Garuda - Garba Rujukan Digital

Teknik Kuleshov Effect dalam Editing Film Fiksi Pendek Wahyu (Revelation) Ramadhani, Adnan; Haryanto, Dwi; Suharijadi, Didik
ROLLING Vol. 7 No. 1 (2024): ROLLING Volume 7 Nomor 1 Tahun 2024
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v7i1.46321

The term "mairil" generally describes an act of affection between fellow students. However, sometimes it also refers to junior students who have white, attractive, adorable physical characteristics, a face that looks like a baby face. Senior students often choose them as mairil partners. Meanwhile, the term "nyempet" is used to describe the sexual act of intercourse between male students. Generally, this is done by senior students towards their maiden partners. Mairil and nchempet behavior in the Islamic boarding school environment is the basic issue that the author will describe in this audio visual work. This film is constructed as a film with a suspense drama genre Wahyu's behavior is the basis for the creator to use the Kuleshov effect technique with the concept of visual storytelling. Another reason why this technique is applied is to present the point of view of the character Cholis who also plays an important role in the continuity of the story The artistic work process in making the film Wahyu (Revelation) begins with observation, development or developing story ideas, pre-production stages, production stages and post-production stages. The Kuleshov effect technique in image editing focuses on the audience's perception of a character's reaction to something they see, and this technique can be applied by juxtaposing a character's expression shot with a POV shot. The creator as editor was able to apply this technique in the film Wahyu (Revelation) in scene 5, and scene 15to build the audience's perception of a character's reaction to an event

BIOPIC FILM AND POLITICAL IDENTITY: CONTESTATION OF DIVERSITY OF IDEOLOGY IN INDONESIAN MOVIES TEXT POST-SOEHARTO REGIME Haryanto, Dwi
Capture : Jurnal Seni Media Rekam Vol. 10 No. 1 (2018)
Publisher : Seni Media Rekam ISI Surakarta

This discussion examines the textuality relationship between the historical facts of biography and the narrative structure of films that present figures who during the New Order (Orde Baru) regime were alienated from Indonesian historiography. Through a study of the films Gie, Soegija, Sang Kiai, Soekarno, and Jenderal Soedirman, they can deconstruct the meaning of historical films produced by the New Order regime which are dominated by Soeharto's image. The emergence of biopic films that narrate the characters with identity plurality is a deconstructive tipical and reflects the antithesis of filmmakers on film products in the era of the Soeharto regime. Whereas in the New Order era, films with epic historical genre, identical to the hegemony of the military struggle which are reduced by civil society narratives, such as moslem teacher (kiai) and moslem student (santri) and other minority groups, which in the context of historical facts also contributed greatly to the era of nation formation through representation of ethnic nationalism and civic nationalism. The Indonesiandiscourse which is reflected in the hidden meanings of biopic films studied represents a plurality of ideologies and identity political formation in popular culture products.

Penerapan Green Product Pada Usaha Kuliner : Sebuah Tinjauan Malihah, Lola; Ahsanunnida, Ruhama; Haryanto, Dwi
Ecobuss Vol 13 No 1 (2025): Jurnal Ilmiah Ecobuss, Volume 13, No 1, Maret 2025
Publisher : Fakultas Ekonomi dan Bisnis Universitas Panca Marga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51747/ecobuss.v13i1.2319

Globalization and technological advancements have brought many changes and innovations to various products. One of the sectors that has experienced a lot of progress and change is the economic sector. Many business actors innovate the products they offer. This article is a literature review that aims to analyze the application of green products in the culinary sector. This sector was chosen considering that it is related to food and beverages which are basic needs. Data was obtained from sharing literature sources in the form of books, research results and articles published in scientific journals. The findings show that culinary business actors can implement green products from upstream to downstream. This application can be started by using raw materials that are safe for consumer health and friendly to the environment. Furthermore, when packaging for the distribution process, packaging materials that are safe for health and natural materials can be used. And in the downstream part, it also pays attention to the residue or waste from production activities. So that it does not have an impact on health and environmental sustainability

PERAN SKEMA WARNA KOMPLEMENTER UNTUK PENGUATAN MOOD DAN LOOK DALAM FILM AMÉLIE Dwi Cahyo, Adam; Yeni Astuti, Soekma; Haryanto, Dwi
LAYAR: Jurnal Ilmiah Seni Media Rekam Vol. 11 No. 1 (2024): MEMBACA NARASI TANDA KARYA VISUAL
Publisher : Institut Seni Budaya Indonesia Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar

The film Amelie is a romantic comedy film from France. The film Amelie tells the story of a shy waitress who tries to change her identity to become a valuable person in the surrounding community. The film Amelie presents beautiful visuals with contrasting colors that are harmonious or complementary in the artistic elements. The complementary color scheme of the film Amelie is characteristic and conveys the mood and look of comedy and romantic genre films. The research method used was a qualitative descriptive method with a literature study to analyze the role of complementary color schemes in the artistic elements of strengthening the mood and look of the film Amelie. The research data is in the form of the film Amelie with analysis techniques in the form of data reduction, data presentation and drawing conclusions. Complementary color schemes reinforce seven types of mood and look, namely earthy, playful, provocative, robust, tribal, power-clashing, and active. The role of complementary color schemes in artistic elements can strengthen the mood and look of a film so that the atmosphere and feel of the story in a film become stronger and more memorable.

Peningkatan Literasi Digital Melalui Pelatihan Pengelolaan Website Di Pondok Pesantren Salafiyah Iqro Palangkaraya Windiarti, Ika Safitri; Miftahurrizqi; Haryanto, Dwi
Jurnal Pengabdian UntukMu NegeRI Vol. 6 No. 2 (2022): Pengabdian Untuk Mu negeRI
Publisher : LPPM UMRI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37859/jpumri.v6i2.3947

The Salafiyah Islamic Boarding School (PPS) IQRO does not yet have a website to support the learning process and promote IQRO PPS to parents of prospective students, donors, partners, government, and other organizations. The implementation team and partners have held discussions to address these problems. To deal with the first problem, the first thing to do is to do a Need Analysis or needs analysis from PPS IQRO related to the website. Need Analysis will be conducted with Focus Group Discussion (FGD) involving elements of managers, teachers, and students, as well as several community leaders. The solution that has been agreed upon is to first design a profile website based on the results of the Need Analysis and FGD. After that website development for partners. To overcome the second and third problems is to conduct training on the development and management of profile websites and learn about the elements found in partners. The solution that has been agreed upon is to schedule the training, which is preceded by a Pre-Test and ends with a Post-Test to determine the level of understanding and skills. In addition, there will be assistance for the next 3 years in managing the website.

BIOPIC FILM AND POLITICAL IDENTITY: CONTESTATION OF DIVERSITY OF IDEOLOGY IN INDONESIAN MOVIES TEXT POST-SOEHARTO REGIME Haryanto, Dwi
Capture : Jurnal Seni Media Rekam Vol. 10 No. 1 (2018)
Publisher : Seni Media Rekam ISI Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/capture.v10i1.2196

This discussion examines the textuality relationship between the historical facts of biography and the narrative structure of films that present figures who during the New Order (Orde Baru) regime were alienated from Indonesian historiography. Through a study of the films Gie, Soegija, Sang Kiai, Soekarno, and Jenderal Soedirman, they can deconstruct the meaning of historical films produced by the New Order regime which are dominated by Soeharto's image. The emergence of biopic films that narrate the characters with identity plurality is a deconstructive tipical and reflects the antithesis of filmmakers on film products in the era of the Soeharto regime. Whereas in the New Order era, films with epic historical genre, identical to the hegemony of the military struggle which are reduced by civil society narratives, such as moslem teacher (kiai) and moslem student (santri) and other minority groups, which in the context of historical facts also contributed greatly to the era of nation formation through representation of ethnic nationalism and civic nationalism. The Indonesiandiscourse which is reflected in the hidden meanings of biopic films studied represents a plurality of ideologies and identity political formation in popular culture products.

Seminar Multimedia Interaktif Tim Dosen Multimedia dan Mahasiswa untuk Guru Matematika Sudihartinih, Eyus; Purniati, Tia; Marwati, Rini; Rachmatin, Dewi; Usdiyana, Dian; Muftiyah, Salma; Sari, Asyifa Anggun; Fophin, Theodore Dwivaland; Novianingsih, Khusnul; Haryanto, Dwi
ABDI MOESTOPO: Jurnal Pengabdian Pada Masyarakat Vol 7, No 2 (2024): Juli 2024
Publisher : Universitas Prof. Dr. Moestopo (Beragama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32509/abdimoestopo.v7i2.4231

Tujuan penulisan artikel ini yaitu untuk mendeskripsikan kegiatan PkM berjudul Seminar Multimedia Interaktif untuk Guru Matematika. PkM ini menggunakan model pelatihan Goad, yaitu 1) analisis kebutuhan pelatihan, 2) desain pendekatan pelatihan, 3) pengembangan materi pelatihan, 4) pelaksanaan pelatihan, dan 5) evaluasi dan pemutakhiran pelatihan. Bentuk kegiatan PkM ini, yaitu seminar untuk guru matematika SMP di Kota Bandung dan implementasi pada siswa kelas VIII. Tempat pelaksanaan PkM adalah SMP LabSchool UPI dan Program studi Pendidikan Matematika Fakultas Pendidikan Matematika dan Ilmu Pengetahuan Alam di Universitas Pendidikan Indonesia. Instrumen yang digunakan pada seminar dalam rangka PkM ini adalah angket guru. PkM telah dilakukan melalui implementasi media pembelajaran Scratch pada siswa kelas 8 SMP dan seminar dengan 6 buah pengembangan materi, yakni Scratch, Google Form, model-model pembelajaran, Kahoot, Quizizz, dan Liveworksheets yang diikuti oleh kurang lebih 100 peserta. Hasil dari PkM ini, yaitu kegiatan berjalan baik dan bermanfaat bagi guru matematika serta diharapkan dapat diadakan secara rutin. Dengan demikian, perlunya program lanjutan untuk meningkatkan pengetahuan dan keterampilan guru.

Editing Cross Cutting Untuk Mendukung Pola Penceritaan Non-Linear Pada Film Inception (2010) Luthfi, Muhammad; Haryanto, Dwi; Suharto
ROLLING Vol. 8 No. 1 (2025): ROLLING Volume 8 Nomor 1 Tahun 2025
Publisher : Universitas Jember

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19184/rolling.v8i1.53696

Cross cutting is one of the editing techniques in the film world that plays a role in supporting non-linear storytelling patterns. This technique allows simultaneous and dynamic movement between space and time, providing a complex and captivating narrative experience for the audience. This article aims to analyze the use of cross cutting editing in supporting non-linear storytelling patterns in Christopher Nolan's film Inception (2010). Through a descriptive qualitative research method, this study explores how the arrangement of rhythm, continuity, and manipulation of time flow through cross cutting can create layers of stories that are logically and emotionally connected. The results of the study show that cross cutting not only functions as a transition tool between scenes, but also becomes a narrative element that strengthens the theme and the audience's understanding of the complex storyline.

Pengaruh Pembiayaan Syariah dan Ibu kota Negara (IKN) Nusantara terhadap di Kemiskinan di Kalimantan Haryanto, Dwi
Neraca: Jurnal Pendidikan Ekonomi Vol. 10 No. 1 (2024): Neraca: Jurnal Pendidikan Ekonomi
Publisher : Institute for Research and Community Services Universitas Muhammadiyah Palangkaraya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33084/neraca.v10i1.8437

Penelitian ini meneliti pengaruh pembiayaan syariah dan pembangunan ibu kota negara (IKN) Nusantara terhadap kemiskinan di provinsi yang berada di Kalimantan. Metode pada penelitian ini menggunakan metode kuantitatif dengan analisis regresi data panel Fixed Effect Model (FEM). Variabel pada penelitian ini adalah kemiskinan, pembiayaan syariah, dana pihak ketiga, pendapatan domestik regional bruto (PDRB) di Kalimantan Barat, Kalimantan Tengah, Kalimantan Selatan, Kalimantan Timur dan Kalimantan Utara serta Ibu Kota Negara (IKN) Nusantara sebagai variabel dummy. Sumber data berasal dari data kemiskinan dan PDRB yang dikeluarkan Badan Pusat Statistik (BPS) serta data pembiayaan syariah dan jumlah dana pihak ketiga yang dikeluarkan oleh Otoritas Jasa Keuangan (OJK) dari tahun 2014 sampai 2023. Hasil penelitian menunjukkan bahwa pembiayaan bank syariah dan IKN berpengaruh terhadap penurunan kemiskinan yang ada di provinsi Kalimantan.

Kajian Awal Prospek Bahan Galian Monasit Mengandung U dan Elemen Asosiasinya di Semelangan Ketapang, Kalimantan Barat Subiantoro, Lilik; Soetopo, Bambang; Haryanto, Dwi
EKSPLORIUM Vol. 32 No. 1 (2011): MEI 2011
Publisher : BRIN Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17146/eksplorium.2011.32.1.2826

Semelangan study area included in the regional geology Ketapang. Geochemical analysis of sediment samples that represented showed that the region Semelangan Ketapang, District Nanga Tayap, Ketapang identified monazite deposite containing radioactive mineral. The monazite minerals containing rare earth element are potential. The presence of radioactive elements have been identified by the analysis granulometry of some pan consentrate samples. They containt of monazite grain mineral to reach 63% and some sample content of zircon grain mineral up to 40% (from total grains), grain analysis of rock samples are samples containing monazite 0.11 %. Activities study in this area is done by studying ecxisting data and laboratory data evaluation, which covering studies geological aspects, source rock, trap and plaser monazite deposits containing U, Th and REE and zircon. The objective is to obtain information about the character of geological and mineral resource distribution of monazite containing Th and U and rare earth elements in monazite and zircon. Source rock of the monazite minerals is a granite with aged 77-15 million (Yura - Late Cretaceous), including the S type granite group that formed in the alkali granite pegmatitic stage, which highly differentiated advanced at a temperature 550-6000°C. The radioactivity anomalous values is 400 c/s – 9200 c/s (biotite granite) with a mineral character of the form K-feldspar, quartz and plagioclase (K-feldspar to plagioclase ratio varies from 80-100 versus 10), containing minerals association such as thorit, monazite, zircon and alanit. The U content in granite rock ranging from 2.5 ppm - 64.8 ppm U. Lateral distribution plaser alluvial sediments contain monazite occupy flood plains of the valley between the hills, is located separately from the coastal plain and following the granite distribution pattern (source monazite). Monazite prospect region lies at the flood plains of the valley catcment area S. Pawan, S. Tulah and S Laur with a total area of 2.1135 million hectares.

Title

Found 30 Documents
Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title Search

Found 30 Documents Search

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Abstract

Title

Found 30 Documents
Search