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Klasifikasi Sentimen Ulasan Aplikasi Claude Menggunakan Naive Bayes dan Support Vector Machine Mubarok, Muhammad Zidna; Rizqi, Saiful; Rizal, Ramadhan Muchamad; Syalim, Andhita Bagus Noor; Iksan, Nur
JUSIFOR : Jurnal Sistem Informasi dan Informatika Vol 4 No 1 (2025): JUSIFOR - Juni 2025
Publisher : Fakultas Sains Dan Teknologi, Universitas Raden Rahmat Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70609/jusifor.v4i1.7054

Abstract

Analisis sentimen adalah teknik penting yang digunakan untuk memproses data tekstual untuk mengetahui pendapat pengguna mengenai suatu produk. Penelitian ini menggunakan teknik machine learning, khususnya Multinomial Naive Bayes dan Support Vector Machine (SVM) Linear, untuk mengkategorikan sentimen ulasan untuk aplikasi Claude yang tersedia di Google Play Store. Data ulasan diperoleh melalui web scraping dan kemudian dibersihkan dan diproses untuk ekstraksi fitur menggunakan metode TF-IDF. Evaluasi model dilakukan dengan menggunakan matriks seperti akurasi, presisi, recall, dan f1-score. Temuan menunjukkan bahwa kedua model menunjukkan kemampuan klasifikasi yang kuat, dengan SVM Linear mencapai akurasi tertinggi sebesar 99,8%, presisi 99,9008%, recall 99,7446%, dan f1-score 99,8221%. Visualisasi melalui WordCloud dan analisis frekuensi kata membantu dalam mengidentifikasi istilah-istilah kunci yang terkait dengan setiap kategori sentimen. Hasil ini menggambarkan bahwa teknik machine learning efektif dalam menangkap sentimen pengguna dan menjadi dasar untuk menciptakan aplikasi berbasis AI yang lebih berorientasi pada pengguna.
SUBJEKTIVITAS KOLEKTIF : KRISIS EKSISTENSI DALAM KARYA SENI Iksan, Nur
Studi Budaya Nusantara Vol. 3 No. 1 (2019)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2019.003.01.04

Abstract

Abstract As dynamic humans beings who are obliged to always improve the quality of their life, they should not adjust and neutralize about their value for the outside offer. Ideally, human must engaged in every process and be the subject for it if they want to be a true self. A process that undertake to get a holistic knowledge as a perfection foundation for the meaning of their life. Being themself and be men that freely and be aware of all their actions. A consequence must faced with put the choice based on the autonomous authority, for a faith and appreciation in the activity. However, in the global mode for this time, we will very difficult to find the human of life that are able to reach into authenticity in themself. In the reality, through the mass media the authoritarian rule legal and illegal have created mass culture in a view. This phenomenon can be seen in the work of the mass media that presents the imagination that artificial continuously with mechanisms of hypnosis as injection technique awareness. A uniformity system that offers “ established ” with basic systems of material, imaging, social status and even morality. The offering above without based of knowledge about subjectively will increasingly the encourage individuals in experiencing an identity crisis, aware for media massa presenting and the end it’s make a majority view of society. The phenomenon described above as an idea of the creation printmaking art works with an autocriticism charge of the human condition is experiencing an existential crisis, by using the method of creation: exploration, brainstorming, and shaping or embodiment.the process of assembling the excess of graphic work through reproduction into the canvas medium with puzzele techniques. Art work of the collective subjectivity theme is expected to be a reflective media of humans in an existential crisis.
Degradasi Seni Reduksi Kreatifitas Dalam Arus Globalisasi Iksan, Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 3 No. 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/bri.v3i2.317

Abstract

As human beings that be dynamic creatures, they should not compromise or ended by neutralized from the authenticity offering from the outside. They should optimize their having potential to reveal the reality and they involvement in any process that they must be a subject of the process if they want to ben gebuine self.This portion will put them on the holistic of knowledge that became the foundation for life. This knowledge as a foundation for the improvement of the meaning of life into a personal selft and forming themselves freely and be aware of his actions. A konswensi to be faced with the choice of putting the authority that based on autonomous, and appreciation for the confidence with which to create a form of human responsibility for the existence. Humans created to “be authentic”. there are two elements of human to act creative. They are the productive capacity and the ability to rekonstruktif. every human being has the potential for resulting in literary works, independence be important factor fr themselves with “intact” and put the position by way of productivity in order to meet their needs. Creativity (the essence of art) this boils down to whether it’s the creation of something that could be used by others or just for personal expression. Here the creation of a literary work does not mean he has to paint, play music, play movies, and art is actually an activity that has an important role in human life, and in some perspectives of art is one aspect that must  be fulfilled for people in need of aesthetic or beauty. As a tool for reflection and raise awareness in personal, to response any issues.Here the subjectivity has a vital role in a terms of beautiful sense that have relation with a sense of satisfaction problems in human beings, there is fundamental need and absurd in its fulfillment.Moreover, the reality of the dynamic, demanding for human to always be example, the primordial man with several tolls in the ritual that aimed to worshiping the gods. The appearance of gods as projections is be the substances that embodiment of sublime everything that in needs are absurd. That is something similar that can be found in every human being in compliance with the terms that are beautiful. keywords : creativity, art,authentic.
RELIEF CANDI KIDAL SEBAGAI IDE PENCIPTAAN MOTIF BATIK SRI WEDHATAMA Rahmawati, Femi Eka; Iksan, Nur; Rohman, Ahmad Syarifuddin
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 12 No. 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i2.3238

Abstract

Kota Malang merupakan salah satu kota yang memiliki peninggalan sejarah terutama dari  situs-situs candi Kerajaan Singosari. Kerajaan Singosari merupakan salah satu kerajaan besar di nusantara yang sampai sekarang terdapat peninggalan sejarahnya, yaitu Candi Kidal. Keunikan candi ini adalah terdapat ornament yang tidak hanya sebagai ornament hias, namun terdapat ornament cerita yang mempunyai makna filosofis sangat tinggi. Salah satu perwujudan pelestarian ornament Candi Kidal yakni dengan pembuatan batik. Batik merupakan salah satu kekayaan kebudayaan bangsa Indonesia yang sudah diakui dunia dan banyak digunakan dalam berbagai acara baik dari kalangan bawah, menengah dan kalangan atas ataupun acara kenegaraan.Penelitian ini bertujuan mendokumentasikan ornament hias atau relief dan merancang motif batik dari ornament-ornamnet hias Candi Kidal yang sesuai dengan makna untuk di sandang sebagai citra batik khas Malang Raya. Metode penelitian yang digunakan adalah metode kualitatif dengan kombinasi penelitian desain, sehingga menghasilkan desain motif batik Sri Wedhatama. Nama batik Sri Wedhatama  merupakan perwakilan dari perlambangan baik pada ornament, sehingga diharapkan motif tersebut membuat penyandang mempunyai praba yang baik sesuai dengan motif batik yang disandangnya. 
SENI DALAM DIMENSI EKOLOGI: PERAN INSAN SENI DALAM ADVOKASI ISU LINGKUNGAN Anggrian, Mayang; Iksan, Nur
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 14 No. 2 (2022)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v14i2.3964

Abstract

Art and its crosses in ecological areas have the opportunity and potential to help advocate environmental issues in the community. However, the art of ecology and advocacy about it has not been done by many artists. Even artwork and environmental advocacy are less popular and desirable in the art ecosystem because it doesn’t intersect with the practical economy of artists. In fact, referring to the increasingly critical global ecological situation, it is currently necessary to make sustainable efforts to build community eco consciousness. This research then questioned about the motives of art activist doing artwork with environmental theme, as well as their role in advocating environmental issues in society. Furthermore, this research also examines how the impact of artistic work with the environmental theme on the surrounding community. This is interesting because the various environmental advocacy efforts that have been caried out by these artist have been responded to by various dynamics in society, and it can be seen if people of the arts can play a unique role in environmental advocacy. In the end the qualitative descriptive method used in this study found a number of certain pattern about the motivation, role, and impact of environmental art work that has been carried out by artists in the local community. Based on this research environmental advocacy and artistic work have become a catalyst for the appreciation of eco-consciousness of the surrounding community. The position of the arts is quite strategic as agent of change.
PENGGUNAAN INSTAGRAM SEBAGAI SUMBER INFORMASI WISATA DKI JAKARTA @Jakarta.Tourism Iksan, Nur; Yasya, Wichitra; Dwinarko, Dwinarko
NUSANTARA : Jurnal Ilmu Pengetahuan Sosial Vol 10, No 4 (2023): NUSANTARA : JURNAL ILMU PENGETAHUAN SOSIAL
Publisher : Universitas Muhammadiyah Tapanuli Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31604/jips.v%vi%i.%Y.%p

Abstract

Penelitian ini membahas mengenai penggunaan media social Instagram sebagai sumber informasi Wisata DKI Jakarta @Jakarta.Tourism. penelitian ini merupakan sebuah penelitian kualitatif dengan Teknik analisis konseptual pada penelitian-penelitian terdahulu dengan menggunakan teori Computer Mediated Communication (CMC). Hasil dari penelitian ini bahwa media social Instagram sangat berperan sebagai salah satu platform digital dalam memperoleh informasi wisata yang terdapat di DKI Jakarta. Media Sosial Instagram dianggap sebagai sarana yang efektif  memperoleh informasi melalui postingan, reels, share dan like postingan. Dengan adanya akun @Jakarta.tourism dapat memberikan rekomendasi wisata yang ada di DKI Jakarta.