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Komunikasi Visual: Analisis Semiotika Terhadap Baliho Calon Anggota Legislatif di Aceh Barat Tahun 2024 Syahrani, Rizky Amalia; Dony Arung Triantoro; Raudhatun Nafisah; Ainal Fitri; Muhammad Haekal
Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan Vol 15 No 1 (2024): Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan
Publisher : DEPARTEMENT OF COMMUNICATION AND ISLAMIC BROADCASTING STUDIES

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/hikmah.v15i1.9009

Abstract

The 2024 general election in West Aceh District has brought interesting phenomena, particularly regarding the use of speech billboards with certain identities inserted by legislative candidates. This paper aims to analyze the factors underlying the dysfunction of these billboards. This research employs a qualitative methodology in the form of a case study. The data was collected from the documentation of billboards that were installed prior to the commencement of the campaign period in October 2023. The data were subjected to analysis through several stages based on the social semiotic analysis method, which was developed by Theo Van Leeuwen and comprises four dimensions: discourse, genre, style, and modality. Based on the social semiotic analysis of the speech billboards of legislative candidates in West Aceh, it can be concluded that the choice of language and visualization on speech billboards is used to promote personal identity. The use of speech billboards at weddings, graduation ceremonies, and religious events can be seen as a manifestation of the tendency to use religious sentiment for one's own political gain, with the potential to disrupt the sanctity of the event and the space in which the event takes place. The visualization that the legislative candidates want to convey is visual, by displaying photos and identities that are significantly larger than the event organizer, showing that there is power for the billboard owner, in this case the legislative candidates, to present themselves.
Budaya Anak Muda, Globalisasi, dan Hiburan Populer: Komunitas Standupindo Dumai Indonesia Pramana, M. Agung; Triantoro, Dony Arung
Scriptura Vol. 14 No. 1 (2024): JULY 2024
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/scriptura.14.1.49-58

Abstract

Studi ini mengkaji tentang representasi budaya anak muda di dalam hiburan stand up comedy. Studi-studi sebelumnya hanya berfokus pada budaya lokal masyarakat saja, namun pada saat sekarang terjadi pembaruan dari budaya lokal ke budaya anak muda tanpa melupakan budaya lokal masyarakat. Berfokus pada komunitas standupindo Kota Dumai, artikel ini menjawab pertanyaan utama yaitu bagaimana representasi budaya anak muda yang sejalan dengan hiburan stand up comedy? Pertanyaan lanjutan yang akan penulis eksplorasi yaitu bagaimana kemunculan komunitas standupindo di Indonesia? Untuk menjawab pertanyaan-pertanyaan tersebut, penulis menggunakan data yang dihasilkan dari wawancara dan observasi, serta netnografi melalui akun instagram @standupindo_dumai dan spotify SUID Podcast. Hasil penelitian ini menunjukkan bahwa budaya lokal dan anak muda turut serta dalam mengemas hiburan stand up comedy. Contohnya membuat agenda-agenda dengan tema masyarakat Dumai, mengonsep pertunjukan stand up comedy di kafe. Hal ini menandakan bahwa antara budaya anak muda dan hiburan populer itu saling berkelindan satu dengan yang lainnya. Studi ini juga menggarisbawahi perlunya penelitian di komunitas standupindo di daerah-daerah lain untuk mengeksplorasi konsep budaya anak muda, dan untuk memperkaya pemahaman tentang budaya dan stand up comedy di Indonesia.
Menjadi Muslim Modern: Konstruksi Identitas Anak Muda Muslim di Kafe Triantoro, Dony Arung; FZ, Yudhisti Indra
Al-Izzah: Jurnal Hasil-Hasil Penelitian Vol 19, No. 1, Mei 2024
Publisher : Institut Agama Islam Negeri Kendari

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31332/ai.v0i0.8597

Abstract

This article discusses the construction of the Muslims youth identity in cafes. Cafes as a public habitus that is constructed modern and considered not 'Islamic' does not mean that it has no relationship with Islam. Therefore, this article seeks to answer the question of what is the relationship between Islam, cafes, and social media? So, to what extent do Muslims youth access cafes? Finally, how do Muslims youth construct their identity of piety and youth in a café? To answer these questions, the authors conducted fieldwork in the form of observations and interviews with café owners and several youths with a narrative approach. Then public space theory, identity theory and digital production theory were used to analyze research data. The results of this study found that the relationship between cafes, Islam and social media manifested in the activities of young Muslims themselves, especially in consuming café public spaces such as enjoying food and beverage products, wifi facilities, prayer facilities, and taking pictures. Muslim youth not only access the symbols of café modernity and post them on social media, but also access the café's worship facilities. These three practices, both in consuming symbols of café modernity such as café architectural design and painting art on coffee (latte art), then uploading it to social media and doing prayer practices in cafes are ways for young people to construct their pious and youthful identity while in the café. This finding deconstructs the long-held view by some scholars or the public that cafes are considered public spaces that have no connection with Islam.
Navigating the Digital Landscape: How Nahdlatul Ulama Volunteers Use Social Media for Organizational Promotion Dony Arung Triantoro
Islam Transformatif : Journal of Islamic Studies Vol. 8 No. 2 (2024): July-December 2024
Publisher : Universitas Islam Negeri Sjech M. Djamil Djambek Bukittinggi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30983/it.v8i2.8656

Abstract

This article aims to investigate how the digital volunteers of Nahdlatul Ulama (NU) utilize social media to promote the organization. The study employs a qualitative approach, gathering data through online interviews and content analysis of the Instagram account @nucreativemedia. This study will address three questions: First, what motivates digital volunteers to create the Instagram account @nucreativemedia? Second, what types of content are promoted on this account? Third, how do digital volunteers present NU content on Instagram? Based on these questions, the findings indicate that: First, the initiative to create the Instagram account @nucreativemedia is driven by the desire to counter radical and conservative Islamic movements on social media. Second, the content promoted includes NU scholars, fiqh and worship, social-political issues, and public facilities associated with NU, such as pesantren (Islamic boarding schools), hospitals, universities, and products. Third, the Instagram account @nucreativemedia enhances its content through a combination of colors, images, and audio that reflect NU culture. This promotional effort further reinforces NU's position and relevance in the online space.
Komunikasi Visual: Analisis Semiotika Terhadap Baliho Calon Anggota Legislatif di Aceh Barat Tahun 2024 Syahrani, Rizky Amalia; Dony Arung Triantoro; Raudhatun Nafisah; Ainal Fitri; Muhammad Haekal
Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan Vol 15 No 1 (2024): Al-Hikmah Media Dakwah, Komunikasi, Sosial dan Kebudayaan
Publisher : DEPARTEMENT OF COMMUNICATION AND ISLAMIC BROADCASTING STUDIES

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/hikmah.v15i1.9009

Abstract

The 2024 general election in West Aceh District has brought interesting phenomena, particularly regarding the use of speech billboards with certain identities inserted by legislative candidates. This paper aims to analyze the factors underlying the dysfunction of these billboards. This research employs a qualitative methodology in the form of a case study. The data was collected from the documentation of billboards that were installed prior to the commencement of the campaign period in October 2023. The data were subjected to analysis through several stages based on the social semiotic analysis method, which was developed by Theo Van Leeuwen and comprises four dimensions: discourse, genre, style, and modality. Based on the social semiotic analysis of the speech billboards of legislative candidates in West Aceh, it can be concluded that the choice of language and visualization on speech billboards is used to promote personal identity. The use of speech billboards at weddings, graduation ceremonies, and religious events can be seen as a manifestation of the tendency to use religious sentiment for one's own political gain, with the potential to disrupt the sanctity of the event and the space in which the event takes place. The visualization that the legislative candidates want to convey is visual, by displaying photos and identities that are significantly larger than the event organizer, showing that there is power for the billboard owner, in this case the legislative candidates, to present themselves.