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All Journal Melintas An International Journal of Philosophy and Religion JURNAL ITENAS REKARUPA Mediator Harmonia: Journal of Research and Education Product Design Journal of Visual Art and Design ANDHARUPA Extension Course Filsafat ( ECF ) International Journal of Humanity Studies (IJHS) Panggung Tawarikh : Journal of Historical Studies Home Economics Journal Visualita : Jurnal Online Desain Komunikasi Visual International Journal for Educational and Vocational Studies The Indonesian Design Journal Atrat: Jurnal Seni Rupa East Asian Journal of Multidisciplinary Research (EAJMR) DIMENSI: Journal of Architecture and Built Environment Serat Rupa: Journal of Design
Yasraf Amir Piliang
Bandung Institute of Technology
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Journal : Home Economics Journal

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A NEGOTIATING GENDER AND CULTURE: A SEMIOTIC ANALYSIS OF ANGGINI'S COSTUME IN WIRO SABLENG 1995 AND 2018 Puspitasari, Feny; Piliang, Yasraf Amir; Kahdar, Kahfiati; Waskita, Dana
Home Economics Journal Vol. 9 No. 2 (2025): October
Publisher : Universitas Negeri Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21831/hej.v9i2.80463

Abstract

Different cinematic contexts reflect filmmakers' varied perspectives and intentions, shaping the visual ideologies presented on screen. One principal means by which filmmakers articulate such ideologies is through costume design. Costumes function not merely as clothing but as symbolic artefacts that convey social, cultural, and ideological meanings. They play a vital role in shaping audience perceptions of characters and their roles while revealing more profound insights into identity, values, and worldviews. Previous research has highlighted how costumes contribute to character identity, particularly in terms of status, role, and psychological attributes. This study employs Roland Barthes’ semiotic theory and content analysis to explore the denotative and connotative meanings of costumes. The aim is to deepen the understanding of costume as a visual medium and to examine its ideological function, particularly in character representation. The analysis focuses on the character Anggini in the Wiro Sableng series (1995) and the movie (2018). Findings indicate that Anggini’s costume in the 1995 series reflects traditional cultural values, emphasising modesty, elegance, and femininity. In contrast, the 2018 film's costumes portray female strength more explicitly, influenced by Western aesthetics and the film’s multinational context. A structural costume pattern for female warrior characters typically consists of traditional female attire on the upper body, accompanied by male or unisex garments below for enhanced agility, and functional footwear for combat. These findings offer practical insights for emerging costume or fashion designers working with female warrior archetypes in Indonesian cinema.
Co-Authors Acep Iwan Saidi Achmad Syarief Agustina Kusuma Dewi Anindi Maulidya Fatima Armein Z.R. Langi Aulia Ardista Wiradarmo Bismo Jelantik Joyodiharjo Dana Waskita Deddy Wahjudi Deden Hendan Durahman Dewi, Agustina Kusuma Dwinita Larasati Firda Florencia, Firda G. R. Lono Lastoro Simatupang, G. R. Lono Lastoro Hafiz Aziz Ahmad Heddy Shri Ahimsa-Putra Imam Santosa Irfansyah Irfansyah Irma Damajanti Iwan Gunawan Kahfiati Kahdar Katherina Allo Kusuma Dewi, Agustina Nasution, Annio Indah Lestari Nuning Yanti Damayanti Nyai Kartika puspitasari, feny Rahayu Budhi Handayani Reiza D. Dienaputra Rinda Liem Rizki Taufik Rakhman Rosalinda Wiemar, Rosalinda Ruly Darmawan Savitri Putri Ramadina Sidarta, Nabilla Puteri Tati Suryati Syamsudin Tri Utami Ramadhiyanti Ummu Sakiinah Wanda Listiani Wildan Hanif Winny Gunarti Widya Wardani