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Hapsari Dwiningtyas Sulistyani
Universitas Diponegoro, Semarang
Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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PEMBINGKAIAN MEDIA DALAM PEMBERITAAN HUKUM KEBIRI KOMPAS.COM DAN TRIBUNNEWS.COM Riris Arianti; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 9, No 1: Januari 2021
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Cases of sexual violence against children have always increased significantly every year. Then to overcome this increase, the government and the President made and passed a chemical castration law. The sentences were made to provide a deterrent effect for perpetrators of sexual violence. However, until now the castration law has actually reaped many pros and cons. Including in the news on Kompas.com and Tribunnews.com which intensively reported castration laws differently. This difference is what initiates the researcher to find out how the two media frame the law of castration and how the two media build the framing of the law. Researchers used social reality construction theory andanalysis framing Robert Entmanto analyze the data. This analytical tool helps researchers to help understand how media packages events by defining problems, estimating the source of problems, making moral decisions and emphasizing resolution. In this way it can be seen how the media Kompas.com and Tribunnews.com frame the same event in the news. The results of the analysis show that there are differences in the frames made by Kompas.com and Tribunnews.com. The Kompas.com frame does not support the law of castration using a legal perspective. Then there are two frames made by Tribunnews.com, namely supporting the law of castration using the victim's perspective and the second frame not supporting the law of castration by packaging news headlines that are different from the content of the news.
Resepsi Khalayak terhadap Karakter Difabel dalam Film Wonder Revi Andrean Siregar; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 7, No 2: April 2019
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The meaning of the active audience makes the text in a film has rich meaning. This is because the audience actively produces meaning based on their background, experience and daily life. Film Wonder is a film that strives to show diffable characters as individuals who have potential, just like the general public, and are treated equally by the surrounding environment. However, the Wonder film also tried to show diffable characters by using disable characteristics, such as different people, being marginalized, being objects of jokes and intimidation, and need to be pitied. However, the meaning of an active audience is not necessarily in line with the alternative ideas that media texts offer in the Wonder film. Thus, this study aims to describe the meaning of active audiences towards diffable characters in the Wonder Film. Using a qualitative-descriptive approach and reception analysis method with John Fiske's semiotic television and Stuart Hall's reception data analysis techniques. Research subjects are diffable and non-diffable audiences. The paradigm in this study uses interpretive and the theory used is the Acceptance Theory, the Representation Theory and the Stereotype Theory. The results of this study succeeded in choosing fifteen preferred reading that featured disable and diffable characters in the text offered by the Wonder film. Through the preferred reading, the results of this study indicate that there are differences in the position of the meaning of the audience towards the diffable characters in the Wonder film between non-diffable and diffable informants. Non-diffable informants have a tendency to interpret diffable characters in negotiations. This is because informants interpret diffable characters in a dilemma, where direct interaction with diffable makes informants have a tendency to approve texts that illustrate that diffable have the potential and look like society in general, however, informants' ignorance of diffable groups makes stereotypes and representations that detrimental to participating in the production process of the meaning of the informant. Meanwhile, diffable informants interpreted diffable characters in Wonder films tending to be dominant. The informant said that they were just like the general public, who have emotional and can do excellent in doing a thing very well liked. The meaning arises based on the experience of the informant who directly got achievements and did creations. In the other hand, diffable informants also tend to disagree with texts that are detrimental to groups with diffable, such as discriminating between diffable only from physical forms.
Pemaknaan Peran Perempuan di Parlemen(Analisis Semiotika dalam Berita Online Tempo.co dan Kompas.com) Niken Siregar; Much. Yulianto; Dr Sunarto; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 3, No 3: Agustus 2015
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Penelitian ini berdasarkan pada tidak tercukupinya kuota 30% pada kebijakanaffirmative action. Kurangnya keterwakilan perempuan di kursi parlemendiakibatkan oleh rendahnya tingkat elektabilitas perempuan. Media sebagai saranainformasi dan edukasi memberitakan perempuan di parlemen dengan tidakseimbang. Pemberitaan tentang perempuan di parlemen tidak berkaitan dengankontribusi dan potensi perempuan. Penelitian ini bertujuan untuk melihat posisiperempuan yang ditampilkan melalui teks berita dari kedua portal berita tersebutdan menjelaskan ideologi dominan yang melatarbelakangi terjadinyapenggambaran perempuan tersebut.Penelitian menggunakan pendekatan kualitatif yang merujuk padaparadigma kritis. Teori yang digunakan dalam penelitian ini adalah Teori EkologiMedia, konsep cultural studies, dan konsep feminisme liberal. Teknik analisisyang digunakan adalah analisis semiotika Roland Barthes yang mengacu padalime kode pembacaan. Subjek penelitian yaitu sepuluh teks dari portal beritaonline Tempo.co dan Kompas.com.Hasil penelitian menunjukkan bahwa dalam teks berita online tersebutpemberitaan perempuan tidak fokus pada hasil kontribusi perempuan pada saatmenjabat sebagai anggota parlemen. Berita perempuan di parlemen tidaktermasuk dalam berita headline atau berita utama. Pemberitaan tentangperempuan lebih banyak masuk dalam kategori berita hiburan. Kontribusi danpencapaian perempuan di parlemen hanya dibahas sekilas dalam berita, yangmenjadi fokus dalam pemberitaan yaitu kehidupan pribadi, penampilanperempuan, dll. Selain itu, bahasa yang digunakan dalam pemberitaan tersebutmenggunakan bahasa yang bermakna halus tetapi kesan yang timbul dalam beritajustru negatif. Terdapat modal ekonomi, modal sosial dan modal kultural dalampemberitaan peran perempuan di parlemen. Modal yang paling sering munculdalam pemberitaan tersebut yaitu modal kultural, dimana penampilan dan statusperempuan menjadi syarat penting untuk menjadi anggota legislatif. Pemberitaanmenampilkan seolah-olah perempuan tidak mampu duduk di kursi parlemen tanpamodal-modal tersebut.
MEKANISME SEKSUALISASI LAKI-LAKI DALAM WEBTOON EGGNOID Bizanti Ayuri Ganis Daulay; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 7, No 4: Oktober 2019
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Comics that were originally published conventionally, are now publishedvia the internet, known as Webtoon. Webtoon developed in line with the rapiddevelopment of internet content. In the media, it is seen that sexualization is notonly applied to female, but has also been applied to male, especially the mediathat based on female demographics.The Eggnoid, a female demographic based webtoon, shows its own mechanism ofmale sexualisation.The objective of this study is to identify and analyze how the mechanismof male sexualisation in Eggnoid carried out through visual-image construction ofmale protagonist characters and power dynamic between male and femaleprotagonist characters. This study uses a qualitative approach by using thesemiotic-analysis of Charles S. Peirce, emphasizes the semiotic analysis of signs,which divided into three areas; the icon, the index and the symbol. This study isalso supported by the APA's sexualisation theory, the Scott McCloud's comictheory, and the theory of power by Fred Luthans.The results show that Webtoon Eggnoid presents the mechanism of malesexualisation, from its beautifully face drawing, larger eyes and soft, the athleticbody shape of male protagonist, the bright skin coloring techniques with halo orflower backgrounds that give a dreamy effect. In other words, Eggnoid shows themale protagonist picture has been designed intentionally based on female beautystandards. Eggnoid shows the power dynamics between male and femaleprotagonists, starting from season one, two and three. The female protagonistshows a dominant role than the male protagonist initially, but in season three, themale protagonist is started to play a dominant role, by presenting his maturity ofthinking and taking initiatives when interacting with female protagonist. Althoughmale protagonist appears to be more dominant, Eggnoid points out that femaleprotagonist is still hold real power. It is reflected by the intention of maleprotagonists who behave to meet only the interests of female protagonist.
PENGARUH IKLIM KOMUNIKASI TERHADAP KINERJA PEGAWAI PADA PERUSAHAAN DAERAH AIR MINUM (PDAM) CABANG SEMARANG SELATAN Nikolas Prima Ginting; Turnomo Rahardjo; Tandiyo Pradekso; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 3, No 4: Oktober 2015
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Communication climate in organization taking objective in the internal environment of an organization that includes members of the organization's perception based on the events that occur within the organization. conducive and democratic communication atmosphere in an organization made employee satisfactied of their works, made a positive performance and then produce willingness to seek a high level of performance, and facilitate the achievement of corporate goals.The goal of this research is to explain the influence of communication climate on employee performance in Regional Water Company (Perusahaan Daerah Air Minum - PDAM) South Semarang branch. Using a quantitative approach based questionnaire, based on five critical dimensions of communication climate that will be analyzed by the method / theory of science communication climate inventory developed by Peterson and pace (1976)Based on the analysis of data using Kendall tau correlation and the overall results of research, this study produce the conclusion that there is a relationship or correlation between organizational communication climate with PDAM employee performance semarang southern branch. The hypothesis stated that there is a significant relationship between organizational communication climate influence on employee performance. Employees found that organizational communication climate in the company is well run and effectiveAdvice can be given by researchers that the company should pay more attention to supporting factors to improve communication climate in the office, such as supportivenes behavior that used to observe that their communication with the boss to help them build and maintain confidence, can participate, transparency, trustworthy. Employees should be able to create a good atmosphere of the communication quality, both among fellow employees and the office leader to make each individual within the company to trust each other, motivate each other, and cooperate in running the tasks and responsibilities of the job. Employees should be more focused and strive to create harmony in the work, for example by building solid teamwork and also can cooperate with each other to settle the improvement to employee’s job satisfaction
PEMAKNAAN KHALAYAK TERHADAP REPRESENTASI FATHERHOOD DALAM FILM NANTI KITA CERITA TENTANG HARI INI Khoirunnisa Nur Fithria; Hapsari Dwiningtyas Sulistyani; Primada Qurrota Ayun
Interaksi Online Vol 10, No 1: Januari 2022
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Father's dominance in the family and parenting spheres often leads to conflicts as violence, oppression, and even trauma due to an imbalance roles between fathers and mothers. The issue of fatherhood also appears in the film NKCTHI as a representation of the social reality brought by the filmmakers. With the reception study, the researcher focuses on the interaction between the Z generation audience and the texts that appear in the media so that a picture emerges of how the media is able to influence or not influence the audience in defining the social reality related to fatherhood that appears in the film. Based on these problems, this study aims to determine the position of the audience's reception of the representation of fatherhood in the film Later Kita Stories About Today based on the three positions of Hall's meaning, namely : dominant reading, negotiation reading, and oppositional reading. This study uses a critical paradigm with Stuart Hall's encoding-decoding theory, muted groups, and libertarian radical feminism. There are 6 scenes chosen to see the meaning, such as: (1) Father's attitude in making decisions, (2) Father's communication with his partner, (3) Father's protection efforts, (4) Father's protective attitude, (5) Domestic activities carried out Father, (6) The attitude of the father in explaining to his child. The results showed that the audience's meaning was influenced by various factors such as family conditions, gender identity, consumption of other media, knowledge related to gender, the context of the scene in the film, and personal opinions regarding the social conditions. Although the meanings appear in various receptions, the results of the study show that the majority of informants are still in a dominant position. All male informants and 1 female informant are mostly in dominant positions, while the other two female informants are mostly in negotiating and opposition positions. The reception of informants is still influenced by patriarchal ideology and masculine ways of thinking in interpreting fatherhood in the film. Although there are also feminine thoughts and awareness of gender roles in some scenes, their receptions do not completely leave the patriarchal mindset.
Pemaknaan Khalayak terhadap Resistensi Seksualitas Perempuan dalam Film Lipstic Under My Burkha Ernest Wuri Indri Penny; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 7, No 4: Oktober 2019
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Active audience makes the text in a film become rich in meaning. That is because the audience actively produces meaning based on their background, experience, and daily life. Lipstick Under My Burkha is a film that seeks to offer alternatives to interpret female sexuality through the scenes in it. However, the meaning of active audiences is not necessarily in line with the idea of alternative meanings offered by the film. So this study aims to see the diversity of audiences against resistance by the four main female characters in the film. Using the type of qualitative research that refers to the critical paradigm with Stuart Hall's reception analysis method and Roland Barthes's semiotic data analysis. Theories used are Feminist Media and Film Theory, Hidden Transcript Theory and Reception Theory. This research has chosen nine preferred readings that display forms of women's resistance to the elements of sexuality contained in the film, namely elements of body image, intimacy, attraction and desire, fantacy, shared sexual behavior, and elements of partner or domestic violence. Resistance was raised by displaying female characters who liberated their sexuality to emerge from the myths of sexuality that had been exist. The results showed that almost all informants tended to be in a dominant position, but still negotiated the form of resistance in accordance with the values that the informant had previously believed. Informants tend to be in the dominant position of reading when confronted with the preferred reading of women's resistance through the elements of sexuality, body image, fantasy, shared sexual behavior, and partner or domestic violence. Where there are informants who have a similar situation with the main female character in the film and take the same resistance as the main characters in the film. Here, religious values are the most frequent reasons when informants will negotiate or reject the forms of resistance displayed by the Lipstick Under My Burkha film. Informants who are in negotiation or opposition positions tend to be active in diversity activities in their social environment, such as studies conducted at campus mosques. They also become followers of Islamic da'wah media accounts through their social media accounts. So, we can see that this alternative ideology for understanding women's sexuality is starting to have room to be accepted by Indonesian society.
MEMAHAMI IKLIM KOMUNIKASI ORGANISASI DALAM FORUM KELOMPOK USAHA BERSAMA (KUB) NELAYAN TAMBAK LOROK Isabela Laras Anindyo; Turnomo Rahardjo; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 10, No 1: Januari 2022
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Forum Kelompok Usaha Bersama (KUB) Nelayan Tambak Lorok as a fisherman organization formed by Dinas Kelautan Kota Semarang with the aim of improving the welfare of self-reliance. In fact, fishermen have another goal in organization which causes low productivity inside. The existence of an organizational communication climate affects organizational productivities. For this reason, this study aims to describe the organizational communication climate which formed in the Forum based on the dimensions of openness communication, supportiveness, participation in decision making and high work motivation of members. This study uses a qualitative research method with an ethnographic approach to communication that is supported by the concept of Organizational Communication Climate. The research subjects are the committee and members of the Forum Kelompok Usaha Bersama (KUB) Nelayan Tambak Lorok. Based on the data which obtained through observation and interview, the result shows that the communication behaviours of members in Forum indicate a closed communication which can be seen from verbal and non-verbal communication that appears such as distance, non-dramatizing attitudes, and unfriendly attitudes. The unsupportive attitude is also seen among members which is indicated by low concern for fellow members, indifferent attitude, and a low sense of belonging. Unsupportive behavior is motivated by the "I" or "selfness" mindset which prioritizes personal interests rather than togetherness. This mindset leads to the high work motivation of Forum members to only get material assistance. Member’s participations are relatively low in decision-making forums due to the dominance of the committee. Based on the communication behavior in the Forum viewed by the dimensions of the organizational communication climate, it can be concluded that the organizational communication climate formed in the Forum Kelompok Usaha Bersama (KUB) Nelayan Tambak Lorok is an unfavourable climate.
Strategi Komunikasi Pemasaran Honda Big Bike Astra Motor Semarang Dalam Meningkatkan Jumlah Penjualan Nurfindra Triembong Heningadi; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 9, No 1: Januari 2021
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This research with the title Marketing Communication Strategy of Honda Big Bike Astra Motor Semarang in Increasing Total Sales. This research is focused on the Marketing Communication Strategy that has been implemented at PT. Astra Motor Semarang in the Honda Big Bike division. The results of data collection and interviews found that the sales data of the Honda Big Bike had significant differences in the ups and downs of sales achievements in 2016, 2017 and 2018. In 2016, sales of the Honda Big Bike were 7 units, then increased sharply in 2017, namely 32 units, then sales fell again in 2018 to only 19 units. The first factor that affects the achievement of motorcycle sales in 2017 is the intense promotion in the form of media advertisements, personal selling and holding a promotional cast which is carried out every month in 2017. The second factor is sufficient ready stock of Honda motorbikes, so that the waiting period for orders (indent purchase) is not too long because consumers of this type of big bike generally want cash purchases. The third factor is that the price per unit is still affordable for people in Semarang and Central Java. In 2018 there was an unexpected decrease in sales achievement, namely to only 19 units, from the information data obtained by researchers due to the reduced frequency of exhibition event promotions compared to 2017. The motorbike's “ready stock” supply was reduced due to restrictions on imported goods regulations, resulting in consumers who will buy in cash cancels the purchase plan. The enthusiasm of some people, especially in big cities, for the lifestyle of riding motor sports and large motorbikes, the sale of large motorbikes still has a great opportunity. The results showed that the Honda Big Bike Division PT. Astra Motor Semarang has used the Promotion mix theory which has 4 elements of a promotional strategy, namely Advertising, Sales Promotion, Publicity, Personal Selling, which aims to increase sales volume, in addition to product introduction, as well as attracting customers and instilling a good image of the company. Of all the strategies that have been implemented, Personal selling is one of the most dominant promotional strategies, appropriate and effective for selling speciality goods such as the Honda Big Bike which has high value.
Memahami Pengalaman Perempuan Korban Penyebaran Sexting Nadhila Prisca Anjani M; Hapsari Dwiningtyas Sulistyani; Turnomo Rahardjo
Interaksi Online Vol 10, No 3: Juli 2022
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Fenomena sexting sudah sering ditemukan terutama pada pasangan-pasangan matang yang menjalin hubungan jarak jauh namun tidak menutup kemungkinan sexting dilakukan oleh pasangan-pasangan dengan usia yang masih muda. Aktivitas sexting menjadi sarana pasangan kekasih untuk menyalurkan hasrat seksual mereka. Penelitian ini bertujuan untuk memberikan pemahaman bagaimana perempuan mengkomunikasikan pengalaman mereka sebagai korban penyebaran sexting dengan mengembangkan kesadaran sosial untuk menghasilkan perubahan sosial bagi perempuan menjadi manusia yang utuh. Metode yang digunakan dalam penelitian ini adalah fenomenologi kritis dengan teknik pengambilan data wawancara mendalam atau indepth interview yang menghadirkan tiga informan. Teori yang menjadi acuan yakni Dyadic Power Theory dan Standpoint Theory. Berdasarkan penelitian ditemukan bahwa seluruh informan melakukan sexting untuk mengekspresikan hasrat seksual mereka. Informan melakukan sexting dengan harapan pasangannya bisa menjaga dan menyimpan konten sexting tersebut tetapi kenyataan tidak berjalan sesuai keinginan. Informan melakukan berbagai komunikasi dengan beberapa pihak untuk menemukan solusi atas penyebaran konten sexting yang mereka alami, komunikasi tersebut menghasilkan sebuah kesadaran atas hakikat perempuan sebagai individu yang berhak untuk mengekspresikan dan menentukan kehidupan yang mereka inginkan.
Co-Authors Adi Nugroho Afriyani . Agustina Rahmawati Agustinus Mega Kurniatmastria Aldana, Dava Alif Hibatullah Almanda Prinarenti, Aurelia Alya Azma Fazira Alya Purnomo, Fahrina Amida Yusriana Anastasya Yuca Venina Andrio, Bimo Anjani Salim, Siti Amira Aqila Nur Iswahyudi, Shima Ardani, Fransisca Asy’ary, M. Rizki Azzahra, Nabila Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bayu Wira Handyan Bela Nagari, Kaninda Bethsheba Graciella Jacinda Bizanti Ayuri Ganis Daulay Dameria Cathrine Danastri Janitra Seruni Dany Dwi Saputra Debora Gracia Deta Indira Puspita Diandra Pratisthita Indraswar, Ni Luh Ayu Dio Bagus Rudita Ahmad Dipa Wirayatama Diva Sinar Rembulan Djoko Setyabudi DR Sunarto Ernest Wuri Indri Penny Faiz Syarafullana, Mirwa Fendardi Yudha Pratama Geralda Mewengkang, Rafaela Hasibuan, Anra Muliasih Sah Bakti Hedi Pudjo Santosa Hedi Pudjo Santosa Ika Putri Hanafi Isabela Laras Anindyo Joyo Nur Suyanto Gono Kezia Dewi Fortuna, Dominica Khoirunnisa Nur Fithria Kusdwianti, Eviana Larassati Setiawan, Zahwa Lintang Ratri Rahmiaji Lintang Ratri Rahmiaji Lusia Kusumaratih Pramudyawardani M Bayu Widagdo Maerel Dhalia Arumnisa Much. Yulianto Muchamad Yuliyanto Muhammad Bayu Widagdo Muhammad Fadhel Raditya Muhammad Fazer Mileneo Muhammad Rizki Mayrendra Muliawati, Ditha Nadhila Prisca Anjani M Nadia Tateanna Najla Assyifa Asayanda Gunawan Nandya Finandika Narayani Aberdeen, Avi Niken Siregar Nikolas Prima Ginting Nur Fauzi, Fikrii Nur Hasanah, Anisa Nurfindra Triembong Heningadi Nurul Hasfi Nurul Hidayah Nurwasilah Rizqan Zakiyah, Obed Cahya Putra Pratiwi, Silvi Primada Qurrota Ayun Putri Ariyani, Destria Raihan Muhammad, Athar Renata Wardani Retnaningtyas Niken Hapsari Revana Meylani Revi Andrean Siregar Riesma Laylinisa Riris Arianti Rosa Humaira, Almira Rosa Yuli Anggraini S Rouli Manalu Salsabila Alfi Rizq Putri Salsabilla Nadhira, Alifya Samuel Anderson Setya Putri, Larasati Shafa Amira Rezkananda Shafira Fairuuz Hasnaa, Elza Silas Hamenyimana Sri Budi Lestari Sunarto Sunarto Syifa Salsabila, Astrid Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Tia Nanda Dwi Hernawati Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Utami Putri, Rizky Via Oktarina, Rafida Wiwid Noor Rakhmad Yanuar Luqman Yudi Agung Kurniawan Yusriana, Amida Zidni Auliya Hanifa