Articles
<![CDATA[7 Three Dimensional Aspects of the Major Character in Oscar Wilde’s Vera ]]>
<![CDATA[Mulyawan, I Wayan]]>
<![CDATA[ Journal of Language and Literature Vol 15, No 1 (2015): April ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
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DOI: 10.24071/joll.v15i1.368
<![CDATA[Drama is a portrait of a real life situation and the theme of a drama is closely related to daily life conditions experienced by the character. A Character is defined as an entity, human or animal, that is created by the author. A good character should be natural and lifelike, especialy in physiological, psychological and sociological dimensions known as three dimensional aspect of a character. These dimensions are very interesting to discuss since they are very important to determine the qualities of the characters in a drama.Physiologically, Vera is described as a beautiful young lady with beautiful eyes. Sociologically, Vera is concluded as coming from an average family in Russia, living in a poor society, and living under tyranny. She has lived in an inn with her father before she saw her brother taken away to prison for seeking for liberty as a Nihilist. Psychologically, Vera is seen as a loving person though she does not put love as priority. She loves her country and her brother. She wants to revenge on the King for being a tyrant. She is a brave woman. It is seen from how she becomes a Nihilist to revenge for her brother and to end up the tyranny in her country.Keywords: physiological dimension, psychological dimension, and sociological dimension]]>
<![CDATA[GLOCALIZATION OF BALINESE LANGUAGE AS OUTDOOR SIGN IN DESA ADAT KUTA BALI ]]>
<![CDATA[Mulyawan, I Wayan]]>
<![CDATA[ International Journal of Education Vol 10, No 1 (2017): August 2017 ]]>
Publisher : <![CDATA[UPI Press ]]>
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DOI: 10.17509/ije.v10i1.5042
<![CDATA[As a tourist destination, Kuta has become an international village which forces the native to use more English than Balinese in their working life. One of the most visible media of communication in Kuta is in the form of out-door sign. Out-door sign is considered to be the most effective mass media communication and the study is known as Linguistic Landscapes. The focus of this study is to investigate the glocalization of Balinese language as a medium of communication in Kuta especially, on out-door signs. The data of this study were collected by taking pictures of all out-door signs in Kuta area, such as Raya Kuta St., Kartika Plaza St., Pantai Kuta St., and Legian St.. The data were classified into two main types: commercial signs and non-commercial signs. The analysis started with identification of the language use and followed by a combination of language use in all signs. The finding shows that Balinese language is only used in 43 signs out of 1132 signs. Furthermore, from the 43 signs, there are only 22 using pure Balinese, 19 signs using Indonesian with Balinese Letters, and 2 signs using a combination of Balinese and Indonesian. The conclusion of the study is that the glocalization of Balinese language is not yet achieved; in fact, Balinese language is marginalized in Bali as out-door signs.]]>
<![CDATA[PELATIHAN BAHASA PERANCIS DASAR BAGI PEKERJA WISATA TIRTA DI MUSHROOM BAY NUSA LEMBONGAN ]]>
<![CDATA[S.A Isnu Maharani]]>;
<![CDATA[I Wayan Mulyawan]]>;
<![CDATA[P. Lirishati Soethama]]>;
<![CDATA[I Nyoman Tri Ediwan]]>;
<![CDATA[IGN Parthama]]>
<![CDATA[ Buletin Udayana Mengabdi Vol 17 No 4 (2018): Buletin Udayana Mengabdi ]]>
Publisher : <![CDATA[Lembaga Penelitian dan Pengabdian kepada Masyarakat ]]>
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DOI: 10.24843/BUM.2018.v17.i04.p04
<![CDATA[Pelatihan bahasa Perancis dasar bertujuan untuk memperkenalkan bahasa Perancis kepada masyarakat di Nusa Lembongan khususnya pekerja wisata tirta di Mushroom Bay. Adapun pelatihan ini dilakukan berangkat dari fenomena meningkatnya kunjungan wisatawan Perancis ke Bali di tahun 2016 yang mencapai kenaikan sebesar 27,6 % dibandingkan tahun sebelumnya. Nusa Lembongan yang menjadi salah satu destinasi wisata mau tidak mau harus bersiap diri dengan sumber daya manusianya. Pekerja wisata tirta yang merupakan profesi dominan di Nusa Lembongan adalah mereka yang berinteraksi langsung dengan wisatawan mancanegara. Interaksi dimaksud adalah interaksi komunikasi menggunakan bahasa asing. Penguasaan bahasa asing lainnya selain bahasa Inggris tentunya sudah menjadi keharusan bagi mereka untuk meningkatkan pelayanan terhadap para wisatawan. Pelatihan bahasa Perancis dasar ini menggunakan pendekatan fungsional yaitu pendekatan yang dalam mempelajari bahasa dengan melakukan kontak langsung dengan masyarakat atau orang yang menggunakan bahasa tersebut. Adapun metode yang digunakan adalah metode drill dengan teknik permainan. Orientasi pelatihan ini adalah berfokus pada peserta pelatihan untuk bisa memaksimalkan kemampuan interaksi dan komunikasi mereka. Dari kegiatan tersebut, peserta pelatihan diharapkan akan mendapatkan pengalaman belajar bahasa Perancis dasar yang menyenangkan.]]>
<![CDATA[Linguistics Landscapes: New Normal Life Representation in Kuta, Bali ]]>
<![CDATA[I Wayan Mulyawan]]>;
<![CDATA[I Gusti Agung Istri Aryani]]>
<![CDATA[ Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 28 No 2 (2021) : September ]]>
Publisher : <![CDATA[Program Magister Linguistik Universitas Udayana ]]>
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DOI: 10.24843/ling.2021.v28.i02.p07
<![CDATA[The covid-19 pandemic has influenced all human life worldwide. This pandemic affects all life in the world, including in Indonesia. Covid-19 had destroyed all aspects of life in Indonesia. One of the most devastating sectors affected is the tourism industry. In order to boost economic sustainability, the Indonesian government, through the Health Ministry, had issued a circular letter no. HK.02.01/MENKES/335/2020 about Protokol Pencegahan Penularan Corona Virus Disease (Covid-19) di Tempat Kerja Sektor Jasa dan Perdagangan (Area Publik) dalam Mendukung Keberlangsungan Usaha [Protocol for Prevention of Corona Virus Disease (Covid-19) Transmission in the Workplace of the Service and Trade Sector (Public Area) in Supporting Business Continuity]. This study is aimed to investigate the implementation of the Covid-19 protocol as an adaptation of New Normal life in Kuta village, Bali, Indonesia. It is chosen as the research area since Kuta is one of the international tourist destinations in Bali that mostly rely on the tourism industry. The data of this study is taken from any outdoor sign representing New Normal protocol in the area. The documentation method and note-taking technique were applied in collecting the data. The analysis is based on linguistics landscapes theory. The result showed that there are 199 outdoors signs found in 10 groups of most tourism facilities. The language of the sign is dominated by the Indonesian language with 84 signs, followed by the combination of English and Indonesian language with 55 signs.]]>
<![CDATA[MAKNA DAN IKLAN MEDIA CETAK: KAJIAN HIPERSEMIOKA ]]>
<![CDATA[I WAYAN MULYAWAN]]>
<![CDATA[ Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 15 (2008): March 2008 ]]>
Publisher : <![CDATA[Program Magister Linguistik Universitas Udayana ]]>
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<![CDATA[ABSTRACT Besides language exploitation phenomenon, in an advertisement, the presence of non-verbal elements also indicate the same phenomenon, whereas between non-verbal sign and the products or services that is being advertise sometimes have no relation in meaning at all and even reflect unrealistic meaning. In order to uncover the insight of this non-realistic meaning, it is required a special approach of hyperrealistic meaning theory that is Hypersemiotics.]]>
<![CDATA[STRUKTUR WACANA IKLAN MEDIA CETAK KAJIAN STUKTUR VAN DJIK ]]>
<![CDATA[I Wayan Mulyawan]]>
<![CDATA[ Linguistika: Buletin Ilmiah Program Magister Linguistik Universitas Udayana Vol 17 (2010): March 2010 ]]>
Publisher : <![CDATA[Program Magister Linguistik Universitas Udayana ]]>
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<![CDATA[Discourse of advertisements, especially in printed ads, has shown the development of an extraordinary language phenomenon. A copywriter is able to exploit the language to be used as the media of communicative ads, which is very interesting and persuading. This exploitation of language, especially the mixture of verbal and non-verbal signs, makes discourse of ads an interesting subject to explore and analyze. To study the exploitation of the language in the discourse of ads, there are three main points to learn as proposed by Van Dijk; They are : superstructure, micro structure, and macro structure of the ads. The study shows that, superstructure of an ads should has body copy which shows persuasiveness; in micro structure, the exploitation of verbal aspect intensely applied the grammatical roles of ellipsis, substitution and references; meanwhile in macro structure, an ads could shows remarkable persuasiveness through verbal and visual aspect]]>
<![CDATA[CONTRASTIVE ANALYSIS OF ENGLISH AND INDONESIAN NOUN ARTICLES ]]>
<![CDATA[I Wayan Mulyawan]]>
<![CDATA[ Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 8, No 1 (2014) ]]>
Publisher : <![CDATA[University of Muhammadiyah Purwokerto ]]>
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DOI: 10.30595/lks.v8i1.104
<![CDATA[Almost in all languages, there are terms of countable and uncountable nouns. In order to apply the noun, it should be preceded with an article. The articles that use in each language are different. This research is aimed to find out the different between English and Indonesia noun articles and to elicit which one has the most simple and/or complete. The problems discussed are : how do the articles used ?; what are the differences and similarities ? The discussion shows that the aplication of noun articles should be followed such as the nouns category/shape, the first letter of the nouns, the plural/singular form, etc.; the English article is more simple than the Indonesian article. Keywords: noun articles, countable and uncountable noun.]]>
<![CDATA[THE LIFE OF A MAYOR IN THOMAS HARDY’S THE MAYOR OF CASTERBRIDGE ]]>
<![CDATA[I Wayan Mulyawan]]>
<![CDATA[ Leksika: Jurnal Bahasa, Sastra dan Pengajarannya Vol 7, No 1 (2013) ]]>
Publisher : <![CDATA[University of Muhammadiyah Purwokerto ]]>
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DOI: 10.30595/lks.v7i1.112
<![CDATA[Literary work is fine work of art that can be easily understood by most of the people. One of the most popular works is novel. A good novel will be able to entertain the reader in such way that makes the reader keep on turning the pages. Novel is very interesting to analyze since there are no absolute rightness in exploring the meaning and message of the story. Theme is the central idea that is served implicitly in the story through the other elements such as character, plot, setting, point of view, language and style, lastly irony and symbol. Understanding the theme will make reading more joyful. The challenge in finding the theme of a novel is one point that makes the analysis of intrinsic element very interesting.]]>
<![CDATA[The Analysis of Code-Switching and Code-Mixing in a Fanfiction Entitled “Crazy Rich Chenle” ]]>
<![CDATA[Shareen Shareen Vanessa]]>;
<![CDATA[I Wayan Mulyawan]]>;
<![CDATA[Ni Ketut Ni Ketut Alit Ida Setyaningsih]]>
<![CDATA[ Udayana Journal of Social Sciences and Humanities Vol 5 No 2 (2021): UJoSSH, September 2021 ]]>
Publisher : <![CDATA[Research and Community Services Institutes of Udayana University ]]>
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DOI: 10.24843/UJoSSH.2021.v05.i02.p09
<![CDATA[This article is entitled “The Analysis of code-switching and code-mixing in a fan-fiction entitled “Crazy Rich Chenle””. This study aims to analyze the types of code-switching, types of code-mixing as well as the reasons of code-switching and code-mixing. The data is taken from the fan-fiction entitled “Crazy Rich Chenle”, written by Hadids and uploaded on the online reading platform known as “wattpad”. The documentation method and note-taking technique being used to collect the data. The data were analyzed using descriptive qualitative methods. This study uses the theory of Hoffman (1991) about types of code-switching and the theory proposed by Musyken (2000) about types of code-mixing. The result of this study showed that there are three types of code-switching and three types of code-mixing found and used by the characters in the fan-fiction “Crazy Rich Chenle”. The characters in the fan-fiction “Crazy Rich Chenle” mostly used inter-sentential switching and insertion types of code-mixing]]>
<![CDATA[7 Three Dimensional Aspects of the Major Character in Oscar Wildes Vera ]]>
<![CDATA[I Wayan Mulyawan]]>
<![CDATA[ Journal of Language and Literature Vol 15, No 1 (2015): April ]]>
Publisher : <![CDATA[Universitas Sanata Dharma ]]>
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Full PDF (811.816 KB)
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DOI: 10.24071/joll.v15i1.368
<![CDATA[Drama is a portrait of a real life situation and the theme of a drama is closely related to daily life conditions experienced by the character. A Character is defined as an entity, human or animal, that is created by the author. A good character should be natural and lifelike, especialy in physiological, psychological and sociological dimensions known as three dimensional aspect of a character. These dimensions are very interesting to discuss since they are very important to determine the qualities of the characters in a drama.Physiologically, Vera is described as a beautiful young lady with beautiful eyes. Sociologically, Vera is concluded as coming from an average family in Russia, living in a poor society, and living under tyranny. She has lived in an inn with her father before she saw her brother taken away to prison for seeking for liberty as a Nihilist. Psychologically, Vera is seen as a loving person though she does not put love as priority. She loves her country and her brother. She wants to revenge on the King for being a tyrant. She is a brave woman. It is seen from how she becomes a Nihilist to revenge for her brother and to end up the tyranny in her country.Keywords: physiological dimension, psychological dimension, and sociological dimension]]>
