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All Journal Jurnal Lahan Suboptimal Gondang: Jurnal Seni dan Budaya Batoboh : Jurnal Pengabdian Pada Masyarakat PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat JAS (Jurnal Agri Sains) PUBLIKASI PENELITIAN TERAPAN DAN KEBIJAKAN Jurnal Ilmiah Wahana Pendidikan Journal of Pragmatics and Discourse Research Prospect: Jurnal Pemberdayaan Masyarakat Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan Jurnal Prabung Seni: Pengkajian dan Penciptaan Seni Pertunjukan Eduvest - Journal of Universal Studies The Academic: English Language Learning Journal Sriwijaya Journal of Agribusiness and Biometrics in Agriculture Research
Riswani Riswani
Fakultas Pertanian Universitas Sriwijaya
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Neuroscience Public Health Social Sciences Other

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Penciptaan Karya Tari Dramatik Perwira Tanah Lingga Berdasarkan Cerita Rakyat Megat Raden Kuning Menggunakan Dasar Gerak Zapin Kote Rahul, Muhammad; Riswani, Riswani
Jurnal Cerano Seni : Pengkajian dan Penciptaan Seni Pertunjukan Vol 4 No 1 (2025): Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan (Juli 2025)
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/jcs.v4i1.45751

Abstract

Riset penciptaan karya tari berjudul Perwira Tanah Lingga bertujuan untuk menciptakan karya tari dramatik yang bersumber dari  cerita rakyat Melayu Lingga. Cerita ini merepresentasikan perjuangan rakyat Lingga melawan kekuasaan tirani dan penindasan. Proses penciptaan karya tari dilakukan dengan pendekatan eksploratif melalui tahapan observasi lapangan, wawancara, studi pustaka, serta analisis gerak dan emosi. Sebagai dasar gerak, pengkarya menggunakan motif tari tradisi Zapin Kote yang memiliki nilai estetika, etika, dan simbolik dalam masyarakat pesisir Lingga. Struktur dramatik yang digunakan adalah kerucut tunggal untuk membangun intensitas emosi secara bertahap hingga mencapai klimaks dramatik. Hasil penciptaan ini disusun ke dalam bentuk karya tari yang memiliki alur dramatik yang tersusun dengan hubungan kausalitas adegan yang kuat.
Penciptaan Tari Lara Berdasarkan Sastra Lisan Dideng Dusun Rantau Pandan Tiara Fatma Sari; M., Hartati; Riswani, Riswani
Prabung Seni: Jurnal Pengkajian dan Penciptaan Seni Vol. 3 No. 1 (2024): Prabung Seni | Pengkajian dan Penciptaan Seni Pertunjukan
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/jpps.v3i1.31339

Abstract

Karya tari Lara adalah karya yang digarap berdasarkan sastra lisan Dideng yang ada di Dusun Rantau Pandan Kabupaten Bungo. Lara merupakan hasil interpretasi yang dilahirkan kedalam kehidupan masa kini, tatkala perempuan mengalami kesedihan yang berlarut-larut ketika mengalami putus cinta. Landasan penciptaan gerak didasari pada motif gerak tari tauh dari Dusun Rantau Pandan. Metode penciptaan karya terbagi menjadi dua tahapan, yaitu pra-produksi (riset) dan produksi. Tahapan pra-produksi terdiri dari pengumpulan data dan pengembangan konsep, sedangkan tahap produksi adalah perwujudan tari. Karya tari yang menggunakan desain dramatik Kerucut Ganda ini terbagi menjadi tiga bagian, yaitu bagian pertama dengan kedamaian, bagian kedua dengan suasana sendu dan menegangkan dan bagian ketiga suasana kebahagian.
Mitigating Sexual Violence in Early Childhood through Information Service and Group Guidance to Parent Ahmad, Raja Rahima Munawarah Raja; Diniaty, Amirah; Purnama, Raden Deceu Berlian; Riswani, Riswani; Hasgimianti, Hasgimianti; Habibah, Suci
PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat Vol. 9 No. 12 (2024): PengabdianMu: Jurnal Ilmiah Pengabdian kepada Masyarakat
Publisher : Institute for Research and Community Services Universitas Muhammadiyah Palangkaraya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33084/pengabdianmu.v9i12.7993

Abstract

Sexual violence in early childhood continues to increase and is a phenomenon that hurts the Indonesian generation. Sexual violence experienced in early childhood has a serious impact on their growth and development, such as physical damage, trauma, stress, depression to loss of opportunities to continue life because they are victims of murder. Community Service (PKM) aims to mitigate through information services and Group Guidance to improve the skills of early childhood children to avoid sexual violence through parents. The target group is mothers who have early childhood. PKM activities are carried out through planning, implementation, and evaluation. Planning includes need assessment activities at the service location, including surveying the place of activity, coordinating with community leaders, namely RW and RT, and managing administration up to the RT level. Implementation activities start from perception, providing information services on mitigating sexual violence against early childhood, and conducting Group Guidance to explore the problems of target groups. The last activity is to conduct qualitative evaluations and conclude results thematically. The results of the final interview showed that the target group was satisfied because the service material was by the problems and anxieties they experienced. Target groups reveal the information provided is very useful in preventing their children from sexually violent behavior both from outside and from the family environment.
Development Strategies of Paddy Dayang Rindu Variety at Musi Rawas Regency Septiana, Anisah; Riswani, Riswani; Yunita, Yunita
Eduvest - Journal of Universal Studies Vol. 5 No. 1 (2025): Journal Eduvest - Journal of Universal Studies
Publisher : Green Publisher Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59188/eduvest.v5i1.50001

Abstract

This research aims to analyze the appropriate strategy to be used by Dayang Rindu rice farmers in Musi Rawas Regency in rice farming and at the same time analyze the influence of production factors on production results. This research uses qualitative analysis techniques in the form of SWOT analysis and quantitative analysis techniques in the form of multiple regression analysis. The research results show that the average total income earned by farmers is 68.5 million rupiah in one production period. The results of multiple regression analysis show that the pesticide variable has an insignificant and negative influence. The seed variable has a positive but not significant effect, while the land area, fertilizer and labor variables have a positive and significant effect on the production results of dayang rindu longing. The results of the SWOT analysis place the Dayang Rindu rice farming business in Quadrant I, which means the strategy to be used is to strengthen internal advantages by optimizing land use to increase productivity levels. Another strategy is to build collaboration with local governments and financial institutions to open opportunities and create capabilities in marketing agricultural products.
Analisis Pola Asuh Orang Tua Dalam Pembentukan Karakter Bertanggung Jawab Siswa Kelas V SD Gmim 3 Tomohon Riswani, Riswani; Tumurang, Hetty J.; Sumilat, Margareta O.
Jurnal Ilmiah Wahana Pendidikan Vol 10 No 7 (2024): Jurnal Ilmiah Wahana Pendidikan
Publisher : Peneliti.net

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5281/zenodo.11031776

Abstract

This research was carried out at SD GMIM 3 Tomohon, aiming to describe parental parenting patterns in forming the responsible character of students at SD GMIM 3 Tomohon. The research method used is qualitative research. The type of research used by researchers in this research is a case study. The data collection techniques for this research are observation, direct interviews, and documentation. The research instruments were the principal, class teachers, students and parents. The data analysis technique uses the Miles and Huberman Model which consists of four stages, namely data collection, data reduction, data presentation and drawing conclusions. Data validity tests in qualitative research include credibility tests (internal validation), transferability (external validation), dependability (reliability), confirmability (objectivity). Ways to test the credibility of data or trust in data resulting from qualitative research include: extending observations, increasing persistence in research, triangulation (tringulation of sources and triangulation of data collection techniques and triangulation of time), analysis of negative cases, using reference materials, conducting check-ups. The conclusion obtained from this research is that the formation of children's character is influenced by the form of parenting patterns of parents at home. This is because parents are the ones who look after and guide children from birth to adulthood. The family is the first and foremost educator.
Perancangan Koreografi 'Simpuh Ruh' Berdasarkan Nilai-Nilai Spiritual Ritual Besale Suku Anak Dalam Riani, Sukma Novia; Pramasheilla, Dinda Assalia Avero; Riswani, Riswani; Handayani, Lusi
Jurnal Cerano Seni : Pengkajian dan Penciptaan Seni Pertunjukan Vol 4 No 2 (2025): Jurnal Cerano Seni: Pengkajian dan Penciptaan Seni Pertunjukan (Desember 2025)
Publisher : Universitas Jambi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/jcs.v4i2.51106

Abstract

The Besale ritual of the Suku Anak Dalam (SAD) community in Jambi is a traditional healing ceremony imbued with profound spiritual values, particularly the concept of Simpuh Ruh. These values are increasingly threatened by the forces of modernization; therefore, the Simpuh Ruh choreography was designed as a transformation of the ritual to serve as a strategy for cultural preservation. This article aims to explain the systematic process of designing the Simpuh Ruh choreography, from movement exploration to final composition, and to analyze how the spiritual values of the Besale ritual are embodied within its choreographic elements. The artistic creation method employed includes stages of exploration, improvisation, and formation, conducted through observation and unstructured interviews. Data analysis is based on the interpretation of cultural meaning. The work is codified as a dramatic dance type, structured using a single-cone compositional form. Non-formal ritual movements are developed into intensive movement motifs characterized by vibration, stamping, and simpuh gestures. The musical accompaniment utilizes the Besale drum with mantra-based vocalizations, while the primary property employed is the Balai Terbang. Simpuh Ruh demonstrates that spiritual values and the non-formal movements inherent in ritual practice can be methodologically transformed into a cohesive choreographic structure, contributing significantly to the preservation of ritual-based dance traditions.
The Creation of the Performative Theater Ruang Ketubuhan Utama, Galuh Tulus; Riswani, Riswani; Pribadi, Fantri; Mayangsari, Marrisa Aulia; Candra, Iga Ayu Intan
Gondang: Jurnal Seni dan Budaya Vol. 9 No. 2 (2025): GONDANG: JURNAL SENI DAN BUDAYA, DECEMBER 2025
Publisher : Universitas Negeri Medan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24114/gondang.v9i2.69164

Abstract

Site-specific performance is established in international practice, yet its application in post-disaster contexts remains under appreciated. This study addresses this gap by exploring the creation of ‘Ruang Ketubuhan’ (The Embodied Space), a performative theater work developed in the ruins of Mount Merapi eruption, Sleman, Yogyakarta, in 2010. Grounded in Practice-as-Research method, site-specific ethnography, and autoethnography, this study documents a creative process where ruins, objects, and borrowed narratives from survivors become active dramaturgical events. The findings demonstrate that the performer’s body functioned as a medium to translate historical trauma into a shared and empathetic experience. It gained through methods of spatial attunement and emotional memory reflection. The study concludes that Ruang Ketubuhan offers a model for ‘embodied site-specificity’ which argued that the interweaving of body, space, and memory in performance constitutes a significant mode of knowledge production. This moves beyond aesthetic documentation to show how performative practice can actively mediate challenging history, making it accessible and relevant for both live and mediated audiences.
Co-Authors Ahmad, Raja Rahima Munawarah Raja Alfalah Alfalah Amirah Diniaty Candra, Iga Ayu Intan desi aryani Doni Paturrahman Efrinon, Efrinon Elisa Wildayana Fakummita, Nabila Falinda, Septy Fatriyanti, Yosi Firdaus Firdaus Gustyawan, Tofan Habibah, Suci Handayani, lusi Hasgimianti, Hasgimianti Hendrixon, Hendrixon Hetty J Tumurang IKHSAN SATRIA IRIANTO Indra Gunawan Jufri Jufri Lifianthi, Lifianthi M., Hartati Mahdi Bahar Martiaty, Nenny Mayangsari, Marrisa Aulia Muliati Muliati, Muliati Nurwijayanti Pramasheilla, Dinda Assalia Avero Pribadi, Fantri Purnama, Raden Deceu Berlian Rahul, Muhammad Ramadhan, Fazri Restu Januarty Hamid Riani, Sukma Novia Rozirwan . Selly Oktarina Septiana, Anisah Sumilat, Margareta O. Tiara Fatma Sari Utama, Galuh Tulus Yunita Yunita