism as an attraction to bring tourists as well as utilizing the harbour as a destination. The concept use in this design is sparkling in the ocean. This design is expected to accommodate tourism and transportation activities. The application concept in the design of Lampa Strait Passenger Harbour is in transportation and tourism activities that will be supporting each other which includes on the zone function between tourism and harbour, the vegetation, the circulation, the interior order, the outdoor space arrangement, form of the mass come from the result of design concepts elaboration, mass arrangements on interconnected treads, convenient utilities for users, building facades, and landscape arrangement, all of these aplication is to attract the tourist curiosity and passenger comfort.Keywords: Passenger Harbour, Transportation, Tourism
Perpustakaan Anak Di Pekanbaru Dengan Pendekatan Arsitektur Futuristik Nur Adela Sobri Rezki; Pedia Aldy; Mira Dharma Susilawati
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 5 (2018): Edisi 2 Juli s/d Desember 2018
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Children library has a very important role for children and families. It’s a place for children to get to know the various learning resources and foster the fun of books. It’s also an interacting place for children and families. The development of information technology today can not be separated with modern human life. Similarly in the children library. Therefore, the children library should follow the development of technology and information in support of its programs and services. Thechildren library in Pekanbaru now has not been able to answer the needs of information technology literacy because it does not have the right system and infrastructure. In an effort to anticipate thedevelopment of the era to the next era, the children library should be oriented to the future. Children libraries in the future, in addition to reading and learning, also become a social and creative node to collaborate and create content. Therefore, the concept of library must also support those needs. The design of children library using futuristic approach, which is future-oriented and adaptive to the times. It’s realized by combining the introduction of media and futuristic technology to children with creative and innovative collaboration. Design strategy in this research include functional analysis and environmental condition analysis. Based on the function and theme of building design, emerged a concept of "Collaboration for the Future". This concept will accompany the design process so that it can create a children library in accordance with the wishes and needs of children in Pekanbaru. As the results, this building has dyamic and future-oriented form, usingspace frame on the structure, glass and alluminium composite panel as dominant material, and kinetic facade on the side of the building.Keywords: Library, Children, Futuristic, Pekanbaru.
Pusat Kebudayaan Batak Toba Di Kabupaten Tobasa Dengan Pendekatan Arsitektur Neo Vernacular Andre Giovanni Gultom; Gun Faisal; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

The Batak Toba clan is one of the tribes existed in North Sumatra. The Batak Toba tribe has many of artistic and cultural potential. Thus there are also plenty potential natural resources, traditionalarchitecture that displays local cultural values and wisdom. In today's modern era, many people are ignorant of the history and culture of the Batak Toba, resulting in attention and enthusiasmdecreasing about the history and culture of Batak Toba. Therefore, this research aims to design a cultural center for the development and preservation of the potential of the Batak Toba culture inorder to improve people's knowledge about culture and the history of Batak Toba. The selection of Tobasa Regency as the cultural center location because it has well potential, strategic location,cultural heritage and includes the development of the Toba Caldera Geopark area. The method used in this design is the Neo-Vernacular Architecture approach by applying the principles anddesign ideas that exist in the Bolon house with the addition of modern elements in it. The concept used is the transformation of Adaptation Culture concept, which expected to be able to unitebetween architecture with nature and Batak Toba culture aspects. The final result is the design of the Batak Toba Cultural Center which presented the local wisdom of Batak Toba, especially the themodernization of Ruma Bolon however remain expressed local identity.Keyword: Architecture Neo Vernacular, Batak Toba, Culture, Culture Center
Adventureland Di Pekanbaru Dengan Pendekatan Ekologi Arsitektur Andri Anggesi; Pedia Aldy; Ratna Amanati
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

The development of town nowadays is not considering humanity side and social relation to the people. pekanbaru with the increasing density of people and also a hectic activities make people get bored and stress easily. Meanwhile pekanbaru has no suitable recreational facilities caused by governor's inability to make tourist attraction. hence, people need to have a place for entertainment and relaxation to eliminate fatigue. adventureland is a place for tour which is full of game and emphasizes to storyline and thinking ability in analyzing a place visually or concluding the things. Design approach applied is more prioritizing the principle of architecture ecology than ken yeang's, with the aim that the designed area has more integrity in the effort of noticing the circumstance around. the design of this area uses "educational tours" as a concept that is also basic of ken yeang's : 1) energy saving, 2) physic integrity 3) systems integrity by nature process 4) integrity of human resource 5) natural air circulation 6) responsive orientation 7) humanism. this adventureland has land area of 4,5 hectares with 17 units rides that divided into 4 zone : easy zone, medium zone, hard zone and simulator zone. The design of this adventureland has fulfilled the principles of Architecture Ecology with Educational Tours concept.Keywords: Adventureland, Architecture Ecology, Ken Yeang
Rupat Beach Theme Park Dengan Pendekatan Arsitektur Post Modern - Pastiche Harian Syah; Pedia Aldy; Muhammad Rijal
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 1, No 2 (2014): Wisuda Oktober Tahun 2014
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Rupat Beach Theme Park is a medium beach recreation forum in the Rupat subdistrict, which has function as a family holiday place, specially for Riau society and the regional around it. Geographically, the position of Rupat Island is very strategic, because it is located between the international trade route. This island is also located between two important place, they are Bandarkuna Malaka in the east side, and Sumatera Island as the place which produce various nature properties in the west side. This design use the part of the post modern architecture as a theme, this is metaphor, and the concept is pastiche, whichis the intend of this concept is to move one element (atmosphere, decorative manner, building mass form ), or a group of element from a place to the other. In this design there are some element which be moved, which come from 5 country in the south east Asia (Cambodia, Malaysia, Thailand, Singapore, and Indonesia), from each country, we take one or two part which will be pastiche-ly. The conclusion which we get from this design of Rupat Beach Theme Park are: Giving the clear limit from each zone based on function which have beendetermined, balancing the position of games forum and the building function, and the application of pastiche concept which has been applied on each of building mass.Keywords: Rupat Beach Theme Park, Post-modern Architechture, Methapor, Pastiche, Recreation Forum, Beach.
Pasar Seni Di Pekanbaru Dengan Pendekatan Arsitektur Melayu Riau T.Nadhilah Putri; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 5 (2018): Edisi 2 Juli s/d Desember 2018
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

The design of art marketplace in Pekanbaru is meant to fulfill of buying and selling activities of signature handicrafts and culinary of Riau. This design purpose to the sale and purchase of handicrafts, traditional snacks and souvenirs, the promotion of signature handicrafts and culinary of Riau, and also workshop of Riau’s handicraft such as Siak weaving, embroidery, tekat embroidery, woven, Riau batik, and wood craft , so visitors can see and try the process of making signature handicrafts of Riau. The Art Marketplace uses the design transformation method. This design uses the approach of Riau Malay Architecture. The Riau Malay Architecture Approach is taken from theMalay houses of four major rivers in Riau, that is Kampar River, Siak River, Rokan River, and Indragiri River, that will be transformed into the art marketplace buildings. The concept of designing the art marketplace is Harmony of Cultural Heritage. The concept of harmony is applied through therelationship of building orientation to the site and the relationship between buildings in the art marketplace. While the concept of cultural heritage applied to the transformation of Malay houses from four major rivers in Riau into the art marketplace buildings. The Main Building applies the transformation from the building of Isatan Rokan IV Koto. The Culinary Building applies the transformation from Rumah Lontiok, Kampar. The Workshop building applies the transformation from Balai Kerapatan Tinggi, Siak. The Handicraft Retail building applies transformation from Rumah Godang Suku Peliang, Koto Sentajo, Kuantan Singingi.Keywords: Art Marketplace, Handicraft, Culinary, Riau Malay Architecture, Harmony of Cultural Heritage.
Pusat Pelatihan Jasa Bangunan Di Pekanbaru Berdasarkan Prinsip Desain Ludwig Mies Van Der Rohe Nadine Raraz Cahyani; Pedia Aldy; Gun Faisal
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 7 (2020): Edisi 1 Januari s/d Juni 2020
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Indonesia provides many types of services users, but there are still many service workers who still do not have jobs due to lack of experience. One of them is construction services, which is a voice in the construction workforce profile in LPJK (2015), the number of uncertified construction workers in Riau Province reaches 124,158 people. They need a forum for construction workers to be trained and educated by giving them special skills in the not too long time and producing concrete evidence in the form of certification. For this reason, this training center is needed to accommodate workers who still lack the experience to train themselves, and improve work competency with the skills they have chosen. The training center has the concept of regularity with the principles of Ludwig Mies Van Der Rohe who prioritizes the function and simplicity of form. Keyword: Building services training center, Regularity
Representasi Karya A.A. Navis Melalui Arsitektur Metafora Pada Perancangan Gedung Apresiasi Sastra Di Padang Panjang Irsyad Rahim Putra; Mira Dharma Susilawati; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

House of literature appreciate come to support the environment which supporting the literature growth in West Sumatera. This building have function as creativity area. A place for gathering and as place for litterateurs to interact with one another, and also as a reading area for visitors and researchers. So that, it can rise their interest in appreciate of literature. Due to historical and strategic position, so, Kota Padang Panjang choose as site. Meanwhile, Robohnya Surau Kami by A.A. Navis, a writer born in Padang Panjang, become planning concept. The characteristic and value in that short-story displayed again as a house of literature appreciate through architecture metaphor. House of literature appreciate likened as Robohnya Surau Kami through transforming the literature elements on that short-story into architecture perspective. Transformation is done with metaphor method. Generally, it developed physical form building which came from that short-story title, mass shape come from conflict I short-story, landscape that described short-story background, and optimize the facilities to support individual activities, but still blending around as a form of application of the short-story theme.Keywordrs : House of literature appreciate , Robohnya Surau Kami, Architecture Metaphor
Pusat Modifikasi Mobil Di Pekanbaru Dengan Pendekatan Eko Arsitektur Said Sidik Sijori; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 3, No 1 (2016): Wisuda Februari Tahun 2016
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Modification enthusiasts in Pekanbaru City car modification requires an integrated container. The Place with car garage complete the facilities and provide all automotive service information. In addition, Car Modification Center in Pekanbaru as modification services will have a positive impact modification enthusiasts. Car Modification Center in Pekanbaru expected to be a comfortable and attractive building, through the design of eco-architecture approach. Designing Car Modification Center in Pekanbaru using the paradigm of eco-architecture design principles through the logic of cultural and eco eco technic. The two logic is transformed and adopted into the region with a touch of eco-architecture design. The design method derived from the concept of modification. Results of these concepts derived from aspects of planning includes determining the theme of the design, analysis of the site and the environment, user analysis, analysis of the activities, program space needs, the pattern of the relationship between space, structural analysis, analysis of circulation, materials analysis and elaboration of the concepts in design Car Modification Center in Pekanbaru.Keyword: modification, eco Architecture, eco technic, eco cultural
Ulu Kasok Resort Di Desa Pulau Gadang Kabupaten Kampar Dengan Pendekatan Arsitektur Neo-Vernakular Sayid Al-Fajri Saleh; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 5 (2018): Edisi 2 Juli s/d Desember 2018
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Pulau Gadang village is one of the villages that located in Kampar of Riau province. Recently, there are many people from Riau also from other cities visited Pulau Gadang village because Ulu Kasok region has a beautiful nature. Therefore, it needs designs area to facilitate so it can develop existing potential, such as facilitation of recreation, home stay, and resort so it can increasing tourists for visits. The disign method for these designs are using approach neo-vernacular architecture by apply principles and design ideas that existing in Lontiok house by adding modern elements in it. The concept that used is transformation of return to village that result patterns of region structure, circulation that follows line and contour pattern so that the result of designs make the region become neatly and attraction it self for tourists.Key word: Resort, Lontiok House, Neo-Vernacular Architecture
Co-Authors Abyadh Nadhiifun Achnia Tiffany Nurfadillah Agryvania Br Sembiring Agustian, M. Aldi Agustin, Rezy Kurnia Agustina Irfita Al Husaini, Muhd. Arief Alfian Malik Ali Djamhuri Amir Hamzah Andre Giovanni Gultom Andri Anggesi Andri Lesmana Anggilina, Oktavia Annisa Cinintya Arifia Azas Awliya Rahmat Erviyus Ayu Riska Putri Azriyenni Azhari Zakri Damanik, Yola Yohana Dariyanto, Dariyanto Dede Novita Dedek Elida Siregar Devi Endriani Diko Despabera Rosdianto DWI SURYANTO Dwiki Hermawan Elianora - Elza Fitria Ningsih Fachry Enzeta Fadhil, Iman Fadli Rahman, Fadli Fakhri Fakhri Firzal, Yohannes Fitrah Ramadhani Syam Fri Murdiya, Fri G. Gunawan Gandhi Thaiba Gitiya Gittasya Gun Faisal Hadi Gusmara Hakiki, Rizky Hardi Rasidi Harian Syah Herdiman, Sepri Herlika Herlika Herliman Restu Waruwu Iin Fitri Febriani Indra Kuswoyo Irsyad Rahim Putra Izazul Lizar Jacob Adha Putra Jenny Yolanda Gustia Jerry Dwi Irawan, Jerry Dwi Julius Eduvin Panjaitan Junia Handayanis Karissa, Lulu Laili Dwi Annisa Laras Utami Inka Latif, A Haryadi Laura Arifah Hanum Lupita Lupita Lusi Novita M Agung Anugerah, M Agung M Arseli Epriga, M Arseli M Iswandi M Syukri Abdillah D P, M Syukri Abdillah D Madina, Fajria Manao, Gihon Juang Sataro Maya Annisa Fitraf, Maya Annisa MAYA PURNAMASARI Melti Afifka Albar Merry Deria K Lase Mira Dharma Mira Dharma S Mira Dharma Susilawati Mira Dharma Susilawaty Mira Dharma Susilawaty Mita Fransisca Rumapea Mohd. Aidil Akbar Morian Saspriatnadi Muhammad Ikrom Muhammad Mahdi Hadiwijaya Muhammad Rafiki Muhammad Razki Adrell Muhammad Rijal Muhammad Rijal Muhammad Yusuf Muhd. Arief Al Husaini Muhd. Arief Al Husaini Mutiara Noviza Nabila Shalihah Nada Rizqi Amalia Nadine Raraz Cahyani Nasution, Fajar Rizki Nasution, Fery Azani Nazamri Nazamri Noni Septiani Novan, Andre Nur Adela Sobri Rezki Nurdin Nurdin Ogie Pratama Oktaviani, Sundari Fitria Osli, Ranti Pahlevi, Said Iqrak Parlinggoman Pasaribu Prabowo, Jevri Putra Mhd Alamsyah Putri, Agnes Prameswari R. Lisa Suryani Rabiatul Husna Rabsanjani, Azali Rahman wahyudi Rahmat Rahmat Raisya Muthiah Ratna Amanati Reghina Tri Municha Rendy Musamel Riska lestari Rizki Metior, Rizki Rohaniah, Lathifah Rusydina Sabila Fauzi Said Sidik Sijori Saputra, Aldino Harli Sayid Al-Fajri Saleh Shodiqin, Muhammad Zikri Siswoyo, Sindi Siti Aisyah Siti Aisyah Sri Djuniati Sri Hardianti Suci Rahmawati Susilo, Bagus Ardyawan Suwitno Syalam Haryadi Syarafina, Amalia Syilvia Ovtariyani Putri T.Nadhilah Putri Tivany, Olivia Rizki Umar Hafiz Alfadil Vera Yunita Vicky Sonya Vini Asfarilla Viona Dwi Sartika Wahyu Dwi Syaputra Wahyu Hidayat Wahyu Hidayat william hutagalung Witra Karima Yogi Efrinaldi Yogistira, Yogistira Yuri Prima Nurullah Zuhra, Siti ZULKIFLI ZULKIFLI