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Journal : SASINDO

PROSESI PANGGIH PADA UPACARA PERKAWINAN ADAT JAWA TENGAH DALAM TINJAUAN SEMIOTIK TADEUSZ KOWZAN Setyawati, Nanik; Zaidah, Nuning; Fatimah, Siti
Sasindo Vol 6, No 1 (2018): Sasindo Januari 2018
Publisher : Universitas PGRI Semarang

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Abstract

ABSTRAKTujuan yang dicapai dalam penelitian ini adalah mendeskripsikan tata cara dan makna Prosesi Panggih pada Upacara Perkawinan Adat Jawa Tengah. Digunakan kajian semiotik teater berdasarkan perspektif Tadeusz Kowzan untuk mengetahui tata cara dan makna Prosesi Panggih pada Upacara Perkawinan Adat Jawa Tengah. Berdasarkan penelitian, dapat dikemukakan beberapa hal, yaitu upacara perkawinan adat Jawa Tengah terdiri atas 3 jenis, yaitu 1) Prosesi Panggih, 2) Prosesi Krobongan, dan 3) Upacara Sabda. Prosesi Panggih terdiri atas 3 tahapan, yaitu 1) balangan gantal (berbalangan sirih), 2) mrepeg ponang antigan (memecah telur), dan 3) wijikan (membasuh kaki laki-laki). Balangan gantal diartikan sebagai lambang bahwa dalam mengarungi bahtera rumah tangga penuh dengan suka-duka harus dirasakan bersama. Selanjutnya, mrepeg ponang antigan mengandung makna harapan bahwa pengantin berdua harus sudah siap untuk berfikir mandiri (pecah nalar atau pecah pikir). Sementara itu, wijikan yang berisikan bunga pancawarna dan air yang diambil dari kali tempur mengandung makna bahwa kesucian jiwa pengantin berdua.Kata kunci: makna semiotis Prosesi Panggih, semiotika teater Kowzan
PEMAKAIAN BAHASA GAUL DALAM KOMUNIKASI DI JEJARING SOSIAL Nanik Setyawati
Sasindo Vol 2, No 2 Agustus (2014): SASINDO
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/sasindo.v2i2 Agustus.974

Abstract

Social networking is a medium that is widely used by speakers of the language to communicate remotely via the internet. The use of the vocabulary of slang in social networks continues to grow and change to follow the trend. Social networks are much in demand by the public, ie facebook, twitter, BBM, and whats app. Slang vocabulary that developed lately are often irregular ie no formula or to abbreviate words. There is also the use of a foreign language. This language is temporal and confidential, then the impression that this language is the secret language of the thieves or criminals, but they are not. The confidentiality factor causing the vocabulary used in slang often changed. The use of slang in the form of communication in social networks such as: (a) the word irregular and can not be formulated, (b) tend to abbreviate words, and (c) using particles. Factors behind the use of slang in social networking is (a) to strengthen the relationship, look for a form of identity, expressing self-expression; (b) to convey things that are considered to be closed for any other age group or that the other party can not know what he was talking about; and (c) for the purpose of concealment or antics.Keywords: slang, social networking
POTRET EKSPLOITASI PEREMPUAN OLEH PENULIS PEREMPUAN DALAM SUSASTRA ANGKATAN 2000-AN: KAJIAN FEMINISME DALAM SUSASTRA INDONESIA Nanik Setyawati; Zainal Arifin; Larasati .; Icuk Prayogi
Sasindo Vol 1, No 2/septembe (2013): sasindo
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/sasindo.v1i2/septembe.673

Abstract

Research about exploitation of female author toward woman on 2000s period litterature is so important for mapping of litterature history, reading refereces, and refereces for teacher litterature. This reseacrh will reveal how does the form of female author exploitation toward woman, all at once to reveal a track record of the author life. The approach used on this research is receptive approach in litterature. Receptive approach is one of approcah that use teh reader point of view to get some reseach datas. The sources of the research are litterature texts produced by female author on 2000s period and litterature readers that contain woman exploitation by female author on 2000s period. Several litterature that represented delegation of female author has been decided to limit the extent of data source. They are Ayu Utami (Saman), Dewi Lestari (Supernova: Ksatria, Putri, dan Bintang Jatuh), Fira Basuki (Jendela-jendela), dan Djenar Mahesa Ayu (Jangan Main-main (Dengan Kelaminmu)). Based on the result, according to the reader reception, female authors who exploit woman, on average have a way of exposure vulgar story, put?é?á woman life on the hedonic sphere, have a denotative style of language (use a less conotative), so brave to expose female vital organ, and not hesitate to talking about ?óÔé¼?£vagina?óÔé¼Ôäó and breast. Whereas the conclustion from the author?óÔé¼Ôäós life track record, those female authors on average are within biologically productive age. About their education, those authors are educated people and have a job in political sector. However, they often againt such of problem with family, especially the problem of divorce. ?é?á Key words: woman exploitation, female author, 2000s period litterature, feminisme.
Kohesi dan Koherensi dalam Video Food Vlogger Farida Nurhan Rimbawati, Kiki; setyawati, Nanik; Indrariani, Eva Ardiana
Sasindo : Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12, No 1 (2024): Januari 2024
Publisher : Universitas PGRI Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26877/sasindo.v12i1.18377

Abstract

 Tujuan penelitian ini adalah untuk mendeskripsikan wujud kohesi gramatikal dan leksikal yang terdapat dalam video food vlogger Farida Nurhan, mendeskrisikan wujud koherensi yang terdapat dalam video food vlogger Farida Nurhan. Metode penelitian yang digunakan adalah deskriptif kualitatif.  Sumber data yang digunakan dalam penelitian ini adalah tuturan yang terkandung dalam video food vlogger Farida Nurhan yang diperoleh sejak Januari sampai Desember 2019. Teknik penyediaan data menggunakan teknik simak dan teknik catat. Teknik penyajian hasil analisis data dilakukan dengan cara informal. Berdasarkan hasil penelitian yang dilakukan, ditemukan 55 data kohesi gramatikal berupa 19 data persona, 7 data demostratif, 2 data, elipsis 5 data komperatif, i 4 data substitus, 18 data konjungsi dilanjutkan 34 data kohesi leksikal yang berupa 8 data repetisi, 21 data hiponimi, 5 data kolokasi,  dan diakhiri 18 data koherensi berupa spesifik-generik, generik-spesifik, hubungan sebab akibat, hubungan sarat simpulan, dan hubungan makna alasan (argumentatif).Â