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All Journal Humaniora Nusa: Jurnal Ilmu Bahasa dan Sastra Jurnal Bahasa dan Sastra Poetika: Jurnal Ilmu Sastra Lakon : Jurnal Kajian Sastra dan Budaya E-Dimas: Jurnal Pengabdian kepada Masyarakat Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Magistra Andalusia : Jurnal Ilmu Sastra Metahumaniora MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial Kawruh : Journal of Language Education, Literature and Local Culture Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Darussalam English journal Alinea: Jurnal Bahasa, Sastra, dan Pengajaran Widyaparwa BAHASTRA Jurnal Multidisiplin Indonesia Southeast Asian Language and Literature Studies
Novi Siti Kussuji Indrastuti
Universitas Gadjah Mada
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Veterinary Other

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Aryojeding Rejotangan Tulungagung: Investigation of an Oral Literature using Van Perseun's Theory of Culture: Situs Aryojeding Rejotangan Tulungagung: Penelusuran sebuah Sastra Lisan Perspektif Teori Kebudayaan Van Perseun Etsha Ari Kusuma Dianti; Novi Siti Kussuji Indrastuti
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 13 No. 2 (2024): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v13i2.65430

Abstract

The aim of this research is to uncover the cultural phases of the Aryojeding site in Rejotangan, Tulungagung, through the lens of Van Perseun's cultural theory. There are two nearby relics at the site: the tomb of Ki Ageng Sengguruh and the Aryojeding temple or shrine. The research method employed is qualitative-descriptive.The findings reveal mystical elements, evident in myths and food-related artifacts. Ontological studies highlight traditions such as pilgrimage and the slametan ritual during the Satu Suro (Javanese New Year). From a functional perspective, the community regards this tomb as both a historical source and a cultural heritage asset worth preserving, leading to its designation as a "site" that is part of a protected cultural reserve. Additionally, the site has a caretaker (juru kunci), reinforcing its functional phase as an educational medium.  
Representasi Minangkabau Tabedo dalam Novel-Novel Pengarang Minangkabau Sesudah PRRI Ronidin, Ronidin; Sudibyo, Sudibyo; Indrastuti, Novi Siti Kussuji
Jurnal Bahasa dan Sastra Vol 12, No 3 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v12i3.131058

Abstract

This article is about the representation of Minangkabau tabedo in the novels of Minangkabau authors after PRRI (Pemerintahan Revolusioner Republik Indonesia). Minangkabau tabedo is a manifestation of the difficult and dilemmatic socio-ideological conditions faced by the Minangkabau people after PRRI. The data of this research are taken from the novels of Minangkabau authors after PRRI, namely Dari Puncak Bukit Talang by Soewardi Idris, Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. The analysis of the novels is based on Lucien Goldmann's theory of genetic structuralism and its dialectical method, and is supported by Lotman's theory of narrative text regarding the elaboration of the structure of literary works as a conceptual construction centred on the idea of binary opposition. The findings of this article show that Minangkabau tabedo is a complex of ideas and worldviews of the author that are homologously expressed in the structure of the novel and the social structure of post-PRRI Minangkabau society. The representation of Minangkabau tebedo is seen through the changes taking place in Minangkabau society, such as the shift in Minangkabau family identity from matrilineal to patrilineal; changes in the behaviour of overseas Minangkabau who are uprooted from the roots of tradition, morality and religion; the diminishing role of traditional elites such as the mamak and alim ulama; the increasingly dominant role of fathers, eliminating the role of the mamak; the fading of communal culture and the development of individual lifestyles.
Me(Pe)rantau “si Malin Kundang” in the novels of Minangkabau authors after PRRI Ronidin, Ronidin; Sudibyo, Sudibyo; Indrastuti, Novi Siti Kussuji
MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial Vol 8, No 2 (2024)
Publisher : Prodi Pendidikan Sejarah Fakultas Keguruan dan Ilmu Pendidikan Universitas Islam Sumatera

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/mkd.v8i2.9506

Abstract

This article is about the phenomenon of me(pe)rantau tragic among Minangkabau people in four novels by Minangkabau authors after Pemerintahan Revolusioner Republik Indonesia (PRRI), namely Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. These famous novels after PRRI are sociological and philosophical based novels that express the author's worldview at the maximum level of coherence. In the analysis of these four novels, Lotman's narrative text theory is applied to elaborate the structure of literary works as a conceptual construction centered on the idea of binary opposition. Lotman's elaboration reinforces Eco's view that certain cultural units become meaningful when placed within another cultural unit that is opposed to them. Based on the analysis, the novels that are the subject of this study place the overseas world (dunia rantau) as a source of problems for the Minangkabau people. The characters who encounter the overseas world (dunia rantau) are positioned as "the disobedient" when they face the village world (dunia kampung) as an oppositional relationship.
Analisis Sastra Lisan Mak Tiolo Suku Bambam: Perspektif Sastra Lisan Ruth Finnegan Kussuji Indrastuti, Novi Siti; Elga , Renni
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 4 No. 3 (2024): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v4i3.1103

Abstract

This study aims to determine the composition, style, and performance in Ma' Tiolo oral literature in the Bambam tribe. This study uses a qualitative method with Ruth Finnegan's oral literature theory. The object of this study is Ma' Tiolo oral literature in the Bambam tribe with data collection techniques, namely recording, (audio and visual), taking notes, interviews, observations, and literature studies. The research location in this study is located in Tabulahan sub-district, Mamasa district, West Sulawesi province. The results of this study are that the composition of Ma' Tiolo oral literature does not use memorized sentences and is in accordance with the creativity of the storyteller, the storyteller has sentences (with uncertain word choices) to open and close the storytelling process, and the story told always has a moral message at the end of the story. For style and performance, it was found that in general the theme or setting in the story is family or friendship, the storyteller is more silent when telling the story, there is interaction in the storytelling process, and Ma' Tilo can be done by anyone if they can speak Bambam and know ancient stories such as some of the stories presented in this study.
Pantun dan Mantra dalam Upacara Menumbai di Kabupaten Pelalawan, Provinsi Riau: Kajian Komposisi, Transmisi, dan Fungsi Hafid Arofat, Moch.; Siti Kussuji Indrastuti, Novi
Jurnal Multidisiplin Indonesia Vol. 1 No. 3 (2022): Jurnal Multidisiplin Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jmi.v1i3.97

Abstract

Pantun dan mantra menumbai termasuk bagian dari upacara menumbai di Kabupaten Pelalawan, Provinsi Riau. Pantun dan mantra menumbai tergolong ke dalam sastra lisan karena dilantunkan saat upacara dan tidak adanya teks sebagai pegangan saat upacara. Objek material pada penelitian ini adalah serangkaian pantun dan mantra menumbai yang didapat dari dari lantunan narasumber, yakni Juagan Tuo. Penelitian ini menggunakan objek formal dari teori sastra lisan Albert B. Lord dan fungsi sastra lisan Ruth Finnegan. Ada dua rumusan masalah pada penelitian ini, yakni 1) bagaimana konteks sosial budaya, komposisi, dan transmisi terkait pantun dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau, dan 2) bagaimana fungsi pantn dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau. Hasil penelitian ini menunjukkan bahwa ada inkonsistensi pola pantun dan mantra dengan tema besar berupa penghormatan kepada ratu lebah, penghuni pohon sialang, Nabi Sulaiman, Nabi Muhammad, pada saat memanen madu sialang. Konteks pertunjukan meliputi situasi, penampil, durasi, dan penonton. Transmisi yang terjadi pada generasi sebelumnya dilakukan lewat hubungan keluarga dan lewat pertunjukan secara langsung. Transmisi yang terjadi pada masa kini bergantung dari pendokumentasian yang telah dilakukan oleh pemerintah setempat dan para peneliti. Konteks sosial budaya agraris meliputi sistem pemakaian hutan tanah sialang, sistem perkebunan madu, dan pengolahan madu. Masyarakat pendukung terhadap adanya upacara menumbai adalah Batin, kepala adat yang memberlakukan hukum adat yang berlaku. Di luar itu, para penampil yang terdiri dari Juagan Tuo, Juagan Mudo, dan tukang sambut berperan penting terhadap upacara menumbai. Selain itu, ada petani, pedagang, dan masyarakat setempat yang turut mendapat manfaat dari madu sialang. Fungsi pantun dan mantra menumbai terdiri dari tiga fungsi besar, yakni religius, sosial, dan ekologis. Fungsi pantun lebih bersifat horizontal, yakni berhubungan antar masyarakat agar terjalin ikatan gotong-royong dan saling membantu, sedangkan fungsi mantra lebih bersifat vertikal, yakni melibatkan alam dan Tuhan agar yakni melibatkan alam dan Tuhan agar mencukupkan rezeki dan tempat masyarakat menggantungkan hidupnya.
Strategi Pengembangan Ekowisata Taman Air Tlatar (Etasia) sebagai Wisata daerah pada masa Pandemi Covid-19 Dd Kabupaten Boyolali Hafid Arofat, Moch.; Kussuji Indrastuti, Novi Siti
Jurnal Multidisiplin Indonesia Vol. 1 No. 4 (2022): Jurnal Multidisiplin Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jmi.v1i4.119

Abstract

Pantun dan mantra menumbai termasuk bagian dari upacara menumbai di Kabupaten Pelalawan, Provinsi Riau. Pantun dan mantra menumbai tergolong ke dalam sastra lisan karena dilantunkan saat upacara dan tidak adanya teks sebagai pegangan saat upacara. Objek material pada penelitian ini adalah serangkaian pantun dan mantra menumbai yang didapat dari dari lantunan narasumber, yakni Juagan Tuo. Penelitian ini menggunakan objek formal dari teori sastra lisan Albert B. Lord dan fungsi sastra lisan Ruth Finnegan. Ada dua rumusan masalah pada penelitian ini, yakni 1) bagaimana konteks sosial budaya, komposisi, dan transmisi terkait pantun dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau, dan 2) bagaimana fungsi pantn dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau. Hasil penelitian ini menunjukkan bahwa ada inkonsistensi pola pantun dan mantra dengan tema besar berupa penghormatan kepada ratu lebah, penghuni pohon sialang, Nabi Sulaiman, Nabi Muhammad, pada saat memanen madu sialang. Konteks pertunjukan meliputi situasi, penampil, durasi, dan penonton. Transmisi yang terjadi pada generasi sebelumnya dilakukan lewat hubungan keluarga dan lewat pertunjukan secara langsung. Transmisi yang terjadi pada masa kini bergantung dari pendokumentasian yang telah dilakukan oleh pemerintah setempat dan para peneliti. Konteks sosial budaya agraris meliputi sistem pemakaian hutan tanah sialang, sistem perkebunan madu, dan pengolahan madu. Masyarakat pendukung terhadap adanya upacara menumbai adalah Batin, kepala adat yang memberlakukan hukum adat yang berlaku. Di luar itu, para penampil yang terdiri dari Juagan Tuo, Juagan Mudo, dan tukang sambut berperan penting terhadap upacara menumbai. Selain itu, ada petani, pedagang, dan masyarakat setempat yang turut mendapat manfaat dari madu sialang. Fungsi pantun dan mantra menumbai terdiri dari tiga fungsi besar, yakni religius, sosial, dan ekologis. Fungsi pantun lebih bersifat horizontal, yakni berhubungan antar masyarakat agar terjalin ikatan gotong-royong dan saling membantu, sedangkan fungsi mantra lebih bersifat vertikal, yakni melibatkan alam dan Tuhan agar yakni melibatkan alam dan Tuhan agar mencukupkan rezeki dan tempat masyarakat menggantungkan hidupnya
From ‘artifact’ to stage ‘performance’: A comparison of the romantic-nationalist and performative paradigms in folklore studies Andalas, Eggy Fajar; Prawiroatmodjo, Sudibyo; Saktimulya, Sri Ratna; Indrastuti, Novi Siti Kussuji
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 2 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i2.1225

Abstract

The emergence of the text/context debate in folklore research has facilitated new interpretations of how researchers approach their objects. Folklore research focusing solely on "text" has faced criticism for disregarding the contextual factors surrounding the genesis of folklore. This study compares the paradigm that perceives folklore textually with the paradigm that contextualizes it by examining the Romantic-nationalist and Performative paradigms. The use of the Romantic nationalism paradigm as a representative of item-oriented research is based on its historical, epistemological, and practical aspects. This study uses a qualitative methodology with a literature review to evaluate and synthesize existing research on the Romantic-nationalist and Performative paradigms in folklore studies. The primary distinction lies in focus: Romantic-nationalism views folklore as a traditional artifact that fosters collective identity, while the performative paradigm sees folklore as a dynamic social event in constant flux. While each paradigm has distinct strengths and limitations, synthesizing both offers a comprehensive perspective encompassing the static and dynamic dimensions of folklore. This study provides a framework for understanding folklore as both cultural heritage and a mechanism for constructing identity within dynamic social change.
The Art of Monstrosity: Shannon’s Monstrous Body Transformation in Palahniuk’s Invisible Monster: - -, Iftinan Rose Putri Safana; Novi Siti Kussuji Indrastuti
Darussalam English Journal (DEJ) Vol. 5 No. 1 (2025): June 2025
Publisher : Universitas KH. Mukhtar Syafaat (UIMSYA) Blokagung Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30739/dej.v5i1.3804

Abstract

The novel Invisible Monster by Chuck Palahniuk reflects the phenomenon of body transformation, such as mutilation, which is considered by society as a deviation from the norm and is called a monstrous body. The discourse is expressed through the character Shannon who carries out facial mutilation; thus, providing space to better understand the phenomenon as an effort to deconstruct established norms. This study aims to investigate the form and factors of monstrous body transformation. To achieve this goal, the researcher used a descriptive qualitative approach by applying two theories, namely Steinhoff's Body Transformation theory and Bakhtin's Grotesque Body theory. This study found a monstrous body form in the form of a crushed face, experienced by Shannon. The crushed face was because Shannon shot herself in the face. Therefore, Shannon's face was destroyed, her jaw was open, her tongue was sticking out, and she continued to bleed and ooze. The crushed face deviated greatly from society's norms of ideal beauty; thus, it was called a monstrous body. Then, this study identified the factors of Shannon's monstrous body transformation, namely abberanormia, which was developed from the Body Transformation theory. Abberanormia was identified from Shannon's condition of wanting to break the norms of beauty not because she was unable to meet them, but because she had reached those standards and felt bored.
The Legend of The Shrine of Prince Diponegoro and Kyai Ajar as a Tourism Promotion Potential for Watu Jengger Waterfall Ibtisam, Ibtisam; Indrastuti, Novi Siti Kussuji; Wali, Abdul
 Southeast Asian Language and Literature Studies Vol. 1 No. 1 (2024): Southeast Asian Languages and Literature Studies
Publisher : BRIN Publishing (Penerbit BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/salls.2024.4112

Abstract

Oral literature holds a strong attraction to cultural heritage, whether it is heritage in the form of differences or others, such as water sources, mountains, rivers, and forests that may have literature in the form of folklore, myths, mystical stories, or legends in a region. For example, Kulon Progo Regency, a regency directly bordering Magelang, Central Java, is the place where the history of the Javanese War occurred. There is no doubt about the natural beauty of Kulon Progo, such as mountains, peaks, tea plantations, caves, and equally stunning are the murmuring waterfalls like Watu Jengger Waterfall, hidden from the crowds of visitors. This research will delve into how the legends of Watu Jengger Waterfall have become oral literature that has been passed down through generations in Madigondo and have the potential to promote Watu Jengger Waterfall tourism. This research, conducted using the tourism literature method, connects oral traditions (lore) in the form of legends with their collective background (folklore). The research results show that the legends of Watu Jengger Waterfall dominate three forms of oral literature according to Albert B. Lord: formula, theme, and function. Watu Jengger Waterfall can be developed in the development of folklore-based literary tourism, with its legendary stories, both in oral and written literature. Attractions will be one of the most important components as a means of promotion to the general public through media.
Fokalisasi Tiga Cerpen Pilihan dalam Kumpulan Cerpen Taman Tanpa Aturan Karya Noor. HD : Kajian Naratologi Gerard Genette Aryulita, Erlin; Novi Siti Kussuji Indrastuti; Venny Indria Ekowati
Kawruh: Journal of Language Education, Literature and Local Culture Vol. 7 No. 1 (2025): April 2025
Publisher : Universitas Veteran Bangun Nusantara Sukoharjo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32585/kawruh.v7i1.7136

Abstract

A collection of short stories entitled Taman Tanpa Aturan by Noor H. Dee presents childern's imagination from the knowledge and symbols they encounter. The world of children filled with curiosity in Taman Tanpa Aturan is provided through high level of fantasy genre story. Three most interesting of twenty-four story titles in Taman Tanpa Aturan short story collection have been selected: 1) Rambut Jeruk Alma, 2) Gelembung Sabun, dan 3) Taman Tanpa Aturan. The three selected short stories raise questions about the influence of focalization (the narator's voice) on the delivery of the message. Using the narratology research by Gerard Genette, this research reveals the narrative technique used by Noor H. Dee in delivering messages to children through his work. The research data source from selected short stories in the short story collection Taman Tanpa Aturan. Using a qualitative descriptive method, the data in the from of words, phrases, and sentence in this study were analyzed using Gerard Genette's narrative technique consisting of duration, mood, and voice. The result of the data analysis in this study show that the message contained in the three short stories between the messages received by child readers and adult readers can have differences. The difference in message reception known through the narrative level which is in extradiegetic-heterodiegetic with zero focalization in the short story entiteld Rambut Jeruk Alma and Gelembung Sabun, and selective heterodiegetic in Taman Tanpa Aturan because the focalization is composed of a combination of zero and internal focalization.
Co-Authors -, Iftinan Rose Putri Safana Adji, Beryl Septiani Andalas, Eggy Fajar Aryulita, Erlin Asef Saeful Anwar Dewojati, Cahyaningrum Elga , Renni Etsha Ari Kusuma Dianti Faruk Faruk Hafid Arofat, Moch. Ibtisam Ibtisam, Ibtisam Jafar Lantowa Joko Santoso Karimah, Aisyah Akhlaqul Pratiwi, Fadila Prawiroatmodjo, Sudibyo Ronidin Ronidin Sandri, Mery Sri Ratna Saktimulya Sudibyo Sudibyo Susetyo Hario Putero Venny Indria Ekowati Wali, Abdul Wildanta, Yandi Chidlir Zuliana, Rina