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All Journal Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora KOMUNITAS: INTERNATIONAL JOURNAL OF INDONESIAN SOCIETY AND CULTURE Jurnal Sosioteknologi Journal of Visual Art and Design ANDHARUPA MUDRA Jurnal Seni Budaya Visualita : Jurnal Online Desain Komunikasi Visual Demandia : Jurnal Desain Komunikasi Visual, Manajemen Desain, dan Periklanan Jurnal Rupa Gestalt : Jurnal Desain Komunikasi Visual Kalatanda : Jurnal Desain Grafis dan Media Kreatif Wacadesain Jurnal bahasa, sastra, seni, dan pengajarannya eProceedings of Art & Design Journal of Social Work and Empowerment Jurnal Bahasa Rupa Jurnal Bahasa Rupa Jurnal bahasa, sastra, seni, dan pengajarannya
Rendy Pandita Bastari
Universitas Telkom
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences Other

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PERANCANGAN UI/UX MOBILE APPS PENANGGULANGAN ADIKSI ROKOK PADA REMAJA DI KOTA BANDUNG Muhamad, Laroybavi; Bastari, Rendy Pandita; Ar Razi, Aria
eProceedings of Art & Design Vol. 10 No. 6 (2023): Desember 2023
Publisher : Telkom University

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Abstract

Rokok dikonsumsi oleh banyak kalangan usia. Permasalahan adiksi rokok menjadi tantangan tersendiri bagi para remaja yang ingin membenahi kehidupannya. Dalam kasus adiksi rokok, pecandu akan kesulitan mengurangi rokok setelah timbulnya ketergantungan fisik dan psikologis sehingga membentuk perilaku ketergantungan. Proses penanghentian adiksi rokok dapat dilakukan secara mandiri, namun tingkat keberhasilannya dinilai rendah dan dibutuhkan dukungan eksternal berupa psikolog untuk mengerti siklus adiksi rokoknya. Kemajuan teknologi mempermudah kegiatan manusia dalam menyelesaikan masalahnya. Di samping kemudahan tersebut, penggunaan aplikasi dapat mempermudah mengatasi masalah remaja akan susahnya menghentikan adiksi rokok. Penelitian ini bertujuan untuk menghasilkan rancangan UI/UX dalam bentuk aplikasi mobile yang memiliki fungsi untuk menghentikan adiksi rokok pada remaja di kota Bandung dan menjadi media perantara pecandu dan psikolog. Hasil penelitian diharapkan dapat membantu para remaja untuk dapat menghentikan adiksinya. Penelitian ini merupakan penelitian kualitatif. Proses pengumpulan data dilakukan dengan cara observasi, wawancara, dan kuesioner. Data yang diperoleh dianalisis menggunakan analisis visual dan analisis matriks perbandingan, dengan mengacu pada sembilan pokok bahasan yaitu multimedia, aplikasi mobile, design thinking, pendekatan komunikasi, logo, user Interface, user experience, desain komunikasi visual, dan business model canvas. Kajian mengenai kesembilan bahasan tersebut sangat berguna untuk memahami bagaimana merancang UI/UX yang tepat untuk menjawab permasalahan yang dialami para remaja.Kata kunci: Aplikasi Mobile, UI/UX, Adiksi Rokok, Desain Komunikasi Visual
"LOP EN RESING" A SHORT FILM MEDIA DESIGN AS A PART OF SOCIAL CAMPAIGN TO RAISE AWARENESS FOR TEENAGERS ON ILLEGAL RACING IN BANDUNG Haq, Alvein Dhiwaul; Bastari, Rendy Pandita; Aditya, Dimas Krisna
eProceedings of Art & Design Vol. 11 No. 2 (2024): April 2024
Publisher : Telkom University

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Abstract

Illegal racing among teenagers is a serious concern in many cities, including Bandung, Indonesia. This research explores the use of short films as a tool to prevent illegal racing among teenagers in Bandung. Research methods include interviews, literature studies, questionnaires, and observation. The results of the research are expected to provide insight into the effectiveness of short films in changing the attitudes and behavior of adolescents regarding illegal racing. The findings of this study will benefit policy makers, educators and practitioners seeking to prevent illegal racing among youth in Bandung, Indonesia and elsewhere. Keywords: Illegal racing, teenagers, short film, media design, Bandung
NILAI-NILAI SUBKULTUR DALAM MEREK MATERNAL DISASTER Bastari, Rendy Pandita; Resmadi, Idhar; Lukito, Wahyu
Jurnal Bahasa Rupa Vol. 4 No. 2 (2021): Jurnal Bahasa Rupa April 2021
Publisher : Institut Bisnis dan Teknologi Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31598/bahasarupa.v4i2.670

Abstract

Subculture is a movement against the mainstream that is manifested through music, fashion and lifestyle. One of the supporting element of the manifestation of a subculture is the existence of products from certain brands that have authenticity. The authenticity of a brand can be formed through the interaction of a brand with its community. A brand is not constructed by itself, but it must be built with various actions towards a community with its own ecosystem so as to give rise to consumer attitudes and habits towards a brand's product. Previous studies have shown that general consumers with subcultural actors show different attitudes towards a product from a certain brand. Another study shows that brands imitate the behavior patterns of a subculture and make it their target market to sell products. This study aims to take another approach, namely a sociological approach, by conducting a case study of a brand that is associative with a subcultural movement, one of which is Maternal Disaster. The method used in this study was an unstructured interview with the owner of the Maternal Disaster brand, visual samples analysis and an analysis based on the sociological theory of Pierre Bourdieu. The result of this research is a recommendation, brands that want to start moving in the subculture must prioritize the values ​​that are upheld by the subculture movement. In addition, interaction with the community must be built through the support of activities in the subculture.
The creative process of two Indonesian NFT artists from the perspective of actor-network theory Bastari, Rendy Pandita; Resmadi, Idhar; Lukito, Wahyu
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya Vol. 51, No. 2
Publisher : citeus

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Abstract

The development of crypto has resulted in NFT (non-fungible token) derivation. Artists began to explore the NFT market with its potential. NFT artists have different ways to get engagement and establish themselves in the world of NFT, whether in terms of artwork substance or in the social field. This study aims to deconstruct the actors behind NFT artists to elucidate the visual style and the social engagement of artists in the world of NFT. The method used in this study is a qualitative approach with data validation from interviews and NFT artwork samples. The data was subsequently processed using actor-network theory (ANT) to analyze and trace the actors behind the NFT artists. Two Indonesian artists, namely Angga Tantama and Mufti Prianka, became the study cases in this research. The result of this study shows heterogeneous actors who support the artists in their work's substance and social engagement. In the case of Mufti Prianka, NFTs influenced him to explore the possibilities of creating digital artworks, whereas for Angga, NFT platforms became one of his well-established channels to publish artworks. Based on their networks, the two Indonesian artists studied have different approaches and motivations in creating and engaging with NFTs.
Exploring Fear and Imagination: A Statement of Practice for “Parade Lorong Kosambi” Bastari, Rendy Pandita
Mudra Jurnal Seni Budaya Vol 41 No 1 (2026)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v41i1.3139

Abstract

This statement of practice addresses not merely as a representational theme in visual art, but as a methodological catalyst that shapes artistic perception, decision-making, and meaning-making. The practice-based research explores how fear acts as an experiential and affective condition within the creative process, supporting observation, visual intervention, and material articulation. Using a combination of photography and drawing, the artwork “Parade Lorong Kosambi” juxtaposes photographic realism with drawn imaginary figures to see how imaginative intrusion disrupts the stability of everyday spaces. This study is grounded in a theoretical perspective on memetic transmission, drawing from Richard Dawkins and Richard Brodie to understand fear-related imagery as culturally circulating units, alongside psychoanalytic insights to reflect on fear as an unconscious driver or imaginative projection. These theories serve as interpretive lenses rather than explanatory models, supporting reflective decision-making throughout the practice-led process. The creative methodology involves site-specific observation, photographic documentation of urban locations, visual experimentation through culturally inspired sketching, and material realization using mixed media techniques. Rather than empirically analyzing audience reception, this statement of practice focuses on articulating how fear operates internally within artistic processes and manifests through visual and material strategies. This study contributes to contemporary art discourse by positioning fear as a source of experiential knowledge production within practice-led research. By framing artistic creation as a methodological inquiry into affection and imagination, the work demonstrates how fear can act as a legitimate epistemic force in artistic research, without relying on audience-based evaluation.
Co-Authors Alatas, Musthofa Nagib Aminudin T.H. Siregar Ananda Risya Triani Angelia Lionardi Anissa, Friska Aqiel, Yahya Abdillah Atria Nuraini Fadilla Balthazar, Fadhillah Musyaffa Bijaksana Prabawa Bukhori, Muhammad Hasan Al Chalisha, Moira Najla Diena Yudiarti Dimas Krisna Aditya Fadilla, Atria N. Fauzi Arif Adhika Fitrini, Hilda Ganjar Gumilar Gema Aria Prahara Haq, Alvein Dhiwaul Idhar Resmadi Iqbal Prabawa Wiguna Jiwa Utama Kirana, Nazhifa Diannisa Nadia Lingga Agung Lukito, Wahyu Luqman Rusdan Nugraha Mahardika, Ariel Fawwaz Mohammad Isa Pramana Koesoemadinata Muhamad, Laroybavi Muhammad Rafli Aditia Putra Solihin Nadhifa, Nida Patra Aditia Putra, I Dewa Alit Dwija Rahmiati Aulia Raihantoro, Anindhito Daffa Razi, Aria Ar Renaldiansah, Muhammad Riky Azharyandi Siswanto Wibawa, Aniendya Putrivieya