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Journal : MUDRA Jurnal Seni Budaya

A Portrait of Tri Kaya Parisudha in Cingkreman (Hofstede's Study of Cultural Dimensions) Eka Putri Suryantari; Ni Luh Putu Wiagustini; I Putu Sudana; Ni Ketut Rasmini
Mudra Jurnal Seni Budaya Vol 39 No 1 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i1.2637

Abstract

Cultural practices in society are greatly influenced by the extent to which they are able to provide benefits to those who practice them. One of the cultural practices that is still found in the heritage region of the city of Denpasar is called cingkreman. This is a culture-based and family-based financial planning and savings system. Cingkreman is based on an agreement between individuals to join a cingkreman group (sekaa). The period of participation for one period corresponds to the cycle of the Galungan holidays, namely 210 days. The novelty of this research is to bring to the surface the cultural practices that exist in society so that efforts can be made to preserve the tradition of cingkreman. This is qualitative research with an interpretive paradigm that uses an ethnomethodological approach. The aim of this research is to find out how the concept of Tri Kaya Parisudha (moral teaching about personal behavior) is applied to cingkreman and how this practice continues to exist in the midst of society. The data were collected through interviews and focus group discussions (FGDs). The research results show that the Tri Kaya Parisudha concept is practiced in the cingkreman system. The behavior of the members and coordinators of a sekaa, as reflected in the themes resulting from the stages of Garfinkel's analysis, reflects kayika parisudha (good acts), wacika parisudha (good speech), and manacika parisudha (good thought). The foundation of behavior based on these three noble attitudes of Tri Kaya Parisudha is able to produce cultural values which cause the practice of cingkreman to provide benefits to its practitioners. The benefits felt by these actors mean that cingkreman will continue to be practiced, and this is one of the reasons why the carrying out of cingkreman persists amidst technological advances which are slowly eroding existing cultural practices in society. Hofstede's cultural dimensions that are found in the practice of cingkreman include uncertainty avoidance, collectivity, and femininity. The dimension of power differences is not found because, in the practice of cingkreman, there are no differences between the participants in the social strata. Everyone has the same right to join the cingkreman group.
Co-Authors Adino Pote, Makson Agustina Ira Puspa Damayanti Alphonsius Umbu Manja Andari, I Gusti Agung Ayu Anggi Andriyani Ardika, I Gusti Ngurah Putu Artaninggrum, Rai Gina Astuti, Ni Kadek Ayu Widya Baran, Gerald Felix Cahyadi, Luh Diah Citra Resmi Christimulia Purnama Trimurti Citra Resmi Cahyadi, Luh Diah Citraresmi, Luh Diah Dede, Krisantus Markus Depores, Maria Jista Desmon Atventius Noel Fanggi Deviana, Kristina Dewa Putu Oka Prasiasa Dewi, Ni Luh G. S. Dwijayanti, Ni Made Karina Dylla Hanggaeni Dwi Puspaningrum Dylla Hanggaeni Dyah Puspaningrum Elisabeth Bernadeta Goda Erviani , Ni Putu Erviani, Ni Putu Febby Ica Cahyani Fransiska Nangus Gayatri Gayatri Gusti Agung Mirah Arinda Hanipa, Petronela Harefa, Hercus Roy Martin Harianti Harianti Hieronimus Banggur I Kadek Dwipayana Pramudia I Ketut Muka I Ketut Sirna I Nyoman Tingkes I Putu Gede Ari Setiawan I PUTU SUDANA I Wayan Suardana I WAYAN SUARJANA IWK Teja Sukmana Janurini, Ni Wayan Putri Kadek Mesy Terisiana Kartika, Nyoman Putri Katrina Nofita Sari Krismawintari, N.P.D. Kusuma, Nathania Eka Putri Lidia Rante Ledatu Luh Diah Citra Resmi Cahyadi Luh Diah Citra Resmi Cahyadi Made Yessi Puspitha Marhaendra, Tjokorda Bagus Putra Marselina Pora Martini, Ni Ketut Matilda, Yuliana Nanda Maratus Solikha Nanda Maratusolekhah Ni Kadek Indi Aryanti Ni Ketut Martini Ni Ketut Rasmini Ni Komang Nilawati Astuti Ni Luh Putu Ari Santi Dewi Ni Luh Putu Pradnya Dewi Ni Luh Putu Sri Purnama Pradnyani Ni Luh Putu Suarmi Sri Patni Ni Luh Putu Wiagustini Ni Luh Putu Wiagustini Ni Luh Utari Sumadewi Ni Made Ruastiti Ni Made Suartini Ni Putu Erviani Ni Putu Rani Artha Mevia Dewi Patricia Sandrikha Naro Pradnyani, Ni Luh Putu Sri P. Prastyadi Wibawa Rahayu Purnama Sari, Ni Putu Elia Puspita Dewi, Ni Nyoman Ayu Putra, Renaldi Syahranie Putri, Hananya Prastita Putri, Jesica C. Putu Angga Wiradana Putu Aristya Adi Wasita Putu Chris Susanto Rai Gina Artaninggrum Rai Gina Artaningrum Rizki Firmansyah Ruta, I Made Sanosa, Welly Sion Setianingsih, Ni Made Ari Sumadewi, Ni Luh Utari SUSANTI Tamo Inya, Debiana Tangi, Venansia Eno Tjokorda Bagus Putra Marhaendra Waru, Yosefina Wasita, Putu Aristya Adi Yanika Susan Alexander Yeyen Komalasari