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Analisis Wacana Kritis Norman Fairclough; Representasi Kekerasan Seksual pada Laki-laki dalam Serial Baby Reindeer Kautsar, Muhammad Al; Surwati, Chatarina Heny Dwi
Jurnal Komunikasi Massa Vol 18, No 2 (2025): Jurnal Komunikasi Massa Volume 8 Nomor 2 Desember 2025
Publisher : Universitas Sebelas Maret (UNS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jkm.v18i2.115336

Abstract

This study aims to analyze how sexual violence against men is represented in the series Baby Reindeer using Norman Fairclough’s Critical Discourse Analysis (CDA) approach. Sexual violence toward men remains a socially taboo topic and is rarely explored in mainstream media discourse. Therefore, this research seeks to uncover the discursive constructions embedded within audio-visual media narratives. The series Baby Reindeer, based on the true story of Richard Gadd, was chosen due to its complex portrayal of male trauma resulting from sexual violence. This research employs a descriptive qualitative method, utilizing Fairclough’s three-dimensional analysis framework: textual analysis (micro), discourse practice (meso), and socio-cultural practice (macro). The data consists of selected scenes from the series that portray sexual violence—both physical, verbal, and psychological—which are analyzed through the lenses of representation theory and queer theory. The findings reveal that sexual violence against men in Baby Reindeer is represented through character complexity, visual symbolism, and dialogues that challenge hegemonic masculinity. The series subtly critiques patriarchal structures that often silence male victims and highlights how power relations and gender identity shape social meanings. Thus, Baby Reindeer not only illustrates personal trauma but also invites broader reflection on the societal discourse surrounding sexual violence and gender dynamics.
Representasi Feminisme dalam Serial Gadis Kretek: Analisis Wacana Kritis Sara Mills Ferdianyta, Medianasari; Surwati, Chatarina Heny Dwi
Jurnal Komunikasi Massa Vol 17, No 1 (2024): Jurnal Komunikasi Massa Volume 17 Nomor 1 Juni 2024
Publisher : Universitas Sebelas Maret (UNS)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/jkm.v17i1.90277

Abstract

Film as a mass communication media conveys messages to the audience through audio-visual presentation. Filmmaking is driven by various social problems that occur in society, one of which is feminism. Feminism is a movement to fight for equal rights for women and men, as well as efforts to fight various forms of subordination against women. The persistence of gender equality issues in society, where injustice is often ignored and normalized, is the background to the importance of this research. This encourages researchers to examine the representation of feminism in film and identify the message of feminism contained in the Gadis Kretek series. The method used in this research is qualitative with Sara Mills's critical discourse analysis model, which highlights the position of the subject, object, and audience in understanding the message of feminism conveyed. The results show that Gadis Kretek series represents feminism through the main character, Dasiyah, referring to the classification of the concept of second wave feminism. There are 11 corpus that represent feminism in the series, such as women's struggle in a patriarchal social and cultural context, men's involvement in supporting feminism, and women's empowerment in facing multiple roles.