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Novi Siti Kussuji Indrastuti
Universitas Gadjah Mada
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Veterinary Other

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Self Defense Mechanism of the Character Matara in the Novel Mata di Tanah Melus by Okky Madasari: A Psychological Study of Literature Sandri, Mery; Indrastuti, Novi Siti Kussuji
Humanis Vol 28 No 3 (2024)
Publisher : Udayana University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JH.2024.v28.i03.p04

Abstract

This research aims to describe the aspects identified as a form of self-defense mechanism that occurs in the main character Matara in the novel "Mata Di Tanah Melus" by Okky Madasari. This research is studied using Sigmund Freud's thoughts on self-defense mechanisms. According to Freud, self-defense mechanisms are efforts from the subconscious to defend themselves from threats or anxiety. To describe the findings, this research uses a qualitative descriptive method. The results of this study show that there are four forms of self-defense mechanisms in Matara's character when facing conflict, namely: denial self-defense mechanism, repression self-defense mechanism, formation reaction self-defense mechanism, and rationalization self-defense mechanism. All forms of self-defense mechanism responses that occur in Matara's character are Matara's efforts to regain her comfort when she is in a situation that makes her anxious.
Me(Pe)rantau “si Malin Kundang” in the novels of Minangkabau authors after PRRI Ronidin, Ronidin; Sudibyo, Sudibyo; Indrastuti, Novi Siti Kussuji
MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial Vol 8, No 2 (2024)
Publisher : Prodi Pendidikan Sejarah Fakultas Keguruan dan Ilmu Pendidikan Universitas Islam Sumatera

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/mkd.v8i2.9506

Abstract

This article is about the phenomenon of me(pe)rantau tragic among Minangkabau people in four novels by Minangkabau authors after Pemerintahan Revolusioner Republik Indonesia (PRRI), namely Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. These famous novels after PRRI are sociological and philosophical based novels that express the author's worldview at the maximum level of coherence. In the analysis of these four novels, Lotman's narrative text theory is applied to elaborate the structure of literary works as a conceptual construction centered on the idea of binary opposition. Lotman's elaboration reinforces Eco's view that certain cultural units become meaningful when placed within another cultural unit that is opposed to them. Based on the analysis, the novels that are the subject of this study place the overseas world (dunia rantau) as a source of problems for the Minangkabau people. The characters who encounter the overseas world (dunia rantau) are positioned as "the disobedient" when they face the village world (dunia kampung) as an oppositional relationship.
Fungsi Praktik Mantra Pengobatan Di Desa Bukit Kemang, Kecamatan Tanah Tumbuh, Kabupaten Bungo, Provinsi Jambi sandri, Mery; Indrastuti, Novi Siti Kussuji
Magistra Andalusia: Jurnal Ilmu Sastra Vol. 6 No. 1 (2024)
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/majis.6.1.143.2024

Abstract

Penelitian ini mengkaji fungsi mantra pengobatan yang ada di desa Bukit Kemang, kecamatan Tanah Tumbuh, kabupaten Bungo, rovinsi Jambi. Mantra pengobatan yang ada di desa Bukit Kemang memiliki praktik khusus dalam pelaksanaannya yang berbeda dari daerah-daerah lain yang ada di kecamatan Tanah Tumbuh. Ada banyak macam mantra pengobatan di desa Bukit Kemang, seperti mantra pengobatan demam, mantra pengobatan sakit perut gembung, dan mantra pengobatan ketulangan ikan. Metode yang digunakan dalam penelitian ini yaitu deskriptif kualitatif, dengan menjabarkan hasil analisis yang berfokus pada fungsi dari mantra yang menjadi objek penelitian. Hasil penelitian ini menunjukkan bahwa fungsi mantra pengobatan yang ada di desa Bukit Kemang memiliki ragam fungsi sesuai dengan mantra yang digunakan, dan proses dalam mendapatkan mantra tersebut dilakukan secara turun termurun dari sang guru sebagai tradisi lisan.
Aryojeding Rejotangan Tulungagung: Investigation of an Oral Literature using Van Perseun's Theory of Culture: Situs Aryojeding Rejotangan Tulungagung: Penelusuran sebuah Sastra Lisan Perspektif Teori Kebudayaan Van Perseun Etsha Ari Kusuma Dianti; Novi Siti Kussuji Indrastuti
Lakon : Jurnal Kajian Sastra dan Budaya Vol. 13 No. 2 (2024): JURNAL LAKON
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/lakon.v13i2.65430

Abstract

The aim of this research is to uncover the cultural phases of the Aryojeding site in Rejotangan, Tulungagung, through the lens of Van Perseun's cultural theory. There are two nearby relics at the site: the tomb of Ki Ageng Sengguruh and the Aryojeding temple or shrine. The research method employed is qualitative-descriptive.The findings reveal mystical elements, evident in myths and food-related artifacts. Ontological studies highlight traditions such as pilgrimage and the slametan ritual during the Satu Suro (Javanese New Year). From a functional perspective, the community regards this tomb as both a historical source and a cultural heritage asset worth preserving, leading to its designation as a "site" that is part of a protected cultural reserve. Additionally, the site has a caretaker (juru kunci), reinforcing its functional phase as an educational medium.  
Representasi Minangkabau Tabedo dalam Novel-Novel Pengarang Minangkabau Sesudah PRRI Ronidin, Ronidin; Sudibyo, Sudibyo; Indrastuti, Novi Siti Kussuji
Jurnal Bahasa dan Sastra Vol 12, No 3 (2024)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v12i3.131058

Abstract

This article is about the representation of Minangkabau tabedo in the novels of Minangkabau authors after PRRI (Pemerintahan Revolusioner Republik Indonesia). Minangkabau tabedo is a manifestation of the difficult and dilemmatic socio-ideological conditions faced by the Minangkabau people after PRRI. The data of this research are taken from the novels of Minangkabau authors after PRRI, namely Dari Puncak Bukit Talang by Soewardi Idris, Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. The analysis of the novels is based on Lucien Goldmann's theory of genetic structuralism and its dialectical method, and is supported by Lotman's theory of narrative text regarding the elaboration of the structure of literary works as a conceptual construction centred on the idea of binary opposition. The findings of this article show that Minangkabau tabedo is a complex of ideas and worldviews of the author that are homologously expressed in the structure of the novel and the social structure of post-PRRI Minangkabau society. The representation of Minangkabau tebedo is seen through the changes taking place in Minangkabau society, such as the shift in Minangkabau family identity from matrilineal to patrilineal; changes in the behaviour of overseas Minangkabau who are uprooted from the roots of tradition, morality and religion; the diminishing role of traditional elites such as the mamak and alim ulama; the increasingly dominant role of fathers, eliminating the role of the mamak; the fading of communal culture and the development of individual lifestyles.
Me(Pe)rantau “si Malin Kundang” in the novels of Minangkabau authors after PRRI Ronidin, Ronidin; Sudibyo, Sudibyo; Indrastuti, Novi Siti Kussuji
MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial Vol 8, No 2 (2024)
Publisher : Prodi Pendidikan Sejarah Fakultas Keguruan dan Ilmu Pendidikan Universitas Islam Sumatera

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/mkd.v8i2.9506

Abstract

This article is about the phenomenon of me(pe)rantau tragic among Minangkabau people in four novels by Minangkabau authors after Pemerintahan Revolusioner Republik Indonesia (PRRI), namely Panggilan Tanah Kelahiran by Dt. B. Nurdin Jacub, Saraswati Si Gadis dalam Sunyi by A.A. Navis, Warisan by Chairul Harun, and Bako by Darman Moenir. These famous novels after PRRI are sociological and philosophical based novels that express the author's worldview at the maximum level of coherence. In the analysis of these four novels, Lotman's narrative text theory is applied to elaborate the structure of literary works as a conceptual construction centered on the idea of binary opposition. Lotman's elaboration reinforces Eco's view that certain cultural units become meaningful when placed within another cultural unit that is opposed to them. Based on the analysis, the novels that are the subject of this study place the overseas world (dunia rantau) as a source of problems for the Minangkabau people. The characters who encounter the overseas world (dunia rantau) are positioned as "the disobedient" when they face the village world (dunia kampung) as an oppositional relationship.
Analisis Sastra Lisan Mak Tiolo Suku Bambam: Perspektif Sastra Lisan Ruth Finnegan Kussuji Indrastuti, Novi Siti; Elga , Renni
Alinea: Jurnal Bahasa, Sastra dan Pengajaran Vol. 4 No. 3 (2024): Alinea: Jurnal Bahasa, Sastra, dan Pengajaran
Publisher : Bale Literasi: Lembaga Riset, Pelatihan & Edukasi, Sosial, Publikasi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58218/alinea.v4i3.1103

Abstract

This study aims to determine the composition, style, and performance in Ma' Tiolo oral literature in the Bambam tribe. This study uses a qualitative method with Ruth Finnegan's oral literature theory. The object of this study is Ma' Tiolo oral literature in the Bambam tribe with data collection techniques, namely recording, (audio and visual), taking notes, interviews, observations, and literature studies. The research location in this study is located in Tabulahan sub-district, Mamasa district, West Sulawesi province. The results of this study are that the composition of Ma' Tiolo oral literature does not use memorized sentences and is in accordance with the creativity of the storyteller, the storyteller has sentences (with uncertain word choices) to open and close the storytelling process, and the story told always has a moral message at the end of the story. For style and performance, it was found that in general the theme or setting in the story is family or friendship, the storyteller is more silent when telling the story, there is interaction in the storytelling process, and Ma' Tilo can be done by anyone if they can speak Bambam and know ancient stories such as some of the stories presented in this study.
Pantun dan Mantra dalam Upacara Menumbai di Kabupaten Pelalawan, Provinsi Riau: Kajian Komposisi, Transmisi, dan Fungsi Hafid Arofat, Moch.; Siti Kussuji Indrastuti, Novi
Jurnal Multidisiplin Indonesia Vol. 1 No. 3 (2022): Jurnal Multidisiplin Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jmi.v1i3.97

Abstract

Pantun dan mantra menumbai termasuk bagian dari upacara menumbai di Kabupaten Pelalawan, Provinsi Riau. Pantun dan mantra menumbai tergolong ke dalam sastra lisan karena dilantunkan saat upacara dan tidak adanya teks sebagai pegangan saat upacara. Objek material pada penelitian ini adalah serangkaian pantun dan mantra menumbai yang didapat dari dari lantunan narasumber, yakni Juagan Tuo. Penelitian ini menggunakan objek formal dari teori sastra lisan Albert B. Lord dan fungsi sastra lisan Ruth Finnegan. Ada dua rumusan masalah pada penelitian ini, yakni 1) bagaimana konteks sosial budaya, komposisi, dan transmisi terkait pantun dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau, dan 2) bagaimana fungsi pantn dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau. Hasil penelitian ini menunjukkan bahwa ada inkonsistensi pola pantun dan mantra dengan tema besar berupa penghormatan kepada ratu lebah, penghuni pohon sialang, Nabi Sulaiman, Nabi Muhammad, pada saat memanen madu sialang. Konteks pertunjukan meliputi situasi, penampil, durasi, dan penonton. Transmisi yang terjadi pada generasi sebelumnya dilakukan lewat hubungan keluarga dan lewat pertunjukan secara langsung. Transmisi yang terjadi pada masa kini bergantung dari pendokumentasian yang telah dilakukan oleh pemerintah setempat dan para peneliti. Konteks sosial budaya agraris meliputi sistem pemakaian hutan tanah sialang, sistem perkebunan madu, dan pengolahan madu. Masyarakat pendukung terhadap adanya upacara menumbai adalah Batin, kepala adat yang memberlakukan hukum adat yang berlaku. Di luar itu, para penampil yang terdiri dari Juagan Tuo, Juagan Mudo, dan tukang sambut berperan penting terhadap upacara menumbai. Selain itu, ada petani, pedagang, dan masyarakat setempat yang turut mendapat manfaat dari madu sialang. Fungsi pantun dan mantra menumbai terdiri dari tiga fungsi besar, yakni religius, sosial, dan ekologis. Fungsi pantun lebih bersifat horizontal, yakni berhubungan antar masyarakat agar terjalin ikatan gotong-royong dan saling membantu, sedangkan fungsi mantra lebih bersifat vertikal, yakni melibatkan alam dan Tuhan agar yakni melibatkan alam dan Tuhan agar mencukupkan rezeki dan tempat masyarakat menggantungkan hidupnya.
Strategi Pengembangan Ekowisata Taman Air Tlatar (Etasia) sebagai Wisata daerah pada masa Pandemi Covid-19 Dd Kabupaten Boyolali Hafid Arofat, Moch.; Kussuji Indrastuti, Novi Siti
Jurnal Multidisiplin Indonesia Vol. 1 No. 4 (2022): Jurnal Multidisiplin Indonesia
Publisher : Riviera Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58344/jmi.v1i4.119

Abstract

Pantun dan mantra menumbai termasuk bagian dari upacara menumbai di Kabupaten Pelalawan, Provinsi Riau. Pantun dan mantra menumbai tergolong ke dalam sastra lisan karena dilantunkan saat upacara dan tidak adanya teks sebagai pegangan saat upacara. Objek material pada penelitian ini adalah serangkaian pantun dan mantra menumbai yang didapat dari dari lantunan narasumber, yakni Juagan Tuo. Penelitian ini menggunakan objek formal dari teori sastra lisan Albert B. Lord dan fungsi sastra lisan Ruth Finnegan. Ada dua rumusan masalah pada penelitian ini, yakni 1) bagaimana konteks sosial budaya, komposisi, dan transmisi terkait pantun dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau, dan 2) bagaimana fungsi pantn dan mantra pada upacara menumbai pohon sialang pada masyarakat Pelalawan, Riau. Hasil penelitian ini menunjukkan bahwa ada inkonsistensi pola pantun dan mantra dengan tema besar berupa penghormatan kepada ratu lebah, penghuni pohon sialang, Nabi Sulaiman, Nabi Muhammad, pada saat memanen madu sialang. Konteks pertunjukan meliputi situasi, penampil, durasi, dan penonton. Transmisi yang terjadi pada generasi sebelumnya dilakukan lewat hubungan keluarga dan lewat pertunjukan secara langsung. Transmisi yang terjadi pada masa kini bergantung dari pendokumentasian yang telah dilakukan oleh pemerintah setempat dan para peneliti. Konteks sosial budaya agraris meliputi sistem pemakaian hutan tanah sialang, sistem perkebunan madu, dan pengolahan madu. Masyarakat pendukung terhadap adanya upacara menumbai adalah Batin, kepala adat yang memberlakukan hukum adat yang berlaku. Di luar itu, para penampil yang terdiri dari Juagan Tuo, Juagan Mudo, dan tukang sambut berperan penting terhadap upacara menumbai. Selain itu, ada petani, pedagang, dan masyarakat setempat yang turut mendapat manfaat dari madu sialang. Fungsi pantun dan mantra menumbai terdiri dari tiga fungsi besar, yakni religius, sosial, dan ekologis. Fungsi pantun lebih bersifat horizontal, yakni berhubungan antar masyarakat agar terjalin ikatan gotong-royong dan saling membantu, sedangkan fungsi mantra lebih bersifat vertikal, yakni melibatkan alam dan Tuhan agar yakni melibatkan alam dan Tuhan agar mencukupkan rezeki dan tempat masyarakat menggantungkan hidupnya
From ‘artifact’ to stage ‘performance’: A comparison of the romantic-nationalist and performative paradigms in folklore studies Andalas, Eggy Fajar; Prawiroatmodjo, Sudibyo; Saktimulya, Sri Ratna; Indrastuti, Novi Siti Kussuji
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 8 No 2 (2025)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v8i2.1225

Abstract

The emergence of the text/context debate in folklore research has facilitated new interpretations of how researchers approach their objects. Folklore research focusing solely on "text" has faced criticism for disregarding the contextual factors surrounding the genesis of folklore. This study compares the paradigm that perceives folklore textually with the paradigm that contextualizes it by examining the Romantic-nationalist and Performative paradigms. The use of the Romantic nationalism paradigm as a representative of item-oriented research is based on its historical, epistemological, and practical aspects. This study uses a qualitative methodology with a literature review to evaluate and synthesize existing research on the Romantic-nationalist and Performative paradigms in folklore studies. The primary distinction lies in focus: Romantic-nationalism views folklore as a traditional artifact that fosters collective identity, while the performative paradigm sees folklore as a dynamic social event in constant flux. While each paradigm has distinct strengths and limitations, synthesizing both offers a comprehensive perspective encompassing the static and dynamic dimensions of folklore. This study provides a framework for understanding folklore as both cultural heritage and a mechanism for constructing identity within dynamic social change.
Co-Authors -, Iftinan Rose Putri Safana Adji, Beryl Septiani Andalas, Eggy Fajar Aryulita, Erlin Asef Saeful Anwar Dewojati, Cahyaningrum Elga , Renni Etsha Ari Kusuma Dianti Faruk Faruk Hafid Arofat, Moch. Ibtisam Ibtisam, Ibtisam Jafar Lantowa Joko Santoso Karimah, Aisyah Akhlaqul Pratiwi, Fadila Prawiroatmodjo, Sudibyo Ronidin Ronidin Sandri, Mery Sri Ratna Saktimulya Sudibyo Sudibyo Susetyo Hario Putero Venny Indria Ekowati Wali, Abdul Wildanta, Yandi Chidlir Zahro, Alhasanah Zuliana, Rina