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All Journal Melintas An International Journal of Philosophy and Religion JURNAL ITENAS REKARUPA Mediator Harmonia: Journal of Research and Education Product Design Journal of Visual Art and Design ANDHARUPA Extension Course Filsafat ( ECF ) International Journal of Humanity Studies (IJHS) Panggung Tawarikh : Journal of Historical Studies Home Economics Journal Visualita : Jurnal Online Desain Komunikasi Visual International Journal for Educational and Vocational Studies The Indonesian Design Journal Atrat: Jurnal Seni Rupa East Asian Journal of Multidisciplinary Research (EAJMR) DIMENSI: Journal of Architecture and Built Environment Serat Rupa: Journal of Design
Yasraf Amir Piliang
Bandung Institute of Technology
Religion Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Mathematics Social Sciences Other

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Journal : Visualita : Jurnal Online Desain Komunikasi Visual

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Telaah Etika Sinematika Deleuze Pada Reprensentasi Perempuan Jawa dalam Film 'SETAN JAWA’ Karya Garin Nugroho Dewi, Agustina Kusuma; Piliang, Yasraf Amir; Irfansyah, Irfansyah
Visualita Jurnal Online Desain Komunikasi Visual Vol 8 No 1 (2019): Agustus
Publisher : Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (435.193 KB) | DOI: 10.33375/vslt.v8i1.1867

Abstract

Film is a medium of visual communication that plays a role in the dissemination of women's concept discourse in Indonesia, one of which is due to its distinctive characteristics that can last for a long period of time, potentially wider in its dissemination, including also being a mass media hypnotic culture. The film is closely related to the concept of gaze, male gaze in the cinematography industry, which according to overly uses men's views, which is positioning women as subjects who have no power over themselves (self-possessiveness) but as objects of male gaze. Women become commodities in the film, a sex object that is commodified to construct an image that represents the position of women is as an additional role that is not important in one film narrative. In the male gaze narration, women in the film do not act, but become part of the actions of men. Morally, male gaze assumes that the behavior of women in films has a vacuum, but in Garin Nugroho's 'Setan Jawa’ using Deleuze's cinematic study, women are positioned to have other representations that differ from the ethics of cinematics which do not place women as signs of sex objectification for the sake of fulfillment of men's desires, but as subjects who are fully empowered and may wish of themselves.
Co-Authors Acep Iwan Saidi Achmad Syarief Agustina Kusuma Dewi Anindi Maulidya Fatima Armein Z.R. Langi Aulia Ardista Wiradarmo Bismo Jelantik Joyodiharjo Dana Waskita Deddy Wahjudi Deden Hendan Durahman Dewi, Agustina Kusuma Dwinita Larasati Firda Florencia, Firda G. R. Lono Lastoro Simatupang, G. R. Lono Lastoro Hafiz Aziz Ahmad Heddy Shri Ahimsa-Putra Imam Santosa Irfansyah Irfansyah Irma Damajanti Iwan Gunawan Kahfiati Kahdar Katherina Allo Kusuma Dewi, Agustina Nasution, Annio Indah Lestari Nuning Yanti Damayanti Nyai Kartika puspitasari, feny Rahayu Budhi Handayani Reiza D. Dienaputra Rinda Liem Rizki Taufik Rakhman Rosalinda Wiemar, Rosalinda Ruly Darmawan Savitri Putri Ramadina Sidarta, Nabilla Puteri Tati Suryati Syamsudin Tri Utami Ramadhiyanti Ummu Sakiinah Wanda Listiani Wildan Hanif Winny Gunarti Widya Wardani