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All Journal INFORMASI Jurnal Komunikasi FORUM Interaksi : Jurnal Ilmu Komunikasi Interaksi Online Jurnal Ilmu Komunikasi Communicatus: Jurnal Ilmu Komunikasi Jurnal Komunikasi JURNAL MUQODDIMAH : Jurnal Ilmu Sosial, Politik dan Hummaniora Jurnal Profetik Journal of Social Studies (JSS) Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Jurnal Komunikasi Indonesia
Hapsari Dwiningtyas Sulistyani
Universitas Diponegoro, Semarang
Arts Humanities Computer Science & IT Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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BINGKAI MINORITAS LGBTQ DI MEDIA ALTERNATIF KONDE.CO Tia Nanda Dwi Hernawati; Nurul Hasfi; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 4: Oktober 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Skripsi ini merupakan studi mendalam tentang strategi pembingkaian LGBTQ di platform media daring Konde.co dengan menggunakan kerangka kerja hak asasi manusia. Penelitian ini bertujuan untuk mengungkap bagaimana Konde.co telah berhasil membangun narasi yang kuat seputar isu-isu LGBTQ dengan berfokus pada prinsip-prinsip hak asasi manusia. Melalui analisis konten dan pendekatan kualitatif, penelitian ini mengidentifikasi cara Konde.co mempromosikan kesetaraan, non-diskriminasi, dan penghormatan terhadap identitas gender dan orientasi seksual sebagai bagian integral dari hak asasi manusia. Hasil penelitian menyoroti peran penting media daring dalam mendidik, mengubah persepsi, dan mempengaruhi perubahan sosial dengan menggunakan logika hak asasi manusia sebagai landasan pembingkaian. Kesimpulan dari penelitian ini memberikan wawasan yang berharga tentang bagaimana media daring dapat berkontribusi pada perubahan sosial yang lebih inklusif dan mengedepankan nilai-nilai hak asasi manusia.
MEMAHAMI PEMAKNAAN KELUARGA ALTERNATIF DALAM ANIME SPY X FAMILY Nandya Finandika; Hapsari Dwiningtyas Sulistyani; Primada Qurrota Ayun
Interaksi Online Vol 11, No 4: Oktober 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Family is often used as a topic of discussion in the media, especially movies. So that it will indirectly form a dominant ideology regarding the concept of family represented in the film. The conception of family in films generally emphasizes the concept of a nuclear family based on heterosexual couples with dominant attributes attached to it so that families outside of this thinking can be marginalized. This research will examine how alternative families in the anime Spy x Family that have been contextualized in a queer context are represented. The purpose of this research is to see how this anime depicts alternative families. This research uses Roland Barthes' semiotic analysis method. The analysis consists of two levels, namely denotative, connotative, and myth, which are used to see the meaning in the Spy x Family anime scene. This research uses queer theory as a framework but in order to show the form of heterosexual performativity in families that offer alternatives beyond that. The results of this study indicate that the alternative family shown in the Spy x Family anime is a form of family that is classified as queer because the family in this anime is formed on the basis of bonds of interest and the division of family roles that are not based on gender or sexuality. However, the alternative family is not fully categorized as queer. The family in the Spy x Family anime still contains some dominant concepts such as the gradual growth of emotional bonds and the division of roles that slowly follow heteronormative rules. The father's role is shown as a superior figure so that the father has an important role in almost every aspect of the family. Meanwhile, the mother's role tends to be shown in a more passive manner where this anime displays the mother's fear and worry of not being able to meet the standards of mothers in general who are known to be feminine. Through this, it also indirectly shows that this alternative family still contains a deep-rooted patriarchal culture in it. The role of children is also still in the dominant thinking where children are tasked with learning and helping parents. The existence of pets that are considered as family also still shows that the family in the Spy x Family anime is still in the dominant concept because it carries the humanization of animals which is normal in today's families. So, it can be concluded that the alternative family in the Spy x Family anime is still trapped in the thinking of the dominant family so that the family's alternativeness begins to fade and follows the rules of the dominant family.
The Influence of Brand Loyalty and Price Perception on NCT Photocard Purchase Intention (Case of Indonesian Sell-buy-trade Community) Dameria Cathrine; Djoko Setyabudi; Hapsari Dwiningtyas Sulistyani
Interaksi Online Vol 11, No 4: Oktober 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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With the advancement of the digital age, online entertainment and commerce have become even more enmeshed in daily activities. The influence of South Korean entertainment is obvious across many sectors, including consumer purchases of Korean items and services. NCT, like every other group, draws a crowd in the form of musical works as well as diverse goods. The primary object of this study, photocards, is among the most valuable collectibles and is just as significant as albums. Utilising idol worship to increase the pleasant perception that a certain brand has in consumers’ thoughts and convince them to choose that brand has evolved into a crucial marketing strategy for many businesses. Price is also the main factor influencing consumers intention to make a purchase. The purpose of this study is to shed light on how brand loyalty and price perception influence the interest of purchasing NCT photocards. This research is a quantitative research with explanatory method. The theory applied in this study is the Theory of Reasoned Action, and non-probability sampling was employed as the sampling method. One hundred NCT fans who fit the profile of the sample are between the ages of 18 and 23. All validity, reliability, and classical assumption tests were deemed to be valid. Using 2 multilinear regression, result shows that the hypothesis is accepted with significance value of 0.000.
Memahami Strategi Perlawanan Seksualitas Perempuan dalam Film “Yuni” Bethsheba Graciella Jacinda; Hapsari Dwiningtyas Sulistyani; Amida Yusriana
Interaksi Online Vol 11, No 4: Oktober 2023
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Women and men should have equal opportunities to communicate and express their sexualities. However, the reality shows that women’s body and sexuality are still bridled from disciplining rules. “Yuni” is a film that tells the story of a society that still holds a tight disciplining rule over female sexuality. This research aims to understand how sexuality resistance strategy and the logic of sexuality perspective are represented in the film “Yuni”. This research uses representation theory, feminist standpoint theory, Luce Irigaray’s resistance strategy, and elements of sexuality. This is a descriptive qualitative research, under critical paradigm, and uses John Fiske’s semiotics method to analyze data findings. The result of this research found that “Yuni” represented resistance strategies through creating female sexuality, creating female language, and intensifying female sexuality. Through these strategies this research discovers that “Yuni” represented female expression of sexuality as a form of resistance, naturalizing the depiction of the female body, female language as a form of resistance, and resistance to the construction virginity. The perspective dominantly seen in “Yuni” is the female perspective, that appeared as the female director’s position towards the issues discussed in the film. However, this research also found that there is still a usage of the known dominant perspective in the effort of female sexuality resistance through the representation of a lesbian relationship that was formed because of trauma, heteronormative construction, and objectification of the female body.
RREPRESENTASI PERAN ORANG TUA TUNGGAL PADA PEMBENTUKAN KARAKTER ANAK DENGAN SINDROM ASPERGER DALAM DRAMA KOREA MOVE TO HEAVEN (ANALISIS SEMIOTIKA JOHN FISKE) Diandra Pratisthita Indraswar, Ni Luh Ayu; Lukmantoro, Triyono; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Single parents certainly experience difficulties in filling multiple roles, but being a single parent with a child with special needs presents challenges and complexities on a different level. Media has a role as a source of information as well as entertainment, to accurately display a social issue in society, so that individuals, groups or a culture are represented. This research describes the role of men as single parents in shaping the character of children with Asperger's syndrome in the Korean drama Move to Heaven by implementing John Fiske's semiotic theory through the level of reality, the level of representation and the level of ideology. The role of men as single parents in forming the character of children with Asperger syndrome shows inconsistencies in the discipline aspect. Then, in the affection aspect, the dominant role of men as single parents is shown, which ignores children's autonomy. Then, in the aspect of self-development, men as single parents show that children who understand their self-concept still need validation from other people. Finally, in the social aspect, it is not shown in depth the instillation of social values by men as single parents with children with Asperger's syndrome. The Korean drama Move to Heaven tends to romanticize the role of men as single parents with children with Asperger's syndrome by presenting dramatic elements that support the conception of hegemonie masculinity in society
MEMAHAMI PEMAKNAAN PESAN BODY SHAMING PADA KORBAN REMAJA PRIA Faiz Syarafullana, Mirwa; Dwiningtyas Sulistyani, Hapsari; Ratri Rahmiaji, Lintang
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Perempuan merupakan target utama dari tindakan body shaming, namun pria juga sering mengalami body shaming sama seperti perempuan, tetapi kasus-kasusnya kurang tersorot dan terekspos. Remaja pria ketika mengalami body shaming memilih untuk diam dan memendam saja tidak seperti remaja perempuan. Pada pria, tindakan body shaming memiliki kekhasan tersendiri yang membedakan dengan tindakan body shaming yang dialami oleh perempuan, yaitu mengarah pada kritikan atau ejekan mengenai penampilan, kepribadian, gestur tubuh, dan lain sebagainya yang berkaitan dengan penyimpangan pada maskulinitas. Pria yang tidak bisa memenuhi standar tubuh ideal dan tidak bisa menjadi sosok yang maskulin akan direndahkan dan menjadi sasaran tindakan body shaming. Tujuan dari penelitian ini yaitu memahami proses pemaknaan pesan body shaming yang dialami pada korban remaja pria. Penelitian ini merupakan tipe kualitatif yang menggunakan metode analisis Interpretative Phenomenological Analysis (IPA). Dalam penelitian ini, peneliti melakukan wawancara mendalam interview kepada lima informan yaitu lima remaja pria usia 18-23 tahun yang telah mengalami tindakan body shaming. Hasil penelitian ini menunjukkan bahwa proses koordinasi pemaknaan pesan body shaming pada korban remaja pria diawali dengan menerima pesan body shaming dan memaknai pesan body shaming. Pemaknaan terhadap pesan body shaming yang terbentuk yaitu pemaknaan pesan body shaming sebagai tindakan yang mengganggu citra diri, pemaknaan pesan body shaming sebagai ungkapan candaan dan pemaknaan pesan body shaming sebagai motivasi. Teman merupakan pelaku body shaming utama selain keluarga dan orang yang memiliki kuasa. Penerimaan pesan dan pemaknaan pesan body shaming memicu informan untuk memberikan tanggapan berupa respon dan reaksi yang merupakan bentuk perlawanan informan terhadap pelaku yang disesuaikan dengan tingkat keakraban informan dengan pelaku dan tingkat keparahan pesan body shaming yang diberikan pelaku. Informan terdorong untuk menceritakan pengalaman body shaming kepada teman cerita dan hal ini merupakan bentuk katarsis. Informan merasa memerlukan penguatan dan dukungan dari orang terdekatnya untuk mengelola dan mengatasi permasalahan body shaming. Upaya melakukan proses koordinasi pemaknaan body shaming memunculkan dua redefinisi terhadap pemaknaan tubuh informan. Redefinisi pemaknaan tubuh pertama yaitu tubuh sebagai alat kontrol maskulinitas yang mengartikan bahwa informan menganggap tubuh sebagai titik terlemah yang informan miliki karena sering dikomentari, dikontrol, diawasi dan mendapatkan pesan body shaming dari orang lain terkait dengan penyimpangan terhadap standar maskulinitas di Indonesia. Redefinisi pemaknaan tubuh kedua yaitu tubuhku milikku mengartikan bahwa tubuh yang informan miliki hanya bisa didefinisikan dan dinilai oleh informan sendiri karena setiap orang memiliki standar dan ekspektasi terhadap tubuhnya masing-masing. Terbentuknya redefinisi pemaknaan terhadap tubuh membuat informan memikirkan kembali mengenai definisi dari tubuhnya sendiri.
ADAPTASI KOMUNIKASI ISTRI DALAM ORGANISASI BHAYANGKARI DAN PERSIT KARTIKA CHANDRA KIRANA Rosa Humaira, Almira; Rahardjo, Turnomo; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The wives of TNI-Polri members are inseparable from their husband's institutions. For married TNI-Polri members, their wives play an important role in the smooth progression of their careers. Therefore, every wife who automatically joins the Bhayangkari and Persit organizations needs to adapt to the culture within these organizations. The research findings show that Bhayangkari members can learn the organizational culture earlier through the initial socialization they receive, while Persit members tend to learn over time through organizational activities. Spouses are the primary source of information for each informant about the organizational culture. Bhayangkari and Persit are collectivist organizations, although they share similarities in hierarchical structure with TNI-Polri institutions. Relationships among Bhayangkari members tend to be more complex, with more conflicts involving senior-junior power relations. Hierarchical communication is an essential aspect that wives need to understand to adapt effectively. Communication adaptation tends to be done through convergence by adopting the language style present in the organizational environment, adjusting gestures to match the interlocutor, and regulating the length of conversations in interactions.
Representasi Ibu Tunggal dalam Drama When the Camellia Blooms Setya Putri, Larasati; Dwiningtyas Sulistyani, Hapsari; Yusriana, Amida
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Representasi ibu tunggal dalam media massa masih sering ditampilkan dengan figur yang kurang baik. Hal ini terjadi karena beredarnya banyak stigmatisasi mengenai ibu tunggal. Pada tahun 2019, salah satu media populer dari negara Korea Selatan merilis sebuah drama korea yang berjudul When the Camellia Blooms sebagai upaya untuk memberikan penggambaran yang lain dari sosok ibu tunggal. Penelitian ini ingin melihat bagaimana penggambaraan ibu tunggal dalam drama ini. Tujuan penelitian ini untuk mengetahui bagaimana representasi ibu tunggal di dalam drama korea When the Camellia Blooms. Metode penelitian menggunakan analisis semiotika John Fiske. Dalam analisisnya, John Fiske menggunakan konsep the codes of television yang terbagi dalam tiga tahapan yakni level realitas, level representasi, dan level ideologi untuk melihat bagaimana kode-kode tersebut bekerja dalam sebuah tayangan. Hasil dari penelitian ini menunjukkan bahwa ada empat tema besar yang ditemukan untuk membentuk representasi ibu tunggal yaitu peran ibu tunggal dalam rumah tangga, pandangan kepada ibu tunggal secara sosial, kompleksitas hubungan romantisme ibu tunggal, dan keputusan resistensi yang dipilih ibu tunggal.Dari keempat tema hasil analisis tersebut, dapat disimpulkan bahwa representasi ibu tunggal dalam drama When the Camellia Blooms yaitu sebagai sosok supermom karena dapat melaksanakan peran ganda, memiliki kemampuan untuk melakukan perlawanan, dan memiliki kontrol atas dirinya sendiri tanpa pengaruh orang lain.
PEMAKNAAN KHALAYAK TERHADAP KEMARAHAN PEREMPUAN DALAM DRAMA KOREA THE GLORY Ardani, Fransisca; Nur Suryanto Gono, Joyo; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 2: April 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Women's anger expressions are often debated and tend to be rejected as irrational. On the other hand, the expression of anger of women who are victims of bullying is highlighted as an interesting aspect of the Korean drama The Glory, which is expressed through acts of revenge against the perpetrators who bullied them.The Glory was liked and watched by many viewers and also received various comments regarding the expression of anger of women who were victims of bullying and acts of bullying on social media. This research aims to describe the audience's interpretation of women's anger in the Korean drama The Glory. This research uses active audience theory, audience reception theory, and the semiotic analysis method by John Fiske to see the dominant meaning or preferred reading as well as the reception analysis method by Stuart Hall to determine the informant's position of meaning. The results of this research show that the five male and female informants, with different backgrounds and experiences, show a tendency for informants to be in a negotiated position regarding the dominant meaning displayed in the text. Two informants who had been victims of bullying were in a dominant position in interpreting expressions of anger in the Korean drama The Glory. On the other hand, three informants, namely one informant who had contact with the victim of bullying, were in a negotiating position and two informants who were not or had never been victims of bullying were in a negotiating position. Thus, the findings of this study found that there was a disclosure of women's power regarding women's expressions of anger. This research also shows that there is a film strategy by showing women's expressions of anger as victims of bullying that can be accepted by the audience, namely by taking revenge in a strategic and tactical way based on the crimes committed by the perpetrators of the bullying.
RESISTENSI PEREMPUAN TERHADAP TRADISI KAWIN TANGKAP MASYARAKAT ADAT SUMBA (Analisis Narasi William Labov dalam Buku Perempuan yang Menangis kepada Bulan Hitam Karya Dian Purnomo) Alya Purnomo, Fahrina; Sunarto, Sunarto; Dwiningtyas Sulistyani, Hapsari
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Women are the gender group that dominates the number of migrant workers in Indonesia. The Captive marriage is still a long-standing tradition practiced by the Sumba community in East Nusa Tenggara, even today. Capture marriage is a form of forced marriage through forms of violence, including physical, social, psychological and sexual. In order for the proposal in a capture marriage to be accepted immediately, the perpetrator even forces the victim by inciting or the worst is by raping the victim. this research uses Helen Cixous's feminine ecriture theory. The method used in this research is William Labov's narrative analysis, which will be used to analyze the novel entitled Perempuan yang Menangis kepada Bulan Hitam by Dian Purnomo, through six narrative structures, namely abstract, orientation, complication, evaluation, resolution, and coda, so that it can be known the forms of women's resistance to the tradition of capture marriage in the book Perempuan yang Menangis kepada Bulan Hitam. Through the character of Magi Diela, the author tries to represent the values of women's resistance to the capture marriage tradition. Women's resistance in the novel Perempuan yang Menangis kepada Bulan Hitam is shown in Chapter 1, Chapter 7, Chapter 8, Chapter 9, Chapter 10, Chapter 12, Chapter 13, Chapter 20, Chapter 21, Chapter 25, Chapter 34, Chapter 52, Chapter 55, and Chapter 56. The resistance carried out can take the form of open resistance and closed resistance. The open form of resistance carried out by the main character is suicide because she refuses to be married to the perpetrator of the arranged marriage, struggling and kicking the kidnapper, shouting at the perpetrator of the arranged marriage as a 'rapist', hunger strike, fleeing from Sumba to Kupang, becoming a bait to imprison the perpetrator, and reporting the perpetrator of the arranged marriage to the police. Meanwhile, the closed form of resistance carried out by the main character is writing about the rights of women victims of capture marriage and the main character's experience as a victim of capture marriage, swearing, cursing, cursing in the heart, and the main character who promises to take revenge on the people involved in capture marriage.
Co-Authors Adi Nugroho Afriyani . Agustina Rahmawati Agustinus Mega Kurniatmastria Aldana, Dava Alif Hibatullah Almanda Prinarenti, Aurelia Alya Azma Fazira Alya Purnomo, Fahrina Amida Yusriana Anastasya Yuca Venina Andrio, Bimo Anjani Salim, Siti Amira Aqila Nur Iswahyudi, Shima Ardani, Fransisca Asy’ary, M. Rizki Azzahra, Nabila Bayu Satwika, Jonathan Bayu Widagdo, Muhammad Bayu Wira Handyan Bela Nagari, Kaninda Bethsheba Graciella Jacinda Bizanti Ayuri Ganis Daulay Dameria Cathrine Danastri Janitra Seruni Dany Dwi Saputra Debora Gracia Deta Indira Puspita Diandra Pratisthita Indraswar, Ni Luh Ayu Dio Bagus Rudita Ahmad Dipa Wirayatama Diva Sinar Rembulan Djoko Setyabudi DR Sunarto Ernest Wuri Indri Penny Faiz Syarafullana, Mirwa Fendardi Yudha Pratama Geralda Mewengkang, Rafaela Hasibuan, Anra Muliasih Sah Bakti Hedi Pudjo Santosa Hedi Pudjo Santosa Ika Putri Hanafi Isabela Laras Anindyo Joyo Nur Suyanto Gono Kezia Dewi Fortuna, Dominica Khoirunnisa Nur Fithria Kusdwianti, Eviana Larassati Setiawan, Zahwa Lintang Ratri Rahmiaji Lintang Ratri Rahmiaji Lusia Kusumaratih Pramudyawardani M Bayu Widagdo Maerel Dhalia Arumnisa Much. Yulianto Muchamad Yuliyanto Muhammad Bayu Widagdo Muhammad Fadhel Raditya Muhammad Fazer Mileneo Muhammad Rizki Mayrendra Muliawati, Ditha Nadhila Prisca Anjani M Nadia Tateanna Najla Assyifa Asayanda Gunawan Nandya Finandika Narayani Aberdeen, Avi Niken Siregar Nikolas Prima Ginting Nur Fauzi, Fikrii Nur Hasanah, Anisa Nurfindra Triembong Heningadi Nurul Hasfi Nurul Hidayah Nurwasilah Rizqan Zakiyah, Obed Cahya Putra Pratiwi, Silvi Primada Qurrota Ayun Putri Ariyani, Destria Raihan Muhammad, Athar Renata Wardani Retnaningtyas Niken Hapsari Revana Meylani Revi Andrean Siregar Riesma Laylinisa Riris Arianti Rosa Humaira, Almira Rosa Yuli Anggraini S Rouli Manalu Salsabila Alfi Rizq Putri Salsabilla Nadhira, Alifya Samuel Anderson Setya Putri, Larasati Shafa Amira Rezkananda Shafira Fairuuz Hasnaa, Elza Silas Hamenyimana Sri Budi Lestari Sunarto Sunarto Syifa Salsabila, Astrid Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Tia Nanda Dwi Hernawati Triyono Lukmantoro Triyono Lukmantoro Turnomo Rahardjo Utami Putri, Rizky Via Oktarina, Rafida Wiwid Noor Rakhmad Yanuar Luqman Yudi Agung Kurniawan Yusriana, Amida Zidni Auliya Hanifa