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Journal : Interaksi Online

Peran Produser dalam Produksi Berita Feature pada Segmen Mini Feature Program “Jawa Tengah Hari Ini” di Stasiun TVRI Jawa Tengah Fendardi Yudha Pratama; Nurul Hasfi; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

TVRI Jawa Tengah is a public broadcasting institution tasked with broadcasting information with educational value to the public. As a form of responsibility in becoming a means of preserving culture and local wisdom values, TVRI Jawa Tengah has one of the news programs, namely Jawa Tengah Hari Ini. This program contains one of the Mini Feature segments which contains light news information. Feature itself is news coverage that is informative, educative, entertaining, convincing, and provides human values (human interest) so that it can make the sympathy or empathy of those watching it moved and not bound by time (timeless). This project is present to fill the Mini Feature segment with content that raises a big theme about culture in accordance with TVRI's duties as a public broadcasting institution. The big theme is divided into several categories including arts, tourism, culinary, history, and rituals/traditions. This project took place by producing 48 contents with an average duration of 5-7 minutes. This content was aired on TVRI Jawa Tengah Station in April-July 2022 and rebroadcast through the YouTube channel "Karbid TVRI". In its implementation, there are 4 main job desks in the pre-production, production, and post-production processes: producer, director, reporter, cameraman.
Pemaknaan Penggemar Terhadap Peran Perempuan Dalam Lirik Lagu “Guys Don’t Read Sylvia Plath” Nadia Tateanna; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 1: Januari 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Gender memerlukan kesetaraan sebagai kunci kehidupan harmonis dalam ranah domestik maupun publik. Namun budaya patriarki memberikan otoritas kepada laki-laki untuk memimpin. Grrrl Gang membuat lagu berjudul “Guys Don’t Read Sylvia Plath” berisikan lirik protes berdasarkan kekecewaan terhadap aturan dan tuntutan peran yang menghambat perempuan untuk berkembang. Penelitian bertujuan mengetahui bagaimana penggemar perempuan Grrrl Gang memaknai peran perempuan dalam lirik “Guys Don’t Read Sylvia Plath”. Penelitian kualitatif menggunakan analisis resepsi Ien Ang fokus pada proses pemaknaan lirik dari enam narasumber perempuan, tergabung dalam Grrrl Gang Nation, mendengarkan dan membaca lirik lagu “Guys Don’t Read Sylvia Plath”. Hasil penelitian menemukan pemaknaan yang seturut dengan preferred reading dari lirik “Guys Don’t Read Sylvia Plath”, berbicara tentang penolakan seorang perempuan untuk dilahirkan sebagai seorang ibu dan istri dimaknai seragam oleh narasumber. Dengan latar belakang yang berbeda, narasumber memiliki kesamaan memaknai peran perempuan yang tidak sesuai akibat intervensi dari pihak lain. Mencerminkan realitas yang ada mengenai pemberontakan atas budaya patriarki menghasilkan pemaknaan menjadi perempuan tidak mudah, identitas juga potensi mereka dikuras sehingga sulit untuk menjadi diri sendiri walaupun punya potensi. Pembahasan ini perlu diperbanyak agar masyarakat lebih terbuka lagi mengenai konsep kesetaraan gender yang menjadi kenyamanan bersama untuk mencapai keadilan dan kesetaraan dalam kehidupan.
Memahami Narasi Perempuan yang Menikah Usia Dini Ika Putri Hanafi; Hapsari Dwiningtyas Sulistyani; Wiwid Noor Rakhmad
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Early marriage is one form of marginalization in which women have to go through various forms of communication dominance in the process of making the decision to get married. This brings many problems in the decision-making process within the household. Therefore, the aim of this research is to understand how the communication process of decision-making occurs, both before deciding to get married and during the marriage itself. Three interviewees with different marriage backgrounds will be interviewed to observe how the communication process in decision-making unfolds. The research will be conducted using Labov's narrative analysis method.The results of this study indicate that women's early marriage decisions are caused by manipulation in the form of continuous pressure to get married and threats of ending the relationship, which can change their minds. Manipulative actions also result in women willingly altering the narrative about men in front of their parents to gain their approval. After marriage, it was found that women's involvement in household decision-making is limited due to manipulation by husbands through narratives of masculinity. Furthermore, women's early marriage decisions are influenced by feelings of guilt for violating societal norms, such as unwanted pregnancies. As a result, the improper position leads to double marginalization and a lack of involvement in household decision-making after marriage. Another factor contributing to women's early marriage decisions is fulfilling their parents' wishes by entering arranged marriages, where the interests of the parents appear more important. However, after marriage, women can fully participate in household decision-making, including financial decisions, parenting styles, and reproduction, as the positions of husband and wife are equal, and there is no fixed division of roles for either spouse.
MEMAHAMI NARASI KOMUNIKASI PENGAMBILAN KEPUTUSAN UNTUK TIDAK MENIKAH PADA PEREMPUAN Alya Azma Fazira; Lintang Ratri Rahmiaji; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

The patriarchal culture that has developed in Indonesia deprives women of the freedom to choose their own path in life, one of which is the decision not to get married. Women, who are often confined to domestic work, are expected to marry, making the decision not to marry a difficult one due to the social pressure they face. Therefore, this study aims to narrate the experiences of informants who eventually decided not to marry. Three women were interviewed to trace their life journeys, both before and after making the decision not to marry. This research utilizes Labov's narrative method to chronicle the sequence of events experienced by each informant. The results of the study indicate that the decision not to marry occurs when women realize that marriage is a choice. It explores how women, living in a social construct that forces them to marry, are able to resist dominant culture and fight for their right to choose their own path in life. The study also reveals that the decision-making process is not instantaneous. Each informant had unique experiences observing marriage and romance within their family environment, such as parental infidelity, family economic difficulties, and failed relationships. These experiences ultimately led to a negative perception of married life, which influenced their decision not to marry. The decision-making process not to marry occurs when informants are confronted with choices and questions from their social environment regarding marriage. It is at that moment when the informants express their decision and explain the unique experiences that underlie their choice not to marry. However, not all women openly express their decision in public. The study also demonstrates that women who decide not to marry often face rejection, stigmatization, mockery, and discrimination from their social environment, which considers their decision irrational for women. Some informants choose to defend themselves and explain their perspectives that inform their decision. However, there are also informants who choose to remain silent and provide brief responses when faced with social pressure.
PEMAKNAAN KHALAYAK TERHADAP KONSTRUKSI PERAN BAPAK RUMAH TANGGA dalam ANIME “THE WAY OF THE HOUSEHUSBAND (極主夫道, GOKUSHUFUDŌ)” Salsabila Alfi Rizq Putri; Hapsari Dwiningtyas Sulistyani; Muhammad Bayu Widagdo
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Pandemic era forced Indonesia’s society to faced social change that shown shifting roles in family division. However, househusband’s existence become a problem due to its role ambiguity that against patriarchal gender norms. On the other hand, this ambiguity become an interesting aspect on an anime called The Way of the Househusband. This anime served unique representation of a househusband that utilize Yakuza way to do his role which attract many Indonesian audiences. The aim of this research is to find audiences’ reception towards construction of househusband in this anime. This research conducted codes of television to analyses the anime and then interpret audiences’ reception using Hall’s decoding positions. Preferred reading of this anime represents characteristics of a househusband and humanity side of Yakuza. Ideology of this anime wanted to normalize men that capable on homemaking roles and offered househusband as an alternative role. This research able to found various reception of young adults’ audiences. They accepted househusband as a well-function role in homemaking. Some audiences open possibilities to be a househusband or have a househusband as a partner. Although, audiences prefer to become a double-income couple. The construction of an ex-Yakuza househusband characteristics is able to be accepted by audiences as an ideal type of a househusband. However, some audiences perceived househusband task is not realistic due to perception that homemaking is a collaborative role for each family members. Audiences also accepted the ideology that put househusband and salaryman in the same place, their difference only on their role, traits, and knowledge about house and family matters. Research findings shown role tunning pattern that uncover how audiences’ attitudes towards househusband’s role is affected by conversation’s context and how well audiences recognize the person who’s a househusband.
Representasi Peran Perempuan dalam Video Klip “Positions” – Ariana Grande Muhammad Rizki Mayrendra; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The discrimination experienced by women gave influenced to a various movement of resistance. The feminism movement is a form of women's action in demanding equality between women and men, especially towards the role of women as a social human being. Gender inequality is still a matter social issue that we are still facing through nowadays. This study aims to see the representation of women’s Role in the music video of ‘Positions’ by Ariana Grande. The concept of a video clip itself is uniquely packaged but has a hidden message related to the existence of feminism. This study aims to reveal the semiotic meaning of the video clip. The researcher uses the semiotic theory of John Fiske to see that behind the video clip has a representation towards 3 levels according to John Fiske's Semiotics, which is the level of reality, representation and ideology. The conclusion of this study shows the meaning of the signs that lead to Post Modern Feminism, which has the aim of inviting other women to dare to have a role in public or domestic portion with confidence and freedom. Keywords: Semiotics, Video Clips, Representation The Role of Women.
Memahami Pengalaman Komunikasi Remaja Untuk Mengelola Perundungan Fat Shaming di Media Sosial Instagram Agustina Rahmawati; Hapsari Dwiningtyas Sulistyani; Lintang Ratri Rahmiaji
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Fat shaming on social media is often considered normal by society. In fact, it is not uncommon for fat shaming to trigger adverse effects for its victims. Therefore, victims need to manage communication as an effort to resolve the fat shaming they receive on Instagram. This research aims to understand teenagers' communication (bullying victims) to manage fat shaming on Instagram. This research uses the Interpretative Phenomenological Analysis (IPA) analysis method involving 5 teenagers (aged 18-24 years) who have experienced fat shaming on Instagram. The results show that the communication experience to manage fat shaming on Instagram begins with the informant's interpretation of the fat shaming comments received. The interviewee interpreted fat shaming as a disturbing comment and triggered the negative body image, which eventually led to a sense of unacceptance. The meaning then triggers the informant to respond to the abuser with an expression of annoyance and disapproval. Although the response did not solve the fat shaming problem, it was able to bring satisfaction to the informant. The expression of annoyance and dislike made to the bullies shows that the informant also needs reinforcement from others. Therefore, the informant began to share the fat shaming experience with friends for reinforcement and support. This reinforcement comes from the positive responses that friends give to the informants, in the forms of supportive words, calming, defenses, and comfort. On the other hand, it was also found that there was intrapersonal communication carried out by the informants as a form of reinforcement. This management brings out the meaning of the informant regarding the fat shaming experience that has been received, that is, the informant's reflection on himself which encourages him to make peace with himself, change for the better lifestyle, and make the informant aware about bad habits in consuming excessive sweets.
NARASI PROSES ADAPTASI KOMUNIKASI MAHASISWA TUNANETRA DI PERGURUAN TINGGI Nurwasilah Rizqan Zakiyah,; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Students with visual impairments experience various obstacles in the adjustment process in university. This study aims to understand the communication adaptation process of blind students in inclusive universities. This research is a qualitative descriptive research that uses narrative analysis with the narrative analysis structure of the Lacey and Gillespie model which is a development of Tzvetan Todorov. The theories used are the Interaction Adaptation Theory and the Anxiety Uncertainty Management Theory. The research informants were three students with visual impairment (total blindness and low vision) at an inclusion university in Mataram City who were interviewed in depth regarding their life experiences in the communication application process at university. The results of this study show that the communication adaptation process of each blind student in higher education creates various strategies based on previous experiences, communication networks, and the support of the closest people. The communication adaptation process of informant I uses assertive communication to build networks with friends and lecturers in adapting, including in fighting discrimination carried out by the lecturers themselves. The adaptation process of informant II who underwent an online lecture system that made her not interact directly with lecturers and friends in the learning process, making her often communicate with campus managers to get access that suits his needs. The adaptation process of Informant III underwent obstacles with the support of the closest people, his experience that did not come from inclusion high school made him take longer to adapt but the communication network between himself and fellow blind people and lecturers helped him to stay in university. The form of interaction between the three informants carried out as an effort to adapt is to tell their needs to others and build networks with various parties. In order to adapt to the uncertainty and anxiety they experience, blind students use dyadic communication to explain directly what anxiety and uncertainty they are thinking about. This research provides insight into the management of communication and adaptation of blind students and its implications for the development of better inclusive education.
Understanding The Communication Experiences of Indonesian Female Exchange Students in The Romantic Development Process That is Formed by Tinder Abroad Shafa Amira Rezkananda; Hapsari Dwiningtyas Sulistyani; Primada Qurrota Ayun
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study delves into the experiences of Indonesian female exchange students navigating the world of romantic relationships via Tinder. The study investigates how these women develop and attribute meaning to their relationships at various stages, focusing on the interplay of intercultural exchanges. The study intends to capture the richness and uniqueness of each individual's journey by employing a narrative analysis method. With matches coming from all over the world, the intercultural context shapes the trajectory of these relationships significantly. The findings of the study shed light on the many facets of these relationships, revealing the challenges, joys, and transformative moments encountered along the way. Additionally, this thesis has discovered that building relationships using online media as the primary means of getting to know one another is in fact trickier than starting with an in-person meeting. This thesis contributes to a broader understanding of the diverse ways in which individuals construct and navigate intimate relationships in a globalized and technologically driven within the context of romantic connections.
NARASI PROSES BERKARYA PENULIS SLASH PAIRING Lusia Kusumaratih Pramudyawardani; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 3: Juli 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The dominance of heteronormative values in indonesian society causes limited impressions and information about alternative sexuality messages in the mass media. But even so, for fans who love slash pairing fanfiction, this is not an obstacle in voicing their voices that are forced to close. They express themselves, voicing stories that have been silenced through a work of fiction about their idols in the form of fanfiction slash pairing. This is what is considered important to study, about how the journey story of female fans who write stories about alternative sexuality amid the dominance of heteronormative values around them. Therefore, this study aims to analyze the stories of female fans who write slash pairing fanfiction. The results of this study show that the value of heteronormativity still influences female fans in writing slash pairing fanfiction. When female fans do things that go against the value of heteronormativity, they will be stigmatized negatively by those closest to them and society because they are considered to have committed despicable and sinful acts, so female fans must hide their identities and even stop their writing activities that become a place to express and voice their opinions.
Co-Authors Adi Nugroho Afriyani . Agustina Rahmawati Agustinus Mega Kurniatmastria Aldana, Dava Alif Hibatullah Almanda Prinarenti, Aurelia Alya Azma Fazira Alya Purnomo, Fahrina Amida Yusriana Anastasya Yuca Venina Andrio, Bimo Anjani Salim, Siti Amira Aqila Nur Iswahyudi, Shima Ardani, Fransisca Asy’ary, M. Rizki Azzahra, Nabila Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bayu Wira Handyan Bela Nagari, Kaninda Bethsheba Graciella Jacinda Bizanti Ayuri Ganis Daulay Dameria Cathrine Danastri Janitra Seruni Dany Dwi Saputra Debora Gracia Deta Indira Puspita Diandra Pratisthita Indraswar, Ni Luh Ayu Dio Bagus Rudita Ahmad Dipa Wirayatama Diva Sinar Rembulan Djoko Setyabudi DR Sunarto Ernest Wuri Indri Penny Faiz Syarafullana, Mirwa Fendardi Yudha Pratama Geralda Mewengkang, Rafaela Hasibuan, Anra Muliasih Sah Bakti Hedi Pudjo Santosa Hedi Pudjo Santosa Ika Putri Hanafi Isabela Laras Anindyo Joyo Nur Suyanto Gono Kezia Dewi Fortuna, Dominica Khoirunnisa Nur Fithria Kusdwianti, Eviana Larassati Setiawan, Zahwa Lintang Ratri Rahmiaji Lintang Ratri Rahmiaji Lusia Kusumaratih Pramudyawardani M Bayu Widagdo Maerel Dhalia Arumnisa Much. Yulianto Muchamad Yuliyanto Muhammad Bayu Widagdo Muhammad Fadhel Raditya Muhammad Fazer Mileneo Muhammad Rizki Mayrendra Muliawati, Ditha Nadhila Prisca Anjani M Nadia Tateanna Najla Assyifa Asayanda Gunawan Nandya Finandika Narayani Aberdeen, Avi Niken Siregar Nikolas Prima Ginting Nur Fauzi, Fikrii Nur Hasanah, Anisa Nurfindra Triembong Heningadi Nurul Hasfi Nurul Hidayah Nurwasilah Rizqan Zakiyah, Obed Cahya Putra Pratiwi, Silvi Primada Qurrota Ayun Putri Ariyani, Destria Raihan Muhammad, Athar Renata Wardani Retnaningtyas Niken Hapsari Revana Meylani Revi Andrean Siregar Riesma Laylinisa Riris Arianti Rosa Humaira, Almira Rosa Yuli Anggraini S Rouli Manalu Salsabila Alfi Rizq Putri Salsabilla Nadhira, Alifya Samuel Anderson Setya Putri, Larasati Shafa Amira Rezkananda Shafira Fairuuz Hasnaa, Elza Silas Hamenyimana Sri Budi Lestari Sunarto Sunarto Syifa Salsabila, Astrid Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Tia Nanda Dwi Hernawati Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Utami Putri, Rizky Via Oktarina, Rafida Wiwid Noor Rakhmad Yanuar Luqman Yudi Agung Kurniawan Yusriana, Amida Zidni Auliya Hanifa