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All Journal Humaniora Ars: Jurnal Seni Rupa dan Desain Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Harmonia: Journal of Research and Education Journal of Urban Society´s Arts MUDRA Jurnal Seni Budaya Panggung PRODUCTUM : Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Humaniora Tonil, Jurnal Kajian Sastra, Teater dan Sinema Jurnal Dimensi Seni Rupa dan Desain Panggung Permaculture : Jurnal Ilmu Pertanian & Lingkungan
M Agus Burhan
Institut Seni Indonesia Yogyakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Instalasi Eco Art Sebagai Media Kultivasi Mikroalga M. Agus Burhan; Anusapati Anusapati; Lutse Lambert Daniel Morin
PANGGUNG Vol 31, No 1 (2021): Eksistensi Seni Budaya di Masa Pandemi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1145.104 KB) | DOI: 10.26742/panggung.v31i1.1539

Abstract

Penelitian artistik ini untuk menciptakan karya seni rupa instalasi dengan prinsip eco art yang bisa difungsikan sebagai photobioreactor untuk kultivasi mikroalga. State of art permasalahan penciptaan karya, meliputi seni rupa instalasi, eco art, kultivasi mikroalga, dan photobioreactor. Tujuan penelitian artistik ini menciptakan karya seni instalasi eco art sebagai media kultivasi mikroalga. Metode penelitian artistik ini adalah practice based research, peneliti menyatu dengan objek yang dikerjakan dalam penghayatan secara timbal balik (in and through), juga harus merujuk metode penciptaan terpublikasi, sehingga tidak subjektif dan pemaparannya rinci. Metode penciptaan David Campbell sebagai rujukan, yaitu preparation, concentration, incubation, illumination, verification-production. Hasil penelitian ini berupa karya instalasi eco art yang secara teknis memenuhi syarat untuk kultivasi mikroalga. Air dengan organisme mikroalga mengalir dalam instalasi melakukan proses fotosintesis, yang bisa menghasilkan bermacam bahan senyawa, seperti senyawa karbohidrat, untuk produksi bio energi, industri farmasi, dan kosmetik. Photobioreactor ini ditampilan sebagai seni instalasi eco art dengan bentuk silinder terpilin, dalam citra artistik estetika kontemporer.Kata Kunci: Instalasi, Eco Art, Photobioreactor, Kultivasi Mikroalga
Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand Deni Setiawan; Timbul Haryono; M. Agus Burhan
Humaniora Vol. 6 No. 3 (2015): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v6i3.3368

Abstract

Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions. 
Ondel-ondel kekinian: boneka besar Betawi di zaman modern Mita Purbasari; M Dwi Marianto; M Agus Burhan
PRODUCTUM Jurnal Desain Produk (Pengetahuan dan Perancangan Produk) Vol 3, No 6 (2019)
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/productum.v3i6.2429

Abstract

Ondel-ondel is an ancient Betawi’s art work named Barongan, in simple shaped of one pair off greater puppets, complete with the music companion. At the beginning, ondel-ondel was a part of Betawinese scared rituals then become one of Jakarta’s icons. Ondel-ondel can be found until today either in performing arts and decoration element form. In its development as the decoration element form, ondel-ondel is not only the great puppet for buildings and stages decorator, but also has been positioned as a part of cultural tourism and society living needs. Moreover, ondel-ondel has been used to be an inspiration to produce souvenir to support industry. Ondel-ondel is not longer just made in big size, but also in mini size in form of 2 or 3 dimensions, so it is easy to be carried as a souvenir, which represents Jakarta and Betawi. To find out the value behind the sign changed, this qualitative research used the semiotic approach. Connection or relation between symbolic sign in ondel-ondel structure and building elements were collaborated with society condition as the background and impact of the society on that time to get the value. The changes of ondel-ondel’s meanings and functions in building elements have been produced and contracted as its user way of thinking based on its form and context. The meaning interpretation of ondel-ondel craftsman and audience in particular time would be different with government’s policies. Key words: ondel-ondel, building elements, souvenir, meaning, function
The Dynamic of Betawi in Colors Mita Purbasari; M. Dwi Marianto; M. Agus Burhan
Mudra Jurnal Seni Budaya Vol 31 No 3 (2016): September
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v31i3.59

Abstract

Color is no longer a small issue; it is one of the very important for artistic Workers. In daily life, using color is very common and rarely to be observed or pursued deeply, because color as a one ofthe design element was more digested and processed by feeling, not of thought, so often considered something unimportant. Color is a lot and often used for aesthetic and communication. Without realizing it, color gives special identity to certain things in time, place, and situation ofits own. Although widely used in daily life practically, color has symbolic and decorative characteristic in Indonesia, especially in Jakarta. These colors become characteristic in every performance ofculture and art in Jakarta (Betawi). Betawi have a unique typical codification color that reflects the characteristic ofBetawi‘s life, however by the presence ofmassive urbanization in Jakarta, then changed Betawi culture including codification of colors. This research find out how Betawi gives the typical color naming and its relationship with the social cultural circumstance of the moment. And the result also expected to introduction of Betawi color in particular, and also to build a Betawi atmosphere for purposing related to interior, products, and environment.Key words: color naming, Betawi, culture
Prinsip Estetika Pakaian Cosplay Yogyakarta: Fantasi dan Ekspresi Desain Masa Kini Deni Setiawan; Timbul Haryono; M. Agus Burhan
PANGGUNG Vol 24, No 1 (2014): Fenomena dan Estetika Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (197.631 KB) | DOI: 10.26742/panggung.v24i1.103

Abstract

ABSTRACTCostume, dress code, animation, comics, legends, and manga, are inseparable parts of the cosplay costume. Those parts give fantasy and digital world discourse through costume style. Its spiritual domain stands on Japanese culture by being cultured through clothing. One of them, cosplay ideo- logy, reflects the self-imaging through social communities, as an e?ort for group and self-existence. Cosplay entity bridges fantasy and real world, presents designers’ expressions through the costume designs to show. This writing will be analyzed by using the main theories based on Dewitt H. Parker point of view, in The Principles of Aesthetics, which divides principles of aesthetics into three, they are: Principle of Organic Unity, Principle of Dominant Element, and Principle of Balance. Principle of organic unity indicates that cosplay clothing is an accumulation of design elements, to refer and mark a figure. Principle of dominant element, is accentuation, or the center of interest of a cosplay clothing design. Principle of balance, see placement and setting ornamentation applied to cosplay clothing.Keywords: cosplay clothing, principles of aesthetics, costume style, YogyakartaABSTRAKPakaian, dress code, animasi, dan manga, merupakan unsur yang tidak terpisahkan dalam pakaian cosplay. Unsur-unsur tersebut merupakan wacana dunia digital dan fantasi pada dunia pakaian. Ranah spiritualnya berp?ak pada kebudayaan Jepang yang dibudayakan melalui pakaian. Ideologi cosplay salah satunya menggambarkan pencitraan diri komuni- tas sosial, sebagai usaha untuk aktualisasi diri. Entitas cosplay mampu menjembatani du- nia fantasi dan realita, yang membelenggu keinginan manusia untuk bergaya. Tulisan ini akan dianalisis dengan teori pokok berdasarkan pandangan Dewitt H. Parker, dalam The Principles of Aesthetics, yang membagi prinsip estetika menjadi tiga, yaitu: prinsip kesatu- an organik, prinsip unsur dominan, dan prinsip keseimbangan. Prinsip kesatuan organik menunjukkan, bahwa pakaian cosplay merupakan akumulasi dari unsur-unsur desain, un- tuk merujuk dan menandai tokoh. Prinsip unsur dominan, merupakan aksentuasi, atau pusat perhatian dari sebuah desain pakaian cosplay. Prinsip keseimbangan, melihat penem- patan dan pengaturan ornamentasi yang diaplikasikan pada pakaian cosplay.Kata kunci: pakaian cosplay, prinsip estetika, gaya pakaian, Yogyakarta
KELAHIRAN GAYA UBUD DAN GAYA BATUAN DALAM SENI LUKIS BALI PADA MASA KOLONIAL BELANDA M. Agus Burhan
Jurnal Dimensi Seni Rupa dan Desain Vol. 10 No. 1 (2013)
Publisher : Universitas Trisakti

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1251.59 KB) | DOI: 10.25105/dim.v10i1.937

Abstract

Abstract This research reveal the changing of Balinese traditional painting in 1930's era. The consequence of their interaction with European painters and the influence of tourism, Balinese painting that have been bound to their traditions show the significant changing. Form and function is not any longer sacred and bound to the puppetries mythology ot their mythology, but they shift into profane function and express daily life world. The expert in that era called this a modern balinese painting or new design Balinese painting. Balinese painting developed became a genuinese expresion with many personal style and group style of painters. This development certainly could not be separate form social stucture and the society that support it. AbstrakPenelitian ini mengungkapkan tentang perubahan seni lukis Bali tradisional pada tahun 1930-an. Akibat interaksi dengan pelukis-pelukis Eropa dan pengaruh pariwisata, seni lukis Bali yang berabad-abad terikat denga tardisi, pada masa itu menunjukkan perubahan sangat signifikan. Bentuk dan fungsinya tidak lagi bersifat sakral dan terikat mitologi wayang atau mitologi lainnya, tetapi telah beralih pada fungsi profan dan mengungkapkan dunia kehidupan sehai-hari. Para ahli pada masa iti menyebutnya sebagai seni Bali modern atau seni lukis Bali corak bru. Seni lukis Bali itu memang telah berkembang menjadi ungkapan jati dengan berbagai gaya pribadi pelukis maupun dalam gaya kelompok. Perkembangan yang demiian tentu tidak lepas dari struktur sosial dan masyarakat yang menyangganya pula.
The Struggle Never Ends (The Reflection on the History of Struggle between Socio-Political Groups in the Creation of Painting) M. Agus Burhan; Miftakhul Munir; Agatha Christi
Journal of Urban Society's Arts Vol 9, No 1 (2022): April 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v9i1.6854

Abstract

This artistic research aims for the creation of contemporary painting. State of art issues of art creation consists of paintings, socio-political, social functions, and visual symbols. The creation goals are to create painting from the ideas of creation and aesthetics visual form, departing from socio-political history condition in the struggle among mass organizations and politic organizations in Indonesia. By utilizing practice-based research method, the researcher is united with the object being worked in an in and through appreciation, must also refer to published creation method, thus that it is not subjective and the explanation is detailed. David Campbell’s creation method is used as the reference, i.e., Preparation, concentration, incubation, illumination, and verification-production. The study results and art design are contemporary painting “Pertarungan tak Kunjung Usai” (The Struggle Never Ends). It portrays the reflection of ideology struggle and socio-political outlook of figures or among community groups. Subject matter shows two figures group who facing and opposing each other with allegory or symbol attributes, such as weaponries, normative books, bulls, and garudas. The setting is on a ruins or ship deck wreckage. The painting is shown in decorative-expressive style, within contemporary aesthetic artistic images. Penelitian artistik ini bertujuan untuk penciptaan karya seni lukis kontemporer. State of art permasalahan penciptaan karya meliputi seni lukis, sosial-politik, fungsi sosial, dan simbol visual. Tujuan penciptaannya menciptakan lukisan dari ide penciptaan dan bentuk visual yang estetik, dari fenomena kondisi sejarah sosial politik dalam pertarungan ormas dan orpol yang ada di Indonesia. Metodenya practice based research, peneliti menyatu dengan objek yang dikerjakan dalam penghayatan secara timbal balik (in and through), juga harus merujuk metode penciptaan terpublikasi, sehingga tidak subjektif dan pemaparannya rinci. Metode penciptaan David Campbell digunakan sebagai rujukan, yaitu preparation, concentration, incubation, illumination, verification-production. Hasil penelitian dan perancangan karya ini adalah karya seni lukis kontemporer "Pertarungan Tak Kunjung Usai". Menggambarkan refleksi pertarungan ideologi dan pandangan sosial politik dari figur-figur atau antarkelompok masyarakat. Subject matter menampilkan dua kelompok figur-figur yang berhadapan dan saling bertentangan dengan masing-masing atribut alegori atau simbolnya, seperti senjata, kitab normatif, banteng, dan garuda. Setingnya ada dalam reruntuhan bangunan atau potongan geladak kapal. Lukisan ini ditampilkan dalam gaya dekoratif ekspresif, dalam citra artistik estetika kontemporer.
The Public Space of “Jogja Fashion Week Carnival” and Cosplay Clothing in Yogyakarta Setiawan, Deni; Haryono, Timbul; Burhan, Agus
Komunitas Vol 6, No 2 (2014): September 2014
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/komunitas.v6i2.3303

Abstract

The concept of an ideal public space does not just focus on the interests of a particular group or community, but rather focus on the space of social activities that represent each audience or spectator in that society. Arts and cultural activities are part of it; although the concept of public space is still abstract to represent every social individual. However, the presence of public space has created a mediation space for all forms of communication. Mediation space is considered as a crucial feature, not only as a promotional sphere but also as a place to exchange and communicate all forms of ideology, art, and culture. Art activities such as Jogja Fashion Week Carnival and Cosplay clothing performance in public spaces provide opportunities for communities or individuals, to make this activity as a public performance and part of public art. Public art tends to be creative, free, and sometimes not accompanied by a theoretical perspective, as other arts are. Art activities in public spaces which are part of the social and cultural activities are essentially standing on the ideology that have been set up for a particular interest. The interest is disseminated using mass media and advertisment. Audience or public art connoisseur in public spaces should be more intelligent and critical to accept all kinds of art activities and performances. Therefore the performance will have a balanced communication.AbstrakKonsep ruang publik yang ideal tidak saja berbicara kepentingan golongan atau komunitas tertentu, tetapi lebih fokus pada wadah aktivitas sosial yang mewakili setiap pendatang atau penonton. Termasuk didalamnya adalah aktivitas seni dan budaya, walaupun konsep ruang publik masih dapat dikatakan abstrak untuk mewakili setiap individu sosial. Akan tetapi dengan adanya ruang publik telah menciptakan ruang mediasi bagi segala macam bentuk komunikasi. Ruang mediasi ini dipandang penting, tidak saja dijadikan ranah promosi, lebih mendalam adalah untuk bertukar dan tempat komunikasi segala macam bentuk ideologi, kesenian, dan kebudayaan. Aktivitas seni semacam Jogja Fashion Week Carnival dan pagelaran pakaian cosplay pada ruang publik memberikan kesempatan bagi komunitas atau individu, untuk menjadikan aktivitas ini sebagai tontonan dan bagian seni publik. Seni publik ini tentu saja lebih cenderung lebih kreatif, bebas, dan terkadang tidak diiringi dengan perspektif teoretis, seperti yang dilakukan seni lainnya. Aktivitas seni pada ruang publik, merupakan bagian dari aktivitas sosial dan budaya, hakikatnya berdiri pada ideologi yang telah diatur untuk satu kepentingan, yang disebarluaskan menggunakan media massa dan iklan. Penonton atau masyarakat penikmat seni pada ruang publik, harus lebih cerdas dan kritis untuk menerima segala macam bentuk sajian aktivitas seni, sehingga sajian tersebut memiliki komunikasi yang seimbang.
Power Relations in the Design and Development of Karangwaru Riverside Yogyakarta-Indonesia – Women's Perspective Artbanu Wishnu Aji; Suastiwi Triatmodjo; Agus Burhan
Journal of Urban Society's Arts Vol 9, No 2 (2022): October 2022
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v9i2.9370

Abstract

The design and construction of riverbanks in Karangwaru is a community participation-based development program where stakeholders play a role in the preparation of development and its implementation. The involvement of women as one of the stakeholders is one of the positive efforts for gender equality programs. However, women's voices in percieving the results of such development have never been clearly explored. How women respond to the development process and how power relations are created in a built environment are yet to be revealed. This study aims to see how power relations are formed in the design and development of Karangwaru Riverside. Using the Foucauldian discourse analysis method, this study managed to find 7 (seven) constructs and discourses that surround them. The results show that women have only control over two discourses, namely ethical and social discourse. Desain dan pembangunan bantaran sungai di Karangwaru merupakan program pembangunan berbasis partisipasi masyarakat di mana pemangku kepentingan berperan dalam persiapan pembangunan dan pelaksanaannya. Keterlibatan perempuan sebagai salah satu pemangku kepentingan merupkan salah satu upaya positif bagi program penyetaraan gender dalam pembangunan. Meskipun demikian suara perempuan dalam melihat hasil pembangunan tersebut belum pernah dieksplorasi dengan jelas. Bagaimana perempuan menyikapi proses pembangunan dan bagaimana relasi kuasa yang tercipta dalam lingkungan terbangun masih belum terungkap. Penelitian ini bertujuan untuk melihat bagaimana relasi kuasa yang terbentuk dalam desain dan pembangunan Karangwaru Riverside. Dengan menggunakan metode analisis diskursus Foucauldian, penelitian ini berhasil menemukan 7 (tujuh) konstruk dan diskursus yang melingkupinya. Hasilnya menunjukkan bahwa perempuan hanya memiliki kontrol pada dua diskurus yaitu diskursus etika dan sosial. 
Tracing Bong Lie Phin’s ceramic artistry in Singkawang: unveiling cultural heritage and technological advancements (1989-2020) Iwan Pranoto; M. Agus Burhan; Muhamad Romadoni
Dewa Ruci: Jurnal Pengkajian dan Penciptaan Seni Vol 18, No 1 (2023)
Publisher : Pascasarjana Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/dewaruci.v18i1.5188

Abstract

Ceramics by artist Bong Lie Phin has a historical record in the world of art by bringing social change to form a new culture through ceramic works. Another thing about ceramic development technology. This research is important in order to provide renewal through ceramic works. As for the research question, namely, how are inductive empiricism, reconstruction, and humanism related to ideas, society, and technology? This research process used qualitative methods with historical, social, and technological approaches and data collection techniques through interviews, literature studies, notes, and documentation documents. In the process of collecting data, researchers will gather information from artists and other supporting data. The data needed is in accordance with the research questions and then tested by involving experts and artists. There are several findings that the artist Bong Lie Phin created works from 1989 to 2020 with the concept of Chinese mythology and interpreted Chinese cultural symbols. This is also supported by the exploration of materials and technologies that develop in making ceramics, but without reducing the value and meaning, it was found that there were financial support factors carried out by the management of these ceramic artists in influencing understanding. Work so that the presence of work continues. Occurs, the work is considered capable of providing transformation of spiritual values; another discussion is the community's contribution in providing understanding in the creation of ceramic art so that the process of reconstruction in the work occurs continuously.
Co-Authors Adi, Moh Agatha Christi Anusapati Anusapati Artbanu Wishnu Aji Aziz, Baso Indra Wijaya Deni Setiawan DENI SETIAWAN Deni Setiawan Deni Setiawan Endah Budiarti Fandi Ahmad Indah, Ade Irwandi Irwandi Iwan Pranoto Lutse Lambert Daniel Morin M. Dwi Marianto Miftakhul Munir Mita Purbasari Mita Purbasari Mita Purbasari Wahidiyat Muhamad Romadoni Philipus Nugroho Hari Wibowo Skinner, Anthea St. Hanggar Budi Prasetya Suastiwi Suastiwi Timbul Haryono Timbul Haryono Timbul Haryono Timbul Haryono Tsai, Ted Tsung-te