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All Journal Ilmu Pendidikan PROCEEDING IC-ITECHS 2014 JADECS (Journal of Art, Design, Art Education and Culture Studies) Metal Indonesia CARADDE: Jurnal Pengabdian Kepada Masyarakat Gelar : Jurnal Seni Budaya Journal of Education, Humaniora and Social Sciences (JEHSS) JURNAL ILMIAH M-PROGRESS Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan PERSPEKTIF EDUTEC : Journal of Education And Technology International Journal of Visual and Performing Arts Mavis : Jurnal Desain Komunikasi Visual Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Journal of Language, Literature, and Arts (JoLLA) Gayatri : Jurnal Pengabdian Seni dan Budaya
Pujiyanto Pujiyanto
Universitas Negeri Malang
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Mathematics Mechanical Engineering Public Health Social Sciences Other

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Journal : PERSPEKTIF

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Communication Presentation of Indonesian Identity Figures at the Ramayana Ballet at Prambanan Robby Hidajat; Pujiyanto Pujiyanto; EW Suprihatin; DP. Muhammad Affaf Hasiymy; Surasak Jamnongsarn
PERSPEKTIF Vol. 11 No. 4 (2022): PERSPEKTIF, October
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v11i4.7883

Abstract

This study focuses on the performing arts of tourism by examining the identity of performing arts that communicate local culture. Remembering the identity of a country becomes very quickly and easily captured through the performing arts of tourism. This article examines the identity of performing arts that tell the story of the Ramayana, which is characterized by Indonesia. In this communication process, there are two interactive paths, namely from the side of the performing arts as a carrier of information, and the audience or tourists who receive information. The process of interaction that is conveyed and received, is identity and culture. Thus, the interaction that occurs, can produce imaging through aesthetic transmission. In order to approach this problem, non-verbal communication theory is used as a reference. The data were collected through observation at the Ramayana tourist show center at Pangung open Prambanan. The data were analyzed through non-verbal communication theory aimed at the Yogyakarta style Ramayana ballet performance in the Hanoman Obong story as a local Indonesian cultural identity. Hanoman is an icon of the struggle that contains the ideology of heroism.
Transcendental Communication of Traditional Custodian in the Kecak Ramayana Performing Arts in Uluwatu Bali Robby Hidajat; Pujiyanto; EW. Suprihatin DP; Muhammad ‘Afaf Hasyimy; Allfa Andranica Devya Aprilyawati; Adinda Nur Ramadhani Haris; Syamsul Hirdi Bin Muhid
PERSPEKTIF Vol. 12 No. 4 (2023): PERSPEKTIF, October
Publisher : Universitas Medan Area

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31289/perspektif.v12i4.9700

Abstract

This article is the result of research on the transcendental communication of traditional leader in the Kecak Ramayana performance art in Uluwatu Bali. Traditional Custodian are Hindu religious leaders who are included in the presentation of the Kecak Ramayana. This customary leader does not exist in the new play of the Ramayana story. But his role is very important because he works outside and backstage. The purpose of this study is to reveal spiritual communication carried out by Traditional Custodian in the performance of the Kecak Ramayana dance in Uluwatu. This research method uses qualitative discrete. Data collection techniques used interviews with 4 sources, direct observation when the show was in progress, and retrieval of documentation to strengthen verbal data. The theories used in this research are ritual communication theory, non-verbal communication theory, and transcendental communication theory. The results of the study show patterns of spiritual communication that are customary stakeholders, namely (1) customary stakeholders as a link between the dimensions of the outer (profane) and inner (sacred) stages, (2) stakeholders carry out a reciprocal ritual, and (3) Traditional Custodian as a symbol of transcendental communication between the players, the audience, and Sang Hyang Widiwasa.
Co-Authors AAG Rai Arimbawa Achmad Noerkhaerin Putra Adinda Nur Ramadhani Haris Ahamad Tarmizi Bin Azizan Ahmad Zakiy Ramadhan Allfa Andranica Devya A Allfa Andranica Devya Aprilyawati Andhika Putra Herwanto Andika Agung Sutrisno Andy Pramono Aura Nebula Safinatunnajah Bambang Sunarto Cheryke Selsa Adia Desyandri Desyandri DP. Muhammad Affaf Hasiymy EW Suprihatin Fariza Wahyu Arizal Gesang Bayu Pamungkas Ignasius Jeksianus Iko Ike Ratnawati iriaji iriaji irwan unggul widodo Joni Agung Sudarmanto Kurniawan, Rahmat Listya Sugiyarti Mahendra Wibawa Mahmuddin Yunus Mifthahul Haeruddin Wijaya Mitra Istiar Wardhana, Mitra Istiar Muhammad 'Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad Afaf Hasyimy Muhammad ‘Afaf Hasyimy Novian Wahyu Firmansyah Nur Asmilia Retnoningtiyas Ningtiyas Rina Nurfitri Robby Hidajat rofi'i rofi'i Shinta Virdhian Siti Hanah Sri Wulandari Suprihatin Dyah Pratamawati, Endang Wara Surasak Jamnongsarn Sutandijo Sutandijo Syamsul Hirdi Bin Muhid Tri Wahyuningtyas Vrida Bunga Saraswati Yogi Pratama