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Reviving the Sanghyang Grodog Ritual Dance: Promoting Social Harmony and Sustainable Cultural Tourism in Nusa Lembongan Island, Bali Ni Made Arshiniwati; Ida Bagus Gede Surya Peradantha
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p03

Abstract

This article explores the artistic significance and revitalization of the Sanghyang Grodog ritual in Lembongan Village, Bali, following a three-decade hiatus. Using a socio-artistic approach supported by social cohesion and semiotic theories, this study examines the ritual’s role in fostering social identity and promoting sustainable, culture-based tourism. Data were collected through participant observation, interviews, and secondary sources, with findings reinforced by focus group discussions. The results highlight the ritual’s embodiment of spiritual, social, and environmental harmony while addressing challenges posed by increasing tourism pressure. Despite limited public awareness, the ritual’s aesthetic and symbolic values serve as a catalyst for communal unity and sustainable cultural tourism. This study proposes a community-based tourism development strategy that includes the creation of a local mascot, visual branding, and the integration of arts into ecotourism and education, ensuring both cultural preservation and economic benefits for the community.
Reviving the Sanghyang Grodog Ritual Dance: Promoting Social Harmony and Sustainable Cultural Tourism in Nusa Lembongan Island, Bali Ni Made Arshiniwati; Ida Bagus Gede Surya Peradantha
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 15 No. 1 (2025): New Dimensions of Bali Tourism
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2025.v15.i01.p03

Abstract

This article explores the artistic significance and revitalization of the Sanghyang Grodog ritual in Lembongan Village, Bali, following a three-decade hiatus. Using a socio-artistic approach supported by social cohesion and semiotic theories, this study examines the ritual’s role in fostering social identity and promoting sustainable, culture-based tourism. Data were collected through participant observation, interviews, and secondary sources, with findings reinforced by focus group discussions. The results highlight the ritual’s embodiment of spiritual, social, and environmental harmony while addressing challenges posed by increasing tourism pressure. Despite limited public awareness, the ritual’s aesthetic and symbolic values serve as a catalyst for communal unity and sustainable cultural tourism. This study proposes a community-based tourism development strategy that includes the creation of a local mascot, visual branding, and the integration of arts into ecotourism and education, ensuring both cultural preservation and economic benefits for the community.
THE TEXT OF KRAMAT KAREM SONG GAMBANG KROMONG BETAWI A HERMENEUTIC REVIEW Sri Repelita, Malona; Sudirga, I Komang; Arshiniwati, Ni Made; Sustiawati, Ni Luh
International Journal of Multidisciplinary Research and Literature Vol. 5 No. 2 (2026): INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND LITERATURE
Publisher : Yayasan Education and Social Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53067/ijomral.v5i2.406

Abstract

Kramat Karem is a song from Betawi cultural heritage whose lyrics tell the story of the tsunami event as a result of the eruption of Mount Krakatau in 1883 in the Sunda Strait, Indonesia. The lyric contains stories, descriptions of disaster, and the traditional local wisdom that accompanies them. Kramat Karem lyric have changed over the generations, the singer's interpretation is influenced by historical experience and the background context. From era to era, the meaning does not represent the original intend of the author anymore. This study aims to examine the the singer interpretation from hermeneutic approach and the function of socializing the local wisdom. This research used qualitative method and were analyzed using a hermeneutic approach as a big frame to examine changes of the text in the contemporary Kramat Karem song. The data were collected through literature studies, interviews, records from social media and observations in the community. This study is expected to produce recommendations for Betawi's ethnic to learn and appreciate local wisdoms in gambang kromong songs. In addition, the results of this study also become a trigger for Betawi society to strengthen the Betawi tradional Culture as a medium of communication and social integration.
TARI RATU SANGHYANG DEDARI TUNJUNG BIRU DI BANJAR PUJUNG KAJA, TEGALLALANG, GIANYAR Rakasiwi, I Dewa Ayu Galuh Intan; Arshiniwati, Ni Made; Budiarsa, I Wayan
Pendas : Jurnal Ilmiah Pendidikan Dasar Vol. 9 No. 2 (2024): Volume 09 No. 2 Juni 2024
Publisher : Program Studi Pendidikan Guru Sekolah Dasar FKIP Universitas Pasundan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23969/jp.v9i2.15205

Abstract

Tari Ratu Sanghyang Dedari Tunjung Biru di Banjar Pujung Kaja, Tegallalang, Gianyar, merupakan warisan budaya yang kaya akan nilai-nilai sakral dan artistik. Penelitian ini bertujuan untuk mengungkapkan aspek-aspek penting dari Tari Ratu Sanghyang Dedari Tunjung Biru di Banjar Pujung Kaja, Tegallalang, Gianyar. Tarian ini merupakan perwujudan magis dari Ratu Sanghyang Dedari yang memberikan anugerah dan kesejahteraan kepada masyarakat Desa Adat Talepud, Banjar Pujung Kaja, Tegallalang. Penelitian ini menggunakan metode kualitatif dengan fokus penelitian terletak pada aspek bentuk, fungsi, dan upaya masyarakat dalam melestarikan tarian tersebut. Hasil penelitian menunjukkan bahwa Tari Ratu Sanghyang Dedari Tunjung Biru adalah tarian sakral yang diwarisi turun-temurun. Prosesi tarian ini memiliki struktur yang terdiri dari nusdus, masolah, dan munggah. Tapakan Tari Ratu Sanghyang Dedari Tunjung Biru, yang merupakan penari utama, menjalani proses pemilihan dan ritual penyucian sebelum pertunjukan. Struktur tarian ini mencerminkan kesatuan harmonis disetiap elemen pertunjukannya. Tata rias dan busana tarian ini juga memiliki nilai simbolik yang mendalam Penelitian ini memberikan pemahaman yang mendalam tentang keberadaan dan pentingnya melestarikan Tari Ratu Sanghyang Dedari Tunjung Biru sebagai bagian dari warisan budaya Bali.. Dengan demikian, dokumentasi hasil penelitian ini diharapkan dapat memberikan kontribusi dan menjadi tambahan literatur yang bermanfaat bagi akademisi dan masyarakat dalam menjaga dan menghargai keberagaman seni dan budaya di Indonesia, khususnya di Banjar Pujung Kaja, Tegallalang, Gianyar.
Co-Authors A.A.Ayu Mayun Artati Anak Agung Gde Agung Indrawan Anak Agung Gde Agung Indrawan Indrawan Andra Krisna Susanti, Ni Nyoman Ardhika, I Gusti Lanang Oka Artati, A.A.Ayu Mayun Ayana, I Wayan Deo Budiastomo, Denta Mandra Pradipta Cahyanthi, Ni Komang Putri Ciclia Indraningsih Jeno Desmi Kartiani, Ni Luh Dewi, I Gusti Ayu Agung Adi Sartika Diantara, I Putu Arya Eka Wahyuningsih, Ni Luh Putu Gst.Ayu Ketut Suandewi I Dewa Ayu Galuh Intan Rakasiwi I Gede Arya Sugiartha I Gede Arya Sugiartha, I Gede Arya I Gede Mawan I Gusti Agung Sri Rwa Jayantini I Gusti Ayu Agung Adi Sartika Dewi I Gusti Lanang Oka Ardhika I Gusti Ngurah Seramasara, I Gusti Ngurah I Ketut Sariada I Ketut Sariada, I Ketut I Komang Rio Saputra Dinata I Komang Sudirga I Wayan Budiarsa I Wayan Mudra, I Wayan Ida Ayu Putri Widiastuti Ida Ayu Trisnawati, Ida Ayu Ida Bagus Gede Surya Peradantha Ida Bagus Gede Surya Peradantha Kadek Ayu Juni Aryani Kadek Krisna Dwipa Diartama Kadek Rendy Wiradana Leslyani, Ni Putu Luh Risa Melliani Ni Ketut Suryatini Ni Ketut Suryatini Ni Ketut Suryatini, Ni Ketut Ni Komang Putri Cahyanthi Ni Luh Putu Eka Wahyuningsih Ni Luh Sustiawati Ni Putu Ayu Rika Putri Dewi Ni Putu Ayu Rika Putri Dewi Ni Putu Leslyani Ni Wayan Juli Artiningsih, Ni Wayan Pande Gede Widya Supriyadnyana Pertiwi, Ni Wayan Eka Sri Putu Desi Anggerina Hikmaharyanti Santi, Heni Widya Sekar Arini, Ni Luh Ayu Sri Repelita, Malona Sudarta, I Gusti Putu Sudibya, I Gusti Ngurah Suminto Suminto - Suminto Suminto Supriyadnyana, Pande Gede Widya Wayan Karja Widiastuti, Ida Ayu Putri Widnyana, Kompiang Gede Yanti Heriyawati Yulinis -