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All Journal FORUM Interaksi : Jurnal Ilmu Komunikasi Interaksi Online Jurnal Ilmu Komunikasi Jurnal Perempuan Jurnal Perempuan
Triyono Lukmantoro
Jurusan Ilmu Komunikasi, Fakultas Ilmu Sosial dan Ilmu Politik, Universitas Diponegoro
Arts Humanities Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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AUDIENCE RECEPTION ON YOUTUBE VIDEO ABOUT CHILDFREE Kevina Ukraina, Vadhillah; Hasfi, Nurul; Lukmantoro, Triyono
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The childfree phenomenon in Indonesia, although still considered taboo, is increasingly being discussed, especially on social media. Data from the Central Statistics Agency shows a 2.1% decline in the marriage rate, which was 1.74 million marriages, to 1.7 million in 2022. In addition, the birth rate has also experienced a significant decline of 30.64% in the last three decades. This decline is thought to be due to various social, economic, and cultural factors, including changes in views on the family and the role of women. The childfree phenomenon has sparked heated debate over traditional values that place children as an essential part of the family and women's identity. This study examines how audiences respond to the childfree narrative in the YouTube video "Semua Hal Itu Egois" on the Menjadi Manusia channel using the Netnography and Critical Discourse Analysis (CDA) approaches. The results of the study show a strong division of opinion. The pro-childfree group supports this choice as an expression of personal freedom and a form of rejection of traditional gender roles. Meanwhile, 1 the opposing group emphasizes patriarchal and religious values that consider the role of mother as a natural obligation for women. This debate illustrates a complex social dynamic, in which the childfree choice reflects the tension between individual freedom and strong cultural pressures to have a family in Indonesia. These differing interpretations highlight how deeply rooted traditional values are in Indonesian society.
STRATEGI KOMUNIKASI KLENTENG TITD LIONG HOK BIO DALAM MENJAGA TOLERANSI ANTARBUDAYA MELALUI KIRAB BUDAYA CAP GO MEH DI KOTA MAGELANG Kusuma, Ivana; Rahardjo, Turnomo; Lukmantoro, Triyono
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Abstract

Liong Hok Bio Temple in Magelang is a place of worship and cultural activity center that plays a crucial role in fostering tolerance and intercultural relationships. The Cap Go Meh cultural parade symbolizes tolerance, reduces antiChinese sentiment, and enhances intercultural tolerance in Magelang City. Although challenges of multiculturalism have lessened, effective communication strategies are still necessary to maintain tolerance. This study aims to analyze the communication strategies employed by TITD Liong Hok Bio Temple in the Cap Go Meh Cultural Parade in Magelang. A descriptive qualitative method with a case study approach was used, utilizing the Communication Accommodation Theory. The communication strategies used by the temple are divided into four parts: problem identification, goal setting, communication strategy formulation (communicators, target audience, messages, media, communication effects), and evaluation, which is split into summative and formative evaluations to assess success, identify obstacles, and provide suggestions for improving the quality of the Cap Go Meh Cultural Parade in the future. Data were collected through in-depth interviews. The results indicate that Liong Hok Bio Temple has effectively implemented communication strategies in the Cap Go Meh celebration. These include convergence strategies that integrate traditional culture with Chinese cultural elements to reduce potential conflicts and enhance tolerance, and divergence strategies aimed at highlighting Chinese cultural heritage and strengthening the spiritual bonds of the Liong Hok Bio Temple congregation. Although both strategies are used, the implementation predominantly features convergence strategies. The cultural parade has had a positive communication effect on increasing the knowledge and attitudes of the Magelang community 2 towards Chinese culture, as well as the potential for behavioral changes in appreciating cultural diversity
Sexuality of Colonized Subjects, a Postcolonial Analysis Anjani Salim, Siti Amira; Dwiningtyas Sulistyani, Hapsari; Lukmantoro, Triyono
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study explores @coolestkev's disruptive strategy of sexualizing Dutch colonization on TikTok through feminist rhetorical criticism and postcolonial analysis. The goal is to understand how this approach reinforces or challenges traditional gender norms and reflects postcolonial power structures. The results show that @coolestkev strengthens traditional gender norms and romanticizes the colonial past, while response videos from other creators present strong counter-narratives through nationalism and collectivism. This analysis reveals the complexities of identity in colonized societies, including internalized heterosexism and social pressures surrounding masculinity
INTERAKTIVITAS KOMENTAR VICTIM BLAMING DALAM KASUS NCII REBECCA KLOPPER DI MEDIA SOSIAL X Armaulida, Annisa; Lukmantoro, Triyono; Hasfi, Nurul
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study aims to determine the interactivity and the classification of victim blaming comments by X netizens towards NCII Rebecca Klopper case on @sosmedkeras post. This research uses a qualitative method with a netnography framework that focuses on X comments. Data collection techniques were carried out using archival data types and documented as screenshots or copy and paste of comments from @sosmedkeras post. This research used New media theory and interactivity theory to analyze the interactivity and classify victim-blaming comments against Rebecca Klopper. The results of this study show that the victim blaming comments on Rebecca Klopper occurs in two-way communication that dominantly carried out by anonymous accounts on X and elicited various pro and con responses. Pro responses are shown in the form of interactivity such as likes, reposts and comments demeaning the victim. Meanwhile, the con response is shown in the form of interactivity such as rebuttal comments and personal attacks agains the sender of the victim blaming comments. The study further identifies four categories of victim-blaming comments: 1) Blaming the act of recording sexual activities; 2) Sexual harassment; 3) Refusing to recognize Rebecca Klopper's status as a victim; and 4) Refusing to support or sympathize with the victim. Upon further examination, the deeply ingrained patriarchal culture in society and misunderstandings about NCII (Non-Consensual Dissemination of Intimate Images) case are the primary reasons for victim blaming phenomenon against Rebecca Klopper. To mitigate victim-blaming behavior in NCII cases, it is important to enhance education and raise public awareness about NCII, sexual behavior, and the concept of consent. This will contribute to creating a safer digital environment.
CANCEL CULTURE SEBAGAI RESPONS MASYARAKAT TERHADAP PELAKU KASUS PERSELINGKUHAN : KAJIAN PADA AKUN INSTAGRAM @ARAWINDAK Jehovani Ratna Mourina, Stella; Lukmantoro, Triyono; Naryoso, Agus
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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The cancel culture phenomenon emerges as a form of public rejection of public figures who behave deviantly. The research aims to understand the cancel culture phenomenon and various related actions by examining the cancel culture phenomenon that occurred to an actress involved in an affair, Arawinda Kirana. Arawinda Kirana is a newcomer actress whose name began to be recognized by the public through the movie Yuni (2021). In the film Arawinda Kirana plays the role of Yuni, through which Arawinda Kirana received awards, one of which was the winner of the 2021 Citra Cup in the category of Most Favorite Female Lead Actress, she is also known for creating the hashtag #BerkainBersama, a movement that invites young people to preserve and use kebaya, and she is familiarly known to the public as "Kartini Modern" From the data, it was found that Arawinda Kirana experienced a change in response from the public. Before cancel culture Arawinda was known as a talented young actress and was also known as a modern kartini' who received a lot of public support, praise both for her and her work. Changes in audience response after Arawinda Kirana experienced cancel culture are observed in the findings which are divided into the following categories: The increase in account performance and followers in the early days of cancel culture, comments that indicate stopping providing support to the target, comments that lead to calling out actions in comments containing suggestions and criticisms in comments which are divided into three types of calling out forms, namely the legal literacy group, defending justice for victims of infidelity and the group that criticizes moral and religious demands, no comments were found that vocally stated that they stopped supporting products or brands that were bound to collaborate with the target but in collaboration uploads, audience attention to the brand would be covered by the crowd of negative public comments directed at the target. Comments in the category of work rejection contain criticism of films that are not objective, insults to films, and invitations not to watch films, comments leading to virtual bullying contain swearing or sentences containing harsh words that are undirected and do not have clear definitions, insults that degrade the target's physique, forms of labeling comments to Arawinda Kirana such as "pelakor" "perek" "flirtatious" "home wrecker" "jablai" "gatal", and comments that degrade the target's physique
RESISTENSI TOKOH UTAMA PEREMPUAN TERHADAP DOMINASI PATRIARKI DALAM SERIAL MUSIKAL NURBAYA (2021) Pratama, Indra; Ratri Rahmiaji, Lintang; Lukmantoro, Triyono
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Gender inequality and patriarchal domination remain significant issues in Indonesia, including in the Minangkabau society, which follows a matrilineal kinship system. Despite the important role of women in Minangkabau's social structure, patriarchy still prevails, creating disparities between men and women. The Musikal Nurbaya (2021) series highlights this issue through its female protagonist who faces patriarchal pressure. This study aims to analyze the forms of resistance exhibited by the main female character against patriarchal domination in the series. Using hermeneutic analysis, the study explores 13 scenes and 3 songs in the series to understand how gender injustice is critiqued and confronted by the main character. The results show that the character Nur demonstrates both open and covert resistance to patriarchal domination, reflected in her rejection of traditional gender norms and her fight for individual freedom. The series also reveals that despite Minangkabau's matrilineal system, patriarchal domination continues to affect women's lives. In conclusion, Nur's resistance reflects a broader struggle to achieve gender equality amid patriarchal norms.
How the Experience of Living Overseas Sharpened Indonesian Student’s Intercultural Communication Competence Through Student Exchange Program at the University of Pécs Kanaya Faza, Kayla; Lukmantoro, Triyono; Manalu, Rouli
Interaksi Online Vol 12, No 3: Juli 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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This study delves into the intercultural communication competence of Indonesian students participating in the Exchange Student Program at the University of Pécs. It examines how they navigate the substantial cultural differences between Hungary and Indonesia, employing Byram's (1997) five elements of intercultural communication competence—attitude, knowledge, skills of interpreting and relating, skills of discovery and interaction, and critical cultural awareness/political education—and intergroup contact theory to explore potential prejudice. The findings reveal that despite facing significant cultural challenges, the students demonstrate and substantially enhance their intercultural communication competence. Utilizing a phenomenological approach, the intellectual perspectives of each student in navigating cultural differences enrich the study, contributing to a deeper understanding of their intercultural experiences and offering insights into broader cultural adaptation in educational exchange programs. All Indonesian students in this study exhibit their intercultural communication competence.
Pengaruh Radikalisme Politik Progresif dan Tingkat Literasi Digital Terhadap Partisipasi Politik Kaum Muda Hardiyanto, Muhamad; Pradekso, Tandiyo; Lukmantoro, Triyono
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Fenomena protes-protes oleh kaum muda menimbulkan radikalisasi politik di mana kaum muda semakin mengembangkan kesadaran akan perlunya perubahan mendalam di masyarakat. Ini mendorong mereka untuk melakukan partisipasi politik yang didukung oleh kecakapann mereka menggunakan teknologi digital dan dilakukan baik secara luring dan daring. Dalam kondisi representasi politik progresif di Indonesia yang tidak berjalan baik, potensi partisipasi politik kaum muda ini dapat terbatas karena peranan pentingnya menarik energi kaum muda kepada partisipasi politik perubahan. Penelitian ini memilih kaum muda berusia 17-30 tahun dan menggunakan internet sebagai populasi yang diteliti untuk mengetahui ada atau tidaknya pengaruh radikalisme politik progresif dan tingkat literasi digital terhadap tingkat partisipasi politik luring dan daring. Teori Uses, Gratification, and Dependency digunakan untuk menjelaskan penggunaan media digital yang sadar untuk memenuhi kebutuhan (politik) dan pembentukan pengetahuan, sikap, dan tindakan (politik) melalui interaksi dengan media. Sampel penelitian berjumlah 60 orang. Hasil penelitian menunjukkan tidak adanya pengaruh variabel independen terhadap variabel dependen. Populasi dengan karakteristik berbeda dan variabel independen berbeda disarakan untuk peneliti selanjutnya. Kepemimpinan politik, pendidikan politik, dan mobilisasi politik dipertimbangkan sebagai variabel yang membantu dalam menjelaskan partisipasi politik atau keterlibatan sosial di antara kaum muda.
FRAMING PRABOWO SUBIANTO PADA PILPRES 2024 DALAM TABLOIDISASI PEMBERITAAN DI DETIK.COM Khansa Berlian, Dinda; Noor Rakhmad, wiwid; Lukmantoro, Triyono
Interaksi Online Vol 12, No 4: Oktober 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Political news, especially related to the presidential election, should ideally be packaged seriously and substantively because it functions to help the public choose a leader rationally. However, a number of mainstream online media in Indonesia tend to highlight the entertainment and sensational elements displayed by each presidential candidate, especially regarding Prabowo Subianto. This happened to Detik.com which predominantly highlighted the behavior, interesting moments, humor, and conflicts involving Prabowo in the midst of his political activities. With these characteristics, it can be said that tabloidization occurred on Detik.com, where serious political news was packaged in a lighter and more entertaining way, thus reducing its relevance to the public interest. This study uses the framing theory and the framing analysis method of the Zhongdang Pan and Gerald M. Kosicki model to find out how Prabowo Subianto was framed by Detik.com in the tabloidization reporting style in the 2024 presidential election by reviewing the syntactic, script, thematic, and rhetorical structures of each news item. In addition, Carsten Reinemann's tabloidization elements are also used to describe the characteristics of tabloidization on Detik.com based on the dimensions of topic, focus, and style. The framing results will be categorized based on the style dimensions including trivialization, personalization, emotionalization, and dramatization news styles. From the analysis of 30 news items marked "pemilu" related to Prabowo Subianto published during the presidential election campaign period from January 1 to February 10, 2024, this study concluded that there were five frames categorized into four news presentation styles, namely (1) Prabowo Subianto is feuding with and being attacked by his political opponents (Emotionalization and Dramatization); (2) Prabowo Subianto is close to well-known political figures (Trivialization); (3) Prabowo Subianto is a figure who is meritorious, honorable, and willing to make sacrifices (Personalization and Dramatization); (4) Prabowo Subianto likes to joke and act funny (Trivialization); and (5) Prabowo Subianto participates in society (Trivialization). A review of the topic dimension shows that all news is packaged in the form of soft news and is described as more entertaining, interesting, or raising personal interests so that it is not politically and socially relevant. Meanwhile, the focus dimension shows that Detik.com uses an episodic frame with a focus on individuals where all news contains Prabowo Subianto as the main subject
SOSOK LAKI-LAKI DALAM IKLAN MS GLOW FOR MEN “SEMUA JUGA BISA” Fillmore Galih Wibisana, Kuirinus; Hasfi, Nurul; Lukmantoro, Triyono
Interaksi Online Vol 12, No 1: Januari 2024
Publisher : Jurusan Ilmu Komunikasi, FISIP, Universitas Diponegoro

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Male facial care advertisement has the aim of offering products as a solution to men's facial problems through the talent presented as the image of the product. Current facial care advertisements feature a metrosexual figure, but researchers found a different figure through the MS Glow For Men "Semua Juga Bisa" advertisement arguing that all men are capable of looking good without having to follow beauty standards. This research aims to describe the representation of the male figure and understand why MS Glow For Men presents the figure in the product advertisement with the tagline "Semua Juga Bisa". This research was conducted using qualitative method with semiotic analysis of Roland Barthes model. Researchers use various theories to describe the male figure in advertisements, namely the theory of social construction of reality, superiority/disparagement theory, and incongruity theory. Representation is seen with a constructionist approach that interprets symbols and language based on cultural and social meanings. The research resulted in the finding that the representation of the male figure displayed in the MS Glow For Men "Semua Juga Bisa" advertisement is the figure of a worker (working-class men as target consumers), risk takers (men are willing to do anything to achieve their dreams), violent figure (men use violence to solve problems), leader, loyal, and responsible (assertive male, decision-maker, obedient, and responsible for him and the group), facialist (men are interested in body care), and narcissist (men have high self-confidence and success comes from appearance). The male figure in the MS Glow For Men “Semua Juga Bisa” advertisement is an illusion that is presented with humor, but contains content that degrades the lower middle economic group, finally this advertisement persuades target consumers to follow the beauty standard
Co-Authors Adi Nugroho Agus Naryoso Agus Toto Widyatmoko, Agus Toto Anjani Salim, Siti Amira Armaulida, Annisa Astuti Dwi Wahyu Pertiwi Ayu Nabilla, Ayu Ayudia Putri, Rakhma Azzahra, Nabila Azzahrani, Safira Bayu Widagdo, Muhammad Candra Sateria, Candra Dewi Sekartaji, Audi Dheayu Jihan B.K., Dheayu Jihan Diandra Pratisthita Indraswar, Ni Luh Ayu Dina Tasyalia Dachman, Dina Tasyalia Djoko Setiabudi Eva Ratna Hari Putri Fariza Khumaedi Fillmore Galih Wibisana, Kuirinus Fitri Damayanti Gibran, Alvien Handono Priambodo, Handono Hapsari Dwiningtyas Sulistyani Hardiyanto, Muhamad Hedi Pudjo Santosa I. Nabila, Dethisa Indra Pratama Jehovani Ratna Mourina, Stella Joyo Nur Suyanto Gono Kanaya Faza, Kayla Kevina Ukraina, Vadhillah Khansa Berlian, Dinda Kuni Zakiyyah Kusuma, Ivana Lintang Ratri Rahmiaji Luthfi Fazar Ridho Madani, Ndaru Much Yulianto Much. Yulianto Muhammad Bayu widagdo Nirmala Hastutik, Renta Noven Harjadi, Christian Nur Fadila, Jihan Nurist Surayya Ulfa Nurul Hasfi Nurwijayanti Primada Qurrota Ayun Putra Baroto, Medio Putri Nabila, Alifia Putri Saraswati, Putri Rifat Farihi, Haikal S Rouli Manalu Sabila Rosyad, Ananda Sri Budi Lestari Sunarto Sunarto Swasti Kirana Putri, Swasti Kirana Tandiyo Pradekso Taufik Suprihartini Taufik Suprihatini Titiek Hendriama, Titiek Trian Kurnia Hikmandika, Trian Kurnia Turnomo Rahardjo Wahyu Irara Widya Hapsari, Arinta Wiwid Noor Rakhmad