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All Journal JURNAL ITENAS REKARUPA Harmonia: Journal of Research and Education Visual Art Journal of Urban Society´s Arts Jurnal Sosioteknologi Journal of Visual Art and Design Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal Panggung Chemistry Indonesian Journal of Chemical Research Journal Albion : Journal of English Literature, Language, and Culture Dinasti International Journal of Education Management and Social Science DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Wimba: Jurnal Komunikasi Visual
Nuning Yanti Damayanti
Institut Teknologi Bandung
Arts Humanities Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Education Engineering Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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Representation of the Meaning of Indung in Artworks Maulina, Rini; Sabana, Setiawan; Damayanti, Nuning Yanti; Muhtadin, Teddi
Harmonia: Journal of Arts Research and Education Vol 21, No 1 (2021): June 2021
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v21i1.29800

Abstract

Indung means mother in Sundanese. Indung in Sundanese culture is found in Paribasa, Babasan, Carita Pantun, Waditra (Sundanese traditional musical instrument), traditional ceremonies, and others. The word indung, which is found in almost all elements of Sundanese culture and manifests in Sundanese artifacts, has an invisible meaning. The meaning of indung in the perspective of Sundanese culture that exists in today’s society has not been explored. The meaning of indung from a cultural perspective needs to be searched for. There have not been found artworks with the theme of indung from a Sundanese cultural perspective, so it is necessary to explore representations in artworks. This study employs the Art-based Research method, in which an investigation is carried out on the data, and the results are represented in artworks. Through questionnaires, interviews, and literature studies, the meaning of indung is extracted and then tabulated to be classified and analyzed. The results of data processing showed that indung has many meanings, the result of converging data from the literature, questionnaire and interview the whole there are 17 meanings, among which the nurse, angel, house, huge, source of life, earth, embrace, harmony, the center of life, and love. The results of data processing are represented in artworks. Artworks made based on the meaning of indung are limited to three titles, namely Sumber Kehidupan (Source of Life), Merangkul (Embracing), and Rumah yang Hangat (Warm Home). The visual exploration contained in the three titles is made using stylized forms with a decorative style, using elements of motifs and colors from West Javanese batik. The media and techniques used are found in written batik. The results of the visualization of the meaning of indung of the three artworks that are created can be concluded that the meaning of indung cannot be symbolized singly.
The Impact of Different Media Materiality on the Creative Process Fauzan Sidik, Muhamad; Damayanti, Nuning Yanti; Mutiaz, Intan Rizky; Grahita, Banung
Journal of Visual Art and Design Vol. 16 No. 2 (2024): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, DRPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2024.16.2.4

Abstract

As a complex phenomenon, the creative process is shaped by multiple factors such as emotions, cognitive abilities, and contexts. Media materiality, as one of the contextual aspects of the creative process, has a significant impact on shaping and informing creative outcomes. To better understand the impact of different media materiality on the creative process, nineteen published studies were analyzed adhering to the PRISMA guidelines, focusing on four comparison groups: physical media vs non-immersive 2D/3D media, physical media vs immersive 3D media, digital 2D media vs immersive 3D media, and non-immersive 3D media vs immersive 3D media. The findings suggest that the choice of media materiality significantly influences the creative process, impacting factors such as ideation, expression, collaboration, and the overall experience of creating. This review concluded that media materiality in immersive virtual reality has the potential to enhance creativity, but traditional media may have more significant psychological benefits compared to virtual reality experiences. Future research directions in fine arts and design will be discussed based on the review results.
Perspektif Female Gaze Dalam Karya Seniman Modern Indonesia, Emiria Soenassa Apriyulia, Apriyulia; Adriati, Ira; Damayanti, Nuning Yanti
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 4 No 2 (2024): DIVAGATRA #08
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v4i2.13783

Abstract

The search for national identity in the development of modern Indonesian art has given birth to many artists with their characteristics. Emiria Soenassa, one of the pioneering female artists, plays a vital role in creating a vision of diversity that unites modern Indonesia today. Soenassa's works reflect her complex life experiences through the perspective of the female gaze, making her an important example of contemporary Indonesian art. This research explores how Soenassa's works position their subjects with a female gaze approach and how this contributes to gender struggles in the fine arts. The methodology used is a qualitative approach with descriptive analysis through archival research. The work was analyzed by applying the female gaze theory by Laura Mulvey and the Ways of Seeing concept by John Berger to understand women's perspectives and feminist art in the Indonesian context. This research will provide new insight into the contribution of female artists to the development of modern art in Indonesia.
Analisis Visual Citra Kota dan Proses Kreasi Motif Batik Marunda Jakarta Dyah Woelandhary, Ayoeningsih; Damayanti, Nuning Yanti; Sunarya, Yan Yan; Adriati, Ira
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3757

Abstract

Penelitian ini mengangkat Batik Marunda sebagai representasi produsen batik yang mengusung identitas Jakarta masa kini melalui motif bertema urban. Sebelumnya, kajian mengenai batik cenderung berfokus pada budaya Betawi, sementara objek kota Jakarta, dengan segala kompleksitas visual dan narasinya, jarang menjadi perhatian. Penelitian ini bertujuan untuk mengeksplorasi bagaimana elemen visual direpresentasikan dan diintegrasikan ke dalam motif batik, menggunakan teori Kevin Lynch sebagai kerangka analisis. Dengan pendekatan kualitatif, penelitian ini mengurai proses kreasi motif yang melibatkan lima elemen path, edge, district, node, dan landmark, untuk memastikan setiap elemen visual ditempatkan secara strategis dan bermakna. Hasil penelitian ini diharapkan memberikan pemahaman baru bagi perancang batik mengenai pentingnya mengangkat citra kota secara holistik dalam proses kreatif, sehingga mampu menghadirkan karya yang tidak hanya estetis, tetapi juga relevan dengan identitas budaya dan visual dengan tema kota.
Padma Flower Ornaments on the Gedhe Kauman Mosque in Yogyakarta and Its Transformation Wiyono, Erina; Damayanti, Nuning Yanti; Destiarmand, Achmad Haldani; Sunarya, Yan Yan
Local Wisdom Jurnal Ilmiah Kajian Kearifan Lokal Vol. 17 No. 1 (2025): January 2025
Publisher : University of Merdeka Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26905/lw.v17i1.13170

Abstract

The pride in the identity of a nation which is associated with the long history can be transformed into a valuable asset for both the present and the future. This can be achieved through the development of cultural heritage in the form of the artifacts owned. The diverse traditions associated with past legacies establish an inseparable connection between Indonesia and cultural history. An example of cultural heritage are the buildings that serve as evidence of the activities conducted in the past. Moreover, the influence of cultural, religious, and social systems caused by acculturation is evident in different forms of mosque buildings in Indonesia, specifically on Java Island. This can be observed from the adoption of ornaments in the Western period, starting from the 16th century. An example was the adoption of Padma Flower also known as the Lotus and Red Lotus by mosque buildings during the early introduction of Islam. The flower is also found in the house of worship, the Gedhe Kauman Mosque in Yogyakarta, built in 1773 AD by Sri Sultan Hamengku Buwono 1. Therefore, this research aimed to explain (1) the form of Padma Flower ornaments based on the shape, and (2) the changes in the form with subsequent influence on the present design. A qualitative method with a Visual Adaptation strategy was used to describe and analyze the form of the flower to determine the formulation process. The adaptation of Padma Flower ornaments in different places was expected to assist the process of using motif as a reference in the field of art and design.
SOFT POWER ANALYSIS THROUGH KPOP IDOL IN PRESEVATION AND CULTURAL PROMOTION Apriyulia, Apriyulia; Adriati, Ira; Damayanti, Nuning Yanti
Journal Albion : Journal of English Literature, Language, and Culture Vol 6, No 2 (2024): Issue 2
Publisher : Universitas Pakuan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/albion.v6i2.10529

Abstract

Pop culture is a phenomenon that emerged as a result of globalization. This phenomenon is very diverse and often changes over time. It is influenced by rapid advances in technology and mass media, which facilitate its spread in society. One prime example of the spread of popular culture through soft power is Korean Pop (K-pop), which has attracted global attention and spread to various countries worldwide, creating the Korean Wave phenomenon. This research uses qualitative methods with a descriptive approach to analyze literature data from multiple online and offline sources, including articles, journals, photos, and videos related to the Korean Wave through K-pop. The theory used in this analysis uses the soft power theory proposed by Joseph S. Nye Jr. and the visual image theory by Walter Lippmann. The analysis results show that in its efforts to preserve and promote its culture, South Korea implements an imaging strategy involving various levels of society. K-pop idols play an essential role by integrating traditional Korean elements into their music videos (MV). These conventional elements include backgrounds in the form of royal buildings, the use of Hanbok, and aspects of traditional South Korean music. This strategy succeeded in packaging conventional elements in an attractive and modern context without losing their essence, strengthening the image of Korean culture and increasing K-pop's global appeal.
Dinamika Pertunjukan Lukah Gilo Di Kabupaten Tebo Apriyulia, Apriyulia; Adriati, ira; Damayanti, Nuning Yanti
PANGGUNG Vol 35 No 2 (2025): Representasi, Transformasi, dan Negosiasi Budaya dalam Media, Seni, dan Ruang So
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i2.3299

Abstract

Lukah Gilo dance from Tebo Regency, Jambi,  originated as a ritual to honour ancestral spirits before planting and harvest seasons. Over time, as socio-cultural dynamics shifted, the dance transformed from a sacred ritual into a secular form of artistic expression performed at public and communal events. This study describes the transformation of Lukah Gilo’s function and meaning in response to social change. The research adopts a qualitative approach using contemporary ethnography by Hammersley & Atkinson, combined with historical methods through the stages of heuristics, verification, interpretation, and historiography. The findings reveal three developmental phases: a ritual-based pre-independence era, an innovation phase in the early 2000s with two stylistic variations (Semabu Village and the Tebo Regency arts team), and an ongoing preservation phase. These changes are shaped by government support, artistic reinterpretation, community participation, and environmental factors. The study underscores how traditional performances can adapt to modern contexts while maintaining cultural identity.
The Dromology Trajectory of Digital Wayang: Cinematization and Visual Transformation Sari, Maya Purnama; Damayanti, Nuning Yanti; Irfansyah, Irfansyah; Ahmad, Hafiz Aziz
Journal of Urban Society's Arts Vol 12, No 1 (2025): April 2025
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/jousa.v12i1.15162

Abstract

Wayang is a traditional Indonesian performance art that continues to evolve in line with technological developments. In the digital era, wayang has undergone a media shift from the shadow screen (kelir) to digital screens. The YouTube channel Cak Rye Animasi (CRA) was the first to reinterpret wayang content through animation techniques, amassing 78,400 subscribers and an average of 13,748,965 views. The platform enables a high level of hyper-connectivity. This study aims to analyze the acceleration of wayang content dissemination from Cak Rye Animasi (CRA) to other accounts within the frameworks of dromology and cinematisation. Using a qualitative approach, the research follows four stages: (1) collecting digital wayang data from social media; (2) analyzing video acceleration from the perspectives of production, distribution, and consumption (dromology); (3) analyzing the acceleration of visual presentation, narrative, and performance duration (cinematisation); and (4) synthesizing the findings from both frameworks. The results show that ten accounts have reinterpreted Cak Rye’s animation style and disseminated their content across YouTube, Instagram, and TikTok. These include Animasi Darsono, Wayang Guyon, Animasi Qito, Animasi Wayang EM Hade, Bimo Suci, Animasi Wayang, Semar Jawa, Jalaksurenmedia, Sempolinaja, and Animasi Wayang. From a dromological perspective, the content is consumed rapidly, particularly by Animasi Qito, which actively distributes content on YouTube and TikTok in condensed durations of 1–3 minutes. Cinematic analysis reveals visual similarities across all ten accounts in terms of animation techniques, photorealistic and graphic styles, and narrative structures derived from the dalang Seno Nugroho. The accelerated modes of social media consumption have created space for diverse wayang content production but also pose the risk of banalization. Wayang is no longer strictly bound to traditional values; it is freely reinterpreted, and its aesthetics have been decontextualized in accordance with the logic of global visual media. Lintasan Dromologi Wayang Digital: Sinematisasi dan Transformasi Visual. Kemunculan wayang merupakan tradisi Indonesia yang mengikuti perkembangan zaman. Pada era teknologi wayang mengalami pergeseran media pertunjukan dari layar kelir ke layar digital. Akun YouTube Cak Rye Animasi (CRA) merupakan akun pertama yang menginterpretasi konten wayang dengan teknik animasi dan memiliki 78.400 pengikut dengan rata-rata 13.748.965 ditonton. Aktivitas hiper- konektivitas sangat dimungkinkan pada akun Cak Rye Animasi (CRA). Penelitian bertujuan menganalisis percepatan konten wayang beralih dari akun CRA ke akun lainnya dalam konteks dromologi dan sinemasi. Metode penelitian dengan pendekatan kualitatif dilakukan melalui empat tahapan, pertama mengolektifkan data wayang digital di media sosial, kedua menganalisis percepatan video dari aspek distribusi, produksi, dan konsumsi dari perspektif dromologi, ketiga menganalisis percepatan sinematisasi dari visual presentasi, narasi, dan durasi pertunjukan wayan, keempat sinkronisasi hasil dromologi dan sinemasi. Hasil penelitian menunjukkan 10 akun menginterpretasikan ulang gaya CRAh, disebarkan melalui media sosial YouTube, Instagram, dan TikTok. Di antaranya akun Animasi Darsono, Wayang Guyon, Animasi Qito, Animasi Wayang EM Hade, Bimo Suci, Animasi Wayang, Semar Jawa, Animasi Qito, Jalaksurenmedia, Sempolinaja, Animasi Wayang. Pada aspek dromologi konten dikonsumsi sangat cepat oleh aktor Animasi Qito yang menyebarkan di Media sosial YouTube dan TikTok, durasi waktu dipadatkan menjadi 1-3 menit. Analisis sinemasi menunjukkan wujud visual kesepuluh akun memiliki kesamaan dalam teknik animasi dan penggunaan foto realis, grafis, serta narasi dalang Seno Nugroho. Percepatan cara konsumsi media sosial membuka ruang produksi konten wayang beragam dengan risiko banalitas. Wayang tidak lagi terikat pada nilai tradisional, ia dapat diinterpretasi secara bebas dan estetika tradisional mengalami dekontekstualisasi yang disesuaikan dengan logika media visual global.
EXPLORATION OF JELAMI TECHNIQUES USING NATURAL DYES OF TINGI WOOD (CERIOPS TAGAL) AND JASMINE (JASMINUM SAMBAC) IN ATBM SILK WEAVING FABRIC INTO ENVIRONMENTALLY FRIENDLY TEXTILES Savitri, Savitri; Damayanti, Nuning Yanti; Sunarya, Yan Yan; Widiawati, Dian
Wimba : Jurnal Komunikasi Visual Vol. 16 No. 1 (2025): Wimba: Jurnal Komunikasi Visual
Publisher : KK Komunikasi Visual & Multimedia Fakultas Seni Rupa dan Desain Institut Teknologi Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/jkvw.2024.16.1.1

Abstract

This paper discusses the results of research related to exploration and innovation in utilizing the potential of nature and environmentally friendly technology in creating textile motifs through the Jelami technique (Natural Footprint), which is a way of transferring traces of motifs and colors on fabric, using jasmine flowers as a motif builder and natural dyes of high wood as a form of color traces. This innovation is related to the rapid progress of Indonesia's textile industry, which is considered positive. Still, there are problems with environmental pollution caused by the increasing use of environmentally unfriendly materials, namely chemicals, which are very harmful to the ecosystem of human life and biodiversity. To address this issue, it is essential to anticipate potential problems by exploring alternatives in the textile industry's production process one alternative is research on the use of environmentally friendly materials. The method used is exploratory qualitative research. The initial stage is observation, literature study, and documentation, then the stage is determining jasmine flowers (Jasminum sambac) and natural dyes from high wood (Ceriobs candolleana) applied to ATBM silk fabrics through the jelami technique. The next stage is to experiment and explore the process of the jelami technique on fabrics to get a standard formulation to produce jasmine motifs that are consistent in shape and color. The stages of applying and designing motifs with jelami techniques use a craft creation approach (Gustami, 2006), namely the design, embodiment, and evaluation stages. Munsell's theory expresses color in three dimensions: taste, value and intensity. The result of the study is the novelty of jasmine motifs with natural dyes of high wood through the process of jelami techniques in the form of textiles to be applied to a variety of used objects that have high economic value and are environmental friendly
The Symbolic and Aesthetic Value of Traditional Tableware: A Systematic Review M I Mambraku, Victor; Damayanti, Nuning Yanti; Pasaribu, Yannes Martinus; Nugraha, Adhi
Dinasti International Journal of Education Management And Social Science Vol. 7 No. 1 (2025): Dinasti International Journal of Education Management and Social Science (Octob
Publisher : Dinasti Publisher

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/dijemss.v7i1.5322

Abstract

Traditional tableware reflects significant symbolic and aesthetic values that help maintain cultural identity in the era of globalization. However, the shift towards modern products has reduced the role of traditional tableware, leading to a decline in people's understanding of its cultural significance. The study analyzed the literature that highlights the role of traditional tableware in various cultures, focusing on its spiritual, social, and ecological aspects. Using a systematic approach, this study identifies sustainable education and design-based preservation strategies that uphold the symbolic meanings of traditional tableware. Our methods include the analysis of literature and cross-cultural perspectives of different ethnicities. We highlight the importance of integrating traditional tableware into modern education and design to strengthen people's connection to their cultural identity. Our findings suggest that cultural preservation can be enhanced by promoting aesthetics, revitalizing symbolic values, and adopting an ecology-based approach that supports the sustainability of local cultural identity. The study proposes a conceptual framework that guides cultural preservation strategies in the face of the challenges of globalization, offering practical implications for education and product design relevant to modern society.
Co-Authors Achmad Haldani Destiarmand Adhi Nugraha Adisasmito, Sanggono Apriyulia, Apriyulia Azzindi, Muhammad Ilham Bustomi, Agus Tendi Ahmad Della Aprilia Lestari Dian Widiawati Dyah Woelandhary, Ayoeningsih Grahita, Banung Hafiz Aziz Ahmad Intan Rizky Mutiaz Ira Adriati Irfansyah Irfansyah Istyami, Astri Nur Kusbandono - M I Mambraku, Victor Maharani Mancanagara Maulina, Rini Meutia Gita Soraya, Meutia Gita Muhamad Fauzan Sidik Muhammad Arif Muhtadin, Teddi Pratiwi, Meiti Risa Tania Tejawati Rizkiana, Jenny Savitri Putri Ramadina Savitri Savitri, Savitri Setiawan Sabana Sidik, Muhamad Fauzan Tri Asrie Khalidya, Tri Asrie Wikayanto, Andrian Wiyono, Erina Yan Yan Sunarya Yannes Martinus Pasaribu Yasraf Amir Piliang