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All Journal JURPIKAT (Jurnal Pengabdian Kepada Masyarakat) JBC Jurnal Tata Rias
Dewi Lutfiati
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PENGEMBANGAN BEAUTYLEARN PADA BISNIS BIDANG USAHA KECANTIKAN Novia Restu Windayani; Nia Kusstianti; Biyan Yesi Wilujeng; Dewi Lutfiati
Journal of Beauty and Cosmetology (JBC) Vol. 6 No. 1 (2024): JBC: Journal of Beauty and Cosmetology
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v6n1.p39-44

Abstract

This study aims to evaluate the influence of the use of the BeautyLearn platform in improving technical and managerial skills in beauty businesses. The research method used is a survey with data collection through questionnaires distributed to entrepreneurs and workers in the beauty sector. The results showed that BeautyLearn had a significant positive impact, with 80% of respondents reporting an improvement in technical skills in the areas of makeup, skincare, and haircuts, and 75% experiencing an improvement in managerial skills, such as digital marketing and financial management. In addition, 85% of respondents appreciated the platform's flexibility in providing learning materials that can be accessed anytime and anywhere. However, around 50% of respondents experienced technical problems, such as unstable internet connections and difficulties in understanding some technical materials. Based on these findings, it can be concluded that
PENGARUH PROPORSI TEPUNG RASPBERRY (Rubus rosifolius) DAN TEPUNG BERAS (Oryza sativa L) TERHADAP SIFAT FISIK SEDIAAN KOSMETIKA MASKER BUBUK Gabriella Septiananda Santoso; Maspiyah; Dewi Lutfiati; Sri Dwiyanti
Journal of Beauty and Cosmetology (JBC) Vol. 6 No. 1 (2024): JBC: Journal of Beauty and Cosmetology
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v6n1.p19-30

Abstract

The abundant biodiversity is a factor in the development of cosmetic formulations from natural ingredients such as facial masks. Facial masks are cosmetics that can perform cleansing, toning and nourishing. Biological ingredients that can be used to make natural facial mask formulations are raspberries and rice. The purpose of this study was to determine 1) the effect of the proportion of raspberry flour and rice flour on the physical properties of powdered face masks including aroma, color, texture, and adhesion, panelist preferences. 2) the best shelf life of powdered face masks with microbiological tests. This type of research is a pre experiment. The independent variables in this study are the proportions of raspberry flour and rice flour, namely X1 (3: 7), X2 (5: 5), and X3 (7: 3). The dependent variables are physical properties including color, aroma, texture, adhesion, panelist preferences and shelf life. Data collection using the observation method carried out by 30 panelists and microbiological tests to determine the shelf life. Data were analyzed using a single Anova test and continued with Duncan's test using SPSS version 29. The results of the study showed a significant effect on the proportion of face masks X1 with a value of 2,62, X2 with a value of 2,34 and X3 with a value of 2,92. So the conclusion of this study is that the proportion of face masks X3 (7:3) has the best physical properties with an average of 2,92 and the shelf life of face masks X3 can last for 9 days with a total plate of 8,5 x 10^4 CFU/ml.
Kajian Tata Rias Pengantin Tradisional Suku Sasak di Selong Kabupaten Lombok Timur Viona Octaviani; Biyan Yesi Wilujeng; Dewi Lutfiati; Dindy Sinta Megasari
Journal of Beauty and Cosmetology (JBC) Vol. 6 No. 2 (2025): JBC: Journal of Beauty and Cosmetology
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v6n2.p40-57

Abstract

The traditional bridal makeup of the Sasak tribe in Selong, East Lombok, faces challenges due to the shift towards modern styles, threatening its preservation. This study aims to examine the form and meaning of traditional bridal makeup, hair styling, attire, and accessories, as well as to describe the traditional wedding ceremony in 2024. A qualitative descriptive approach was used, employing interviews, observations, and documentation, with data validation through expert triangulation. The findings indicate that traditional bridal makeup for women includes yellowish foundation, vibrant eye and lip colors symbolizing majesty and bravery. Hair styling reflects status and cultural values, such as kepang siak and pangkak kedebong malang. Hair accessories include onggar-onggar (loyalty) and kembang kemiter (cheerfulness). Women's attire consists of baju Ludru (modesty) and songket fabric (life), with accessories like giwang and kalong ringgit symbolizing fertility and unity. The groom wears kelambi pegon (masculinity) and sapu’ or udeng (steadfastness). The wedding processions include Semitra (relationship initiation), Merariq (proposal), Selabar (announcement), Sorong-Serah (handover), Ijab Kabul (ceremony), Nyongkolan (reception), and Bales Lampaq (social gathering).Keywords: bridal makeup, selong, wedding ceremony process.
Kajian Bentuk Dan Makna Tata Rias Pengantin Jungpara Padukan Khas Jepara Jawa Tengah Nur Puji Yanti; Dewi Lutfiati; Biyan Yesi Wilujeng; Sri Usodoningtyas
Journal of Beauty and Cosmetology (JBC) Vol. 6 No. 2 (2025): JBC: Journal of Beauty and Cosmetology
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26740/jbc.v6n2.p10-21

Abstract

This research aims to determine 1) the history of Jungpara Padukan bridal makeup 2) the form and meaning of facial makeup 3) hair styling 4) clothing 5) accessories. The research method uses a qualitative descriptive approach. Data collection techniques are interviews, observations, and documentation. Data analysis in this study using source triangulation techniques. Research Results 1) The history of Jungpara Padukan bridal makeup comes from the old name of the Jepara area as makeup inspired by the geographical conditions, plantations and female figures of Jepara. 2) Orange red eyeshadow means courage, nanggal sepisan eyebrows mean positive, red chili lip color. Jungpara bridal makeup depicts elegance and courage. 3) hair styling the geger bulus bun is circular and means unity in family life. 4) The bride's attire includes a red velvet kebaya meaning courage with a yellow Jepara elung jarit (noble), red (courage), green (fertility) and orange (self-confidence). The groom's attire is sikepan meaning courage, a Jepara elung motif jarit and velvet pants meaning a cover for the genitals. 5) The head accessories used by the bride are; pilis meaning calm, oklo giri spiritual and the real world, oklo kluwung meaning water element of life, tusuk konde Queen Kalinyamat meaning courage, Jebahan, ronce melati and keket melati meaning of rights, obligations and responsibilities household life. Brooches in the form of rawis flowers three levels, first level means the courage of Queen Kalinyamat, the second level Queen Shima and the third level is a depiction of R.A Kartini. The groom's accessories include udheng enlightenment of thought patterns, clothing accessories include kerset necklace bond of relationship with God, tosan aji meaning strength and Selop meaning readiness.Keywords: make-up, form and meaning, Jepara, Jungpara
Co-Authors Adelia Septina Ika Anggraini Alisa Sidqi Maulidia Anneke Endang K. Aqilla Yumna Ilma Izzati Arita Pupitorini Arita Puspitorini Biyan Yesi Wilujeng Cicik Nilawati Citra Panca Paramita Dindy Sinta Megasari Eka Rizki Nur Izzah Fatima Ayu Fernanda Gabriella Septiananda Santoso Indarti Lutfiyah Hidayati M.A. Hanny Ferry Fernanda Madya Sari MASPIYAH Mutimmatul Faidah Nia Kusstianti Nieke Andina Wijaya Nirmala Agustin Novia Restu Windayani Noviyani, Rista Ema Noviyani Nur Puji Yanti Octaverina Kecvara Pritasari Putri Ardani, Emillya Ratna Suhartini Retno Astuti Risky Fatimah Azzahro Salsabila Qurratul Aisyu sri dwiyanti Sri Rusmiyati Sri Usodoningtyas Via Alqitia Vika Nurul Izzah Viona Octaviani