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All Journal MODUL JIP (Jurnal Industri dan Perkotaan) Journal of Education and Learning (EduLearn) Jurnal Arsitektur International Conference on Engineering and Technology Development (ICETD) Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vitruvian : Jurnal Arsitektur, Bangunan, dan Lingkungan Jurnal Arsitektur ARCADE JAUR (Journal of Architecture and Urbanism Research) Dinamisia: Jurnal Pengabdian Kepada Masyarakat Jurnal Arsitektur ZONASI Journal of Humanities and Social Studies Jurnal Koridor Unri Conference Series: Community Engagement Jurnal Arsitektur ARCADE Journal of Architecture, Landscape & Urban Design
Pedia Aldy
Universitas Riau
Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Transportation Other

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Bumi Perkemahan Pramuka Universitas Riau Dengan Pendekatan Arsitektur Neo Vernakular Hardi Rasidi; Mira Dharma Susilawati; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

The campground is used to accomodate various outdoor activities such as camping, training activities, recreations, tourisms, and other activities. Scouting is a process of education outside the school and family’s environment in the term of interesting, fun, healthy, organized, directed, and practical activities that carried out in the open nature based on basic principles and methods of scouting. The campground is closely related to scouting because the process of education and scouting activities carried out in the open nature. The research methods were field surveys, literature reviews, and documentations. The scout campground design used the neo vernacular approach, which is Balai Selaso Jatuh Kembar, applied to this area and time setting of the building so it showed the characteristics of Malay architectural buildings. The researcher used one of the camp activities as a concept of this research, that is “bonfire”. The result of this study is the campground designing by applying neo vernacular architectural element featured on the area and building constructs to accomodate various activities on the open nature.   Keywords: Campground, Neo Vernacular, Universitas Riau Scout.
Sentra Produksi Tenun Songket Dan Batik Tabir Di Pekanbaru Dengan Pendekatan Arsitektur Neo Vernakular Nabila Shalihah; Pedia Aldy; Yohannes Firzal
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Tenun Songket and Batik Tabir are Riau typical handicrafts. The demand for these fabrics has increased because of the large public interest in using these fabrics in various events. However, the market demand cannot be fulfilled because the numbers of production and craftsmen from Tenun Songket and Batik Tabir are still low. As a result of these factors, a production center is needed that can overshadow the production process of Songket and Batik Tabir. This production center aims to accommodate the creativity of Songket and Batik Tabirs’ craftsmen from regencies in Riau that produce high-quality Tenun Songket and Batik Tabir.The production centers also facilitate promotional activities and education for the community. Not only accommodates production activities, so that traditional handicrafts from Tenun Songket and Batik Tabir can develop well and become an identity for the people and culture of Riau. The Production Center is designed through the Neo Vernacular Architecture approach that mimics some or several elements of the physical form of the building or non-physical elements of the building in the form of layout, mindset and culture. The selection of this theme is considered appropriate for more modern Production center of Tenun Songket and Batik Tabir.Keywords: Tenun Songket, Batik Tabir, Production Center, Neo Vernacular Architecture
Pusat Seni Teater Di Pekanbaru Dengan Pendekatan Arsitektur Kontemporer Rusydina Sabila Fauzi; Wahyu Hidayat; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 5 (2018): Edisi 2 Juli s/d Desember 2018
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Theater Arts Center with Contemporary Architecture Approach is a venue that serve for activities related to the theater arts, including introduction activities, learning, training, gathering places, to the final process of the show. The world of art has always evolved as a reflection at that time in line with the development of contemporary architecture that is innovative both from the shape and appearance as the use of materials that will support the look of contemporary architectural styles. This design aims to support theater arts activities and interest of the younger generation to be more creative. The methods of research that is used, field data collection, literature study and empirical studies. The concept used is freedom of expression that is sad, happy, and angry that poured into the building. The results of this study design a superior building in the field of theater with the principle of application of Contemporary Architecture in terms of varied forms, neutral building colors, flexible materials use and create something innovative on buildings in according to the times. Key word: Theater Art Centre, Architecture, Contemporary, Freedom of Expression
Fasilitas Komunitas Sepeda Di Pekanbaru Dengan Pendekatan Arsitektur Ekspresionis Herliman Restu Waruwu; Pedia Aldy; Mira Dharma Susilawaty
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 7 (2020): Edisi 1 Januari s/d Juni 2020
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Bicycle community facilities is a place for bicycle community located in city of Pekanbaru. The growth of the bicycle community in Pekanbaru is a form of passion arising from the user of the bicycle itself, such as the desire to strengthen friendship between bicycle enthusiasts, socialize, cultivate confidence Different in the environment and channeling the talent, cultivating a healthy lifestyle, and also to participate in events held by the Department of Pekanbaru. With so many communities and events for bicycle users, there is an idea to host bicycle users. The facilities are hosted by communal outdoor and Indoor areas, outdoor stage, BMX outdoor area, garden, bicycle retail, bicycle workshop, Mini Gallery, Minimarket, café and other functions related to bicycle users. The Study method used is an expressionist architecture approach, which is to apply the principles and design ideas. The concept applied is a transformation concept of bicycle movement called "Backlash" which is a manufer movement in cycling. With an expressive look of the movement of the bicycle is expected to be integrated between the architecture and the user, thus producing a new place for the bicycle user community in the city of Pekanbaru..Keywords : Expressionist architecture, community, bicycles, Pekanbaru
Graha Wisata Remaja Di Pekanbaru Dengan Pendekatan Arsitektur Postmodern Dedek Elida Siregar; Ratna Amanati; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Puberty is an important period in human life because puberty is a transition stage from children to adult. In this period, teenagers commonly experience several changes in their body, namely physical changes transforming into adult-like physic, attitude, feeling and emotional changes which are often not realized by the teenagers themselves such as embarrassment, happiness, jealousy, sadness, fear, anxiety, love and curiousity. Teenagers development had not been integrated with facilitated guidances. This can be proved by the fact that there is no media facilitating teenagers'activities in exercising their interests and talents to be more positive such as sports and arts. This is very important, because not only it educates and trains the teenagers but it is also fun. Therefore, "Graha Wisata Remaja" is built as a medium facilitating the teenagers to improve their interestsand talents. These teenagers' characters that are needed to develop are transition characters from children to adult. And this associates the metamorphosis process. Thus, Graha Wisata Remaja is designed by using metamorphosis concept. To reveal the nature of labil teenagers who are interested in new things put into visual quality and environment im Graha Wisata Remaja, the postmodern metaphor method is chosen. Metaphor is considered as a code. And this code is oncereceived by the observers from an object by depending on the other object and how to see a building as something else because its assemblence. Graha Wisata Remaja built in 2 ha. This metamorphosis concept through postmodern metaphor is applied on building display, color, and environment.Keywords: teenagers, interests and talents, postmodern, metamorphosis
Perancangan Fakultas Kedokteran Gigi Universitas Riau Dengan Pendekatan Arsitektur Kontekstual Vini Asfarilla; Yohannes Firzal; Pedia Aldy
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 4, No 2 (2017): Wisuda Oktober Tahun 2017
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Abstract

Oral and dental health are not very much paid attention to as most people failed to realize the importance of them. Increasing need for dental health institutions can be regarded as an indicationof raise public awareness of dental and oral health conditions. Therefore, it needs qualified human resources in order to provide optimal the health services. Faculty of Dentistry of University of Riau which is offered is coresponding with aplication of Contextual Architecture approach, that is a building should have connection with surroundings and keep preserving the environmentcharacteristic. Through the Architecture theme, the concept of Harmony Collaboration is defined as a collaboration between dental functions and the principle of Harmonic Contextual. The concept is applied to site pattern, mass formation, and facade. The site designed pattern is based on teeth formation, the mass of building is based on the principle of the harmonious to the surrounding buildings. The building facade designed is based on the form of teeth pattern.Keywords: Dental, Faculty of Dentistry, Contextual Architecture, Harmony Collaboration
Pekanbaru Entertainment Center Dengan Pendekatan Arsitektur Modern Berdasar Konsep "Less Is More" Rendy Musamel; Pedia Aldy; Mira Dharma Susilawaty
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 1, No 2 (2014): Wisuda Oktober Tahun 2014
Publisher : Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains

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Abstract

Current development in the world of work is increasing causing humans to spend time to working. It is a lot happening in the big cities as well as in the cities is growing. Human activities that are constantly working unconsciously cause boredom and increase the levels of stress on themselves. Based on the balance between work and entertainment, we need a place to meet the needs of entertainment for the community. Therefore, Entertainment Center is one place solutions that can accommodate the needs of entertainment for the community. Entertainment Center is a building that is both attractive as well as recreational and commercial, a building that can accommodate a variety of entertainment facilities which have different properties and types. In designing Entertainment Center made the approach on modern architecture based on “less is more” and the concept of unification of the character and function of the building. This is related to the unification of various types of entertainment that are for individuals, groups or families that are adjusted to the nature of the area (public, semi-public, private) with the application of modern themes in interior and exterior, the building materials, circulation and spatial relations in building. Entertainment Center so that it can be a place to meet the needs of entertainment for the community to relieve tired and bored of the daily activities, and can accommodate people pleasure in enjoying life.Keywords: Entertainment Center, Modern Architecture, Less Is More, Character and Function of Building
Pusat Kuliner Dan Oleh - Oleh Khas Riau Di Pekanbaru Dengan Pendekatan Arsitektur Rokan IV Koto Junia Handayanis; Pedia Aldy; Muhammad Rijal
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
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Abstract

Pekanbaru was developing in tourism, especially in culinary and shopping souvenirs tourism. Development of culinary and shopping souvenirs in Pekanbaru growing rapidly and spread out at various corners of the city. Those things that be a reason why Pekanbaru needs a culinary and souvenirs center. Besides becoming a tourism facilities, culinary and souvenirs center expected be a education facilites for learning Malay Culture by applying one of the traditional architecture in Riau, it is Malay Architecture. One of history architecture heritage on Malay kingdom is Rokan IV Koto kingdom that located in Rokan Hulu which has different architectural form caused its geographical location. By using the architecture of Rokan IV Koto as an approach for the design, then was found a concept is “Culture Harmony”. This concept is a suitability that bind culture (culinary and souvenirs) becomes a unity by transforming Architecture of Rokan IV Koto. Culinary and Souvenirs Center is build on 3 ha area land, with area building 8019 m2. Architectural element in Architecture of Rokan IV Koto which includes region pattern and building form is transformed with dimensional transformation, addictive transformation, and subtractive transformation. The results of the transformation from the form of patterns and shapes are applied to the design of Culinary and Souvenirs Center that include zoning, mass order, outdoor planning, mass formation, indoor planning and structure.Keyword: Culinary and Souvenirs Center, Culture Harmony, Form Transformations, Architecture of Rokan IV Koto
Fasilitas Pelatihan Seni Pertunjukan Di Tepi Sungai Siak Pekanbaru Dengan Pendekatan Arsitektur Waterfront Mohd. Aidil Akbar; Pedia Aldy; Mira Dharma S
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 6 (2019): Edisi 1 Januari s/d Juni 2019
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Abstract

Art is an integral part of the human history that is inseparable from the development of human civilization. Performing art is the identity of a nation as one of the cultural wealth. Pekanbaru city with multiple layers of society, have a numerous arts and cultures need cultural spaces that are able to accomodate a wide range of performing arts. Siak River flows through and splitting the city, it have historical values and local wisdoms that can be utilized to create a cultural district on the river. Siak River as an icon of Pekanbaru in ancient times can regrow the cultural values that have started are lost among the public. The Siak Riverside can potentially be used as a cultural tourist destinations, it can take advantages of the natural resources that exist in the surroundings. Performing Art Training Facilities that have educative functions will be supported by aspects of the malay culture and local wisdom, these facilities will accomodate training and performing medium for artists and recreational for visitors. The design methods used include field data collection, studies and empirical studies library. The result of this design is the performing art facilities with the concept of a “Culture Wave” adopt shape and meaning implementation on the principle of the waterfront architecture. Wave visualization applied to the site design through a patterned waves canal-dividing the site into three parts, and the wave shape of the roof, while the image of the building adopt the typical of the malay culture and Pekanbaru local wisdom.Keywords: Performing art, Wave, Culture, Waterfront Architecture
Tembilahan Culinary Area Di Tembilahan Dengan Pendekatan Arsitektur Tropis Abyadh Nadhiifun; Pedia Aldy; Wahyu Hidayat
Jurnal Online Mahasiswa (JOM) Bidang Teknik dan Sains Vol 2, No 2 (2015): Wisuda Oktober Tahun 2015
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Abstract

Tembilahan is one of The districts located in Indragiri Hilir regency in Riau Province. The development of The culinary world in The affluent neighborhood Tembilahan city is growing rapidly. Can be seen from many places Tembilahan culinary region are not arranged placement. Tembilahan there are not yet facilities that facilitate activities of the culinary field. Businesses that can be done to meet needs of The community in the culinary world as a means of educational, informative, and this commercial need for a container that meets the needs of the community will have the culinary world in an area which facilitate the public to obtain information and recreation culinary. Tembilahan Culinary Area design, design approach adopted is tropical architecture. And The concept is applied "Back to Nature", adapted to The functions contained in The form of educational activities, marketing and recreation, which Tembilahan Culinary This area has a land area of 4 hectares with a building area of 5369.91 m².Keywords: Tropical Architecture, Tembilahan Culinary Area, Back to Nature.
Co-Authors Abyadh Nadhiifun Achnia Tiffany Nurfadillah Agryvania Br Sembiring Agustian, M. Aldi Agustin, Rezy Kurnia Agustina Irfita Al Husaini, Muhd. Arief Alfian Malik Ali Djamhuri Amir Hamzah Andre Giovanni Gultom Andri Anggesi Andri Lesmana Anggilina, Oktavia Annisa Cinintya Arifia Azas Awliya Rahmat Erviyus Ayu Riska Putri Azriyenni Azhari Zakri Damanik, Yola Yohana Dariyanto, Dariyanto Dede Novita Dedek Elida Siregar Devi Endriani Diko Despabera Rosdianto DWI SURYANTO Dwiki Hermawan Elianora - Elza Fitria Ningsih Fachry Enzeta Fadhil, Iman Fadli Rahman, Fadli Fakhri Fakhri Firzal, Yohannes Fitrah Ramadhani Syam Fri Murdiya, Fri G. Gunawan Gandhi Thaiba Gitiya Gittasya Gun Faisal Hadi Gusmara Hakiki, Rizky Hardi Rasidi Harian Syah Herdiman, Sepri Herlika Herlika Herliman Restu Waruwu Iin Fitri Febriani Indra Kuswoyo Irsyad Rahim Putra Izazul Lizar Jacob Adha Putra Jenny Yolanda Gustia Jerry Dwi Irawan, Jerry Dwi Julius Eduvin Panjaitan Junia Handayanis Karissa, Lulu Laili Dwi Annisa Laras Utami Inka Latif, A Haryadi Laura Arifah Hanum Lupita Lupita Lusi Novita M Agung Anugerah, M Agung M Arseli Epriga, M Arseli M Iswandi M Syukri Abdillah D P, M Syukri Abdillah D Madina, Fajria Manao, Gihon Juang Sataro Maya Annisa Fitraf, Maya Annisa MAYA PURNAMASARI Melti Afifka Albar Merry Deria K Lase Mira Dharma Mira Dharma S Mira Dharma Susilawati Mira Dharma Susilawaty Mira Dharma Susilawaty Mita Fransisca Rumapea Mohd. Aidil Akbar Morian Saspriatnadi Muhammad Ikrom Muhammad Mahdi Hadiwijaya Muhammad Rafiki Muhammad Razki Adrell Muhammad Rijal Muhammad Rijal Muhammad Yusuf Muhd. Arief Al Husaini Muhd. Arief Al Husaini Mutiara Noviza Nabila Shalihah Nada Rizqi Amalia Nadine Raraz Cahyani Nasution, Fajar Rizki Nasution, Fery Azani Nazamri Nazamri Noni Septiani Novan, Andre Nur Adela Sobri Rezki Nurdin Nurdin Ogie Pratama Oktaviani, Sundari Fitria Osli, Ranti Pahlevi, Said Iqrak Parlinggoman Pasaribu Prabowo, Jevri Putra Mhd Alamsyah Putri, Agnes Prameswari R. Lisa Suryani Rabiatul Husna Rabsanjani, Azali Rahman wahyudi Rahmat Rahmat Raisya Muthiah Ratna Amanati Reghina Tri Municha Rendy Musamel Riska lestari Rizki Metior, Rizki Rohaniah, Lathifah Rusydina Sabila Fauzi Said Sidik Sijori Saputra, Aldino Harli Sayid Al-Fajri Saleh Shodiqin, Muhammad Zikri Siswoyo, Sindi Siti Aisyah Siti Aisyah Sri Djuniati Sri Hardianti Suci Rahmawati Susilo, Bagus Ardyawan Suwitno Syalam Haryadi Syarafina, Amalia Syilvia Ovtariyani Putri T.Nadhilah Putri Tivany, Olivia Rizki Umar Hafiz Alfadil Vera Yunita Vicky Sonya Vini Asfarilla Viona Dwi Sartika Wahyu Dwi Syaputra Wahyu Hidayat Wahyu Hidayat william hutagalung Witra Karima Yogi Efrinaldi Yogistira, Yogistira Yuri Prima Nurullah Zuhra, Siti ZULKIFLI ZULKIFLI