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Category Shift in the Story of the First Day of World’s Creation on Genesis Yesia Kristadella; Ni Ketut Alit Ida Setianingsih; I Gusti Agung Istri Aryani
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.4315

Abstract

This paper is made in order to analyze the structure shifts in the story of the first day of world’s creation on Genesis. Category shifts refer as a grammatical or structural components change during translation between a source language (SL) and a target language (TL). This research aimed to find what type of category shift used and how the category shift implied in the story of the first day of world’s creation on Genesis.  The study revealed that all types of category shifts were used in total of 25 occurrences.  Structure shift was found occurring 20% (5 times), class shift was found occurring 36% (9 times), unit shift was also found occurring 36% (9 times) including 8% of low to high unit shift (2 occurrences) and 28% of high to low unit shift (7 occurrences), and intra-system shift was found occurring 8% (2 times). Class shifts and unit shifts were the most frequently occurring while intra-system shift were the least.   Keywords: Translation, Category Shift, Biblical Text  
A Study of Slang in the Television Series Ginny & Georgia Season 1 Episode 1 Ni Putu Whulan Gana Putri; Galuh Febri Putra; Ni Ketut Alit Ida Setianingsih
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5069

Abstract

This study explores the use of slang in the first episode of Season 1 of the television series Ginny & Georgia, focusing on identifying the types of slang employed by the characters and interpreting their meanings within conversational contexts. The research applies a descriptive qualitative approach, utilizing Allan and Burridge’s (2006) theory to categorize slang types and Leech’s (1981) theory of meaning to analyze their meanings. The analysis reveals five categories of slang: Fresh and Creative, Flippant, Imitative, Acronyms, and Clipping, with Flippant slang emerging as the most frequently used. Each slang term is examined for its contextual meaning, uncovering various types of meanings such as Conceptual, Connotative, Social, Affective, and Reflective Meanings. Based on the findings, Affective Meaning appears most prominently, reflecting the characters’ emotional tones and interpersonal dynamics. While some types of meanings like Collocative and Thematic Meaning were absent, the findings underscore how slang in the series operates beyond casual speech, serving as a linguistic tool to express identity, emotion, and cultural nuance.
Psychological Aspects of the Main Character in A Man Called Otto Movie (2022) Nyoman Putri Tarani Gayatri; I Nyoman Aryawibawa; Ni Ketut Alit Ida Setianingsih
Jurnal Riset Rumpun Ilmu Bahasa Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH)
Publisher : Pusat riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurribah.v4i1.5321

Abstract

This research aims to analyze the psychological aspects of the main character, Otto Anderson, in the movie A Man Called Otto (2022), using Bernhardt’s (1953) theory of psychology. The study identifies five key aspects of human motivation reflected in Otto’s character: appetites, wants, emotions, feelings and attitudes, and social motives. This research uses a qualitative method and applies descriptive analysis to examine the character's psychological behavior. Data were collected using the documentation method by selecting specific scenes from the film and classifying them based on Bernhardt’s categories. The analysis reveals that Otto’s behavior is deeply influenced by his psychological state, especially in response to the loss of his wife. Each psychological aspect demonstrates how his internal motivations are shaped by grief and gradually shift toward emotional healing and renewed engagement with others. This study contributes to the understanding of character development through psychological analysis in film narratives.